Dissertations / Theses on the topic 'Women Zimbabwe History'

Bibliography: leaves 290-311. This study investigates the roles and experiences of "women warriors" in Zimbabwe's anti-colonial national liberation war, and reveals certain glorifications which have served to obscure and silence the voices of thousands of young girls and women involved in the struggle. The problems associated with the inclusion of women in an armed/military guerrilla force are discussed, and the (re)presentation of women in discourses of war, fictional accounts, public and national symbols and other multiple discursive layers which have re-inscribed the women back into the domestic examined. The Zimbabwean film Flame highlights the political sensitivity of the issues, including accusations of rape by male comrades in guerrilla training camps. An overview of women's involvement in Zimbabwean history, anti-colonial struggle, and the African nationalist movement provides the background for a critique of western feminist theories of nationalism and women's liberation in Africa. Historical records are juxtaposed with the voices of some women ex-combatants who speak their reasons for joining the struggle and their experiences of war. White Rhodesian women's roles are also examined in light of the gendered constructions of war.

Bibliography: leaves 290-311.
xiii, 354, 14 leaves : ill. (chiefly col.) ; 30 cm.
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
This study investigates the roles and experiences of "women warriors" in Zimbabwe's anti-colonial national liberation war, and reveals certain glorifications which have served to obscure and silence the voices of thousands of young girls and women involved in the struggle. The problems associated with the inclusion of women in an armed/military guerrilla force are discussed, and the (re)presentation of women in discourses of war, fictional accounts, public and national symbols and other multiple discursive layers which have re-inscribed the women back into the domestic examined. The Zimbabwean film Flame highlights the political sensitivity of the issues, including accusations of rape by male comrades in guerrilla training camps. An overview of women's involvement in Zimbabwean history, anti-colonial struggle, and the African nationalist movement provides the background for a critique of western feminist theories of nationalism and women's liberation in Africa. Historical records are juxtaposed with the voices of some women ex-combatants who speak their reasons for joining the struggle and their experiences of war. White Rhodesian women's roles are also examined in light of the gendered constructions of war.
Thesis (Ph.D.)--University of Adelaide, Dept. of Politics, 1999

The HIV prevalence in Zimbabwe is one of the highest globally, standing at 14.5% for the ages 15-64 years, and notably 16.7% for women and 12.4% for men. The urban areas have a slightly higher prevalence rate than the rural areas in Zimbabwe. A phenomenological study was carried out whose objective was to formulate guidelines to improve HIV and AIDS communication for women in Zimbabwe, as a key contribution in mitigating the HIV epidemic. The study took place in Harare and Bulawayo, which house most of the urban population. Young urban women aged 20-29 years who have lived in either city for at least the last 12 months, were interviewed using face-to-face in-depth interviews (n=25) and eight focus group discussions took place (n=62). Purposive, convenience, cluster and snow-balling sampling were used. Key informants were purposively sampled, using the snowball method; in-depth face-to-face interviews were held (n=5). The key informants, who provided expert knowledge on the study topic, comprised NGO and government entities in HIV and AIDS communication work. Colaizzi’s method of analysis was used. The UNAIDS Communication Framework for HIV and AIDS gave the direction for the study. It highlights the context in which people live in, and emphasizes that, unlike previous communication models, knowledge alone is inadequate to effect behaviour change. The context is comprised of government policy, culture, socioeconomic status, spirituality and gender relations, with emphasis on the community and regional cooperation, in Africa’s case. The themes for the study were Communication, HIV and AIDS knowledge, Perceptions and belief, and Urban women’s context.The key findings were: mass communication generates awareness for HIV and AIDS while interpersonal communication has a role to play in translating awareness into behaviour change; the knowledge level on HIV and AIDS of young urban Zimbabwean women is high; their risk perception is low; the context they live in is primarily a patriarchal one and one of urban poverty and this makes them vulnerable to HIV infection. It is envisaged that the guidelines, informed by the study and literature, will assist the government and its partners in HIV and AIDS communication strategy and implementation.
Health Studies
D. Litt. et Phil. (Health Studies)

My mini-dissertation gives the autobiography of Talent Nyathi, who was born in rural Zimbabwe in 1961. Talent was unwillingly conscripted into the Zimbabwean Liberation Struggle. On her return to Zimbabwe, she has worked tirelessly for the education of her compatriots. Talent's story casts light on subject-formation in conditions of difficulty, suffering and victimization. Doubly oppressed by her race and gender, Talent has nevertheless shown a remarkable capacity for self-empowerment and the empowerment of others. Her story needs to be heard because it will inspire other women and other S/subjects and because it is a corrective to both the notions of a heroic Struggle and the `victim' stereotype of Africa. Together with Talent's autobiography, my mini-dissertation offers extensive notes that situate her life story in the context of contemporary postcolonial, literary and gender theory and further draws out the significance of her individual `history-from-below'.
English Studies
M.A.

This dissertation seeks to examine and analyse the healing practices within JMC in relation to health care provided to women during pregnancy. The healing practice performed in this church has made the church become popular and grow numerically. This is also exacerbated by the high cost of medical care in Zimbabwe which is a challenge especially for pregnant women. This is an empirical study which used in-depth interviews with both men and women who are married and are long serving members of JMC. The objective of the study was to find out how the healing practice within JMC contributes to women’s health during pregnancy. The study found out that; one of the teachings of this church is that members are not allowed to seek for medical help from the hospitals. Therefore women who are pregnant are supposed to receive health services only from the church. This is done in form of prayers, prophecy and use of symbols which are directed towards the protection of the mother and child from evil that is perceived to attack them during this period. The church also provides teachings to these mothers to be on how to look after themselves through the use of elderly women who act as birth attendants. The study also found out that some women decided to also seek other forms of medication like visiting hospitals despite the consequences that were put up by the leaders of the church. This study does not claim that religion cannot help women during pregnancy but rather seeks to show that while the church focuses on spiritual healing, there is also a need for a holistic approach to healing that will call on women to visit hospitals, especially when addressing issues relating to pregnancy.
Thesis (M.Th.)-University of KwaZulu-Natal, Pietermaritzburg, 2013.

In this work I have used Pierre Bourdieu's concept of habitus as a springboard to examine the Pauline tradition in the light of Zimbabwe-African, cultural, legal and social attitudes to women. I have highlighted the conflict between the practices defined by Zimbabwean Constitutional law regarding the status of women and what is the actual situation on the ground, also considering the role of the church in confronting or conforming to the cultural norms. I have likewise highlighted the conflict in the Pauline tradition where one hand women are given more active roles in the church than could be expected according to the customs of the time, but on the other hand are still bound by an oppressive tradition. I have concluded by suggesting how the church can act in order to break free of this oppressive tradition and bring about change in the habitus of the society.
New Testament
M. Th. (New Testament)

The study discusses selected Shona novels‟ depiction of the theme of protest in the post-independence era in Zimbabwe. The ideas that these novels generate on protest are examined in the context of socio-political and socio-cultural issues in post-independent Zimbabwe. The study is an investigation of the extent to which protest literature is indispensable in the struggle of African people to liberate themselves from imperialist servitude. Novels on socio-political protest show how the government has failed to deliver on most of its promises because of neocolonialism and corruption. Novels on socio-cultural protest show how cultural innovations in post-independence Zimbabwe brought problems .The study comes to the conclusion that for literature to be reliable and useful to society it is not enough to highlight weaknesses in criticizing, but it should go beyond that and offer constructive and corrective criticism. This shows that protest literature is a vital tool for social transformation in Zimbabwe.
African languages
M.A. (African languages)

The study has been prompted by the gap that exists regarding gender and land in Zimbabwean fiction. The study therefore seeks to interrogate the gender and land ownership discourse in Shona fiction in relation to the current conflict of access to land by race, class and gender. The study therefore examines the following fictional works; Feso (1956), Dzasukwa-Mwana-Asina-Hembe (1967), Pafunge (1972), Kuridza Ngoma Nedemo (1985), Vavariro (1990) and Sekai Minda Tave Nayo (2005). Of significance is the fact that the selected fictional works traverse the different historical periods that Zimbabwe as a nation has evolved through. Apart from analysing the selected fictional works, the study also collected data through open-ended interviews and questionnaires to triangulate findings from the fictional works. The selected fictional writers present the different experiences of black Zimbabweans through land loss and the strategies taken by the indigenous people in trying to regain their lost heritage, the land. The exegesis of the selected fictional works is guided by Afro-centred perspectives of Africana Womanism and Afrocentricity. Findings from most of the selected fictional works reveals the selective exclusion of blacks, both male and female, from accessing land and other vital resources from the colonial right up to post-independence periods in Zimbabwe. The study observes that Shona traditional culture accorded both genders the requisite space in terms of land ownership in the pre-colonial period. The study also establishes that colonialism through its numerous legislations stripped black men and women of the fertile land which they formerly collectively owned. The study also establishes that disillusioned black men and women worked extremely hard to regain their lost land as reflected in the unsanctioned land grabs as well as the government sanctioned Fast Track Land Reform Programme. Recommendations for future research include the expansion of such research to include works of fiction in other languages as well as different genres. Future land policies stand to benefit from the inclusion of women in decision making since women the world over have been confirmed as workers of the land. This is likely to deal with the gender divide regarding land ownership patterns both within and outside Zimbabwe.
African Languages
D. Litt. et Phil. (African Languages)

Bibliography: leaves 215-230
This thesis uses a postcolonial framework to analyse the construction and representation of identities of Shona women in selected black and white Zimbabwean-authored fiction in English published between 1890 and 2015. The study traces meanings associated with Shona women’s identities as ascribed by dominant powers in every epoch to create narratives that reflect the power dynamics. The thesis argues that identities are complex, characterized by various intersections such as race, gender, class and ethnicity. Shona women have to negotiate their identities in various circumstances resulting in shifting multiple identities. The thesis focuses on how such identities are represented in the selected texts. Findings reveal that the colonial project sought to write the Shona women out of existence, and when they appeared negative images of dirt, slothfulness and immorality were ascribed to them. These images continued after independence to justify male dominance of women. However, the lived experience of women shows they have agency and tend to shift identities in relation to specific circumstances. Shona women’s identities are dynamic and multifarious as they aim at relevance in their socioeconomic and political circumstances. Representations of Shona women’s identities are therefore influenced by the aim of the one representing them. All representations are therefore arbitrary and must be interrogated in order to deconstruct meaning and understand the power dynamics at play. The works analysed are Olive Schreiner’s Trooper Peter Halket of Mashonaland (1897), Doris Lessing’s The Grass is Singing (1950), Yvonne Vera’s Nehanda (1993), Cythia Marangwanda’s Shards (2014), Valerie Tagwira’s The Uncertainty of Hope (2006), Violet Masilo’s The African Tea Cosy (2010), Eric Harrison’s Jambanja (2006), Dangarembgwa’s The Book of Not (2006), Christopher Mlalazi’s Running with Mother (2012) and Brian Chikwava’s Harare North (2009).
English Studies
D. Litt. et Phil. (English)

This study investigates how selected Zimbabwean poets use their poetry to re-imagine and rewrite Zimbabwean history to create new identities. It seeks to achieve this by analyzing the poetry of Musaemura Zimunya, Chenjerai Hove, Dambudzo Marechera, Philip Zhuwao, Freedom Nyamubaya and some other women poets from the anthology A Woman’s Plea and John Eppel’s poetry. The study argues that history and identity are unstable concepts whose meanings and usages are influenced by a variety of factors. It further contends that while the significations of history are generally split between how it is regarded in the academic discipline of history and its meanings outside the academic discipline, the controversies surrounding history are about the ways of representing the past. The study builds its central arguments around this existence of multiple ways of ordering the past, and asserts that poetry is also a form of representing history which utilizes its own rhetoric to authorize its versions of the past and construct identities in its own unique ways. These arguments are raised in Chapter One. The analysis of the selected poets’ texts in Chapters Two, Three, Four, Five and Six links them to the arguments raised in Chapter One. It critiques the versions of histories and the nature of identities that are represented differently by different poets. The study in these chapters reveals that poetic narratives are unstable accounts of both the past and identity, but it is this instability that allows poetry to interrogate narrow concepts of what is ‘real’ in history. There are both similar and dissimilar trends that abound in the selected poets’ texts which reveal that even within the poetic mode of representation, there are layers of understanding of the metaphorical symbols which we use to fix the meanings of Zimbabwean history and identities. The study applies different theoretical approaches to the work of each poet in order to show how each has different contribution to make towards the recovery of Zimbabwe’s past and how it speaks to our present.
Thesis (DLitt)--University of Pretoria, 2011.
English
unrestricted

Christian women's organizations in Zimbabwe have a long history. Prior to independence, both the Catholic church and the major Protestant denominations had mother's unions or women's clubs. These groups met at the congregational level weekly for prayer, singing, Bible study and support. Education was also an important function of these groups. After independence, many ecumenical and non-denominational Christian women's groups were formed. The purpose of these groups was to assist in national development and in women's development. This dissertation explores the role of these women's organizations in facilitating women's participation in development. The premise of the study was that the church in Zimbabwe plays a large role in development and that women are heavily involved in church life. It was not clear, however, that women's involvement resulted in their benefiting from the church's development activities and efforts. It was assumed that women's organizations would be one way that women could access those activities and the resultant benefits. The literature review includes feminist theories, women in development (WID) and women's organizations. This provided a foundation for exploring the theoretical underpinnings of WID efforts and women's organizations, as well as the appropriateness of those theories, efforts and organizations for women in Zimbabwe. The field research consisted of in-depth interviews with the heads of various types of Christian women's organizations as well as leaders within the Christian Council of Zimbabwe. Unpublished documents produced by the organizations were analyzed. And observations were done of one indigenous community development organization and one church-related women's club. The data revealed that women are benefiting from church development efforts and that women's organizations are largely responsible for that. Also, that women's organizations on their own contribute greatly to community development. Christian women's organizations in Zimbabwe have a major role to play in facilitating the full participation of women in development.

This study critically explores the numerous strains of “madness” that Zimbabwean authors represent in their postcolonial literature. My focus is on their reflection of “madness” as either an individual state of being, or as symptomatic of the socio-political and economic condition in the country. I have adopted insights from an existential psychoanalytic framework in my literary analysis in order to bring in an innovative dimension to this investigation of the phenomenon. I consider this an appropriate stance for this study as it has enriched my reading of the literary texts under study, as well as played a crucial role in providing me with effective conceptual tools for understanding the manifestations of “madness” in the texts. The literary works that I critique are Shimmer Chinodya’s Chairman of Fools (2009), Mashingaidze Gomo’s A Fine Madness (2010), Brian Chikwava’s Harare North, Petina Gappah’s An Elegy for Easterly (2009), Tsitsi Dangarembga’s The Book of Not (2006) and Yvonne Vera’s Without a Name (1994) and Butterfly Burning (1998). These selected texts offer me an opportunity to analyse the gender dynamics and discourses of “madness”, which I do from a peculiarly indigenous and feminist perspective. My study reveals that these authors’ representations are located in and shaped by very specific temporal and spatial contexts, which, in turn, shed light on the characters’ existential reality, revealing aspects of their relationship with the world around them. It demonstrates that their notions of “madness” denote different markers of identity, such as race, class, gender, and religion, amongst others. Significantly, my literary analysis illustrates the varied permutations of “madness” by exposing how these authors characterise the phenomenon as trauma, as alienation, as depression, as insanity, as subversion, as freedom, and even as a sign of the state of affairs in Zimbabwe. This investigation also reveals that because “madness” in these authors’ fiction is intricately linked to the question of identity, it manifests in situations where the characters’ sense of ontological security is compromised in some way. What emerges is that “madness” can either signify a grapple with identity, a loss of it, or a struggle for its redefinition
English Studies
D.Litt. et Phil. (English)

Text in English
This thesis investigates the relationship between humans and the nonhuman world or natural environment in selected literary works by black female writers in colonial and post-colonial Namibia and Zimbabwe. Some Anglo-American scholars have argued that many African writers have resisted the paradigms that inform much of global ecocriticism and have responded to it weakly. They contend that African literary feminist studies have not attracted much mainstream attention yet mainly to raise some issues concerning ecologically oriented literary criticism and writing. Given this unjust criticism, the study posits that there has been a growing interest in ecocriticism and ecofeminism in literary works by African writers, male and female, and they have represented the social, political (colonial and anti-colonial) and economic discourse in their works. The works critiqued are Tsitsi Dangarembga’s Nervous Conditions (1988) and The Book of Not (2006), Neshani Andreas’ The Purple Violet of Oshaantu (2001) and No Violet Bulawayo’s We Need New Names (2013). The thrust of this thesis is to draw interconnections between man’s domination of nature and the subjugation and dominance of black women as depicted in different creative works. The texts in this study reveal that the existing Anglo-American framework used by some scholars to define ecocriticism and ecofeminism should open up and develop debates and positions that would allow different ways of reading African literature. The study underscored the possibility of black female creative works to transform the definition of nature writing to allow an expansion and all encompassing interpretation of nature writing. Contrary to the claims by Western scholars that African literature draws its vision of nature writing from the one produced by colonial discourse, this thesis argues that African writers and scholars have always engaged nature and the environment in multiple discourses. This study breaks new ground by showing that the feminist aspects of ecrocriticism are essential to cover the hermeneutic gap created by their exclusion. On closer scrutiny, the study reveals that African women writers have also addressed and highlighted issues that show the link between African women’s roles and their environment.
English Studies
D. Litt. et Phil. (English)

This dissertation is a study of women and utterance in contexts of violence in the three selected novels written by the late Yvonne Vera: Nehanda (1993), Without a Name (1994), and The Stone Virgins (2002). A study of the representation of women in particular is appropriate because their role in the making of the history of Zimbabwe has been deliberately undermined or ignored by 'patriotic' historians and politicians alike. This study incorporates a historical and post-colonial feminist analysis of women and their empowerment through utterance in Vera's novels. Their achieving utterance is seen as a way of countering a past tendency to focus on women being victims of patriarchal ideologies with little being done to expose the degree and nature of women's resistance against oppressive, socially constructed gender relations. The kind of violence experienced by Vera's women is both physical (rape and murder) and psychological. Two dimensions of utterance have been explored in this study. Firstly, the study examined what the characters can and cannot say about their conditions of suffering. This entailed an examination of their cultural and contextual limitations as well as their personal difficulties. Secondly, the study investigated how Vera, writing some fifteen years after the events she depicts and with the advantage of hindsight, represents her women characters as agents of their own recovery from the violation perpetrated against them. This involved an analysis of Vera's utterance and her thematic concerns, especially her revisioning of history in breaking the silence of her women characters. Positioned in relation to existing critical works on Vera's novels, this study's contribution to the critical debate has been its demonstration of how Vera, through the use of her narrative technique and unique poetic style was able to challenge the conditions of women in the past in a way that has relevance to present-day Zimbabwe and offers possibilities for the future Zimbabwe.
Thesis (M.A.)-University of KwaZulu-Natal, 2006.

Includes bibliographical references (leaves 84-91)
My thesis focuses on the representation of marginalized voices and trauma in the selected fiction of Tsitsi Dangarembga and Yvonne Vera. I analyze three novels written by the Yvonne Vera—Without a Name (1994), Under the Tongue(1996) and The Stone Virgins(2002) set during the Zimbabwe liberation struggle period and postcolonial Zimbabwe dissident era respectively and Nervous Conditions(1988) and its sequel, The Book of Not (1996), by Dangarembga set during the 1960s to 1970s colonial Rhodesia period (the colonial name for Zimbabwe) and during the period of white‐minority rule in Rhodesia to the attainment of independence in 1980. I analyze these novels from the feminist/womanist, gender and postcolonial literary models. The rational for grouping these theoretical models in the analysis in this thesis is that they commonly highlight from a gender perspective the complex factors which oppress and marginalize women in the colonial and postcolonial contexts in which the two authors set their writings. These literary paradigms highlight the oppression of women from an African perspective and all acknowledge the need to address all factors which oppress and subordinate women (gender, race, class) if total emancipation for them is to be achieved. I also posit that Vera and Dangarembga offer discourses that challenge the silencing of narratives of oppression and violation in their novels selected for analysis in this thesis. The thesis has five chapters. In Chapter 1, I set out the argument of the thesis and give a brief history of gendered colonialism and the historical period which provides a setting for the fiction of the two authors. Next, I describe the conceptual framework I will use in analyzing the works of the two postcolonial Zimbabwe female writers. Then I will outline the research questions and hypothesis and expose the research methodology and approach that will serve as my vehicle for data collection, analysis and interpretation. In Chapter 2, I will focus on gender, class and race and discuss the ways Dangarembga explores these factors in Nervous Conditions and The Book of Not. I will also discuss innovate ways women explore to champion their freedom and voice in the fiction of Dangarembga. Chapter 3 focuses on the novels of Yvonne Vera— Without a Name, Under the Tongue and The stone Virgins —which articulate narratives of violated subjects and silenced voices. I will discuss the ways Vera explores to show how narratives of violated subjects are silenced by patriarchy, colonialism and masculine narratives of nationalism in these novels. Chapter 4 focuses on narratives of trauma. Using theories of trauma, I will analyze Without a Name, Under the Tongue and The Stone Virgins by Vera and show how these narratives articulate colonial and postcolonial trauma and female child trauma. I will also discuss The Book of Not by Dangarembga and show how the novel articulates colonial and racial trauma. My discussion of the novels of Vera and Dangarembga in this chapter will show that these novels work out traumatic experiences in the colonial and postcolonial eras and will also reveal the challenges of representing tra
English Studies
M.A. (English)