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1

Plaksina, N. Ikonopisʹ, derevi͡annai͡a reznai͡a plastika, mednoe khudozhestvennoie litʹe XVII-nachala XX veka: Iz sobranii͡a Nat͡sionalʹnoĭ galerei Respubliki Komi Syktyvkar : katalog = Icon painting, wooden carved plastic arts, copper ornamental castings of the XVII-early XX centuries from collection of National Gallery of the Komi Republic Syktyvkar : catalogue. "Komi Respublikanskai͡a tipografii͡a, 2008.

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2

Prakaptsoŭ, U. I., and Alena Karpenka. Belaruski ikanastas: Tvory ikanapisu i draŭli︠a︡naĭ plastyki kantsa XVII--pachatku XIX st. = Belarusian iconostasis : Icons and wooden sculpture of the late 17th--the early 19th c. Natsyi︠a︡nalʹny mastatski muzeĭ Rėspubliki Belarusʹ, 2015.

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3

Mușlea, Ion. Icoanele pe sticlă și xilogravurile țăranilor români din Transilvania =: Les icônes sur verre et les xilogravures des paysans roumains de Transylvanie = Icons on glass and xylographs, the art of Romanian peasants in Transylvania. Editura "Grai și Suflet--Cultura Națională", 1995.

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4

Vlasova, O. M. Derevi︠a︡nnai︠a︡ khramovai︠a︡ skulʹptura iz kollekt︠s︡ii V. N. Selivanova: Wooden temple statuary of V. Selivanov collection / [author-made, O. Vlasova]. OOO "Studii︠a︡ ZëBRA", 2010.

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5

Vladimirov, A. P. Restavrat︠s︡ii︠a︡ i issledovanie tempernoĭ zhivopisi i derevi︠a︡nnoĭ skulʹptury: Sbornik nauchnykh trudov. Vserossiĭskiĭ khudozh. nauchno-restavrat︠s︡ionnyĭ t︠s︡entr im. I.Ė. Grabari︠a︡, 1990.

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6

ICOM Waterlogged Wood Working Group Conference (2nd 1984 Grenoble). Les bois gorges d'eau: Etude et conservation = : Waterlogged wood : study and conservation : proceedings of the 2nd ICOM Waterlogged Wood Working Group Conference. Centre d'Etude et de Traitement des Bois Gorgés d'Eau, 1985.

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7

ICOM Group on Wet Organic Archaeological Materials Conference (4th 1990 Bremerhaven, Germany). Proceedings of the 4th ICOM-Group on Wet Organic Archaeological Materials Conference: Bremerhaven 1990. ICOM, Committee for Conservation Working Group on Wet Organic Archaeological Materials, 1991.

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8

Conference, ICOM Committee for Conservation Working Group on Wet Organic Archaeological Materials. Proceedings of the 10th ICOM Group on Wet Organic Archaeological Materials Conference: Amsterdam 2007. Rijksdienst voor Archeologie, Cultuurlandschap en Monumenten, 2009.

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9

ICOM Committee for Conservation. Working Group on Wet Organic Archaeological Materials. Conference. Proceedings of the 10th ICOM Group on Wet Organic Archaeological Materials Conference: Amsterdam 2007. Edited by Strœtkvern K, Huisman D. J. 1967-, Grant Tara, and Netherlands. Rijksdienst voor Archeologie, Cultuurlandschap en Monumenten. Rijksdienst voor Archeologie, Cultuurlandschap en Monumenten, 2009.

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10

Ilisan, Mihaela-Corina. Icoanele pe sticlă şi xilogravurile populare din Transilvania în viziunea lui Ion Muşlea. Editura Mega, 2019.

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11

Kutukova, E. S., and E. B. Zaruchevskai︠a︡. Oshevenskoe: Istori︠a︡ odnogo khrama : katalog vystavki. Tri Kvadrata, 2019.

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12

Troshin, Sergeĭ. Relʹefnai︠a︡ ikona: Skulʹptura. MSKh, 2008.

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13

D, Macleod I., Grattan David W, ICOM Committee for Conservation., and Western Australian Museum, eds. Conservation of wet wood and metal: Proceedings of the ICOM conservation working groups on wet organic archaeological materials and metals, Fremantle 1987. Western Australian Museum, 1989.

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14

ICOM Waterlogged Wood Working Group Conference (2nd 1984 Grenoble, France). Les bois gorges d'eau: Étude et conservation : actes de la 2e Conference du Groupe de Travail "Bois Gorges d'Eau" de l'ICOM = Waterlogged wood : study and conservation : proceedings of the 2nd ICOM Waterlogged Wood Working Group Conference : Grenoble 28-31 août 1984. Centre d'Etude et de Traitement des Bois Gorges d'Eau, 1985.

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15

Greece) Prōtaton (Organization : Athos. The Treasury of the Protaton. Edited by Chryssochoïdes Kriton, Kapioldasē-Sōtēropoulou Chrysoula, and Papadopoulos Stelios A. The Holy Community of Mount Athos, 2001.

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16

1959-, Lozynsʹkyĭ Taras, ред. Ukraïnsʹka starovyna iz pryvatnykh zbirok. Rodovid, 2002.

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17

The New World Dutch Barn: The Evolution, Forms, and Structure of a Disappearing Icon. 2nd ed. Syracuse University Press, 2001.

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18

Snelling, Stephen. Wooden Horse of Gallipoli: The Heroic Saga of SS River Clyde, a WW1 Icon, Told Through the Accounts of Those Who Were There. Pen & Sword Books Limited, 2016.

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19

Snelling, Stephen. Wooden Horse of Gallipoli: The Heroic Saga of SS River Clyde, a WW1 Icon, Told Through the Accounts of Those Who Were There. Pen & Sword Books Limited, 2016.

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20

Snelling, Stephen. Voices from the Past : the Wooden Horse of Gallipoli: The Heroic Saga of SS River Clyde, a WW1 Icon, Told Through the Accounts of Those Who Were There. Pen & Sword Books Limited, 2016.

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21

Snelling, Stephen. Voices from the Past : The Wooden Horse of Gallipoli: The Heroic Saga of SS River Clyde, a WW1 Icon, Told Through the Accounts of Those Who Were There. Frontline Books, 2017.

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22

Pon, Lisa. Printed Icon. Cambridge University Press, 2015.

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23

Morris, Burnis R. Carter G. Woodson. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496814074.001.0001.

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Historian Carter G. Woodson’s employment of the black press and modern public-relations techniques to preserve and popularize black history during the first half of the 20th century is rediscovered and examined in this study. This rarely explored side of Woodson, often called “The Father of Black History,” resurrects the lost image of a leading cultural icon who used his celebrity in multiple roles as an opinion journalist, newsmaker, and CEO/publicist of black history to bring veneration to a subject whose past was clouded by misinformation and contempt. During his era, 1915-1950, Woodson cul
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24

Pon, Lisa. Printed Icon in Early Modern Italy: Forlìs Madonna of the Fire. Cambridge University Press, 2022.

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25

Printed Icon in Early Modern Italy: Forl's Madonna of the Fire. University of Cambridge ESOL Examinations, 2015.

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26

Pon, Lisa. Printed Icon in Early Modern Italy: Forlì's Madonna of the Fire. Cambridge University Press, 2015.

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27

Lewis, Catherine M. Bobby Jones, Southern Identity, and the Preservation of Privilege. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037610.003.0004.

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This chapter examines the recent Tiger Woods affair by using 1920s golfing icon Bobby Jones and the sense of southern identity and white privilege that he personified. During the 2010 Masters Tournament, the sporting world witnessed the return of Tiger Woods, who was still reeling from scandals resulting from more than a dozen extramarital affairs. Woods's conduct threatened the game's most cherished traditions at its most beloved tournament. This chapter first provides a background on the 1920s, often described as the “Golden Age of Sports,” a period dominated by Jones and other legendary ath
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28

Pon, Lisa. Printed Icon in Early Modern Italy: Forlì's Madonna of the Fire. Cambridge University Press, 2015.

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29

Lasansky, Introduction by Leonardo. Icons of Perfection: Figurative Sculpture from Africa. Hamline University Press, 2006.

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30

Ukraïnsʹka narodna hravi︠u︡ra XVII-XIX stolitʹ. Instytut narodoznavstva NAN Ukraïny, 2006.

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31

Sakralʹne mystet︠s︡tvo Hryhorii︠a︡ Petryshaka. Rastr-7, 2021.

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32

Pid zakhystom muriv: Z istoriï ukraïnsʹkoï fortyfikat︠s︡iï X-XVII st. Nash chas, 2007.

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33

Schultze, Sydney. Culture and Customs of Russia. Greenwood, 2000. http://dx.doi.org/10.5040/9798400635700.

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Culture and Customs of Russiais a splendid introduction to the largest country in the world. This timely volume gives the scope of the country from earliest history through the breakup of the Soviet Union to the present day. Students and a general audience will learn about the land, history, thought and religion, social customs, marriage and family, education, cuisine, fashion, literature, media, film, the arts, and architecture. The authoritative breadth of coverage, accessibility, and engaging writing style are truly outstanding. Culture and Customs of Russiaencompasses the grand achievement
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34

Kirkpatrick, Rob. The Words and Music of Bruce Springsteen. Greenwood Publishing Group, Inc., 2006. http://dx.doi.org/10.5040/9798216038368.

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Bruce Springsteen’s career has been covered many times over, yet many of the complexities and apparent contradictions of his music remain unresolved. Rob Kirkpatrick provides a comprehensive and coherent look at the work of this thoroughly complex and persistently captivating artist. After a brief biographical treatment, Kirkpatrick considers all of Springsteen’s significant albums in chronological order. These include Born to Run, which was voted the most popular album of all time in a recently published Zagat survey; Born in the U.S.A., which sold more than 20 million copies; and The Rising,
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