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Academic literature on the topic 'Wood-carving industry'
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Journal articles on the topic "Wood-carving industry"
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Takdir, Mohammad, Maksum Maksum, and Sinawar Sinawar. "The Economic Potential of Wood Carving Art and Its Marketing Strategy in Sumenep." Mudra Jurnal Seni Budaya 38, no. 2 (2023): 188–98. http://dx.doi.org/10.31091/mudra.v38i2.2142.
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This study aims to reveal three main issues that are the focus of this research, namely (1) how is the potential of wood carving art in Karduluk village as an artistic and cultural heritage of the Sumenep Madura community, (2) how is the promotion strategy of wood carving by craftsmen, and (3) what is the role of the government area in promoting the wood carving art of Karduluk village as the center of the craft industry in Madura. This study uses qualitative research to explore the promotion strategy of Karduluk village carving as a cultural heritage of the Madurese community. Data collection techniques in the field use three techniques, namely observation, interviews, and documentation. Meanwhile, the analytical method used is deep analysis to process empirical data in the field. In conducting data analysis, the researcher carried out several stages: data reduction, presenting empirical material, and verifying. There are three main findings in this research. First, is the potential of the wood carving art in Karduluk village, namely the economic potential, the potential for carving tourism development, and the potential interest of foreign consumers. Second, promotion strategies for wood carving art are done by participating in art exhibitions, personal selling, online promotion, increasing the variety of wood carving art models, maintaining product quality standards, and mentally competing. Third, the role of the government in promoting the wood carving art of Karduluk village, namely holding an exhibition of wood carving art products, establishing Karduluk village as a carving village, providing marketing capital assistance, assisting in partnership, and facilitating business licensing.
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Ariputra, I. Gusti Ngurah Bagus, and I. Ketut Sudiana. "Effect of capital, manpower and raw materials on production and income of ukir kayu crafts industry." International research journal of management, IT and social sciences 6, no. 5 (2019): 261–66. http://dx.doi.org/10.21744/irjmis.v6n5.743.
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The purpose of this study was to analyze the effect of capital, labor, and raw materials on production in the ukir kayu industry in Sukawati District, Gianyar Regency. The data analysis technique used in this study is path analysis. Capital, labor and raw materials directly have a positive and significant effect on production in the wood carving industry in Sukawati District, Gianyar Regency. Capital, labor, raw materials and production directly have a positive and significant effect on income in the carving woodwork industry in Sukawati District, Gianyar Regency. Capital, labor, and raw materials have an indirect effect on income through the value of production in the carving woodwork industry in Sukawati District, Gianyar Regency.
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Adityatama, Ida Bagus Sedana, and Made Heny Urmila Dewi. "PENGARUH KURS DOLLAR AMERIKA, KUNJUNGAN WISATAWAN, LAMA MENGINAP WISATAWAN, DAN RATA-RATA PENGELUARAN WISATAWAN TERHADAP EKSPOR KERAJINAN UKIRAN KAYU DI PROVINSI BALI." E-Jurnal Ekonomi Pembangunan Universitas Udayana 11, no. 7 (2022): 2723. http://dx.doi.org/10.24843/eep.2022.v11.i07.p10.
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Bali Province is one of the tourist destinations and there are also many wood carving crafts. The export level of wood carving handicrafts in Bali Province has fluctuated every year, the fluctuating export value of wood carving crafts is due to global economic conditions. This research was conducted in Bali Province. The type of data used is quantitative data with secondary data. Data collection was carried out through non-participant observation methods, which came from books, records and reports from related sources or agencies, namely the World Bank, the Bali Provincial Statistics Agency, the Bali Provincial Tourism Office, and the Bali Provincial Industry and Trade Office. The analysis technique used is multiple linear regression using time series data from 1996-2019. The results of data analysis show simultaneously the US dollar exchange rate, tourist visits, length of stay of tourists, and the average tourist expenditure have a significant effect on the export of wood carving handicrafts in Bali Province. Partially, the US dollar exchange rate and the length of stay of tourists have a negative effect, but tourist visits and the average tourist expenditure have a positive and significant effect on the export of wood carving handicrafts in Bali Province.
 Keywords: Export, US Dollar Exchange Rate, Tourist Visit, Long Stay of Tourists, Average Tourist Expenditure
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Ku, Meei Yuh, Kui Hsing Lo, and Wen Tsann Lin. "An Exploration of Success Factors for the Comprehensive Construction of a Shopping Area from the Consumer Point of View — A Case Study of the Business Area of Sanyi, Miaoli." Applied Mechanics and Materials 590 (June 2014): 906–10. http://dx.doi.org/10.4028/www.scientific.net/amm.590.906.
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With the development of Taiwan’s economy and increasing revenues of the people, people are increasingly interested in tourism and leisure lifestyles. Local governments in Taiwan develop their own unique shopping areas based on the considerations of their own characteristics. Woodcarving works display commercial, artistic, practical, aesthetical, and other features. From the heyday of export and domestic sales, the global downturn, and the establishment of the woodcarving museum, the industry experienced changes like the business cycle. During this period of thriving export, every household in Sanyi was creating wood carving products day and night. Due to the flourishing export of the wood carving industry of Sanyi, outside wood carvers came to Sanyi and introduced new artistic styles, resulting in different creative concepts of wood carving works. The majority of residents in Sanyi are Hakka, and over 50% of the people are engaging in the woodcarving industry. Presently, due to time, space, external, and internal factors, the woodcarving industry of Sanyi has gradually passed the heyday of export. Through qualitative and quantitative methods, this study analyzed the status and process of the development of the Sanyi woodcarving cultural and creative industry, as well as the change of marketing models. We explored whether emotional marketing methods can arouse the perception of consumption situations, and individual intrinsic emotions and feelings, while promoting proactive participation and purchase of woodcarving products to enrich the life of consumers. Moreover, this study discussed the depth and width of the impact on existing consumers and potential community members. By analyzing the woodcarving industry in Sanyi, Miaoli, as based on a conversion from the past, as well as current development and future vision, this study proposed marketing strategy suggestions as reference for the woodcarving industry.
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Marhaeni, A. A. I. N., Ni Nyoman Yuliarmi, and Nyoman Djinar Setiawina. "Empowering small industry of wood carving handicraft in Bangli district." Asia Pacific Journal of Innovation and Entrepreneurship 13, no. 1 (2019): 121–36. http://dx.doi.org/10.1108/apjie-07-2018-0045.
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Purpose The purpose of this study is to analyze the influence of social capital on human capital; the effect of social capital on transaction costs; the influence of social capital, human capital and transaction costs on empowerment; the indirect effect of social capital on empowerment through human capital; and the indirect effect of social capital on empowerment through transaction costs in Bangli Regency. Design/methodology/approach The population in this research is all wood carving business in Bangli Regency, in all districts some 366 business units. The number of respondents surveyed were 191 business units in all sub-districts. The sampling technique used is stratified random sampling, with strata of business area. Inferential analysis is preceded by using factor analysis techniques to obtain factor scores on each latent variable, followed by path analysis to answer the research objectives. Finding Based on the analysis, the following conclusions are drawn: social capital has a positive and significant impact on human resources; positive social capital and significant positive to transaction costs; social capital and human resources have a positive and significant effect while transaction costs and no significant positive effect on empowerment; human resources partially mediate the influence of social capital on empowerment; and transaction costs do not act as a variable, mediating the influence of social capital on empowering small woodcraft industry in Bangli Regency. Originality/value This study is one of the few to investigate the role of social capital, human capital and transaction cost on empowerment of small industries, especially wood carving in Bangli District. This small woodcraft industry is famous for its uniqueness that characterizes Balinese carving ornaments. But lately, the productivity of handicrafts wood carving, especially in Bangli District, fluctuates tend to decline. Social capital, in addition to human capital and technology, also plays an important role in the production process. Social capital equals other physical capital and can increase productivity and economic efficiency. Higher social capital owned by individuals or groups can reduce transaction costs; thus economic activity can run efficiently. Social capital is the information, trust and norms of reciprocity inherent in social networks.
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Supriyatna, Eddy, Agustinus Purna Irawan, and Maitri Widya Mutiara. "PENGEMBANGAN DESAIN UKIR KAYU PADA INDUSTRI FURNITURE DI JEPARA." Jurnal Muara Ilmu Sosial, Humaniora, dan Seni 3, no. 2 (2019): 433. http://dx.doi.org/10.24912/jmishumsen.v3i2.6036.
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Industri furniture di Jepara sedang mengalami proses perubahan dalam mengatisipasi pasar ekspor. Desain-desain fuirniture yang diproduksi cenderung mengikuti keinginan dan kebutuhan pasar global yang nyaris tidak menampilkan ukiran kayu dalam desain furniturenya. Padahal, ukir kayu Jepara merupakan keunggulan Jepara yang telah berkembangn secara turun-temurun, beratus tahun lamanya. Tampaknya potensi ukir kayu tersebut tidak diberdayakan sebagai alat daya saing ekspor. Oleh sebab itu, diperlukan pengembangan desain furniture ukir kayu yang disesuaikan dengan tuntutan keinginan dan kebutuhan konsumennya di pasar ekspor. Di dalam konteks penelitian ini, pengembangan desain dilakukan setelah melakukan identifikasi pasar ekspor di pasar global dan mengidentifikasi potensi produksi yang dimiliki oleh kalangan industri Jepara. Identifikasi pasar menghasilkan karakteristik desain furniture yang sesuai dengan tuntutan ekspor, adapun identifikasi potensi produksi sebagai pertimbangan di dalam pengembangan desain. Luaran yang dicapai adalah desain furniture ukir kayu, prototype furniture knockdown dan beragam jenis desain ukiran, baik diproses manual maupun masinal. Penelitian kualitatif ini menggunakan pendekatan multidisiplin bidang desain, teknologi, dan manajemen pemasaran. ABSTRACTThe furniture industry in Jepara is undergoing a process of change in anticipating the export market. Furniture designs produced tend to follow the desires and needs of the global market which barely displays wood carvings in their furniture designs. In fact, Jepara wood carving is an advantage of Jepara which has been developed for generations, hundreds of years. It seems that the potential for carving wood is not empowered as a means of export competitiveness. Therefore, it is necessary to develop wooden carved furniture designs that are tailored to the demands and desires of consumers in the export market. In the context of this research, design development is carried out after identifying the export market in the global market and identifying the production potential of the Jepara industry. Market identification produces furniture design characteristics that are in line with export demands, while the identification of production potential as a consideration in design development. The achieved output is wood carved furniture design, prototype knockdown furniture and various types of carving designs, both processed manually and masinal. This qualitative research uses a multidisciplinary approach in the fields of design, technology, and marketing management.
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Mishra, Pradeep, Poonam Dubey, S. S. Singh, et al. "Quantitative analysis of Saharanpur wood carving handicraft industry on the specific issues of wood and wood product certification." Indian Forester 148, no. 12 (2022): 1245. http://dx.doi.org/10.36808/if/2022/v148i12/166559.
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Haryanto, Eko, Mujiyono Mujiyono, and Nadia Sigi Prameswari. "Jagad Raya: Representation of Flora and Fauna in Wooden Craft From A Cosmological Perspective." Gondang: Jurnal Seni dan Budaya 7, no. 1 (2023): 93. http://dx.doi.org/10.24114/gondang.v7i1.47582.
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The art of teak wood carving was one of the leading export commodities, especially wood carvings with flora and fauna motifs. Javanese culture and Hindu mythology influenced the flora and fauna motifs, so they had their meanings. This research aimed to develop carvings of flora and fauna motifs inspired by classic batik motifs using wood media. The results showed that the media used was teak wood with a finishing process without painting to produce a natural color. It was adjusted to its function and use in creating teak wood carvings. Wood carving did not only function to be enjoyed for its aesthetic value but as a decorative and sacred medium where each motif influences one's beliefs when creating artwork. In addition, teak wood carvings were used as symbols of a culture, and the designed motifs often contained the meaning of teachings to humans in carrying out life. Based on the economic aspect, the teak woodcarving industry strategically improved the community's income, especially for craftsmen in tourism centers. By making woodcarving crafts with flora and fauna motifs, it hoped that woodcarving crafts would not only use as decorative objects, but it used as an educational media for fine art, history, and Javanese culture, which were full of meaning to the broader community so that they could increase knowledge and encourage people to behave following the concept of cosmology.
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Iswanto, Angger Bagus, Sarwono Sarwono, and Rita Noviani. "GEOGRAPHIC RHYTHM STUDY SCULPTURE AND CARVING ART INDUSTRY JEPARA DISTRICT CASE STUDY IN MULYOHARJO VILLAGE." GeoEco 6, no. 1 (2020): 28. http://dx.doi.org/10.20961/ge.v6i1.39163.
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<p><em>The purpose of this study is to find out geography rhythm procurement of raw materials, marketing destination, and problems with production factors sculpture and carving industry in the center of the sculpture and carving industry center in Mulyoharjo Village, Jepara District. This study uses a qualitative descriptive method. The respondent is a sculpture and carving industry entrepreneur in Mulyoharjo Village whose population is 104 industries and 30 industries are sampled. Data collection by interview, documentation and observation. Data analysis used a descriptive qualitative interactive model technique. The results of the study concluded that 86.6% of the industries experienced capital problem,73.3% of the industries experiences raw material problem, 66.6% of the industries experiences marketing problem, and 73,3% of the industries experiences finding workers problem. The most difficult workforce to find is engraver because absence of engraver regeneration. The raw materials used are teak wood and tamarind. In 1990 the raw material came from Jepara. In 1997-2005 the origin of raw materials expanded into the Java Island region. In 2006-2019 the origin of raw materials moved out of Java. The current availability of wood is not experiencing scarcity but the price is increasing. In 1990-1992 the destination areas for product marketing were in the Jepara Regency area only. In 1993-1995 product marketing could reach big cities in Indonesia. Marketing of products to international markets occurred in 1996 until now. In 2013 the number of exports increased with a value of 7,505,772.91 US $. In 2014 to 2018 the number of exports decreased.</em></p>
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Al Hasan, Rubangi, Amalia Indah Prihantini, and Resti Wahyuni. "Marketing Chain and Power Relation on Black Magic Wood (Agarwood) Commodities in Lombok Island." E3S Web of Conferences 444 (2023): 02003. http://dx.doi.org/10.1051/e3sconf/202344402003.
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The global demand for agarwood (Gyrinops verstegii) is immense, hence the market price is skyrocketing. Sapwood (gubal) is the most valuable derivative product of the agarwood commodity. However, such derived compounds are not without value. White aloeswood, which is then processed into black magic wood (BMW), is one of the items that was once deemed trash but eventually saw tremendous demand. The purpose of this research is to investigate the flow of transformations in products from beginning materials to BMW manufactured products, the added value gained by every involved party, and the power relations among the parties in the BMW value chain. Data was gathered through observation, in-depth interviews, Focus Group Discussions (FGD), and document analysis. All the data was analysed descriptively. Several key results were achieved from this research: (1) commodities transformed from raw materials to finished products: wood waste carving→ making of imitation carving→ imitation carving processing→ finishing → BMW products. (2) The biggest benefit gained by upstream players and leaving farmers and craftsmen behind. (3) The power relations among the parties revealed that large business actors control power and profit. Farmers and craftsmen only offer cheap wage labour in the midst of BMW industry with multiple profits.