Relevant bibliographies by topics / Womenin art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Womenin art'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Womenin art"

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Catacolí Camacho, Carolina. "Cautiverios de género en Poesía no eres tú, de Rosario Castellanos." La Manzana de la Discordia 10, no. 1 (2016): 45. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v10i1.1594.

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Resumen: El presente estudio establece coincidenciastemáticas entre los textos poéticos de la mexicana RosarioCastellanos (2004) y la antropóloga, también mexicanaMarcela Lagarde (2005); a partir de la representaciónreiterativa en Rosario Castellanos de imágenes de mujeresocupando posiciones similares a las descritas en el análisisdesarrollado por Lagarde y sintetizado en el concepto delos cautiverios de las mujeres. La parte central del artículoes el análisis de siete poemas de Rosario Castellanos, dela colección poética de Rosario Castellanos Poesía noeres tú (2004).observados bajo la óptica
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Ambar Alimatur Rosyidah, Dhiya Sahara Ulfa, and Hermin Indah Wahyuni. "Becoming an Active Subject: Women's Art Collective Eco-Artivism for Ecological Sustainability in Indonesia." Mudra Jurnal Seni Budaya 39, no. 2 (2024): 211–21. http://dx.doi.org/10.31091/mudra.v39i2.2688.

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This study explores the eco-artivism of women's art collectives for ecological sustainability by looking at actor-networks, eco-art as a non-human actor, and women's art collective negotiations. In Indonesia, eco-artivism is used to raise ecological awareness and strengthen socio-environmental protests in the ecological crisis. To explain the relationship of ecological sustainability in the artistic works of women's art collectives, we underline the connection between ecofeminism and Actor-Network Theory (ANT). We used a case study method with the Perempuan Pengkaji Seni (PPS) community, an ar
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Darrup, Cathy C., and Betty LaDuke. "Africa: Women's Art, Women's Lives." African Arts 32, no. 2 (1999): 89. http://dx.doi.org/10.2307/3337612.

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Kirchen, Anita. "Africa: Women's Art, Women's Lives." Women's Studies International Forum 23, no. 2 (2000): 260–61. http://dx.doi.org/10.1016/s0277-5395(00)00079-0.

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Yui, Wei. "Chinese Women’s Art." Культура и искусство, no. 5 (May 2022): 86–95. http://dx.doi.org/10.7256/2454-0625.2022.5.38062.

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The article discusses the origin and evolution of women's visual art in China. The development of this artistic direction was due to the radical social transformations since the beginning of the Open Door Policy in 1978. Analysis of the art by Li Hong, Cui Xiuwen, Feng Jiali, Yuan Yaomin and others reveals main features of the evolution of women's creativity in China. The search and acquisition of female identity, the destruction of psychological barriers imposed by traditional ideas and stereotypes about a woman, her physicality, beauty, etc., the study of gender differences, the reflection o
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Alarcón, Graciela S. "On women's lssues." Arthritis Care & Research 6, no. 3 (1993): 115–16. http://dx.doi.org/10.1002/art.1790060302.

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Čelebić, Burhan. "Umjetnost i tipologija ženskih nišana sjeverne i sjeveroistočne Crne Gore." Historijski pogledi 5, no. 8 (2022): 93–111. http://dx.doi.org/10.52259/historijskipogledi.2022.5.8.93.

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Research and study of sights is not new in the Balkan area. The first important research in this field was carried out by two Bosnian-Herzegovinian researchers, namely Mehmed Mujezinović and Šefik Bešlagić. Those researches were carried out in Bosnia and Herzegovina through three levels - history, epigraphy and art. In addition to these two great men, we also have some other researchers who worked on sights such as Ćiro Truhelka, Antun Hangi, Seid Mustafa Trajlić, Alija Nametak, Alija Bejtić, Džemal Čelić. Often, these and many other authors classified men's sights into ulema, dervish, martyr,
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Vincentelli, Moira. "Women's Art in Wales." Woman's Art Journal 7, no. 1 (1986): 52. http://dx.doi.org/10.2307/1358247.

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Lauter, Estella, Gisela Ecker, and Harriet Anderson. "Art for Women's Sake." Women's Review of Books 4, no. 6 (1987): 17. http://dx.doi.org/10.2307/4020081.

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Gouma-Peterson, Thalia, Patricia Mathews, Roszika Parker, and Griselda Pollock. "Art for Women's Sake." Women's Review of Books 5, no. 6 (1988): 21. http://dx.doi.org/10.2307/4020282.

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Dissertations / Theses on the topic "Womenin art"

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Kim, Gumsun, of Western Sydney Nepean University, and Faculty of Visual and Performing Arts. "A question of equality : women and women's art under patriarchal society." THESIS_FVPA_XXX_Kim_G.xml, 1995. http://handle.uws.edu.au:8081/1959.7/358.

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In the past and present the inter-gender relationship has been based on male domination resulting in the overlooking of the female role and value. Many male-inspired theories helped to establish this hierarchical relationship and to perpetuate the belief that men and women have been created differently and not equally privileged. My research on the status of Korean women verifies these theories by examining how much social and cultural conditions have contributed to the difference between the genders to the disadvantage of women. It also reveals the distortion of patriarchal theories by invest
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Kim, Gumsun. "A question of equality : women and women's art under patriarchal society." Thesis, View thesis, 1995. http://handle.uws.edu.au:8081/1959.7/358.

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In the past and present the inter-gender relationship has been based on male domination resulting in the overlooking of the female role and value. Many male-inspired theories helped to establish this hierarchical relationship and to perpetuate the belief that men and women have been created differently and not equally privileged. My research on the status of Korean women verifies these theories by examining how much social and cultural conditions have contributed to the difference between the genders to the disadvantage of women. It also reveals the distortion of patriarchal theories by invest
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Kim, Gumsun. "A question of equality : women and women's art under patriarchal society /." View thesis, 1995. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030801.151817/index.html.

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Dunnett, Anne S. W. L. "Art and identity : a social psychological study of stereotypical beliefs about women artists and women's art and the discursive identities of arts professionals and promoters of women's art." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/6447.

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The thesis is a social psychological study of beliefs about women artists and women's art. It is argued that the work of women artists is systematically undervalued in society and it is also argued that people's beliefs about women artists, and their attitudes towards women's art, are stereotypical. People are shown to have stereotyped beliefs about women artists and it is argued that stereotypes comprise the cognitive component of people's attitudes towards women's art. An argument is then presented that the origins of stereotypes can be found in social identity and personal identity. The con
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Turner, M. K., of Western Sydney Nepean University, and School of Contemporary Arts. "Representation and womens art." THESIS_XXX_CAR_Turner_M.xml, 1998. http://handle.uws.edu.au:8081/1959.7/732.

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The thesis contains a discussion of surrealism and the work of Meret Oppenheim and Leonora Carrington. In the thesis I also distinguish three groups of paintings in essays and describe my work and the way in which theory and practice have recommended one another. 'Salience and Surrealism' discusses how the features of collaboration, play and partnership involve women artists within the surrealist movement, and how their ideas of the feminine principle evolve and change. I also discuss the changing attitudes to imagination, creative inspiration and activity, and the understanding brought about
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Turner, M. K. "Representation and womens art." Thesis, View thesis, 1998. http://handle.uws.edu.au:8081/1959.7/732.

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The thesis contains a discussion of surrealism and the work of Meret Oppenheim and Leonora Carrington. In the thesis I also distinguish three groups of paintings in essays and describe my work and the way in which theory and practice have recommended one another. 'Salience and Surrealism' discusses how the features of collaboration, play and partnership involve women artists within the surrealist movement, and how their ideas of the feminine principle evolve and change. I also discuss the changing attitudes to imagination, creative inspiration and activity, and the understanding brought about
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Turner, M. K. "Representation and womens art." View thesis, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.113709/index.html.

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Clauser-Roemer, Kendra. ""Tho' we are deprived of the privilege of suffrage" the Henry County Female Ant-Slavery Society records, 1841-1849 /." Connect to resource online, 2009. http://hdl.handle.net/1805/1887.

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Thesis (M.A.)--Indiana University, 2009.<br>Title from screen (viewed on August 26, 2009). Department of History, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): John R. McKivigan. Includes vita. Includes bibliographical references (leaves 141-147).
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Meneses, Romero Mariana. "Women cooking art : hospitality and contemporary art practices." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20638/.

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This thesis examines the notion of hospitality in light of contemporary food-based artistic practices created from 2000 to 2015 by female artists Sonja Alhauser, Mary Ellen Carroll, Leah Gauthier, Ana Prvacki, Alicia Rfos, Jennifer Rubel I, Miriam Si mun, and Anna Dumitriu, and the experimental food artists Sam Bompas and Harry Parr. The aim is to make sense of how food practices, art, and feminism intersect, especially in light of the gendered history of the food system, including cooking, when opened onto a philosophically developed notion of hospitality. I explore the intricacies of hosting
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Lamb, Marybeth. "The Coeducation of Women's Colleges: are Women Still Engaged?" Thesis, Boston College, 2011. http://hdl.handle.net/2345/2167.

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Thesis advisor: Ana M. Martinez Aleman<br>Colleges and universities within the United States are continuously looking at ways to assess and measure student outcomes, academically as well as psychosocially. Student engagement measures have come to the forefront of assessment tools as a way for college administrators to determine whether their students are actively engaged in programs and activities on campus and whether this participation actually affects their retention and persistence. Women's colleges have been studied extensively as an alternative to the coeducational college environment fo
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Books on the topic "Womenin art"

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Association of Northern and Central Aboriginal Artists., ed. Karnta: Aboriginal women's art. ANCAAA, 1993.

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Gallery, Mostyn Art, ed. Women's art in Wales. the gallery, 1985.

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El Nossery, Nevine. Arab Women's Revolutionary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21724-1.

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1954-, Warren Rosalind, ed. Women's glibber: State-of-the-art women's humor. Crossing Press, 1992.

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Zemer, Avshalom. Women's hairstyles in ancient art. Museum of Ancient Art, 1992.

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1958-, Croft Susan, ed. Art, theatre and women's suffrage. Aurora Metro, 2010.

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library, Women's Art, ed. Women's Art Library teacher's pack. Women's Art Library, 1994.

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Hall, New. Women's art at New Hall. 2nd ed. New Hall, 1996.

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Sarah, Kent, and Morreau Jacqueline, eds. Women's images of men. Writers and Readers, 1985.

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Oakes, Jill E. Our boots: An Inuit women's art. Douglas & McIntyre, 1995.

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Book chapters on the topic "Womenin art"

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Peng, Lü. "Issues of Women’s Art and Women Artists." In A History of Chinese Art in the 20th and 21st Century. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-5327-7_25.

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Newey, Katherine. "Art." In Women’s Theatre Writing in Victorian Britain. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230554900_5.

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Raum, Mary. "Pulp Art." In Women and War. Routledge, 2024. http://dx.doi.org/10.4324/9781003406372-10.

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Harrod, Mary. "Art Imitating Life Imitating Art." In Heightened Genre and Women's Filmmaking in Hollywood. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70994-5_4.

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Alambritis, Maria. "Italian Art." In The Palgrave Encyclopedia of Victorian Women's Writing. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-02721-6_197-1.

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Jones, Michaela. "Art Critics." In The Palgrave Encyclopedia of Victorian Women's Writing. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-02721-6_253-1.

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Alambritis, Maria. "Italian Art." In The Palgrave Encyclopedia of Victorian Women’s Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_197.

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Jones, Michaela. "Art Critics." In The Palgrave Encyclopedia of Victorian Women’s Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_253.

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Hopper, Gill. "Women and Art Education." In Palgrave Studies in Gender and Education. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137408570_4.

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Balascio, Sarah. "Pregnancy, Infertility, and Women's Health." In Art Therapy Directives. Routledge, 2024. http://dx.doi.org/10.4324/9781003413363-21.

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Conference papers on the topic "Womenin art"

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Bažantová, Eva. "The Movement for Changing the Property Laws of Married Women in England, 1856–1870." In International Legal History Meeting of PhD Students. Masaryk University Press, 2024. https://doi.org/10.5817/cz.muni.p280-0628-2024-8.

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In the middle of the 19th century, all property and earnings of a married woman belonged to her husband, including the property that a woman owned before entering the marriage. In 1856, Barbara Bodichon submitted the first petition to the Parliament of Great Britain that called for changing the property laws (Married Women’s Property Acts) and the long-lasting efforts to gain property rights and economic and legal independence for married women had begun. The paper will focus on the movement for changing the Property Laws of Married Women in England between the years 1856 and 1870, i.e. from t
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Vizireanu, Alina. "Leadership's Role in Women’s Empowerment in the Space Industry. Insights from the Women in Copernicus Initiative." In IAF Businesses and Innovation Symposium, Held at the 75th International Astronautical Congress (IAC 2024). International Astronautical Federation (IAF), 2024. https://doi.org/10.52202/078383-0077.

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Ali, Mudassar, Iqra Mariam, Kainat Wajahat, Ghulam Murtaza, Muhammad Awais, and Muhammad Ahsan Qureshi. "The Art of Perception: Cross-Modality Learning for Accurate Tumour Segmentation in Breast Imaging." In 2025 Eighth International Women in Data Science Conference at Prince Sultan University (WiDS PSU). IEEE, 2025. https://doi.org/10.1109/wids-psu64963.2025.00045.

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Beriş, Yeter. "DEVELOPMENT OF FEMALE ARTIST IDENTITY IN THE 19TH CENTURY: AN EXAMINATION IN THE CONTEXT OF PRINT ART." In INTERNATIONAL SYMPOSIUM ON GRAPHIC ENGINEERING AND DESIGN. UNIVERSITY OF NOVI SAD FACULTY OF TECHNICAL SCIENCES DEPARTMENT OF GRAPHIC ENGINEERING AND DESIGN 21000 Novi Sad, Trg Dositeja Obradovića 6, 2024. http://dx.doi.org/10.24867/grid-2024-p65.

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The 19th century stands as a pivotal period in art history, marked by significant strides in both artistic expression and the struggle for women's rights. Women encountered various obstacles as they endeavoured to carve out their identities, seeking greater recognition and acceptance within the artistic sphere. However, this journey was fraught with substantial impediments to women's artistic and educational development. Initially, during the first half of the 19th century, access to art education for women was severely restricted. Often deprived of formal artistic training, they were typicall
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SAI, SHUANG. "RESEARCH ON THE MORALITY OF FEMALE COLLEGE STUDENTS BORN IN 00 FROM THE PERSPECTIVE OF MICRO-CULTURE." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35697.

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Post-00s female college students are not only high-quality new talents in our country, but also shoulder the important task of educating the motherland for the future generations. Their moral research has urgent and important practical significance. With the influence of micro-culture, the mainstream of female college students' morality after 00 is positive, but there are also some potential crises that cannot be ignored. To prevent crises, we must make every effort to carry out targeted moral education with female characteristics. Strengthen the moral education of women in the new era, shape
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Ramadhanita, Shalihah. "Women Art and Its Disclosure." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008557301860190.

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Kebsi, Jyhene. "Decolonizing Rap: Tunisia’s Muslim Feminist Rappers." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-022.

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My speech delves into Tunisian women rappers. It shows how these artists have carved a space for themselves in Tunisia’s masculine rap scene. My presentation emphasizes the complexity of the intersectional issues depicted in female rappers’ songs. I argue that Tunisia’s feminist rappers defend women’s rights while also stressing the multilayeredness of Tunisian women’s lives and struggles. My speech shows that feminist rappers’ songs target multiple forms of subordination caused by poverty, classism, sexism, corruption, bad governance and lack of security and opportunities. Despite their oppos
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Qiu, Zichang. "The Transformation of Women’s Art to Feminist Art in the 20 Century." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.032.

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Awal, Manan. "Shattering Stereotypes: The Power of Women in Indian Sports for Societal Transformation." In 2nd International Conference on Women. iConferences (Pvt) Ltd, 2024. http://dx.doi.org/10.32789/women.2023.1003.

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Abstract: The research paper talks about the exploration of women's empowerment through sports as a tool in India. It addresses the various problems that sportswomen in India face: lack of media representation, visibility, recognition, funding, opportunities, and gender inequality. It uses the method of literature review to analyze the empowerment of women through sports through four themes in the form of a thematic analysis: breaking gender stereotypes, economic empowerment, media representation and visibility, and health and well-being. The paper discusses the advantages of women in sport an
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Hendricks, Winston, and Babawande Olawale. "Bridging the Gender-Based Digital Divide: Empowerment of Women Through ICT." In Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.9136.

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This paper explores how digital transformation can bridge the gender-based digital divide and empower women for civic engagement in a digital world. This is because, in recent times, women in developing countries such as South Africa have been marginalized due to the patriarchal sentiment prevalent in society. While gender equality is not only a universal human right, recognizing the importance of gender equality in ensuring the advancement of society will go a long way to reducing the existing gender gaps in digital inclusion. While it has been argued that digital transformation perpetuates g
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Reports on the topic "Womenin art"

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Coffey, Lenore. How women are made: a look at the issues of the women's liberation movement. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1449.

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Vonk, Jaynie. Women's Empowerment in the Philippines: Impact evaluation of the ‘BASIC START’ project. Oxfam GB, 2021. http://dx.doi.org/10.21201/2020.6935.

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This evaluation is presented as part of the Effectiveness Review Series 2018/19 on women’s empowerment. The BASIC START (Building Autonomous and Stable Institutions and Communities through Socially Cohesive, Transparent, Accountable and Responsive Transition) in the Bangsamoro' project was carried out in the Autonomous Region in Muslim Mindanao (ARMM) in the Philippines between April 2015 and August 2017, by Oxfam together with four implementing partners: Al Mujadilah Development Foundation (AMDF), United Youth of the Philippines Women (UnYPhil-Women), Tarbilang Foundation, and Women Engaged i
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Isler, Simona, Laura Lots, Rachel Heyard, Julius Mattern, and Anne Jorstad. SNSF Datastory - Are women submitting fewer grant proposals? Swiss National Science Foundation, 2021. http://dx.doi.org/10.46446/datastory.women-submitting-fewer-grant-proposals.

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Studies and surveys confirm that during the COVID-19 pandemic, women’s workload at home has increased. Does that mean women researchers are also submitting fewer proposals to the SNSF? Analyses show that, with one exception, their share has remained stable.
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Bustelo, Monserrat, Verónica Frisancho, and Mariana Viollaz. What Policies are Effective at Eradicating Violence Against Women? Inter-American Development Bank, 2023. http://dx.doi.org/10.18235/0005342.

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Violence against women is widespread in Latin America and the Caribbean. On average, every day, 10 women are murdered in the region, and of the 25 countries with the highest rates of femicide in the world, 13 are in this region. Violence against women invades womens everyday lives and takes place in both public and private spheres and within all socioeconomic groups. Most femicides are committed by their partners or former partnersone out of every three women between the ages of 15 and 49 in the region have experienced physical and/or sexual violence at the hands of a partner, with rates rangi
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Davies, Sharyn. Where are Indonesia's women leaders? Edited by Grace Jennings-Edquist. Monash University, 2024. http://dx.doi.org/10.54377/e162-b485.

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Diprose, Rachael, Amalinda Savirani, Annisa Sabrina Hartoto, and Ken M. P. Setiawan. Pathways of Change through Women’s Collective Action: How Women are Overcoming Barriers and Bucking Trends to Influence Rural Development in Indonesia. University of Melbourne with Universitas Gadjah Mada and MAMPU, 2020. http://dx.doi.org/10.46580/124329.

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This overview to the edited volume is structured to briefly explore the following key points that emerge in the case analysis of how women’s collective action has created changes for both women’s well-being and the implementation of the Village Law, as well as how such change has been supported by a wide range of CSOs across different contexts and sectors. First, we identify variation in the diversity of priorities and initiatives that villages have introduced as a result of women’s influence on the implementation of the Law. Such initiatives go beyond infrastructure and economic development p
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Diprose, Rachael, Amalinda Savirani, Annisa Sabrina Hartoto, and Ken M. P. Setiawan. Pathways of Change through Women’s Collective Action: How Women are Overcoming Barriers and Bucking Trends to Influence Rural Development in Indonesia. University of Melbourne with Universitas Gadjah Mada and MAMPU, 2020. http://dx.doi.org/10.46580/124329.

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This overview to the edited volume is structured to briefly explore the following key points that emerge in the case analysis of how women’s collective action has created changes for both women’s well-being and the implementation of the Village Law, as well as how such change has been supported by a wide range of CSOs across different contexts and sectors. First, we identify variation in the diversity of priorities and initiatives that villages have introduced as a result of women’s influence on the implementation of the Law. Such initiatives go beyond infrastructure and economic development p
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Sauer, Nancy. The Arc of Women at LANL. Office of Scientific and Technical Information (OSTI), 2014. http://dx.doi.org/10.2172/1149977.

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Miller, Jennifer. The Politics of Nazi Art: The Portrayal of Women in Nazi Painting. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.7033.

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Rueda, Diana, and Eylla Laire Gutierrez. Gender, Microentrepreneurship, Human Flourishing: Exploring the Experiences of Women Sari-sari Store Owners toward Inclusive Growth. Philippine Institute for Development Studies, 2025. https://doi.org/10.62986/dp2024.50.

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For years, women’s involvement in entrepreneurial activities has been widely advocated as part of economic development agendas. This is evidenced by numerous initiatives, projects, and roadmaps that promote women's integration into economic activities through entrepreneurship. Underpinning these efforts is the assumption that women's active participation in economic activities leads to improved well-being and empowerment. While this is an essential step toward improving women’s conditions, the realities are more complex. Beyond the economic contributions of such entrepreneurial activities, oth
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