Relevant bibliographies by topics / Wong, Kar-Wai

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Wong, Kar-Wai'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Wong, Kar-Wai"

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Gleason, Timothy R., Qi Tang, and Jean Giovanetti. "Wong Kar-Wai." Journal of Asian Pacific Communication 12, no. 2 (December 31, 2002): 291–310. http://dx.doi.org/10.1075/japc.12.2.06gle.

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Wong Kar-Wai is the premier auteur of Hong Kong cinema. This article analyzes his 1994 film, Chungking Express, using the “auteur as structure” approach. This approach emphasizes the influence of the director on a film. It can only be applied to films that were mainly controlled by the director and not the studio or production company. Using this approach requires researchers to find the signature of the director within the film. This research introduces the work of an internationally-acclaimed film director to communication scholars, and it deciphers a film inherently complex to interpret. Th
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Paquette, Étienne, and Philippe Théophanidis. "Wong Kar-Wai ou l’esthétique-fiction." Cinémas: Revue d'études cinématographiques 15, no. 2-3 (2005): 63. http://dx.doi.org/10.7202/012320ar.

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Yue, Audrey. "Wong Kar-wai: Auteur of Time (review)." China Review International 13, no. 1 (2006): 261–64. http://dx.doi.org/10.1353/cri.2007.0055.

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Sáez González, Jesús Miguel. "Ashes of time redux de Wong Kar Wai." Vivat Academia, no. 108 (September 15, 2009): 66. http://dx.doi.org/10.15178/va.2009.108.66-67.

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Khoo, Olivia. "Wong Kawaii : Pop Culture China and the Films of Wong Kar-wai." Journal of Popular Culture 47, no. 4 (August 2014): 727–41. http://dx.doi.org/10.1111/jpcu.12158.

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Mas López, Jordi. "Manuel Puig y lo latino en la producción de Wong Kar-wai." Anales de Literatura Hispanoamericana 47 (December 11, 2018): 261–81. http://dx.doi.org/10.5209/alhi.62739.

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El cineasta chino Wong Kar-wai ha reconocido la influencia de las novelas de Manuel Puig en la estructura de sus películas, y esta influencia ha sido comentada por diversos críticos. Sin embargo, se ha tendido a obviar el hecho de que el director también presentó Happy Together como “basada en” la novela The Buenos Aires Affair del mismo escritor. Nuestro artículo analiza la influencia de la narrativa de Manuel Puig en las producciones de Wong Kar-wai, haciendo especial hincapié en la que afecta al contenido de los filmes y explica, tal como argumentamos, la construcción de una determinada ide
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Victoria, Protsenko. "From Arthouse to Amazon : The Evolution of Wong Kar-wai." Cine forum 30 (August 31, 2018): 123–56. http://dx.doi.org/10.19119/cf.2018.08.30.123.

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Rojas, Christopher. "Felizmente tú y contigo: a próposito de Happy Together y la soledad de a dos." Ventana Indiscreta, no. 024 (December 3, 2020): 63–70. http://dx.doi.org/10.26439/vent.indiscreta2020.n024.5003.

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En una película como Happy Together (1997) de Wong Kar-wai (Shanghái 1958), se confirma la exterioridad del mundo interior: el universo gay debe buscarse tanto en lo físico como en las sensibilidades de sus protagonistas y, en último término, en los no lugares copados de ella.
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Cassegard, Carl. "Ghosts, Angels and Repetition in the Films of Wong Kar-Wai." Film International 3, no. 4 (July 2005): 10–23. http://dx.doi.org/10.1386/fiin.3.4.10.

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Promkhuntong, Wikanda. "Wong Kar-wai: ‘cultural hybrid’, celebrity endorsement and star-auteur branding." Celebrity Studies 5, no. 3 (July 3, 2014): 348–53. http://dx.doi.org/10.1080/19392397.2014.935630.

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Dissertations / Theses on the topic "Wong, Kar-Wai"

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Ševčík, Julius. "Wong Kar-Wai - Celovečerní filmy." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78769.

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Wong Kar-Wai one of today´s most highly acclaimed directors. In the first chapter of the thesis I analyze each of Wong´s formal techniques individually. These techniques involve "mysterization" of reality, specific screen-writing technique, fragmental story-telling, montage, inner monologues and the visual world Wong together with his long term collaborators DoP Christopher Doyle and set designer and editor William Chang create. In the second chapter I analyze each of Wong´s films individually. These films include As tears go by, Days of being wild, Ashes of time, Chungking express, Fallen Ang
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Protsenko, Viktoriia. "The Emotional cinema of Wong Kar-wai." Doctoral thesis, Universitat Pompeu Fabra, 2019. http://hdl.handle.net/10803/667114.

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This thesis seeks to explain the affective appeal of Wong Kar-wai’s oeuvre in terms of emotional marketing. Although his working method and storytelling principles are most atypical of Hong Kong film industry, the director has actively exploited local strategies of genre, stardom, and hybridization throughout his career. Contrary to his well-crafted image of improvisational artist, recurrent stylistic tropes and narrative strategies in Wong’s films evidence a conscientious organization. . I argue that Wong Kar-wai deliberately caters to the tastes of a transcultural, multilingual and cinema-s
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Tsui, Kin-chung, and 徐建忠. "Wong Kar-wai: the filmmaker of solitude." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953748.

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Tsui, Kin-chung. "Wong Kar-wai : the filmmaker of solitude /." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262257.

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Pun, Betty Oi-Kei School of Modern Language Studies UNSW. "Intersemiosis in film: a metafunctional and multimodal exploration of colour and sound in the films of Wong Kar-Wai." Awarded by:University of New South Wales. School of Modern Language Studies, 2005. http://handle.unsw.edu.au/1959.4/22922.

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This study explores two stylistic features in the films of contemporary Hong Kong film-maker Wong Kar-Wai: colour and sound. In particular, it focuses on how transitions in colour palettes (e.g. from a natural colour spectrum to a monochromatic effect of black-and-white) and specific sound resources (such as silence) function as important semiotic resources in the films, even when they appear to create a disjunctive effect. The study draws on two perspectives on communication to explore film. The first is the metafunctional hypothesis of Systemic-Functional Linguistics, which theorises that th
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Song, Jingjing. "Modernist aesthetics in the films of Wong Kar-wai." HKBU Institutional Repository, 2014. https://repository.hkbu.edu.hk/etd_oa/110.

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Wong Kar-wai is a premier avant-garde auteur of Hong Kong cinema. In the existing research, postmodernism is considered as a predominant approach to shed light on Wong’s aesthetics, poetics and politics. Being the iconoclastic ‘poet of time,’ Wong Kar-wai is extolled as a leading figure for his postmodernist style of visually unique and emotional resonant film works. Recurring motifs, such as alienation and rejection, time and memory, pursuit and loss, are regarded as representations of cultural and political anxieties of Hong Kong people in the context of 1980s and 1990s. Wong’s characteristi
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Lin, Hoi-to Maurice. "Time, space and femininity in Wong Kar-wai's films." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262233.

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Bettinson, Gary. "The cinema of Wong Kar-wai : style, form and narrative meaning." Thesis, University of Kent, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443782.

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Tang, Yui-che Gigi. "The representation of memory in Wong Kar Wai's movies." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262580.

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Li, Nga-sze Sabrina. "Postmodernism and globalization in Wong Kar Wai's films." Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B42576349.

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Books on the topic "Wong, Kar-Wai"

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Wong Kar-wai. Milano: Il castoro, 2010.

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Wong Kar-Wai. London: BFI Pub., 2005.

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Brunette, Peter. Wong Kar-wai. Urbana, IL: University of Illinois Press, 2004.

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1958-, Wong Kar-wai, ed. Wong Kar-wai. Urbana: University of Illinois Press, 2005.

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Nochimson, Martha P., ed. A Companion to Wong Kar-wai. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.

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Luong, Mai. Visual study of Wong Kar Wai. London: LCP, 1999.

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Lee, Siu-Ming. An analysis of the work of Wong Kar-Wai. London: LCP, 2000.

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Lee, Siu-Ming. An analysis of the work of Wong Kar-Wai. London: LCP, 2000.

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Botz-Bornstein, Thorsten. Films and dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-wai. Lanham, MD: Rowman & Littlefield, 2007.

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The sensuous cinema of Wong Kar-Wai: Film poetics and the aesthetic of disturbance. Hong Kong: Hong Kong University Press, 2015.

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Book chapters on the topic "Wong, Kar-Wai"

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Provencher, Ken. "Transnational Wong." In A Companion to Wong Kar-wai, 21–46. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.ch1.

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Chen, Chih-ting. "Wong Works in Television." In A Companion to Wong Kar-wai, 562–68. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.app1.

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Chen, Chih-ting. "Wong Works in Advertising." In A Companion to Wong Kar-wai, 569–85. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.app2.

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McElhaney, Joe. "Wong Kar-wai: The Actor, Framed." In A Companion to Wong Kar-wai, 353–77. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.ch15.

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Abbas, Ackbar. "Wong Kar-wai's Cinema of Repetition." In A Companion to Wong Kar-wai, 113–34. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.ch4.

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Hok-Sze Leung, Helen. "New Queer Angles on Wong Kar-wai." In A Companion to Wong Kar-wai, 250–71. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.ch10.

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Yue, Audrey. "The Sinophone Cinema of Wong Kar-wai." In A Companion to Wong Kar-wai, 232–49. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.ch9.

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Reynaud, Bérénice. "Wong Kar-wai and his jiang hu." In A Companion to Wong Kar-wai, 80–111. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.ch3.

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Desser, David. "Chungking Express, Tarantino, and the Making of a Reputation." In A Companion to Wong Kar-wai, 319–44. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.ch13.

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Nochimson, Martha P. "Wong Kar-wai: Invoking the Universal and the Local." In A Companion to Wong Kar-wai, 1–20. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118425589.ch0.

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Journal articles Dissertations / Theses Books
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