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Journal articles on the topic 'Wong'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

Wong, Cheuk-Yin. "Wong responds." Physical Review Letters 58, no. 4 (January 26, 1987): 426. http://dx.doi.org/10.1103/physrevlett.58.426.

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2

Anderson, John D. "Calvin Wong." Physics Today 38, no. 10 (October 1985): 136. http://dx.doi.org/10.1063/1.2814752.

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3

Kenyon, Georgina. "Flossie Wong-Staal." Lancet Infectious Diseases 20, no. 9 (September 2020): 1022. http://dx.doi.org/10.1016/s1473-3099(20)30645-9.

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4

McCombe, A. "Wong was right." BMJ 311, no. 7012 (October 21, 1995): 1094. http://dx.doi.org/10.1136/bmj.311.7012.1094a.

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5

Ji Yeon Lee. "Anna May Wong." Film Studies ll, no. 34 (December 2007): 261–92. http://dx.doi.org/10.17947/kfa..34.200712.010.

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6

Stern, A., and I. Yakushin. "Deformed Wong particles." Physical Review D 48, no. 10 (November 15, 1993): 4974–79. http://dx.doi.org/10.1103/physrevd.48.4974.

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7

Potter, R. Dennis. "WONG ON DAVIDSON." Philosophical Papers 24, no. 1 (April 1995): 75–81. http://dx.doi.org/10.1080/05568649509506521.

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8

Marx, Vivien. "Wesley P. Wong." Nature Methods 12, no. 2 (January 29, 2015): 95. http://dx.doi.org/10.1038/nmeth.3260.

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9

Gleason, Timothy R., Qi Tang, and Jean Giovanetti. "Wong Kar-Wai." Journal of Asian Pacific Communication 12, no. 2 (December 31, 2002): 291–310. http://dx.doi.org/10.1075/japc.12.2.06gle.

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Wong Kar-Wai is the premier auteur of Hong Kong cinema. This article analyzes his 1994 film, Chungking Express, using the auteur as structure approach. This approach emphasizes the influence of the director on a film. It can only be applied to films that were mainly controlled by the director and not the studio or production company. Using this approach requires researchers to find the signature of the director within the film. This research introduces the work of an internationally-acclaimed film director to communication scholars, and it deciphers a film inherently complex to interpret. Th

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10

BUNCH, CHRISTINE. "We were Wong." Nursing 38, no. 1 (January 2008): 6. http://dx.doi.org/10.1097/01.nurse.0000305886.71889.3b.

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11

Wong, Simon. "Simon Wong, MD." Obesity Surgery 27, no. 9 (July 20, 2017): 2221. http://dx.doi.org/10.1007/s11695-017-2820-5.

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12

Mao, Sally Wen. "Anna May Wong fans her time machine, and: Anna May Wong blows out sixteen candles, and: Anna May Wong meets Josephine Baker, and: Anna May Wong makes cameos, and: Anna May Wong rates the runway." Missouri Review 38, no. 1 (2015): 83–93. http://dx.doi.org/10.1353/mis.2015.0000.

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13

Yelland, Nicola. "Margaret Wong Ngai-Chun." Global Studies of Childhood 2, no. 1 (January 1, 2012): 81. http://dx.doi.org/10.2304/gsch.2012.2.1.81.

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14

Kupperman, Joel J. "Reply to David Wong." Philosophy East and West 36, no. 3 (July 1986): 283. http://dx.doi.org/10.2307/1398778.

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15

Karapınar, Erdal, and Andreea Fulga. "On Wong Type Contractions." Mathematics 8, no. 4 (April 23, 2020): 649. http://dx.doi.org/10.3390/math8040649.

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In this paper, by using admissible mapping, Wong type contraction mappings are extended and investigated in the framework of quasi-metric spaces to guarantee the existence of fixed points. We consider examples to illustrate the main results. We also demonstrate that the main results of the paper cover several existing results in the literature.

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16

Stevenson, Deborah. "Quackers by Liz Wong." Bulletin of the Center for Children's Books 69, no. 8 (2016): 445. http://dx.doi.org/10.1353/bcc.2016.0364.

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17

Jayasuriya, Kanishka. "Rejoinder to Diana Wong." Pacific Review 9, no. 2 (January 1996): 275–77. http://dx.doi.org/10.1080/09512749608719183.

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18

Nguyen Tu, Thuy Linh. "Forgetting Anna May Wong." Wasafiri 19, no. 43 (December 2004): 14–18. http://dx.doi.org/10.1080/02690050408589931.

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19

Jensen, Finn. "Obituary: Kam L. Wong." Quality and Reliability Engineering International 16, no. 6 (November 2000): 460. http://dx.doi.org/10.1002/1099-1638(200011/12)16:6<460::aid-qre373>3.0.co;2-a.

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20

Chang, Jennifer. "Looking for Wong May." New England Review 41, no. 1 (2020): 114–23. http://dx.doi.org/10.1353/ner.2020.0017.

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21

Wong, David, and Charles L. Higgins. "Wong and Higgins Respond." American Journal of Public Health 101, no. 3 (March 2011): 391–92. http://dx.doi.org/10.2105/ajph.2010.300064.

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22

Kahanda, G. L. M. K. S., and Po-zen Wong. "Kahanda and Wong reply." Physical Review Letters 71, no. 5 (August 2, 1993): 806. http://dx.doi.org/10.1103/physrevlett.71.806.

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23

Susanto, Jordyna Austine Xaviera, and Wiwik Sushartami. "Wong Ndhuwur, Wong Ngisor: Local Community and Post-disaster Tourism in Kinahrejo." Jurnal Humaniora 32, no. 3 (October 1, 2020): 271. http://dx.doi.org/10.22146/jh.57693.

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This research has two objectives. First, it aims to determine the perspective of the local community towards the commodification of disaster tourism in Kinahrejo, one year following the 2010 eruption of Mount Merapi. Second, it aims to identify the implication of the local community’s involvement in the new tourism activities. Referring to the indicators of residents’ perceptions of involvement in post-disaster tourism development (Wright, 2014), semi-structured interviews of seven informants were conducted and several more casual conversations were held with a larger group. Two types of respo

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24

Surojo, Mr. "WAYANG WONG LANGEN LESTARI BUDOYO DONOMULYO SEBUAH KAJIAN GAYA WAYANG WONG PEDESAAN." JOGED 3, no. 1 (January 10, 2013): 70. http://dx.doi.org/10.24821/joged.v3i1.58.

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Wayang wong Lestari Budaya Donomulyo who was born and developed in rural communities Donomulyo an individual and collective expression of the rural art style. This Wayang wong was founded in1932 by R. Sanghadi as a palace of Yogyakarta Sultanate courtiers.This transformation and culture ofpalace formality was a cultural diffusion of the cultural center of the (palace) to a small cultural center(rural), thus giving birth to an art style that is different from the original. This diffusion certainly related tothe role Kridha Beksa Wirama in 1918 as an arts institution devoted to the general publi

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25

Khoo, Olivia. "Wong Kawaii : Pop Culture China and the Films of Wong Kar-wai." Journal of Popular Culture 47, no. 4 (August 2014): 727–41. http://dx.doi.org/10.1111/jpcu.12158.

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26

Dodd, Anne W. "The First Days Of School. By Harry K Wong and Rosemary Tripi Wong. Sunnyvale, Calif.: Harry K Wong Publications, 1991." NASSP Bulletin 76, no. 543 (April 1992): 121. http://dx.doi.org/10.1177/019263659207654323.

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27

I Komang Sudirga, I Gede Yudarta, Ni Made Ruastiti,. "“THE APPRECIATION OF THE INNOVATIVE WAYANG WONG PERFORMING ARTS THROUGH DIGITAL MEDIA." Psychology and Education Journal 58, no. 1 (January 15, 2021): 5241–52. http://dx.doi.org/10.17762/pae.v58i1.2080.

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The paper aims to analyze the appreciation of Innovative Wayang Wong performing arts. It is interesting to know because the Innovative Wayang Wong performing arts through digital media is appreciated by Bali's millennial generation. The primary data obtained through observation and interviews with representatives of the Wayang Wong and Wayang Wong ‘Cupu Manik Astagina’ audience in Denpasar. The data analysis was carried out in qualitative manner. The results show that: (1) The innovative Wayang Wong performance art through digital media is staged by presenting a new Wayang Wong model equ

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28

Ayu Putri Sastrini, Ni Komang, and Ni Wayan Sri Winarti. "WAYANG WONG DALAM UPACARA DEWA YADNYA DI MRAJAN GDE GRIYA PENIDA, DESA BATUAGUNG, KABUPATEN JEMBRANA." VIDYA WERTTA : Media Komunikasi Universitas Hindu Indonesia 1, no. 1 (April 2, 2018): 39–52. http://dx.doi.org/10.32795/vw.v1i1.176.

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Tari Wayang Wong merupakan kesenian yang disakralkan yang mana semua penarinya memakai tapel. Dalam pementasan, Tari Wayang Wong merupakan tari wali, dengan demikian bentuk penokohan dan struktur rangkaian pertunjukan menyesuaikan dengan tingkatan upacara yadnya. Dalam bentuk busana tari, Wayang Wong tetap menggunakan busana tradisional namun ada beberapa yang disesuiakan dengan busana kreasi sekarang seperti penggunaan gelung, kain prada. Sedangkan gerak tarinya memiliki ciri khusus dan unik yang tidak dimiliki oleh Wayang Wong yang ada dibeberapa daerah di Bali. Rangkaian pementasan Tari Way

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29

Muda, Norajihah, and Zaitul Azma Zainon Hamzah. "Fonologi dan Leksikal Bahasa Orang Asli Che Wong." Melayu: Jurnal Antarabangsa Dunia Melayu 14, no. 1 (January 1, 2021): 69–100. http://dx.doi.org/10.37052/jm.14(1)no4.

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The aboriginal peoples of Malaysia, the orang asli, belong three main groups, namely the Senoi, Negrito and Proto Malays. The Che Wong is a tribe belonging to the Senoi peoples. A large portion of the Che Wong tribe live in Pahang, especially in villages in the areas of Sungai Enggang in Kuala Gandah, Pahang. Based on observation, the Malay language, as a dominant communication language, has influenced the language of the Che Wong tribe. This study focuses on the aspects of the Che Wong language as a medium of communication in Kampung Sungai Enggang, in Kuala Gandah, Pahang. The informants for

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30

Kurniyawan, Andika Wahyu, and Usrek Tani Utina. "Makna dan Fungsi Ricikan pada Busana Wayang Wong Gaya Surakarta." Jurnal Seni Tari 8, no. 2 (November 28, 2019): 176–85. http://dx.doi.org/10.15294/jst.v8i2.32477.

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Bentuk ricikan pada busana Wayang Wong memiliki banyak kesamaan motif yaitu diambil dari motif tumbuhan dan hewan yang masing-masing memiliki makna dan fungsi. Fenomena yang terjadi pada beberapa penari yang kurang paham terhadap bentuk, makna dan fungsi ricikan pada busana Wayang Wong. Ricikan yang dibahas dalam penelitian ini meliputi sumping, kelatbahu, dan uncal, karena keseluruhan ricikan tersebut sering digunakan pada semua tokoh dalam Wayang Wong. Tujuan penelitian adalah untuk memvisualisasikan bentuk ricikan pada busana Wayang Wong gaya Surakarta, mendiskripsikan makna dan fungsi rici

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31

Agustina, Prima. "Pemertahanan Warisan Budaya Wayang Wong Gaya Yogyakarta dan Komodifikasinya untuk Atraksi Wisata di Kota Yogyakarta." Metahumaniora 8, no. 1 (April 3, 2018): 68. http://dx.doi.org/10.24198/metahumaniora.v8i1.18875.

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AbstrakWayang wong gaya Yogyakarta merupakan seni pertunjukan yang dasargerakannya adalah tari klasik gaya Yogyakarta atau Joged Mataram. Masyarakatmemanfaatkan warisan budaya wayang wong gaya Yogyakarta untuk atraksi wisata.Dalam perspektif kajian budaya, pemanfaatan tersebut merupakan industri budayayang menuntut komodifikasi. Data penelitian dikumpulkan dari kepustakaan,wawancara dengan pakar wayang wong gaya Yogyakarta, dan pengamatan di lokasipementasan, di tempat pembelajaran tari klasik di kota Yogyakarta. Hasil penelitianmenunjukkan bahwa untuk tujuan atraksi wisata pementasan wayang w

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32

Agustina, Prima. "Pemertahanan Warisan Budaya Wayang Wong Gaya Yogyakarta dan Komodifikasinya untuk Atraksi Wisata di Kota Yogyakarta." Metahumaniora 8, no. 1 (April 3, 2018): 68. http://dx.doi.org/10.24198/mh.v8i1.18875.

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AbstrakWayang wong gaya Yogyakarta merupakan seni pertunjukan yang dasargerakannya adalah tari klasik gaya Yogyakarta atau Joged Mataram. Masyarakatmemanfaatkan warisan budaya wayang wong gaya Yogyakarta untuk atraksi wisata.Dalam perspektif kajian budaya, pemanfaatan tersebut merupakan industri budayayang menuntut komodifikasi. Data penelitian dikumpulkan dari kepustakaan,wawancara dengan pakar wayang wong gaya Yogyakarta, dan pengamatan di lokasipementasan, di tempat pembelajaran tari klasik di kota Yogyakarta. Hasil penelitianmenunjukkan bahwa untuk tujuan atraksi wisata pementasan wayang w

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33

Pramudiyanto, Ahmad, Supana Supana, and Muhammad Rohmadi. "CHARACTERISTIC OF WONG CILIK ON WAYANG KULIT WANDA OF PANAKAWAN FIGURES." Humanus 17, no. 2 (November 20, 2018): 174. http://dx.doi.org/10.24036/humanus.v17i2.100683.

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This study aims to interpret the meaning of wayang kulit wanda of Panakawan figures. The wanda analyzed is wanda of wayang kulit based Surakarta model. The method of study was descriptive qualitative. The research object was the signs on wayang kulit wanda of Panakawan figures. This signs was examined its meaning by the employment of semiotic theories. Technique of data collection used interview and documentation. Data validity was triangulation of data source. Data from one source compared with other sources to test the validity of a data. The result of this research found that the meaning be

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34

Munawar, Imam. "DAKWAH DENGAN KENTHONGAN WONG BANYUMASAN." An-Nida : Jurnal Komunikasi Islam 12, no. 1 (July 15, 2020): 1–19. http://dx.doi.org/10.34001/an.v12i1.1207.

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This paper explains the phenomenon of local culture that exists in the Banyumas community in particular and the Banyumas residency in general. The phenomenon of da'wah through art and the linkage of local culture with the interacion between Islam and local culture in the form of art which developed by Banyumas community. The result is there is a relationship and interaction of Islam in a Kenthongan art performance with local culture in Banyumas. The variety and presentation of songs performed by one of the kenthongan groups in Banyumas shows a number of meanings and moral values about Islam wh

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35

Wong, Jarrod. "Introductory Remarks by Jarrod Wong." Proceedings of the ASIL Annual Meeting 110 (2016): 51. http://dx.doi.org/10.1017/s0272503700102538.

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36

Heald, Rebecca. "Durhane Wong-Rieger: championing patients." Lancet Diabetes & Endocrinology 2, no. 9 (September 2014): 689. http://dx.doi.org/10.1016/s2213-8587(14)70133-0.

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37

Wong, Jarrod. "Introductory Remarks by Jarrod Wong." Proceedings of the ASIL Annual Meeting 109 (2015): 319. http://dx.doi.org/10.5305/procannmeetasil.109.2015.0319.

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38

Harzoune, Mustapha. "Alison Wong, Les Amants Papillons." Hommes & migrations, no. 1290 (March 1, 2011): 156. http://dx.doi.org/10.4000/hommesmigrations.776.

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39

Grosfeld, Jay L. "Henry Wong Cheu 1959–1996." Journal of Pediatric Surgery 32, no. 3 (March 1997): 385–86. http://dx.doi.org/10.1016/s0022-3468(97)90586-8.

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40

Silberberg, Eugene. "The Viner–Wong Envelope Theorem." Journal of Economic Education 30, no. 1 (January 1999): 75–79. http://dx.doi.org/10.1080/00220489909595941.

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41

Feign, Larry. "The world of Lily Wong." Index on Censorship 26, no. 1 (January 1997): 167–68. http://dx.doi.org/10.1177/030642209702600133.

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42

Fisher, Timothy C. G. "Discussion of Wong et al." Abacus 43, no. 3 (September 2007): 388–95. http://dx.doi.org/10.1111/j.1467-6281.2007.00237.x.

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43

Bernstein, Charles N., and James F. Blanchard. "Response to Wong et al." American Journal of Gastroenterology 102, no. 11 (November 2007): 2603–4. http://dx.doi.org/10.1111/j.1572-0241.2007.01514_4.x.

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44

Franchini, Genoveffa. "Flossie Wong-Staal (1946–2020)." Science 369, no. 6509 (September 10, 2020): 1308. http://dx.doi.org/10.1126/science.abe4095.

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45

Schneider, Edgar W. "Invited Response to Jock Wong." Language in Society 37, no. 5 (October 16, 2008): 759–60. http://dx.doi.org/10.1017/s0047404508081074.

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First, I would like to thank Dr. Wong for his insightful and supportive review of my book. At the same time, I am grateful to the editor for being given an opportunity to clarify a few minor points of disagreement.

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46

Stroup, Sarah, and Wendy Wong. "Response from Stroup and Wong." International Politics Reviews 6, no. 2 (July 5, 2018): 111–15. http://dx.doi.org/10.1057/s41312-018-0060-x.

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47

Wong, Jarrod. "Introductory Remarks by Jarrod Wong." Proceedings of the ASIL Annual Meeting 112 (2018): 97. http://dx.doi.org/10.1017/amp.2019.59.

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International arbitration developments and practice in Asia have not received the attention they deserve given the growth and increasing complexity of the field in that region during recent years. At the turn of the twenty-first century, international arbitration has flourished and prospered across Asia, and within its major constituent jurisdictions. The increasing importance of arbitration coincides with the growing cross-border investment in Asia. Investment continues to flow in from both Asian and Western economies. The capital inflow is accelerated by China's initiatives such as the Belt

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48

Clare, G., and S. Mitchell. "Reply to Wong et al." Eye 22, no. 9 (February 29, 2008): 1197. http://dx.doi.org/10.1038/sj.eye.6703056.

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49

VERMA, RAMESH C., and SEYED A. ROOHOLAMINI. "Louise C. W. Wong, MD." Radiology 200, no. 3 (September 1996): 877. http://dx.doi.org/10.1148/radiology.200.3.877-a.

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50

Nicholson, L., and J. Shankar. "Reply to Loh and Wong." Eye 25, no. 3 (December 24, 2010): 392. http://dx.doi.org/10.1038/eye.2010.198.

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