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Journal articles on the topic 'Wood-engraving Wood-engraving'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Conway, Jan. "Nineteenth Century Wood Engraving: its commercial decline." Art Libraries Journal 41, no. 4 (2016): 224–34. http://dx.doi.org/10.1017/alj.2016.23.

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The use of wood engraving as a method of graphic reproduction for books, periodicals and newspapers continued for a surprisingly long time after the development of photographic methods. End-grain boxwood engraving was a truly Victorian phenomenon and an understanding of the strengths, weaknesses, versatility and limitations of this technique may perhaps best be reached through an exploration of its commercial decline. The period 1860–1900 saw a combination of competing technical, economic and aesthetic demands influencing the development of illustrative processes and eventually led to the end

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2

Zhang, Lei, Qing Jian Liu, Tai Yong Wang, Hong Bin Li, and Wei Tian. "Structural Design and Improvement of Spindle in Five-Axis Wood Engraving Machine." Key Engineering Materials 693 (May 2016): 200–204. http://dx.doi.org/10.4028/www.scientific.net/kem.693.200.

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In the wood engraving industry, the double swing motor spindle or the double rotation motor spindle is often used as the spindle of five-axis wood engraving machine to achieve three-dimensional sculpture. However, the rough and motor spindle may interfere with each other during machining. Hence, many small regions of rough cannot be machined. To solve this problem, an anthropomorphic double-swing-head mechanism is designed. Instead of motor spindle, the designed mechanism is used as spindle of five-axis wood engraving machine. The level of automation and machining scope of the machine are impr

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3

Brett, Simon. "Wood Engraving How To Do It." Art Book 2, no. 1 (1994): 13b. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00335.x.

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Brett, Simon. "Wood Engraving How To Do It." Art Book 2, no. 1 (1995): 13b. http://dx.doi.org/10.1111/j.1467-8357.1995.tb00335.x.

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5

Liu, Ying, Bin Li Gou, and Zhao Jun Xu. "Design the Economical Engraving Machine for Wood." Applied Mechanics and Materials 157-158 (February 2012): 768–71. http://dx.doi.org/10.4028/www.scientific.net/amm.157-158.768.

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Nowadays with the improvement of people’s lives in China, furniture industry has a sustainable development. Different kinds of engraving machines are required to design and manufacture. This paper is to give the example of the process for designing the economical engraving machine. Firstly, take the DK5040 as an example, the need was supplied and the main design parameters were given. Secondly, to complete the quick design, the architecture of the CAD/CAM system was established, which had B/S structure. The five function modules were introduced. So designers and producers could do different wo

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6

Gowda, Nithin. "Fabrication of Portable Pantograph for Wood Engraving." International Journal for Research in Applied Science and Engineering Technology 8, no. 11 (2020): 253–58. http://dx.doi.org/10.22214/ijraset.2020.32119.

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7

Lungu, Antonela, Mihai Ispas, Luminiţa-Maria Brenci, Sergiu Răcăşan, and Camelia Coşereanu. "Comparative Study on Wood CNC Routing Methods for Transposing a Traditional Motif from Romanian Textile Heritage into Furniture Decoration." Applied Sciences 11, no. 15 (2021): 6713. http://dx.doi.org/10.3390/app11156713.

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This paper presents experimental research on the Computer Numerical Control (CNC) routing of a traditional motif collected from Ţara Bârsei (Transylvania region) using two methods, namely, engraving (Engrave) and carving (V-Carve). The analysis of the CNC router processes includes the calculation of the path lengths, an assessment of the processing time and wood mass loss, and an evaluation of the tool wearing by investigating the tool cutting edge on a Stereo Microscope NIKON SMZ 18 before and after processing the ornament on wood. An aesthetic evaluation of the ornament routed on wood, using

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8

Bakumenko, Vitalii M. "Creative Destiny of the Artist A. Kravchenko." Bibliotekovedenie [Library and Information Science (Russia)], no. 2 (April 18, 2011): 77–80. http://dx.doi.org/10.25281/0869-608x-2011-0-2-77-80.

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The paper is about the outstanding Russian artist A. Kravchenko, who left an enormous artistic legacy. He went down in history of book graphics and bookplates of the 20th century as a creator of unique style of wood engraving, which characterized by a remarkably picturesque and poetic interpretation of the world literature images. The artist was also a great teacher, who trained a galaxy of his followers in the art of wood engraving, which made a significant contribution to the book art and bookplates of our time. Some of his students have risen to international fame.

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9

Moore, P. G. "Eric Fitch Daglish (1892–1966): naturalist, illustrator, author and editor." Archives of Natural History 38, no. 2 (2011): 229–41. http://dx.doi.org/10.3366/anh.2011.0031.

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Eric Fitch Daglish (1892–1966) was a naturalist by inclination, a free-lance author and editor in business and, by practice, a wood-engraver of high repute. Taught wood-engraving skills by Paul Nash, he was a close friend also of other famous engravers (John Nash, Eric Gill) within the Society of Wood Engravers. He applied these skills to illustrating his own books for popular audiences on topics ranging from flowers to birds, beasts and the English countryside. Fluent in German, he translated books from that language to supplement his income in the years succeeding the First World War. He is

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10

Kúdela, Jozef, Ivan Kubovský, and Michal Andrejko. "Surface Properties of Beech Wood after CO2 Laser Engraving." Coatings 10, no. 1 (2020): 77. http://dx.doi.org/10.3390/coatings10010077.

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The paper deals with the properties of a beech wood surface treated by CO2 laser engraving. The studied concerns were the discoloration, changes to morphology assessed through roughness and waviness parameters, and surface wetting with standard liquids (water and diiodomethane), with the aim of determining the wood surface free energy. The results have confirmed that the studied properties of the beech wood surface varied significantly, which were affected by the laser beam power P and raster density n. With increasing P and n, the lightness L* (expressed in CIE L*a*b* color space) decreased s

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11

Bluemel, Kristin. "Rural Modernity and the Wood Engraving Revival in Interwar England." Modernist Cultures 9, no. 2 (2014): 233–59. http://dx.doi.org/10.3366/mod.2014.0085.

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‘Rural Modernity and the Wood Engraving Revival in Interwar England’ brings analysis of a specific kind of visual-verbal text, wood-engraved books about the English countryside, and the means of these texts' production, to bear upon debates over rural modernity -what is it, where is it, who owns it-in order to more thoroughly engage literary and arts scholars in debates over the meaning of modernity for rural England and rural England for modernity. Framed by analysis of the work of social historians and cultural critics of rural England and ‘Englishness’, it takes as its supporting case studi

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12

Bangse, K., A. Wibolo, and I. K. E. H. Wiryanta. "Design and fabrication of a CNC router machine for wood engraving." Journal of Physics: Conference Series 1450 (February 2020): 012094. http://dx.doi.org/10.1088/1742-6596/1450/1/012094.

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13

Leone, C., V. Lopresto, and I. De Iorio. "Wood engraving by Q-switched diode-pumped frequency-doubled Nd:YAG green laser." Optics and Lasers in Engineering 47, no. 1 (2009): 161–68. http://dx.doi.org/10.1016/j.optlaseng.2008.06.019.

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Alekseev, V. A., A. V. Usoltseva, and V. P. Usoltsev. "Investigation of Surface Quality of Industrial Products Made of Wood at Laser Engraving." Intellekt. Sist. Proizv. 14, no. 4 (2017): 48. http://dx.doi.org/10.22213/2410-9304-2016-4-48-53.

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Bluemel, Kristin. "“A Happy Heritage”: Children’s Poetry Books and the Twentieth-Century Wood Engraving Revival." Lion and the Unicorn 37, no. 3 (2013): 207–37. http://dx.doi.org/10.1353/uni.2013.0029.

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16

Hoolihan, Christopher. "Wood Engraving and the Illustration of American Surgical Texts during the Nineteenth Century." Canadian Bulletin of Medical History 15, no. 2 (1998): 351–78. http://dx.doi.org/10.3138/cbmh.15.2.351.

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Reinprecht, Ladislav, and Zuzana Vidholdová. "The Impact of a CO2 Laser on the Adhesion and Mold Resistance of a Synthetic Polymer Layer on a Wood Surface." Forests 12, no. 2 (2021): 242. http://dx.doi.org/10.3390/f12020242.

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In the wood industry, laser technologies are commonly applied for the sawing, engraving, or perforation of solid wood and wood composites, but less knowledge exists about their effect on the joining and painting of wood materials with synthetic polymer adhesives and coatings. In this work, a CO2 laser with irradiation doses from 2.1 to 18.8 J·cm−2 was used for the modification of European beech (Fagus sylvatica L.) and Norway spruce (Picea abies /L./ Karst) wood surfaces—either in the native state or after covering them with a layer of polyvinyl acetate (PVAc) or polyurethane (PUR) polymer. Th

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Kareem, Assit Lect Dr Nardeen Radha. "Engraving, Brocade And Decoration In The Poetry Of Lisan Aldeen Ben Al-Khatedeb." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 222, no. 1 (2018): 201–25. http://dx.doi.org/10.36473/ujhss.v222i1.373.

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This research tackles the engraving, brocade and decoration in the poetry of LisanAldeen ben Al-Khatedeb. Engravingis in the marble or wood. While on the other handbrocade is on leather or clothes in general and others. Most of the poems of LisanAldeen ben Al-Khatedeb in that poetic topic. They were LisanAldeen ben Al-Khatedeb engraved in the walls of palaces and domes and the bowls of water. Some of which arebrocaded in the swords holders or the tables and clothes

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BEEGAN, G. "The Mechanization of the Image: Facsimile, Photography, and Fragmentation in Nineteenth-Century Wood Engraving." Journal of Design History 8, no. 4 (1995): 257–74. http://dx.doi.org/10.1093/jdh/8.4.257.

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Rusdiyantoro, Rusdiyantoro. "DESIGN OF WOODWOOD MACHINERY USING ROUTER." Tibuana 1, no. 1 (2018): 6–14. http://dx.doi.org/10.36456/tibuana.1.1.1584.6-14.

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The art of carving or engraving ornament is the image with certain parts, usually concave, convex or flat, patterned and has a motive. Sculpture can be formed pictures on wood, acrylic, or other materials. In making this product a design researcher perform analysis or potential problems that occur with experiments in doing a good carving designs are done by hand or automatically The definition is a prototype assessment products through on eor more dimensions of concern. In the process of making utensils or equipment requires some work benchesare wont to do in the workshop in general. After the

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21

Li, Yishuai. "Soviet engravings and the Chinese writer Lu Xun." Культура и искусство, no. 3 (March 2020): 38–50. http://dx.doi.org/10.7256/2454-0625.2020.3.32397.

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This article analyzes the relations between the Chinese writer Lu Xun and Soviet engravings. Lu Xun is attributed to one of the most prominent Chinese literary figures of the past century. His significant contribution to the development of culture also consists in the fact that in the 1930&rsquo;s he collected, edited and published a substantial amount of Soviet engravings. This is why his is known in China as the &ldquo;Founder of the collection of wood engravings&rdquo;. The article represents an cross-disciplinary research in the field of art history, culturology and literature,

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22

Bakumenko, Vitalii M. "The Name from the Encyclopedia “Book” (Memory of A. Kravtsov)." Bibliotekovedenie [Library and Information Science (Russia)], no. 3 (May 24, 2010): 78–80. http://dx.doi.org/10.25281/0869-608x-2010-0-3-78-80.

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The article is devoted to outstanding artist Gershon A. Kravtsov, a pupil and associate of V. Favorsky, the creator of graphic art school of new time. G. Kravtsov entered the history of book graphics and exlibris of the last century as a celebrated pioneer, a creator of special style in the art of wood engraving. The author pinpoints the main stages of the creative way of the great master and his rich public activities, describes the significant contribution of the artist to gold fund of exlibris art of the 20th century.

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Pandey, Anjali. "WOOD CRAFT OF BIHAR AND UTTAR PRADESH –A SURVEY." International Journal of Research -GRANTHAALAYAH 4, no. 2 (2016): 239–42. http://dx.doi.org/10.29121/granthaalayah.v4.i2.2016.2834.

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The tradition of wood carving is old. Wood craft is quite popular in Bihar and Uttar Pradesh. Craftsmen of these states are using their skill for making the designs in traditional and innovative way. A unique engraving creativity of ‘Nakkashi work’ appears with floral and figures etched out by the craftsmen. Lacquer work is obviously one of the major handicrafts of these regions. Various motifs of birds, peacock, fish, carved on the wood, appeals the viewers. The items made out of bamboo and wood are crafted in the shapes of birds, human figures and animals. Figures of Gods and Goddesses, anim

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24

Salam, Abdul, Muhammad Iswar, Muhammad Rifaldi, Sumantri Malik, and Kurniawan Putra. "Rancang Bangun Mesin CNC Router Mini Untuk Pembelajaran Mahasiswa Jurusan Teknik Mesin." Jurnal Teknik Mesin Sinergi 17, no. 2 (2020): 150. http://dx.doi.org/10.31963/sinergi.v17i2.2077.

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The aims of this research are accelerate finishing time and improve the accuracy of manufacture of the engraved contour products on work pieces such as soft metals, acrylics, and wood. Methods of these researches were designed, manufacture, and experimented based on work of the machine. Components of the mini CNC router machine are designed by autodesk inventor software, its dimensions 60 x 60 cm. Furthermore, the calculation and selection of materials, manufacture of machine components, calibrated by mach3mill software and testing the performance of the engine in the three-axis movement mode;

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25

Stevens, Bethan. "Wood engraving as ghostwriting: the Dalziel Brothers, losing one's name, and other hazards of the trade." Textual Practice 33, no. 4 (2017): 645–77. http://dx.doi.org/10.1080/0950236x.2017.1365756.

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26

Jenkins, Paul, and Thomas Theye. "Further Consideration of Two Photographs Ascribed to Christian Hornberger." History in Africa 22 (January 1995): 271–79. http://dx.doi.org/10.2307/3171917.

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Two reactions to the essay on the earliest generation of missionary photographers in West Africa published earlier in HA set up trains of thought which deserve to be minuted here as a further contribution to our praxis with images of Africa in the nineteenth century. It was pointed out by two readers of the original article that a pair of the images which, it had been asserted (104), derive from the last phase of Hornberger's photographic work, were published very early on in a non-mission context: that of three women spinning and that of one man weaving (figures 1 and 2 below).Both images exi

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27

Maidment, Brian. "The Gallery of Comicalities: Graphic Humour, Wood-Engraving, and the Development of the Comic Magazine, 1820–1841." Victorian Periodicals Review 50, no. 1 (2017): 214–27. http://dx.doi.org/10.1353/vpr.2017.0010.

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Dobraszczyk, Paul. "Sewers, Wood Engraving and the Sublime: Picturing London's Main Drainage System in the Illustrated London News, 1859-62." Victorian Periodicals Review 38, no. 4 (2005): 349–78. http://dx.doi.org/10.1353/vpr.2006.0005.

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29

Miralay, Fatma. "Türk Halk Kültüründe El Sanatlarının Önemi: Kıbrıs Örneği / The Importance of Handicrafts in Turkish Folk Culture: The Case of Cyprus." Journal of History Culture and Art Research 7, no. 5 (2018): 495. http://dx.doi.org/10.7596/taksad.v7i5.1607.

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<p><strong>Abstract</strong></p><p>Handicrafts are one of the essential elements of Cypriot Turkish folk culture. The cultural diversity of Cyprus Island due to the fact that it was home to various cultures in different times reflected to the handicrafts as well. Handicrafts in Cyprus have mostly taken place for usage and commercial purposes in historical process; however, in modern times they are used as decorative objects. Handicrafts carry local features in the maintaining of traditions of Cypriot Turkish people and the sustainability of the values of Turkish c

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Durna, Antonin, Jiri Fries, Leopold Hrabovsky, Ales Sliva, and Jozef Zarnovsky. "Research and Development of Laser Engraving and Material Cutting Machine from 3D Printer." Management Systems in Production Engineering 28, no. 1 (2020): 47–52. http://dx.doi.org/10.2478/mspe-2020-0008.

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AbstractThis article deals with the adjustment of a 3D printer for laser engraving and material cutting. The print head can be fitted with a solid laser diode module, which achieves a compact size while retaining its useful power. Two paths lead to the use of such a concept. It is possible to equip the existing print head with a module, which also brings a number of disadvantages such as, for example, the reduction of the printing space or the need for a suitable mounting design. A more elegant solution is to consider this in the design of a 3D printer and design a system to exchange the print

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Bohm, Andrew. "An inexpensive system for imaging the contents of multi-well plates." Acta Crystallographica Section F Structural Biology Communications 74, no. 12 (2018): 797–802. http://dx.doi.org/10.1107/s2053230x18016515.

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An inexpensive system for automated imaging of the contents of 12-, 24- and 96-well plates has been built. The xyz stage is constructed from parts from a light-duty computer numerical control wood-carving/engraving machine, and the Arduino-based board was wired so that it can trigger still images or movies though a microscope-mounted digital camera. The translation stage provides reproducible three-dimensional movement of the sample over a volume of 160 mm in x, 100 mm in y and 40 mm in z. A Python script generates the G-code command file that scans the plate and collects a series of z-stacked

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Kennedy, Andrea. "The beauty of Victorian beasts: illustration in the Reverend J. G. Wood's Homes without hands (W. T. Stearn Prize 2012)." Archives of Natural History 40, no. 2 (2013): 193–212. http://dx.doi.org/10.3366/anh.2013.0168.

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The Reverend John George Wood (1827–1889) was a successful popularizer of natural history in the Victorian era. His Illustrated natural history (1853) and Common objects series (1857–1858) have been written about extensively. However, historians have largely ignored his most successful book, Homes without hands, in spite of its exquisite designs and profound connections with natural domesticity. In addition, little research has been conducted on the illustrations that appear across Wood's publications, despite their great popularity during his lifetime. This article examines the creation, popu

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Nofrial, Nofrial, Purwo Prihatin, Wahyono Wahyono, and Marten Agung Laksono. "BILIK PADI TRADISIONAL KERINCI (Arsitektur dan Seni Ukir)." CORAK 8, no. 2 (2019): 161–78. http://dx.doi.org/10.24821/corak.v8i2.2989.

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Kerinci traditional bilik padi are no longer functioning, their existence is almost extinct. Through observation, literature studies and interviews, it is known that bilik padi use pedestal, a peg system in stringing poles. The entire building is made of wood, the building enlarges upwards. Octagonal pillars, sirap roofs, small doors made under the roof of the roof. The carving motif comes from the shape of plants, forms of vines. Engraving is applied to poles, walls, lower and upper beams, and end of rafter.Keywords: Bilik Padi, Architecture and Carving Art Bilik padi tradisional Kerinci suda

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34

Hewes, Lauren B. "Brandt, William H. Interpretive Wood-Engraving: The Story of the Society of American Wood-Engraven. New Castle, DE: Oak Knoll Press, 2009. 165 pp. Illus. Cloth, $85.00 (isbn 978-1-58456-272-2)." Papers of the Bibliographical Society of America 104, no. 4 (2010): 539–40. http://dx.doi.org/10.1086/680976.

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Kurniawan, Bambang Kartono. "YOUTH, CARVING AND DIGITAL MEDIA." Corak 8, no. 1 (2019): 43–48. http://dx.doi.org/10.24821/corak.v8i1.2689.

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Wood carver from Jepara have been known as craftsmen who have ability to make creation art carve smooth wood and beautiful results from every his engraving. Generally his expertise owned on a non-formal inherited on a down hereditary from one senior generation to generation. All along it is change social, economic, and culture the community increasingly a little found young engraver in Jepara, who pursue and continue expertise art carve. Many factors that cause reduced interest young generation to continue expertise art tradition carve, But, in some year engraver village Sukodono districts Jep

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36

Ring, Richard J. "William H. Brandt. Interpretive Wood-Engraving: The Story of the Society of American Wood-Engravers. New Castle, Del.: Oak Knoll Press, 2009. 204p. alk. paper, $85 hardback (ISBN 9781584562672). LC2009-031744." College & Research Libraries 71, no. 3 (2010): 290–91. http://dx.doi.org/10.5860/0710290.

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Langngan, Reski Rante, Thamrin Mappalahere, and Yabu M. Yabu M. "PROCESS OF CIGARETTE DESIGNING INDUSTRY IN TONGA SUBSCRIPTION OF KESU 'REGENCY OF NORTH TORAJA." TANRA: Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar 6, no. 2 (2019): 1. http://dx.doi.org/10.26858/tanra.v6i2.11305.

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The problems of this research are; 1) The process of making wall decorations in the village of Tonga Kesu District 'North Toraja District? 2) Inhibiting and supporting factors in making wall decoration in Tonga Village Kesu District '. The type of this research is survey research that aims descriptive qualitative to describe the process of making carving wall hangings and supporting factors and inhibitors experienced by crafters. In this research, there are 2 groups of artisans in Tonga Village in the North and the South. The result shows that the technique of making wall decoration is done ma

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Titareva, Diana Stanislavovna. "The influence of Ukiyo-e on the artistic language of easel graphics of A. P. Ostroumova-Lebedeva in the 1900s-1920s (on the example of St. Petersburg collection of woodblock prints)." Культура и искусство, no. 3 (March 2021): 47–57. http://dx.doi.org/10.7256/2454-0625.2021.3.32778.

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The article reviews and analyzes the key easel graphic works by A. P. Ostroumova-Lebedeva from St. Petersburg collection of woodblock prints, created over the period from 1900s to 1920s. These works resemble the genre of Japanese art Ukiyo-e. The subject of this research is the uniqueness of the artistic language and the means of its expression in the works of A. P. Ostroumova-Lebedeva. Alongside other Russian artists of the turn of the XIX &ndash; XX centuries she was affected by Ukiyo-e, but perceived the Japanese wood engraving on a more profound level. The author examines the works of

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Gretton, Tom. "‘Un Moyen Puissant de Vulgarisation Artistique’. Reproducing Salon Pictures in Parisian Illustrated Weekly Magazinesc.1860–c.1895: From Wood Engraving to the Half Tone Screen (and Back)." Oxford Art Journal 39, no. 2 (2016): 285–310. http://dx.doi.org/10.1093/oxartj/kcw009.

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Viatra, Aji Windu, and Retika Wista Anggraini. "Kerajinan Ukiran Kayu Di Palembang." Mudra Jurnal Seni Budaya 33, no. 1 (2018): 48. http://dx.doi.org/10.31091/mudra.v33i1.131.

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Seni ukiran Palembang telah dikenal luas, seni kerajinan ukir kayu yang lazim disebut Ukiran Palembang. Adapun sentra industri seni kerajinan ukiran kayu Palembang berada di Kampung 19 Ilir, Kecamatan Bukit Kecil, sebelah Barat Masjid Agung Palembang. Kampung 19 Ilir, memproduksi berbagai bentuk perabotan, alat-alat rumah tangga, dan hiasan rumah dengan ukiran kayu khas Palembang. Kegiatan mengukir di Palembang sebelumnya memiliki hubungan erat dengan rumah tradisional adat Palembang, yakni rumah Bari atau rumah Limas. Rumah tradisional yang saat ini masih digunakan oleh masyarakat Sumatera Se

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Muchlis, Andre, Wrastawa Ridwan, and Iskandar Zulkarnain Nasibu. "Rancang Bangun Mesin CNC (Computer Numerical Control) Laser dengan Metode Design for Assembly." Jambura Journal of Electrical and Electronics Engineering 3, no. 1 (2021): 23–27. http://dx.doi.org/10.37905/jjeee.v3i1.9228.

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CNC Laser (Computer Numerical Control) adalah alat yang memiliki fungsi untuk mengukir/mencetak berbagai tulisan dan kaliqrafi secara otomatis berdasarkan media yang digunakan seperti Acrilic, Fiber, Almunium, dan kayu. Perancangan CNC laser menggunakan metode Design For Assembly Boothroyd (DFA), G-Code, dan Closed Loop System (Loop Tertutup). Kelebihan metode DFA yaitu mengestimasikan pengurangan waktu perakitan. Metode G-Code lebih ke menyatukan gerakan yang akan di lakukan mesin, seperti bergeser ke titik A, titik B. Kemudian pada metode Closed Loop System (Loop Tertutup) bekerja mengirim s

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., Yogi Pramana, Dr Drs I. Ketut Sudita, M. Si ., and I. Nyoman Rediasa, S. Sn ,. M. Si . "PATUNG BERBAHAN DASAR SERBUK GERGAJI KARYA SISWA SMAN 1 ASEMBAGUS, KABUPATEN SITUBONDO." Jurnal Pendidikan Seni Rupa Undiksha 7, no. 2 (2017): 65. http://dx.doi.org/10.23887/jjpsp.v7i2.11450.

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PATUNG BERBAHAN DASAR SERBUK GERGAJI KARYA SISWA SMAN 1 ASEMBAGUS, KABUPATEN SITUBONDO  oleh  Yogi Pramana, NIM 1312031004 Jurusan Pendidikan Seni Rupa  ABSTRAK Penelitian ini berjudul patung berbahan dasar serbuk gergaji karya siswa SMAN 1 Asembagus, Kabupaten Situbondo, bertujuan untuk mendeskripsikan (1) bahan dan alat yang digunakan dalam proses pembuatan patung berbahan dasar serbuk gergaji karya siswa SMAN 1 Asembagus, Kabupaten Situbondo, (2) proses pembuatan patung berbahan dasar serbuk gergaji karya siswa SMAN 1 Asembagus, Kabupaten Situ

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German, Anna. "3D art cartography in Belarus: The historical development and achievements in the modern period." Abstracts of the ICA 1 (July 15, 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-94-2019.

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<p><strong>Abstract.</strong> Three-dimensional images of the area were begun to create in the middle ages. The discoveries of new territories had led to the necessity of their mapping. On the perspective-panoramic maps of that time cities and fortresses were often depicted as they could be seen by an approaching traveler, usually from the most impressive side, from "bird's eye view". Cartographic images were performed manually, by the method of engraving on wood or on copper.</p><p> One of the first panoramic maps of Belarusian cities was a cartographic image of

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Jurek, M., and R. Wagnerová. "Laser beam calibration for wood surface colour treatment." European Journal of Wood and Wood Products, April 28, 2021. http://dx.doi.org/10.1007/s00107-021-01704-3.

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AbstractLaser engraving of photographs on wood surfaces is a challenging task. To optimize the outcome and production quality it is necessary to control every aspect of the laser engraving process. Most of the production machines and technologies overall are mainly focused on laser power control. However, with other systems and deeper knowledge of the wood characteristics it is possible to achieve even better quality. This paper deals with enlarging the number of achievable shades of burned wood and its optimization. A calibration system was developed to control colour shades of engraved wood

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Prashant, K., Mohamed Iqbal Khatib, Abdul Shahrukh, Naqi Ali Mirza, Shaik MujahidAbdul Sattar, and Mohammed Abdul Muqeeth Kazim. "Design and Fabrication of Laser Engraving Machine." International Journal of Scientific Research in Science, Engineering and Technology, June 1, 2020, 250–62. http://dx.doi.org/10.32628/ijsrset207366.

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Laser engraving machine is used to mark various pictures and symbols on different materials. The laser engraving setup is advantageous due to its low operational cost, lightweight, portability and easy-to-learn features. The paper fabricates a low cost rapid prototype laser engraving machine. The proposed setup has been applied to Glass Fiber Reinforced Plastics (GFRP) composites, plastics, wood, cardboard, etc., to yield desired profile, contour, information and various drawings. Moreover, developed laser engraving setup has high precision and processing efficiency. Laser engraving technique

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"Books on Woodcuts and Wood Engraving by Stephen Somerville." Art Book 2, no. 1 (1994): 13. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00333.x.

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"Books on Woodcuts and Wood Engraving by Stephen Somerville." Art Book 2, no. 1 (1995): 13. http://dx.doi.org/10.1111/j.1467-8357.1995.tb00333.x.

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Stinton, Judith. "At War: Sylvia Townsend Warner and Maiden Newton." Journal of the Sylvia Townsend Warner Society, April 15, 2020. http://dx.doi.org/10.14324/111.444.stw.2020.12.

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Sylvia Townsend Warner’s 1958 poetry collection Boxwood is an unusual book with an unusual genesis. This article examines how Warner and her neighbour, the wood engraver Reynolds Stone, collaborated on the project. It explores Warner’s meditations on rural life, storytelling and human mortality in the wider contexts of her own poetry and the history of British wood engraving.

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Зотова, О. И. "Lotus flower. Towards the question about modern trends on the Vietnam fine art." Искусство Евразии, no. 1(2) (July 2, 2016). http://dx.doi.org/10.25712/astu.2518-7767.2016.01.011.

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Изобразительное искусство современного Вьетнама это удивительно многогранное явление, в котором переплелись черты традиционного национального и европейского искусства. Выросшее из вьетнамской художественной традиции, связанной с лаковой живописью, с росписью на шелке, народной гравюрой по дереву, искусство Вьетнама в последние годы все более интенсивно усваивает художественные достижения всего мира. Fine art of modern Vietnam is a wonderful multifaceted event, where traits of traditional national and European art are interwoven. In recent years Vietnam art, grown from the Vietnamese artistic t

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Bastida de la Calle, María Dolores. "La figura del xilógrafo en las revistas ilustradas del siglo XIX." Espacio Tiempo y Forma. Serie VII, Historia del Arte, no. 10 (January 1, 1997). http://dx.doi.org/10.5944/etfvii.10.1997.2305.

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Hubo un cierto intervalo de tiempo en el siglo XIX, de 1840 a 1880 aproximadamente, en el que las condiciones técnicas y sociales propiciaron la aparición y el mantenimiento de un «arte menor», que involucró a dibujantes y grabadores: la ilustración de noticias en revistas de actualidad. En el artículo se pretende estudiar como la impresión barata y rápida de imágenes, tal como exigía este tipo de revistas, sólo se hizo posible mediante la técnica de xilografía a la testa, sobre duros tacos de boj cortado a contrafibra. Se enfatiza, por otra parte, la importancia del papel del xilógrafo en la

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