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Journal articles on the topic 'Women Writers forgotten'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Ryan, Michael, Angela Ingram, and Daphne Patai. "Rediscovering Forgotten Radicals: British Women Writers, 1889-1939." South Central Review 11, no. 4 (1994): 61. http://dx.doi.org/10.2307/3190118.

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Atack, Margaret, and Jennifer Milligan. "The Forgotten Generation: French Women Writers of the Inter-War Period." Modern Language Review 94, no. 2 (1999): 549. http://dx.doi.org/10.2307/3737181.

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3

McDonald, Jan. "New Women in the New Drama." New Theatre Quarterly 6, no. 21 (1990): 31–42. http://dx.doi.org/10.1017/s0266464x0000395x.

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While considerable attention has been paid in recent years to the work of women dramatists during the wave of proto-feminist activity in the early years of the present century, the way in which women characters – whether created by male or female writers – were presented has been less adequately investigated. Here, Jan McDonald, Head of the Department of Theatre, Film, and Television Studies in the University of Glasgow, explores the work of well-known and largely-forgotten playwrights alike, discussing the ways in which the ‘new drama’ – the subject of Jan McDonald's recent book for the ‘Macm

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Ramsay, Raylene L. "Book Review: The Forgotten Generation: French Women Writers of the Inter-war Period." MFS Modern Fiction Studies 44, no. 4 (1998): 1027–29. http://dx.doi.org/10.1353/mfs.1998.0095.

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O'BRIEN, C. "Review. The Forgotten Generation: French Women Writers of the Inter-War Period. Milligan, Jennifer E." French Studies 52, no. 2 (1998): 227. http://dx.doi.org/10.1093/fs/52.2.227.

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Clapp-Itnyre, Alisa. "WRITING FOR, YET APART: NINETEENTH-CENTURY BRITISH WOMEN'S CONTENTIOUS STATUS AS HYMN WRITERS AND EDITORS OF HYMNBOOKS FOR CHILDREN." Victorian Literature and Culture 40, no. 1 (2012): 47–81. http://dx.doi.org/10.1017/s1060150311000246.

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When Sandra Gilbert and Susan Gubar asked in 1979, “How then – since poets are priests – can women be poets?” (Madwoman in the Attic 546), they opened up to debate the predominant ideological holdover from the Victorians that “the very nature of lyric poetry is inherently incompatible with the nature or essence of femaleness” (541). More than thirty years later, while women's poetic contributions are regularly considered by literary scholarship, I would now advocate for the woman hymn writer for children – she who, as hymn writer or editor, surely enacted the role of religious “priest” for cou

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Phillipps-López, Dolores. "Narradoras mexicanas del modernismo: las tribulaciones editoriales de Betanzo, Méndez y Camarillo." (an)ecdótica 4, no. 1 (2020): 53–70. http://dx.doi.org/10.19130/iifl.anec.2020.4.1.0003.

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With rare and brief echos of her published work (three novels and three short novels) in the press of her time, few books scattered today in a couple of libraries and present critical reception reduced to two or three minor incursions of her work, Francisca Betanzo (Chanteclair), born in Tehuacan, is a revealing —although extreme— case among those Mexican women devoted to literature during the Modernist fin de siècle of the Porfirian regime. More than anything else, hers is a story of “uncertainty and perplexity” (Romero Chumacero, 2015). Due to the fact that the works of Francisca Betanzo wer

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Pigoń, Anna. "Obraz gór w kobiecych narracjach o Tatrach do 1939 roku." Góry, Literatura, Kultura 13 (September 22, 2020): 217–28. http://dx.doi.org/10.19195/2084-4107.13.18.

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Women’s narratives from before 1939 constitute a small part of the entire literature dealing with the Tatras. Many of them have been forgotten owing to their limited artistic value as well as limited contribution to the development of literary culture in the Podhale region. An important and often dominant feature of women’s narratives concerning the Tatras is idealisation of the mountains. The article focuses on the idealistic image of the Tatras created by female writers before 1939. The basic research method adopted by the author is geocriticism, which provides for the creation of a ty

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SAPIRO, GISÈLE. "Some Overseas Angles on the History of French Literature." Contemporary European History 8, no. 2 (1999): 335–46. http://dx.doi.org/10.1017/s096077739900209x.

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Martyn Cornick, The Nouvelle Revue Française under Jean Paulhan 1925–1940 (Amsterdam and Atlanta: Rodopi, 1995), 224 pp., Fl. 65, $40.50, ISBN 9-051-83767-6.Nicholas Hewitt, Literature and the Right in Postwar France: The Story of the ‘Hussards’ (Oxford and Washington, DC: Berg Publishers, 1996), 218 pp. (hb.), £34.95, ISBN 1-859-73029-9.Denis Hollier, Absent Without Leave: French Literature under the Threat of War, trans. Catherine Porter (Cambridge, MA and London: Harvard University Press, 1997), 256 pp. (pb.), £18.50, ISBN 0-674-21271-1.Jeffrey Mehlman, Geneologies of the Text: Literature,

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БОДРОВА, А. Г. "Травелоги югославских писательниц первой половины ХХ века: в поисках идентичности". Studia Slavica Academiae Scientiarum Hungaricae 64, № 1 (2019): 27–36. http://dx.doi.org/10.1556/060.2019.64103.

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The paper considers travelogues of Yugoslav female writers Alma Karlin, Jelena Dimitrijević, Isidora Sekulić, Marica Gregorič Stepančič, Marica Strnad, Luiza Pesjak. These texts created in the first half of the 20th century in Serbian, Slovenian and German are on the periphery of the literary field and, with rare exceptions, do not belong to the canon. The most famous of these authors are Sekulić from Serbia and the German-speaking writer Karlin from Slovenia. Recently, the work of Dimitrijević has also become an object of attention of researchers. Other travelogues writers are almost forgotte

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11

HAMZA REGUIG MOURO, Wassila. "From Feminization of Fiction to Feminine Metafiction in Gaskell’s Wives and Daughters and Woolf’s Orlando." Arab World English Journal For Translation and Literary Studies 4, no. 4 (2020): 187–201. http://dx.doi.org/10.24093/awejtls/vol4no4.13.

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Feminism developed and widened its scope to different disciplines such as literature, history, and sociology. It is associated with various other schools and theories like Marxism and poststructuralism, as well. In the field of literature, feminist literary criticism managed to throw away the dust that cumulated on women’s writing and succeeded in raising interest in those forgotten female artists. Some critics in the field of feminism claim that there are no separate spheres, masculine and feminine, whereas others have opted for post-feminist thinking. Some women writers used metafiction to w

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Rabinowitz, Paula. "Heretics and Hellraisers: Women Contributors to "The Masses", 1911-1917. Margaret C. JonesRediscovering Forgotten Radicals: British Women Writers, 1889-1939. Angela Ingram , Daphne PataiA Price below Rubies: Jewish Women as Rebels and Radicals. Naomi Shepherd." Signs: Journal of Women in Culture and Society 21, no. 1 (1995): 180–83. http://dx.doi.org/10.1086/495050.

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13

Martins, José Cândido De Oliveira. "Retratos femininos em ciclo ficcional de Fernanda Botelho: vozes narrativas e atmosfera de melancolia / Female Portraits in Fernanda Botelho’s Fictional Cycle: Narratives Voices and Melancholy Atmosphere." Revista do Centro de Estudos Portugueses 39, no. 61 (2019): 71. http://dx.doi.org/10.17851/2359-0076.39.61.71-86.

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Resumo: Fernanda Botelho (1926–2007) é autora de uma obra ficcional marcada pela originalidade em vários aspectos, que se estende por cerca de meio século, embora se conta entre as escritores contemporâneas injustamente esquecidas. No ciclo ficcional de Fernanda Botelho da década de 1990, dotado de afinidades diversas – Festa em Casa de Flores (1990), Dramaticamente vestida de negro (1994) e As Contadoras de histórias (1998) –, a escritora detém-se na análise de significativa galeria de figuras femininas e em algumas das questões envolventes, num quotidiano dominado por uma banalidade inquieta

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Cosslett, Tess. "A Victorian Quartet: Four Forgotten Women Writers. Liz Thiel, Elaine Lomax, Bridget Carrington, and Mary Sebag-Montefiore. Lichfield: Pied Piper Publishing, 2008. 296 pages. £18.00 (paperback)." International Research in Children's Literature 2, no. 1 (2009): 141–42. http://dx.doi.org/10.3366/e1755619809000568.

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Schaffer, Talia. "Victorian Feminist Criticism: Recovery Work and the Care Community." Victorian Literature and Culture 47, no. 1 (2018): 63–91. http://dx.doi.org/10.1017/s1060150318001304.

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It is fitting that this article emerged from a conference in which the orderly progression of speakers was continually modified by exchanges within the conference space, for these two ways of organizing information form the subject of this article. When we aim to recover Victorian women writers, we often imagine a particular case in a timeline, selecting and extracting in a tacit model of linear orderliness. This is particularly significant in what we might call “recovery feminism,” the practice of salvaging texts that have been lost to history. Recovery feminism has dominated Victorianist fem

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Czibere, Ibolya. "“Even history has forgotten to write the story of women”." Belvedere Meridionale 28, no. 2 (2016): 82–92. http://dx.doi.org/10.14232/belv.2016.2.6.

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Purinaša, Ligija. "FACTORS OF INSPIRATION IN ČENČU JEZUPS’ NOVEL “PĪTERS VYLĀNS”." Via Latgalica, no. 8 (March 2, 2017): 126. http://dx.doi.org/10.17770/latg2016.8.2237.

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Čenču Jezups or Dzērkste (real name Jezups Kindzuļs, 1888–1941?) was a Latgalian public figure, agronomist, publicist and writer. Date of his death is unknown – he was arrested in February 1941 by NKVD (People's Commissariat for Internal Affairs), but after that there is no information about his further life. He participated in the Latgalian Awakening movement at the beginning of 20th century. Later J. Kindzuļs was one of the organizers of the Latgalian congress (1917) in Rēzekne and a member of Constitutional Assembly of Latvia (1920–1922). He was an editor of such periodicals as “Latgalīts”

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18

Muldoon, James. "Luise Kautsky: The ‘Forgotten Soul’ of the Socialist Movement." Historical Materialism 28, no. 3 (2020): 113–37. http://dx.doi.org/10.1163/1569206x-00001893.

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Abstract This article draws on archival research to recover the legacy of Luise Kautsky – journalist, editor, translator, politician and wife of Karl Kautsky – who has been overlooked as a leading member of the socialist movement. First, by adopting a feminist historical lens to reveal the unacknowledged intellectual labour of women, the article reassesses Luise Kautsky’s relationship to Karl Kautsky and his writings. The evidence suggests that Luise Kautsky was essential to the development, editing and dissemination of the work of Karl Kautsky. Second, the article claims Luise Kautsky played

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Hamdan, Rahimah. "WINNING THE HEARTS OF THE MALAYS: THE PERSPECTIVE OF THE AUTHOR OF SYAIR TUAN HAMPRIS TOWARDS THE COLONIALISTS." International Journal of Creative Industries 2, no. 5 (2020): 01–15. http://dx.doi.org/10.35631/ijcrei.25001.

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This study was aimed at identifying the author’s perspective of the colonialists, and to analyse her relationship with one of them in her poem. The British colonisation of the Malay world in the nineteenth century gave rise to various reactions and attitudes among the indigenous communities, the majority of whom were opposed to colonisation, as recorded in traditional Malay literary works. Most of these works expressed the anxiety and hardships they encountered in life under the colonial government. Therefore, it would have been disturbing if any Malay writer were to heap praises on the Britis

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White, Robin Anita. "Weak Whites: Yellow Fever in Three Nineteenth-Century Louisiana Novels." Quebec Studies 70, no. 1 (2020): 33–55. http://dx.doi.org/10.3828/qs.2020.15.

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Since the eighteenth century, yellow fever has had a racialized history in New Orleans and elsewhere in the Americas stemming, in part, from the disease’s origins in West Africa. There was a misconception that blacks were less likely to fall victim to the disease. This article establishes the theories around contagion and susceptibility, showing that whites, especially foreigners, were thought to be at greater risk for what was called the “Strangers’ Disease.” It then analyzes three nineteenth-century novels about New Orleans wherein yellow fever plays an important role. Two of the novels are

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Frazier Peterson, Whit. "A Magnificent Blond Beast: Exploring the Implications of Harlem Renaissance Writer Wallace Thurman as Ghostwriter of a Forgotten Celebrity Gossip Memoir." Polish Journal for American Studies, Issue 14 (Autumn 2020) (December 1, 2020): 225–41. http://dx.doi.org/10.7311/pjas.14/2/2020.07.

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In an early version of his article “Harlem Literati in the Twenties,” first published in the Saturday Evening Review in 1940, Langston Hughes offers the curious suggestion that Wallace Thurman was the ghostwriter of Men, Marriage and Me (erroneously written as Men, Women and Checks in Hughes’ article), the tell-all memoir ostensibly by the original blonde bombshell Peggy Hopkins Joyce. According to Hopkins’ biographer, however, Basil Woon, an English playwright and gossip columnist was supposed to have been the ghostwriter of this book. My paper will address this discrepancy by focusing on the

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22

Serdiuk, Ya O. "Chamber music works by Amanda Maier in the context of European Romanticism." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 56, no. 56 (2020): 121–35. http://dx.doi.org/10.34064/khnum1-56.08.

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Background. The name of Amanda Maier (married – R&#246;ntgen-Maier), the Swedish violinist, composer, pianist, organist, representative of the Leipzig school of composition, contemporary and good friend of С. Schumann, J. Brahms, E. Grieg, is virtually unknown in the post-Soviet space and little mentioned in the works of musicologists from other countries. The composer’s creativity has long been almost completely forgotten, possibly due to both her untimely death (at the age of 41) and thanks to lack of the research interest in the work of women composers over the past century. The latter,

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Król, Katarzyna. "Aniela Walewska’s Carpathian trail." Góry, Literatura, Kultura 14 (August 18, 2021): 197–221. http://dx.doi.org/10.19195/2084-4107.14.15.

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The aim of the article is to bring back from obscurity a travel account, Wycieczka z Szczawnicy do Szmeks (A Trip from Szczawnica to Szmeksy) by a forgotten writer of the Romantic period, Aniela Walewska (1826–1873). During her Carpathian trip in the summer 1854 she admired mountain landscapes and visited historically attractive localities. The traveller began her several-day-long trip in Szczawnica, subsequently visiting, among others, Lubowla, Podoliniec, Kieżmark, Szmeks and Nowa Wieś. As she traversed the Carpathians, she got to know the local architecture, paint-ings and sculptures, saw b

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 67, no. 3-4 (1993): 293–371. http://dx.doi.org/10.1163/13822373-90002670.

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-Gesa Mackenthun, Stephen Greenblatt, Marvelous Possessions: The wonder of the New World. Chicago: University of Chicago Press, 1991. ix + 202 pp.-Peter Redfield, Peter Hulme ,Wild majesty: Encounters with Caribs from Columbus to the present day. An Anthology. Oxford: Oxford University Press, 1992. x + 369 pp., Neil L. Whitehead (eds)-Michel R. Doortmont, Philip D. Curtin, The rise and fall of the plantation complex: Essays in Atlantic history. New York: Cambridge University Press, 1990. xi + 222 pp.-Roderick A. McDonald, Hilary McD.Beckles, A history of Barbados: From Amerindian settlement to

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King, Andrew. "THE SYMPATHETIC INDIVIDUALIST: OUIDA'S LATE WORK AND POLITICS." Victorian Literature and Culture 39, no. 2 (2011): 563–79. http://dx.doi.org/10.1017/s1060150311000143.

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For many years, the novels of Ouida (Maria Louise Ramé, 1839–1908), were rejected as offering nothing but commercially valuable “voluptuous daydreams” (Leavis 164) that catered to “the degenerate taste of the new reading public of the commercial middle class” (Elwin 282). Since the late 1980s, however, they have been read with renewed interest. Ouida has come to be recognised as a “forgotten mother” of the 1890s aesthetic movement (Schaffer, Female Aesthetes and “Origins”); as a significant player on the anti–feminist side in the New Woman debates of the 1890s (Gilbert); and, with seeming para

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Proskurina, E. N. "PUSHKIN’S ALLUSIONS IN B. VOLKOV’S STORY «STEPPE RAVEN»." Culture and Text, no. 45 (2021): 121–30. http://dx.doi.org/10.37386/2305-4077-2021-2-121-130.

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The article analyzes the story of the forgotten writer of Eastern emigration B. N. Volkov«Steppe Raven» in dialogue with the works of A. Pushkin. The goal of the article is to show the stylistic devices, plot elements, artistic details, subtexts of the story, which provide the grounds for finding allusions of Pushkin’s works in the story. Pushkin’s diary notes, «Journey to Arzrum», and a poetic message to «Kalmychka» are involved in the research. The article shows Volkov’s original approach to Pushkin’s texts. Stylistically, Volkov’s story correlates with Pushkin’s prose by the laconicism of t

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BELAVINA, Ekaterina M. "MOTIFS TRANSFORMATION OF M. DESBORDES-VALMORE LYRICS IN THE WORKS OF MARINA TSVETAEVA." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 1 (2021): 128–43. http://dx.doi.org/10.21684/2411-197x-2021-7-1-128-143.

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The influence of French culture on the poetry of M. Tsvetaeva was noted by her contemporaries (B. Pasternak, S. Bobrov), and also became the subject of scientific research (for example, N. Strelnikova). However, the relationship of her poetry with the French writer work of the romanticism era, M. Desbordes-Valmore (1786-1859), which is almost forgotten in our days, is analyzed for the first time, which seems relevant in light of the growing interest in the role of women in European culture. The article uses a biographical method, with the involvement of the poetics of the rhythm of H. Meshonni

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Król, Katarzyna. "Apeniny we wspomnieniach Anieli Walewskiej." Góry, Literatura, Kultura 13 (September 22, 2020): 333–41. http://dx.doi.org/10.19195/2084-4107.13.26.

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Kilka chwil we Włoszech w latach 1847 i 1848 [A few Moments in Italy in 1847 and 1848], a volume of memoirs published in 1850 and written by Aniela Walewska — a forgotten author of the Romantic era — is a historically, culturally and socially interesting travel account which, in addition to notes devoted to the political situation at the time, also features descriptions of cultural and natural landscapes which Walewska had an opportunity to admire during her Italian voyage. Particularly worthy of note are her reflections concerning mountain landscapes reflecting the author’s romantic sensibili

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Zabyaka, Ivan. "A EUROPEAN WITH A UKRAINIAN SOUL." Almanac of Ukrainian Studies, no. 22 (2017): 111–20. http://dx.doi.org/10.17721/2520-2626/2017.22.19.

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The article deals with Vasyl Gorlenko, one of the most prominent Ukrainian culturologists of the late nineteenth century – beginning of the XX century. Whose name on the one hand did not belong to the forgotten names: it is fixed in all professional encyclopedias, many articles have been written about it, it is mentioned in the memoirs of contemporaries, there are even three monographs, on the other hand all this is very small, going out from what was done by Vasily Petrovich. There are a lot of problems raised in the writings of V. Gorlenko. There are some that are extremely important. It was

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Grenouillet, Corinne. "La révolution espagnole de 1936 dans Pas pleurer de Lydie Salvayre." Literatūra 60, no. 4 (2019): 34–46. http://dx.doi.org/10.15388/literatura.2018.10.

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[full article and abstract in French; abstract in English and Lithuan Pas pleurer de Lydie Salvayre (2014) s’inscrit dans un des sous-genre les plus proli- fiques de la littérature française contemporaine, le récit de filiation, qui se présente comme une en- quête sur un ascendant (Viart 2005 et 2009). Par le biais des souvenirs de la guerre d’Espagne que lui raconte sa mère âgée de quatre-vingt dix ans et la lecture simultanée des Grands cimetières sous la lune de Georges Bernanos (1938), Lydie Salvayre qui intervient dans le livre à la première personne, propose une réflexion complexe

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Gómez-Sánchez, Pío-Iván Iván. "Personal reflections 25 years after the International Conference on Population and Development in Cairo." Revista Colombiana de Enfermería 18, no. 3 (2019): e012. http://dx.doi.org/10.18270/rce.v18i3.2659.

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In my postgraduate formation during the last years of the 80’s, we had close to thirty hospital beds in a pavilion called “sépticas” (1). In Colombia, where abortion was completely penalized, the pavilion was mostly filled with women with insecure, complicated abortions. The focus we received was technical: management of intensive care; performance of hysterectomies, colostomies, bowel resection, etc. In those times, some nurses were nuns and limited themselves to interrogating the patients to get them to “confess” what they had done to themselves in order to abort. It always disturbed me that

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Mortensen, Viggo. "Et rodfæstet menneske og en hellig digter." Grundtvig-Studier 49, no. 1 (1998): 268–72. http://dx.doi.org/10.7146/grs.v49i1.16282.

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A Rooted Man and a Sacred PoetBy Viggo MortensenA Review of A.M. Allchin: N.F.S. Grundtvig. An Introduction to his Life and Work. With an afterword by Nicholas Lossky. 338 pp. Writings published by the Grundtvig Society, Århus University Press, 1997.Canon Arthur Macdonald Allchin’s services to Grundtvig research are wellknown to the readers of Grundtvig Studier, so I shall not attempt to enumerate them. But he has now presented us and the world with a brilliant synthesis of his studies of Grundtvig, a comprehensive, thorough and fundamental introduction to Grundtvig, designed for the English-s

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"Silent voices: forgotten novels by Victorian women writers." Choice Reviews Online 41, no. 03 (2003): 41–1427. http://dx.doi.org/10.5860/choice.41-1427.

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"Rediscovering forgotten radicals: British women writers, 1889-1939." Choice Reviews Online 31, no. 06 (1994): 31–3125. http://dx.doi.org/10.5860/choice.31-3125.

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Hatter, Janine, and Helena Ifill. "Making Space: Key Popular Women Writers Then and Now." Victorian Popular Fictions Journal, July 7, 2021, 4–32. http://dx.doi.org/10.46911/tfsa1481.

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Reclaiming lost or forgotten (Victorian) popular women writers and their works is still an important, ongoing aim of literary and gender studies. In this article, we take the Key Popular Women Writers series, published by Edward Everett Root Publishers and edited by Janine Hatter and Helena Ifill, as one example of a current series that continues and develops this feminist practice. By drawing upon the research, writing and publishing practice of current women academics, as well as related issues concerning literary value, canonicity and the popularity of the Victorian writers themselves, we s

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Marling, Raili. "„Muutume masinateks“. Tehnoloogia ja soolistatud kehad ameerika modernismis / “We Twiddle … and Turn into Machines”: Technology and gendered bodies in American modernism." Methis. Studia humaniora Estonica 18, no. 23 (2019). http://dx.doi.org/10.7592/methis.v18i23.14799.

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Käesoleva artikli eesmärgiks on analüüsida, kuidas tehnoloogilised kuvandid sobituvad modernsuse perioodi laiemasse soolistatud kriisidiskursusesse. Palju on kirjutatud modernsusega seotud tajukriisist ja selle seotusest tehnoloogiaga, kuid vähem on uuritud seda, kuidas tajukriisi saab sobitada samal ajal domineerinud tajutud soolise kriisiga, eelkõige mehelikkuse kriisiga. Kuna paljud modernsuse kehalised, tajumuslikud ja esteetilised otsingud olid soolistatud, siis on viljakas küsida, kuidas soolistas modernism masinat ning kuidas mängisid selle soolistatud masinavärgiga modernsed naisautori

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Wigginton, Jasmine. "Hoodoo, Kentucky, Workers Adminstration Project, Poetry, Black Folklore, Ancestors and Memory." Root Work Journal, August 24, 2020, 115–17. http://dx.doi.org/10.47106/11065817.

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A poem about realizing freedom through transformation. The poem “ ‘Hoodoo’ Inspired by Mamie Hansberry from Christian Country Kentucky” is based on the voice of Mamie Hansberry, a formerly enslaved woman from Kentucky. Hansberry’s words were recorded by historians and archivists who worked for the Workers Project Administration (WPA). The WPA was a Depression-era program where historians and writers went around the South to collect the stories of the former enslaved. This program provided an opportunity for Black voices to be added and centralized in the archives. Despite positive intentions,

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Krucker, Madeleine. "Mary Leslie: The Journey of A Lost Canadian Author." IJournal: Graduate Student Journal of the Faculty of Information 6, no. 2 (2021). http://dx.doi.org/10.33137/ijournal.v6i2.36459.

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This paper examines the life of a Canadian writer of the late nineteenth and early twentieth centuries named Mary Leslie who experienced moderate success as an author. Despite her numerous efforts to write and publish stories, she failed to gain a public readership and was almost entirely forgotten by history. Her single novel is impossible to find and is ignored by both literary and Canadian historians alike in spite of its unique depiction of mid-nineteenth century rural Ontario and its unconventional perspective of class, gender, and romance of her time. This paper follows Leslie’s transatl

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O’Connor, Maureen. "Alice’s Garden: Imagining Agency in the Natural World in Clare Boylan’s Black Baby." Estudios Irlandeses, October 31, 2020, 42–52. http://dx.doi.org/10.24162/ei2020-9752.

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The Irish writer Clare Boylan is something of a forgotten figure, despite enjoying significant literary success in her lifetime. Because of her untimely death, little critical work has been done on her fiction. Her blackly comic sensibility responds sensitively to characters situated in culturally specific environments, with particular attention paid to the vexed and contradictory position of women in their relationship to the natural world, and so this essay conducts a reading of her 1988 novel, Black Baby, using the insights of feminist new materialism and critical posthumanism, especially a

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Pryor, Melanie. "Dark Peripatetic Walking as Radical Wandering in Cheryl Strayed’s Memoir Wild." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1558.

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IntroductionWhen she divorced, Cheryl Strayed chose for herself an entirely new surname. In Wild: A Journey from Lost to Found, the memoir she wrote and published in 2012 about hiking 1,100 miles of the Pacific Crest Trail (PCT) from the Mojave Desert to the Oregon-Washington border, she recalls looking up the definition of the word “strayed”, and how its meaning resonated for her. “I had diverged, digressed, wandered, and become wild”, Strayed writes. “Even in my darkest days—those very days in which I was naming myself—I saw the power of the darkness. Saw that, in fact, I had strayed and tha

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Melnikova, Galina. "«СВЕЖИЙ ВЕТЕР И ЧЕРНЫЕ МЫСЛИ» ПЕТЕРБУРГА (ПО ПОВЕСТИ Н. Ф. ПАВЛОВА «ДЕМОН»)". Tomsk state pedagogical university bulletin, № 3(209) (6 травня 2020). http://dx.doi.org/10.23951/1609-624x-2020-3-7-13.

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Введение. Исследуется повесть «Демон» Николая Филипповича Павлова, чье имя малоизвестно широкому кругу современных читателей. Цель – анализ основных мотивов и образов повести о «бедном чиновнике», в основе которой лежит один из магистральных сюжетов русской литературы XIX века. Материал и методы. Материалом исследования послужило произведение, вошедшее в сборник «Новые повести», опубликованный в 1839 г. Предпринят комплексный анализ текста с использованием культурно-исторического и сравнительно-исторического методов. Результаты и обсуждение. Основные приемы, используемые Павловым при создании

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Ettler, Justine. "When I Met Kathy Acker." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1483.

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I wake up early, questions buzzing through my mind. While I sip my morning cup of tea and read The Guardian online, the writer, restless because I’m ignoring her, walks around firing questions.“Expecting the patriarchy to want to share its enormous wealth and power with women is extremely naïve.”I nod. Outside the window pieces of sky are framed by trees, fluffy white clouds alternate with bright patches of blue. The sweet, heady first wafts of lavender and citrus drift in through the open window. Spring has come to Hvar. Time to get to work.The more I understand about narcissism, the more I u

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Brien, Donna Lee. "Imagining Mary Dean." M/C Journal 7, no. 1 (2004). http://dx.doi.org/10.5204/mcj.2320.

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“As the old technologies become automatic and invisible, we find ourselves more concerned with fighting or embracing what’s new”—Dennis Baron, From Pencils to Pixels: The Stage of Literacy Technologies In a world where nothing is certain… and even the objectivity of science is qualified by relativity and uncertainty, the single human voice, telling its own story, can seem the only authentic way of rendering consciousness. – David Lodge (“Sense and Sensibility”) Leon Edel expressed the central puzzle of writing biography as “every life takes its own form and a biographer must find the ideal and

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Franks, Rachel. "A Taste for Murder: The Curious Case of Crime Fiction." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.770.

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Introduction Crime fiction is one of the world’s most popular genres. Indeed, it has been estimated that as many as one in every three new novels, published in English, is classified within the crime fiction category (Knight xi). These new entrants to the market are forced to jostle for space on bookstore and library shelves with reprints of classic crime novels; such works placed in, often fierce, competition against their contemporaries as well as many of their predecessors. Raymond Chandler, in his well-known essay The Simple Art of Murder, noted Ernest Hemingway’s observation that “the goo

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Costello, Moya. "Reading the Senses: Writing about Food and Wine." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.651.

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"verbiage very thinly sliced and plated up real nice" (Barrett 1)IntroductionMany of us share in an obsessive collecting of cookbooks and recipes. Torn or cut from newspapers and magazines, recipes sit swelling scrapbooks with bloated, unfilled desire. They’re non-hybrid seeds, peas under the mattress, an endless cycle of reproduction. Desire and narrative are folded into each other in our drive, as humans, to create meaning. But what holds us to narrative is good writing. And what can also drive desire is image—literal as well as metaphorical—the visceral pleasure of the gaze, or looking and

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Davies, Elizabeth. "Bayonetta: A Journey through Time and Space." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1147.

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Art Imitating ArtThis article discusses the global, historical and literary references that are present in the video game franchise Bayonetta. In particular, references to Dante’s Divine Comedy, the works of Dr John Dee, and European traditions of witchcraft are examined. Bayonetta is modern in the sense that she is a woman of the world. Her character shows how history and literature may be used, re-used, and evolve into new formats, and how modern games travel abroad through time and space.Drawing creative inspiration from other works is nothing new. Ideas and themes, art and literature are f

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Murphy, Ffion, and Richard Nile. "Writing, Remembering and Embodiment: Australian Literary Responses to the First World War." M/C Journal 15, no. 4 (2012). http://dx.doi.org/10.5204/mcj.526.

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This paper is part of a larger project exploring Australian literary responses to the Great War of 1914-1918. It draws on theories of embodiment, mourning, ritual and the recuperative potential of writing, together with a brief discussion of selected exemplars, to suggest that literary works of the period contain and lay bare a suite of creative, corporeal and social impulses, including resurrection, placation or stilling of ghosts, and formation of an empathic and duty-bound community. In Negotiating with the Dead, Margaret Atwood hypothesises that “all writing of the narrative kind, and perh

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Rösler, Bettina Gaby, and Louise Ryan. "Impact." M/C Journal 14, no. 6 (2011). http://dx.doi.org/10.5204/mcj.455.

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This issue of M/C Journal explores the notion of "impact" and the capacity of contemporary research work to influence not only academia but the direction of current debates in the public sphere surrounding social, political and cultural agendas. The nine papers selected cover a broad range of topics: experimental research methodologies which confront the problem of 'measuring' research impact in the world of work; the creative industries and documentary films; identity politics debates address queer, migrant, racial issues; as well as investigations into the use of storytelling and autoethnogr

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Kuppers, Petra. "“your darkness also/rich and beyond fear”: Community Performance, Somatic Poetics and the Vessels of Self and Other." M/C Journal 12, no. 5 (2009). http://dx.doi.org/10.5204/mcj.203.

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“Communicating deep feeling in linear solid blocks of print felt arcane, a method beyond me” — Audre Lorde in an interview with Adrienne Rich (Lorde 87) How do you disclose? In writing, in spoken words, in movements, in sounds, in the quiet energetic vibration and its trace in discourse? Is disclosure a narrative account of a self, or a poetic fragment, sent into the world outside the sanction of a story or another recognisable form (see fig. 1)?These are the questions that guide my exploration in this essay. I meditate on them from the vantage point of my own self-narrative, as a community pe

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Meakins, Felicity. "Web Forum: De Mortuis Bonum." M/C Journal 2, no. 8 (1999). http://dx.doi.org/10.5204/mcj.1815.

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O LORD, thou hast brought up my soul from the grave thou hast kept me alive that I should not go down into the pit. -- Psalms 30:3 Eulogies are written upon the cessation of life, generally celebrating the duration of life. Part of the purpose of the eulogy is to create immortality through the seemingly imperishable nature of ink and story -- words that will last beyond the last memory of the deceased. What a paradox it is, then, to find such words on the Internet. This medium is deemed transitory and ephemeral for its frustrating propensity of sites which exist one moment then disappear the n

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