Relevant bibliographies by topics / Wood-engraving

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Wood-engraving'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Wood-engraving"

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Rāviņš, Dzintars, Imants Adijāns, Emil Yankov, and Vladislavs Bakakins. "THE IMPACT OF CO2 LASER POWER AND SCANNING SPEED ON VARIOUS WOOD AND THERMOWOOD SAMPLES." ENVIRONMENT. TECHNOLOGIES. RESOURCES. Proceedings of the International Scientific and Practical Conference 3 (June 22, 2024): 434–39. http://dx.doi.org/10.17770/etr2024vol3.8170.

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In this study, the impact of CO2 laser engraving and scanning on various types of wood before and after thermal treatment is investigated. An infrared CO2 laser with a wavelength of 10640 nm is used in the study for engraving various wood samples before and after thermal treatment at a specific processing temperature of 214°C. All samples had a similar moisture content - approximately 8%. The engraving depth and width were measured for each wood sample. The findings reveal that thermal pre-treatment exert a discernible influence on the efficacy of laser engraving, and the engraving depth is notably influenced by the particular wood species involved. Consequently, the study offers a platform for assessing the optimization of laser engraving parameters applicable to different wood types and thermally modified wood, thereby facilitating the enhancement of product quality through judicious parameter selection.
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Sugiyanto, Didik, Aep Saeful Uyun, and Dzul Mujahid Jihad. "PENGARUH JARAK DAN PANAS SINAR LASER TERHADAP HASIL ENGRAVING PADA MATERIAL KAYU MENGGUNAKAN MESIN CNC LASER DIODE." Jurnal Rekayasa Mesin 14, no. 1 (May 29, 2023): 39–47. http://dx.doi.org/10.21776/jrm.v14i1.1036.

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Testing the effect of distance and laser beam heat on engraving results using two specimens as test materials, namely teak wood and durian wood. The testing process is to make circles and rectangles with a diameter of 20 mm which are inputted into the program followed by the engraving process. The results of the engraving are measured how many differences occur so that the results that are closest to the level of precision are obtained with variations in distance and heat in the laser beam. From the results of the distance test, it was found that durian wood has a more precise engraving accuracy with a size of 0.15-0.35mm, while for teak wood with a size of 0.2-0.4mm. With reference to the general tolerance of medium in sizes >6-30mm is 0.2mm, the best result for the use of spacing is 70mm. From the results of laser heat testing, it was found that durian wood has a more precise engraving accuracy with a size of 0.05 - 0.7mm, while for teak wood with a size of 0.1-0.8mm. With reference to the general tolerance of medium in size >6-30mm is 0.2mm and size >30-120mm is 0.3mm, the best temperature result for use is 400C with a tolerance size of 0.05mm.
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Conway, Jan. "Nineteenth Century Wood Engraving: its commercial decline." Art Libraries Journal 41, no. 4 (September 20, 2016): 224–34. http://dx.doi.org/10.1017/alj.2016.23.

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The use of wood engraving as a method of graphic reproduction for books, periodicals and newspapers continued for a surprisingly long time after the development of photographic methods. End-grain boxwood engraving was a truly Victorian phenomenon and an understanding of the strengths, weaknesses, versatility and limitations of this technique may perhaps best be reached through an exploration of its commercial decline. The period 1860–1900 saw a combination of competing technical, economic and aesthetic demands influencing the development of illustrative processes and eventually led to the end of commercial wood engraving. A form of engraving closer to Bewick's original interpretation of the craft re-emerged through the arts and crafts movement and the establishment of private presses during the inter-war period.
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Zhang, Lei, Qing Jian Liu, Tai Yong Wang, Hong Bin Li, and Wei Tian. "Structural Design and Improvement of Spindle in Five-Axis Wood Engraving Machine." Key Engineering Materials 693 (May 2016): 200–204. http://dx.doi.org/10.4028/www.scientific.net/kem.693.200.

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In the wood engraving industry, the double swing motor spindle or the double rotation motor spindle is often used as the spindle of five-axis wood engraving machine to achieve three-dimensional sculpture. However, the rough and motor spindle may interfere with each other during machining. Hence, many small regions of rough cannot be machined. To solve this problem, an anthropomorphic double-swing-head mechanism is designed. Instead of motor spindle, the designed mechanism is used as spindle of five-axis wood engraving machine. The level of automation and machining scope of the machine are improved. The workload of subsequent artificial modification is reduced. Then, the machining efficiency and quality of wood products are enhanced, and their production costs are reduced.
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Brett, Simon. "Wood Engraving How To Do It." Art Book 2, no. 1 (January 1994): 13b. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00335.x.

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Brett, Simon. "Wood Engraving How To Do It." Art Book 2, no. 1 (January 1995): 13b. http://dx.doi.org/10.1111/j.1467-8357.1995.tb00335.x.

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Lungu, Antonela, Mihai Ispas, Luminiţa-Maria Brenci, Sergiu Răcăşan, and Camelia Coşereanu. "Comparative Study on Wood CNC Routing Methods for Transposing a Traditional Motif from Romanian Textile Heritage into Furniture Decoration." Applied Sciences 11, no. 15 (July 22, 2021): 6713. http://dx.doi.org/10.3390/app11156713.

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This paper presents experimental research on the Computer Numerical Control (CNC) routing of a traditional motif collected from Ţara Bârsei (Transylvania region) using two methods, namely, engraving (Engrave) and carving (V-Carve). The analysis of the CNC router processes includes the calculation of the path lengths, an assessment of the processing time and wood mass loss, and an evaluation of the tool wearing by investigating the tool cutting edge on a Stereo Microscope NIKON SMZ 18 before and after processing the ornament on wood. An aesthetic evaluation of the ornament routed on wood, using both the engraving and carving methods, is also conducted, whilst a microscopic analysis of the processed areas highlights the defects that occurred on the wood surface depending on the tool path.
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Liu, Ying, Bin Li Gou, and Zhao Jun Xu. "Design the Economical Engraving Machine for Wood." Applied Mechanics and Materials 157-158 (February 2012): 768–71. http://dx.doi.org/10.4028/www.scientific.net/amm.157-158.768.

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Nowadays with the improvement of people’s lives in China, furniture industry has a sustainable development. Different kinds of engraving machines are required to design and manufacture. This paper is to give the example of the process for designing the economical engraving machine. Firstly, take the DK5040 as an example, the need was supplied and the main design parameters were given. Secondly, to complete the quick design, the architecture of the CAD/CAM system was established, which had B/S structure. The five function modules were introduced. So designers and producers could do different work in different places to make the best of resources. Thirdly, using the system, the overall design and key parts design could be finished, and the initial model could be submitted quickly. Furthermore, rapid prototyping (RP) was used to verify complicated design. In a word, to design the economical engraving machine for wood, use similar template to draw the new 3D model, and use RP technology to check the assembly and detailed design, this would reduced the design cost, ensure the drawing quality, and shorten the design cycle.
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Gowda, Nithin. "Fabrication of Portable Pantograph for Wood Engraving." International Journal for Research in Applied Science and Engineering Technology 8, no. 11 (November 30, 2020): 253–58. http://dx.doi.org/10.22214/ijraset.2020.32119.

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Rathod, Vipul. "Experimental Analysis and Process Parameter Optimization of Wooden Material on Wood Router." International Journal for Research in Applied Science and Engineering Technology 12, no. 4 (April 30, 2024): 4131–39. http://dx.doi.org/10.22214/ijraset.2024.60827.

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Abstract: The area of customize design gave rise to different machines. Wood engraving or wood router machine is one of the development which can be used to perform operations like drilling, engraving, cutting etc on materials like wood, plastics, acrylics, PCB board etc. This paper discusses the effect of variable factors like spindle speed, feed rate and thickness of material on surface roughness and surface roundness of engraved surface. To calculate roundness or circularity of engraved surface coordinate measuring machine Zeiss Contura G2 is used that has least count of 0.0019 mm. For calculating roughness surface roughness tester MITITOYO SJ 210 is used that has least count of 0.0019 mm. It is found that machine shows 99.8% accuracy for diameter and 99.4% accuracy for height achieved.
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Dissertations / Theses on the topic "Wood-engraving"

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De, Freitas L. J. "Commercial engraving on wood in England, 1700-1880." Thesis, Royal College of Art, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234734.

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Upper, Lauren Elizabeth. "Printing colour in the age of Durer 'Chiaroscuro' woodcuts of the German-speaking lands, 1487-ca. 1600." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608045.

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Benker, Maximilian. "Ulm in Nürnberg Simon Lainberger und die Bildschnitzer für Michael Wolgemut /." Weimar : VDG, Verlag und Datenbank für Geisteswissenschaften, 2004. http://catalog.hathitrust.org/api/volumes/oclc/57729582.html.

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Rather, Anna B. "Dreaming of the ocean, I wish I was a fish : an exploration in printmaking." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313949.

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This project involved a series of linoleum, woodcut, and intaglio prints whose subject matter was derived from my imagination. The inspiration for this work is the ocean and the myriad life forms found there. I perused books on the ocean and created characters from these images. These prints also have a psychological edge and emotional aspect reflecting the state of mind I was in when 1 created them. Putting these ideas together in the intaglio prints as well as using different techniques was the challenge in making this work. My goal was also to explore linoleum and woodcut prints where I used multiple blocks and/or rolled more than one color on a block to achieve a multitude of hues for one image. I found this complex way of making images exciting and feel that the works created have been successfully resolved.
Department of Art
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Stine, Jon M. "Absurd and grotesque circumstances." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1115754.

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The work is a reflection of my opinions and criticism of society and the world as I see it. The absurd behavior of individuals in my environment provided the basis for my research. The seven woodcut prints that were completed, attempted to examine universal and personally significant themes.I utilized visual techniques to convey personal feelings and ideas about relationships with other people. Technical as well as conceptual abilities were drawn upon to produce a series of prints that depicted specific experiences I have had in life.
Department of Art
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Kell, Jeff. "Figurative emotion /." Online version of thesis, 1993. http://hdl.handle.net/1850/11918.

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Kurosawa, Yukie. "Pages from my diary : a series of paintings and prints." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/864930.

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The creative project, which focused in painting and print making was the conclusion of my graduate program in studio art. I executed eleven oil paintings and eleven woodblock prints which demonstrated my development as a twodimensional artist.Although oil painting is the primary medium that I worked in for this project, I expanded my visual vocabulary to include woodblock printing. These paintings and prints were exhibited at the University Theater Gallery on Ball State University's campus in April of 1992.Painting is a vehicle to express my ideas to others. It is also a vehicle for my personal discovery' Being Japanese (Eastern) living in America (Western) has created a cultural duality in my life, which is the main focus of this creative project. The emotional content of each piece is expressed through visual metaphors.This project involves the exploration of the female figure as a self-portrait, rendered in an environment that visually represents my emotional state of mind. It is a visual diary which started out with the creation of small black and white woodblock prints. I created the images of the four seasons with a female figure surrounded by decorative patterns. This idea expanded as I worked on the oil paintings, which are larger in format (human scale). My intention was to provide a stimulus for emotional response while gaining a greater understanding of how colors, shapes, and other elements operate expressively. For example, in most of the images I intentionally positioned the figure so that the face is turned away from the viewer and not portrayed. This allowed the viewers to project their own feelings onto the work.Along with the creation of the paintings and the prints, I researched past and contemporary artists who shared my ideas and concerns. These artists include the post impressionists--Van Gogh and Paul Gauguin; the Nabis--Pierre Bonnard and Edouard Vuillard; the Fauves--primarily Matisse; German Expressionists; and a contemporary English artist, Howard Hodgkin.
Department of Art
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Quinlan, Andrea Elizabeth. "A cross channel comparison of the illustration of the capital cities in Augustus Charles Pugin's Paris and its Environs and Gustave Doré's London: A Pilgrimage." Thesis, University of Canterbury. Fine Arts, 2008. http://hdl.handle.net/10092/1037.

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This thesis presents a close comparison of Augustus Charles Pugin's illustrations for Paris and its Environs and Gustave Doré's illustrations for London: A Pilgrimage. This comparison will reveal what is distinctive about each publication. To achieve this, the thesis begins with a consideration of how these illustrated books fit into the oeuvres of the artists and writers involved, and how the works were subsequently received. The thesis then seeks to discover the ways the books adhere to the picturesque and Realist aesthetic modes. A comparison of the representation of social and political issues within the publications reveals how the city is either celebrated or critiqued in them. This is extended by a comparison with other English views of Paris and French views of London. The thesis concludes with the suggestion that the works under consideration are akin to illustrated guidebooks and novels. The illustrations themselves form the primary evidence for this comparison, supplemented by the accompanying written texts and other sources - including contemporary periodicals and biographical material. Paris and its Environs is a significant work within Pugin's oeuvre and shows how he created a view of Paris which would appeal to the tastes and aspirations of his readers. With London: A Pilgrimage, Doré created a view of London which would entertain his English audience but challenge them at the same time.
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Alvares, Jose Alfonso Ballestero. "Axios." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-22072009-182649/.

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Axios é a seqüência de xilogravuras produzidas em suporte de mdf com uma única goiva em V que pretende ampliar a reflexão a respeito do corpo humano como temática expressiva, incluindo imagens gravadas e a reflexão teórica a respeito desse processo e a criação do sentido, reconstruindo parte daquilo que o artista precisa dizer a si mesmo para iniciar a aventura de manifestações poéticas por intermédio do diálogo entre a gravura e o observante.
Axios is a sequence of xylographs produced on mdf support with only one V-form gouge; through which we mean to expand the reflection about the human body as an expressive theme, and which includes engraved images and theoretical reflection concerning this process as well as the creation of meaning process; reconstructing, through the dialogue between the engraving and the observer, part of that which the artist needs to say to himself to begin the adventure of poetic manifestation.
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Ross, Gail Macdonald. "New Zealand Prints 1900-1950: An Unseen Heritage." Thesis, University of Canterbury. School of Fine Arts, 2006. http://hdl.handle.net/10092/937.

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The vibrant school of printmaking which emerged and flourished in New Zealand between 1900 and 1950 forms the subject of this thesis. It examines the attitudes of the printmakers, many of whom regarded the print as the most democratic of art forms and one that should reflect the realities of everyday life. Their subject matter, contemporary city scenes, people at work and leisure, local landscapes, Maori and indigenous flora and fauna, is analysed and revealed as anticipating by over a decade that of regionalist painters. They are also identified as the first New Zealand artists to draw attention to social and environmental issues. Trained under the British South Kensington art education system, New Zealand printmakers placed great importance on craftsmanship. Although some worked in a realist style others experimented with abstraction and surrealism, placing them among the forefront of New Zealand artists receptive to modern art. Expatriate New Zealand printmakers played significant roles in three major printmaking movements abroad, the Artists' International Alliance, Atelier 17 and the Claude Flight Linocut Movement. The thesis redresses the failure of existing histories of New Zealand art to recognise the existence of a major twentieth-century art movement. It identifies the main factors contributing to the low status of printmaking in New Zealand. Commercial artists rather than those with a fine arts background led the Quoin Club, which initiated a New Zealand school of printmaking in 1916; Gordon Tovey's overthrow of the South Kensington system in 1945 devalued the craftsmanship so important to printmakers; and the rise of modernism, which gave priority to formal values and abstraction, further exacerbated institutional indifference to the print. The adoption of Maori imagery by printmakers resulted in recent art historians retrospectively accusing them of cultural appropriation. Even the few printmakers who attained some recognition were criticised for their involvement in textile and bookplate design and book-illustration. Key artists discussed in the thesis include James Boswell, Stephen Champ, Frederick Coventry, Rona Dyer, Arnold Goodwin, Thomas Gulliver, Trevor Lloyd, Stewart Maclennan, Gilbert Meadows, John L. Moore, E. Mervyn Taylor, Arthur Thompson, Herbert Tornquist, Frank Weitzel, Hilda Wiseman, George Woods, John Buckland Wright and Adele Younghusband. Details of the approximately 3,000 prints created during this period are recorded in a database, and summarised in the Printmakers' Survey included in Volume Two. In addition reproductions of 156 prints are illustrated and documented; while a further 43 prints are reproduced within the text of Volume One.
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Books on the topic "Wood-engraving"

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Moser, Barry. Wood engraving: The art of wood engraving and relief engraving. Boston: D.R. Godine, 2006.

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Ravilious, Eric William. Wood engraving [and] lithographs. [Exeter: Exeter University, 1986.

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Ravilious, Eric William. Garden memories: A wood-engraving. Oxford: Previous Parrot Press, 1994.

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Linton, W. J. Wood-engraving: A manual of instruction. Cambridge: Cambridge University Press, 2009.

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Sandford, Lettice. A wood engraving by Lettice Sandford. Montgomery (Powys): Esslemont & Grossman, 1997.

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Lepère, Auguste. Auguste Lepère: Master of wood engraving. New York: Associated American Artists, 1985.

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Pellew, Claughton. Claughton Pellew: Wood engravings : Ashmolean Museum, Eldon, Gallery, 16 September-22 November 1987. Oxford: Ashmolean Museum, 1987.

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Wagner, Christoph, 1964 June 15- and Jehle Oliver, eds. Albrecht Altdorfer: Kunst als zweite Natur. Regensburg: Schnell & Steiner, 2012.

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Engravers, Society of Wood. A cross section: The Society of Wood Engravers in 1988. Wakefield: Fleece, 1988.

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Pellew, Claughton. Claughton Pellew: Five wood engravings printed from the original blocks. Wakefield: Fleece Press, 1987.

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Book chapters on the topic "Wood-engraving"

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Gooch, Jan W. "Wood Engraving." In Encyclopedic Dictionary of Polymers, 813. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_12869.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "‘Wood Engraving’." In Victorian Material Culture, 353. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-108.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "‘Wood Engraving for Women’." In Victorian Material Culture, 405–6. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-124.

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Beegan, Gerry. "Wood Engraving: Facsimile and Fragmentation." In The Mass Image, 47–71. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230589926_3.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "Henry Cole, ‘Modern Wood Engraving’." In Victorian Material Culture, 346–47. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-105.

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Chatto, William Andrew. "Wood-Engraving, its History and Practice." In The British Publishing Industry in the Nineteenth Century, 80–155. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003099598-5.

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Maidment, Brian. "The Illuminated Magazine and the Triumph of Wood Engraving." In The Lure of Illustration in the Nineteenth Century, 17–39. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230233867_2.

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Kontou, Tatiana, Victoria Mills, and Kate Nichols. "E. P. Burton, ‘A Few Hints to Women Adopting Wood Engraving as a Profession’." In Victorian Material Culture, 393–96. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315400266-120.

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"Wood Engraving." In Wood Engraving, 1–71. Brandeis University Press, 2021. http://dx.doi.org/10.2307/j.ctv1grbbpn.3.

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"Wood engraving." In Encyclopedic Dictionary of Polymers, 1070. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30160-0_12621.

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Conference papers on the topic "Wood-engraving"

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Choudhary, Rohit, Sambhav, Sunny David Titus, P. Akshaya, Jose Alex Mathew, and N. Balaji. "CNC PCB milling and wood engraving machine." In 2017 International Conference On Smart Technologies For Smart Nation (SmartTechCon). IEEE, 2017. http://dx.doi.org/10.1109/smarttechcon.2017.8358577.

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Rocaciuc, Victoria. "Leonid Beleaev – 100 years since the artist's birth." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.12.

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The work of the artist Leonid Beleaev (1921-1974) is a novel page in the history of fine arts in the Republic of Moldova. His merits in the field of monumental painting, easel and book graphics are indispensable. However, there are still some inaccuracies in various documentary sources about the artist’s work and biography. Thus, together with the analysis of the works created by the plastic artist Leonid Beleaev, a minor additional study was undertaken to clarify the data of his biography. In his best works, Leonid Beleaev, among the first in Moldovan book graphics, aimed to achieve the synthesis of literature with graphic art and complex structuring of the artistic presentation of the book, paving the way for fruitful and versatile searches in the field of polygraphic design. It is worth mentioning the artist's contribution in the field of wood engraving and other graphic techniques. Leonid Beleaev is the first graphic artist in Moldova to start working in fiber engraving. Leonid Beleaev was a true master of plastic expressiveness who strived for perfection in any technique approached.
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Du, Jie, and Yu Bai. "Study on the Artistic Feature of Ten Beautiful Ladies in Fengxiang Wood-Engraving New Year Pictures*." In 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.030.

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Du, Jie, and Tong Li. "The Establishment of Color Proportion and Color Schemes Database of Shaanxi Fengxiang Wood Engraving New Year Painting." In 2020 International Conference on Computer Vision, Image and Deep Learning (CVIDL). IEEE, 2020. http://dx.doi.org/10.1109/cvidl51233.2020.00-80.

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