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Journal articles on the topic 'Women writers'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Fadhil, Dhafar Jamal, and May Stephan Rezq-Allah. "Authorial Stance in Black and Blue Novel by Anna Quindlin." Al-Adab Journal 2, no. 141 (2022): 49–62. http://dx.doi.org/10.31973/aj.v2i141.1108.

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The present study is concerned with the writer's ideologies towards violence against women. The study will focus on analyzing an English novel about violence against women so as to see to what extent writers are being affected and influenced by their genders. It also focuses on showing to what extent writer's ideologies are reflected in their works. Gender influence social groups ideologies; therefore, when a writer discusses an issue that concerns the other gender, they will be either subjective or objective depending on the degree of influence, i.e., gender has influenced their thoughts as w

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2

Jamal Fadhil, Dhafar, and May Stephan Rezq Allah. "A Feminist Discourse Analysis of Writer's Gender Biases about Violence Against Women." Journal of the College of languages, no. 44 (June 1, 2021): 21–45. http://dx.doi.org/10.36586/jcl.2.2021.0.44.0021.

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The present study is concerned with the writer's ideologies towards violence against women. The study focuses on analyzing violence against women in English novel to see the extent the writers are being affected and influenced by their genders. It also focuses on showing to what extent the writer's ideologies are reflected in their works. Gender influences social groups ideologies; therefore, when a writer discusses an issue that concerns the other gender, they will be either subjective or objective depending on the degree of influence, i.e., gender has influenced their thoughts as well as beh

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3

V, Alagu Ponnu. "Cultural Diversity and Identity Crisis in the Selected Works of Jhumpa Lahiri." Shanlax International Journal of Arts, Science and Humanities, 6, S1 (2019): 109–11. https://doi.org/10.5281/zenodo.2551370.

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Jhumpa Lahiri was a greatest Indian woman writer and she discussed the practical life experiences except immigration. She writes about both male and female characters. but she gives importance to female characters. she writes women characters are not depicted as crushed under male supremacy but they miserably feel into their turbulent situation. she lets women characters to suffer, face the problem, adapt to it and to find modled and finally  they become power. In general, she writers about the womens love, marriage and their family. In pacticular lahiri spea

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4

O'Toole, Mary, Eva Figes, and Adele King. "Women Writers." Tulsa Studies in Women's Literature 7, no. 1 (1988): 133. http://dx.doi.org/10.2307/464065.

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5

G.M.D. "Women Writers." Americas 44, no. 4 (1988): 505–6. http://dx.doi.org/10.1017/s0003161500074642.

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6

Yang, Gladys. "Women Writers." China Quarterly 103 (September 1985): 510–17. http://dx.doi.org/10.1017/s0305741000030733.

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The number of Chinese women writers has increased considerably in the past few years. Some write poetry, essays, children's stories, reportage and television scripts. But since the majority write fiction, and they are the most influential, I will talk today about some middle-aged and younger women who have introduced new themes or written controversial work in recent years.

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7

G.M.D. "Women Writers." Americas 49, no. 1 (1992): 83. http://dx.doi.org/10.1017/s0003161500018861.

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8

Henderson, Mae G., Marjorie Pryse, and Hortense J. Spillers. "Black Women Writers' Right to Write." Callaloo, no. 34 (1988): 188. http://dx.doi.org/10.2307/2931122.

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9

Staves, Susan. "Women Writers ≠ Women Novelists." Tulsa Studies in Women's Literature 26, no. 1 (2007): 87–95. http://dx.doi.org/10.1353/tsw.2007.a220827.

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10

Velasco, Lovella G. "Relocating the Ilokano Women Writers of Nueva Vizcaya." Proceedings Journal of Education, Psychology and Social Science Research 2, no. 1 (2015): 8–12. http://dx.doi.org/10.21016/icepss.2015.fe11wf48.

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The study attempts to empower ordinary women writers from the region who are considered to be in the peripheries. The bibliographic building of the foremost Ilokano women writers of Nueva Vizcaya who remain unaccounted and missing in Philippine literature will promote the woman presence in the nation and their place in Philippine literature, while the criticism of their retrieved and collected published short stories written in the vernacular, Iluko, will intensify the relevance of Iluko as regional literature and as a language. Consequently, the study will contribute to the growing body of fe

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11

Larsen, Anne, and Katharina M. Wilson. "Medieval Women Writers." Tulsa Studies in Women's Literature 4, no. 2 (1985): 293. http://dx.doi.org/10.2307/463704.

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12

Wileman, Margaret. "Medieval Women Writers." Moreana 22 (Number 87-8, no. 3-4 (1985): 95–96. http://dx.doi.org/10.3366/more.1985.22.3-4.29.

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13

Terras, Victor, and Christine D. Tomei. "Russian Women Writers." World Literature Today 73, no. 3 (1999): 555. http://dx.doi.org/10.2307/40154978.

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14

Rosenthal, Charlotte, and Christine D. Tomei. "Russian Women Writers." Slavic and East European Journal 44, no. 2 (2000): 287. http://dx.doi.org/10.2307/309954.

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15

McDermott, Annella. "Hispanic Women Writers." Women: A Cultural Review 11, no. 3 (2000): 298–300. http://dx.doi.org/10.1080/09574040050505565.

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16

Fan, Benjamin. "Women writers project." XRDS: Crossroads, The ACM Magazine for Students 6, no. 2 (1999): 19–23. http://dx.doi.org/10.1145/333104.333112.

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17

Kemp, Theresa D. "Early Women Writers." Feminist Teacher 18, no. 3 (2008): 234–39. http://dx.doi.org/10.1353/ftr.0.0015.

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18

Dr. Gajendra Dutt Sharma. "Delineation of Male Characters and Sensibilities in the Novels of Manju Kapur: A Critical Analysis." Creative Launcher 7, no. 1 (2022): 51–62. http://dx.doi.org/10.53032/tcl.2022.7.1.09.

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The research article aims to analyse the delineation of male characters in the novels of Manju Kapur. It tries to highlight the image of male characters from the perspective of a woman writer, who happens to be a feminist. In contemporary Indian English fiction dominated by women writers the primary focus is on the representation of women characters and addressing their sensibilities, their plight and place in patriarchal setting. As such, the male characters have been presented either with less vigour or as typical chauvinistic individual, responsible for the ordeals of women in society. In v

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19

Qbilat, Nizar, and Awni El-Faouri. "The Other’s Image in Arabic Feminist Narrative." Journal of Arts and Social Sciences [JASS] 7, no. 2 (2016): 337. http://dx.doi.org/10.24200/jass.vol7iss2pp337-345.

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This study aims at shedding some light on the images of women in some feminist novels known as Feminist Literature. The research depicts a number of Arabic feminist writers concentrating on the structure of Feminist Literature generally, and Arabic women writers specifically. The study examines the characters, the narrative angle and the narrative sequence and its objective sensitivity at three levels: the woman as an author, a narrator, and the artistic character dealing with issues of justice, liberty and equality with man, considering the various humanitarian models: the striver, the lover

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20

Qbilat, Nizar, and Awni El-Faouri. "The Other’s Image in Arabic Feminist Narrative." Journal of Arts and Social Sciences [JASS] 7, no. 2 (2016): 337–45. http://dx.doi.org/10.53542/jass.v7i2.1124.

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This study aims at shedding some light on the images of women in some feminist novels known as Feminist Literature. The research depicts a number of Arabic feminist writers concentrating on the structure of Feminist Literature generally, and Arabic women writers specifically. The study examines the characters, the narrative angle and the narrative sequence and its objective sensitivity at three levels: the woman as an author, a narrator, and the artistic character dealing with issues of justice, liberty and equality with man, considering the various humanitarian models: the striver, the lover

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21

Dr., Pratibha Patel. "Different Facets of Women's Emancipation: A Study of Manju Kapur's Select Works." Criterion: An International Journal in English 15, no. 2 (2024): 202–9. https://doi.org/10.5281/zenodo.11103773.

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Indian women writers have projected women issues with their inner-aspiration as well as their peculiar responses to men and society. Contemporary Indian women writers are trying to trace assertion, identity consciousness as well as professional endeavor in women protagonists. Modern women portrayed in these writings try to become counterproductive to their real empowerment. In the present times these women characters are seen as more professional to become the official keepers of sexual equality. The study encompasses the works of an eminent Indian woman writer, whose writings are distinguishe

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22

Priydarshi, Ashok Kumar. "Manju Kapur’s ‘Home’: A Strong Voice of Protest." Journal of Advanced Research in English and Education 6, no. 03 (2021): 3–5. http://dx.doi.org/10.24321/2456.4370.202105.

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Women’s issues in India are different from those in the western countries where a woman’s quest for identity and survival become major discourses. Writers who are conscious of the “othering” of women need to make ordinary women understand the possibility of power, of being able to control their own lives, and to have this power, not as mothers, not as devoted wives, but as ordinary women. But, Indian women writers have to first battle against the deeply ingrained critical prejudices that writing is an activity which belongs exclusively to men and if a woman writes at all, it is always a futile

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23

Rykunina, Yulia A. "For the Literary Biography of Olga Chyumina." Literary Fact, no. 4 (26) (2022): 107–22. http://dx.doi.org/10.22455/2541-8297-2022-26-107-122.

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The article presents little-known documents and evidences, concerning the early biography of Olga Nikolaevna Chyumina (1858 –1909) — a poet, a writer, a translator — including ego-documents. The author of the article observes the peculiarities of her relations with modernist writers and her literary position, expressed largely in opposition to modernists. Despite the fact that nowadays Chyumina is almost forgotten, at the turn of the 20th century she was a famous writer who achieved both the attention of critics and high fees. The article examines the beginning of her creative career, the rela

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24

Lee, Ji-Eun. "“I Am a Wanderer”: Paek Sinae (1908–1939) and Writing Travel." Sungkyun Journal of East Asian Studies 23, no. 1 (2023): 95–114. http://dx.doi.org/10.1215/15982661-10336312.

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Abstract Paek Sinae (1908–39) was a modern woman writer whose career was cut short by an early death. She lived in the era of New Women, but unlike most of her peer woman writers, Paek had little formal education or connections to the literary establishment (mundan). This background, combined with her modest output of fictional works, resulted in Paek Sinae being seen by critics during her lifetime and scholars long after her death as a provincial writer, thus affording her only limited recognition. This article challenges such dismissals and seeks an approach that would allow a more comprehen

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25

S. V, Abisha, and Dr Cynthia Catherine Michael. "The Palace of Illusions-Voice of a Disillusioned Woman." SMART MOVES JOURNAL IJELLH 8, no. 12 (2020): 77–84. http://dx.doi.org/10.24113/ijellh.v8i12.10861.

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Diaspora writing is a recent trend in literature. Many writers especially women writers excel in this field. These diasporic writers though they live in a foreign land always hold their love in their writings. India is a land of myth and legends and hence many Indian writers borrow their plot from Hindu mythology which is used as a literary device. Many writers of the independence and post-independence era used mythology to spread nationalism and to guide humanity in the right path. Chitra Banerjee Divakaruni is a diasporic writer who always holds a piece of her love for motherland in her writ

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26

Van Elk, Martine. "Women Writers Project (WWP) Team, eds. Women Writers: Intertextual Networks. Database." Renaissance and Reformation 46, no. 1 (2023): 222–25. http://dx.doi.org/10.33137/rr.v46i1.41742.

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27

Demska-Budzuliak, Lesia. "AUTOBIOGRAPHICAL UTOPIA OF NATALIA ROMANOVYCH-TKACHENKO." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 33 (2023): 59–64. http://dx.doi.org/10.17721/1728-2659.2023.33.09.

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The article is devoted to researching the work of N. Romanovych-Tkachenko, a representative of the generation of female writers of Soviet Ukraine in the 1920s, from the perspective of gender discourse. Women's literature of Soviet Ukraine in the 1920s-1930s is an understudied and not updated phenomenon of the Ukrainian literary process of that time. Most of the texts of women writers were unnoticed by literary critics, and the problems that were raised in their texts turned out to be "uninteresting" for the then, generally male, literary critics. Instead, we note the emergence of a new generat

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28

Wu, Fatima, and Eva Hung. "City Women: Contemporary Taiwan Women Writers." World Literature Today 76, no. 2 (2002): 135. http://dx.doi.org/10.2307/40157308.

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29

Muhammad Saleem Akhtar, Mazhar Riaz та Dr. Rafia Malik. "جیلانی بانو کے افسانوں میں نسوانی کرداروں کا تنقیدی جائزہ". GUMAN 7, № 1 (2024): 315–20. https://doi.org/10.63075/guman.v7i1.737.

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Jilani Bano was a famous writer Urdu language. She was born in14 July 1936.She start writing in 1956 her first story Aik nazar ider bhi. She was great feminist. She writes about women rights. She writes about Deccan civilization and culture. Jilani Bano is one of the best short story writers who expressed the feminist approach in her short stories. She pointed out the social exploitation which every women face every day from dawn to dusk. The literature is filled with examples, where women have complained of their subdued status, yet it is important to understand that in order to develop a hea

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30

Nimavat, Dr Dushyant. "Indian Women Writers in English: An Overview." Global Journal For Research Analysis 3, no. 1 (2012): 27–28. http://dx.doi.org/10.15373/22778160/january2014/27.

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31

KP, Krishnaveni. "The Indian Women Writers and their Contributions to Indian Literature." American Research Journal of English and Literature 7, no. 1 (2021): 1–3. http://dx.doi.org/10.21694/2378-9026.21007.

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The Indian women writers are the one who mainly talks about the male ego and female desire for freedom. Through their writings women writer tries to oppose the male dominance over them. Indian women writers depict the injustices, the anguish and the despair they received in a male dominated society. Many of the writings can be considered as a mutiny against the restraints which the society thrust upon women. In this man-centered world they are trying to bring out the feminine identity through their works. Indian women writers never attempted to adopt any masculine roles to achieve themselves a

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32

Grundy, Isobel, Germaine Greer, Susan Hastings, et al. "Anthologizing Early Women Writers." Tulsa Studies in Women's Literature 13, no. 1 (1994): 147. http://dx.doi.org/10.2307/463862.

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33

Coelho and Pazos-Alonso. "Transnational Portuguese Women Writers." Portuguese Studies 35, no. 2 (2019): 129. http://dx.doi.org/10.5699/portstudies.35.2.0129.

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34

Sanchez. "What Were Women Writers?" Criticism 63, no. 1-2 (2021): 63. http://dx.doi.org/10.13110/criticism.63.1-2.0063.

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35

Coelho, Maria Luísa, and Cláudia Pazos-Alonso. "Transnational Portuguese Women Writers." Portuguese Studies 35, no. 2 (2019): 129–35. http://dx.doi.org/10.1353/port.2019.0012.

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36

Balutansky, Kathleen M., Carole Boyce Davies, Elaine Savory Fido, Jan J. Dominique, Pamela Mordecai, and Betty Wilson. "Naming Caribbean Women Writers." Callaloo 13, no. 3 (1990): 539. http://dx.doi.org/10.2307/2931337.

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37

Shankar, Lavina Dhingra, and Harold Bloom. "Asian-American Women Writers." MELUS 24, no. 4 (1999): 183. http://dx.doi.org/10.2307/468183.

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38

Vorontsova, Yelena. "Women writers in Russia." Index on Censorship 18, no. 3 (1989): 25–27. http://dx.doi.org/10.1080/03064228908534612.

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39

Jakacki, Diane K. "The Women Writers Project." Early Modern Women 11, no. 2 (2017): 140–44. http://dx.doi.org/10.1353/emw.2017.0011.

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40

Alzate, Carolina. "Latin American Women Writers." Tulsa Studies in Women's Literature 38, no. 1 (2019): 13–15. http://dx.doi.org/10.1353/tsw.2019.0001.

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41

Mellor, A. K. "Were Women Writers "Romantics"?" Modern Language Quarterly 62, no. 4 (2001): 393–406. http://dx.doi.org/10.1215/00267929-62-4-393.

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42

Lambert, Carolyn. "Memoirs of Women Writers." Women: A Cultural Review 25, no. 2 (2014): 215–18. http://dx.doi.org/10.1080/09574042.2014.927152.

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43

Batt, Jennifer. "Romantic Women Writers Reviewed." Women's Writing 21, no. 4 (2014): 613–17. http://dx.doi.org/10.1080/09699082.2014.916023.

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44

Hawkins, Ann R. "Romantic Women Writers Reviewed." Women's Writing 22, no. 2 (2015): 156–64. http://dx.doi.org/10.1080/09699082.2015.1011835.

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45

Kavolis, Vytautas. "Women Writers in Exile." World Literature Today 66, no. 1 (1992): 43. http://dx.doi.org/10.2307/40147854.

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46

Knapp, Bettina L. "Contemporary Chinese Women Writers." World Literature Today 66, no. 4 (1992): 774. http://dx.doi.org/10.2307/40148801.

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47

Rosman-Askot, Adriana, and Gabriella de Beer. "Contemporary Mexican Women Writers." Hispania 81, no. 2 (1998): 322. http://dx.doi.org/10.2307/345030.

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48

Turner, Margaret E. "South African Women Writers." World Literature Written in English 29, no. 2 (1989): 171–73. http://dx.doi.org/10.1080/17449858908589112.

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49

Birbalsingh, Frank. "Indian-Trinidadian Women Writers." Wasafiri 28, no. 2 (2013): 14–19. http://dx.doi.org/10.1080/02690055.2013.758929.

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50

Cruz, Humberto Lopez, Gustavo Fares, and Eliana C. Hermann. "Contemporary Argentinean Women Writers." South Atlantic Review 64, no. 2 (1999): 184. http://dx.doi.org/10.2307/3201998.

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