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Relevant bibliographies by topics / Woolf, Virginia, Masculinity in literature / Journal articles

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Journal articles on the topic 'Woolf, Virginia, Masculinity in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Eby, Clare Virginia. "Fun and Games with George and Nick: Competitive Masculinity inWho's Afraid of Virginia Woolf?" Modern Drama 50, no. 4 (2007): 601–19. http://dx.doi.org/10.3138/md.50.4.601.

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2

Schenk, Leslie, and Hermione Lee. "Virginia Woolf." World Literature Today 71, no. 4 (1997): 797. http://dx.doi.org/10.2307/40153385.

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3

Kord, Catherine, and Hermione Lee. "Virginia Woolf." Antioch Review 56, no. 2 (1998): 242. http://dx.doi.org/10.2307/4613689.

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4

Rivkin, Julie, and Jane Marcus. "Virginia Woolf." Contemporary Literature 26, no. 2 (1985): 232. http://dx.doi.org/10.2307/1207936.

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5

Harker. "Misperceiving Virginia Woolf." Journal of Modern Literature 34, no. 2 (2011): 1. http://dx.doi.org/10.2979/jmodelite.34.2.1.

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6

Stewart, Jim, and Brenda R. Silver. "Virginia Woolf Icon." Modern Language Review 97, no. 4 (2002): 943. http://dx.doi.org/10.2307/3738637.

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7

Bowlby, Rachel, Jean Guiguet, and C. Ruth Miller. "Who's Framing Virginia Woolf?" Diacritics 21, no. 2/3 (1991): 3. http://dx.doi.org/10.2307/465187.

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8

Quigley, Megan. "Reading Virginia Woolf Logically." Poetics Today 41, no. 1 (2020): 101–16. http://dx.doi.org/10.1215/03335372-7974114.

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This article argues for a “resolute reading” of Virginia Woolf’s The Voyage Out, akin to Cora Diamond and James Conant’s reading of Ludwig Wittgenstein’s Tractatus Logico-Philosophicus. The resolute approach to the Tractatus contends that we should embrace Wittgenstein’s assertion that the Tractatus is finally nonsense. Accordingly, the Tractatus acts as a kind of therapy, enabling us to dispense with certain types of philosophical, linguistic, and analytical claims. I argue that Woolf’s The Voyage Out takes a similar approach to the nineteenth-century novel, fully investing in the conventions

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9

Lackey. "Virginia Woolf and British Russophilia." Journal of Modern Literature 36, no. 1 (2012): 150. http://dx.doi.org/10.2979/jmodelite.36.1.150.

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10

Briggs, J. "Review. Virginia Woolf, H Lee." Essays in Criticism 48, no. 1 (1998): 97–101. http://dx.doi.org/10.1093/eic/48.1.97.

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11

Bien, Peter, Virginia Woolf, and Andrew McNeillie. "The Essays of Virginia Woolf." World Literature Today 61, no. 3 (1987): 450. http://dx.doi.org/10.2307/40143407.

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12

Little, Judy. "Virginia Woolf as encoded critic." Lit: Literature Interpretation Theory 9, no. 2 (1998): 103–19. http://dx.doi.org/10.1080/10436929808580215.

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13

Hussey, Mark, and Thomas C. Caramagno. "Virginia Woolf and Madness." PMLA 104, no. 1 (1989): 75. http://dx.doi.org/10.2307/462333.

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14

Lindley, Arthur, and Sherron E. Knopp. "Virginia Woolf and Sapphism." PMLA 103, no. 5 (1988): 812. http://dx.doi.org/10.2307/462520.

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15

Hussey, Mark. "Virginia Woolf and Madness." Publications of the Modern Language Association of America 104, no. 1 (1989): 75. http://dx.doi.org/10.1632/s0030812900136739.

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16

Phillips, Brian. "Reality and Virginia Woolf." Hudson Review 56, no. 3 (2003): 415. http://dx.doi.org/10.2307/3852679.

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17

Wilson, Deborah, Rachel Bowlby, and Diane Filby Gillespie. "Virginia Woolf: Feminist Destinations." South Central Review 6, no. 4 (1989): 90. http://dx.doi.org/10.2307/3189661.

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18

Priscilla Meyer and Rachel Trousdale. "Vladimir Nabokov and Virginia Woolf." Comparative Literature Studies 50, no. 3 (2013): 490. http://dx.doi.org/10.5325/complitstudies.50.3.0490.

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19

Wright, Beth. "At Home with Virginia Woolf." Women: A Cultural Review 18, no. 2 (2007): 219–22. http://dx.doi.org/10.1080/09574040701400346.

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20

Osborne, Karen Lee, and Karen L. Levenback. "Virginia Woolf and the Great War." Journal of the Midwest Modern Language Association 34, no. 2 (2001): 134. http://dx.doi.org/10.2307/1315149.

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21

LEINWAND, THEODORE. "VIRGINIA WOOLF READS THE GREAT WILLIAM." Yale Review 93, no. 2 (2005): 101–22. http://dx.doi.org/10.1111/j.0044-0124.2005.00913.x.

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22

FLINT, KATE. "Virginia Woolf and the General Strike." Essays in Criticism XXXVI, no. 4 (1986): 319–34. http://dx.doi.org/10.1093/eic/xxxvi.4.319.

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23

Brivic, Sheldon. "Virginia Woolf: The author as other." Lit: Literature Interpretation Theory 4, no. 4 (1993): 319–27. http://dx.doi.org/10.1080/10436929308580119.

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24

Kelly, Katherine E., and Edward Albee. "Who's Afraid of Virginia Woolf?" Theatre Journal 42, no. 3 (1990): 372. http://dx.doi.org/10.2307/3208087.

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25

Earl, Holly. "Virginia Woolf’s Synesthesia." Twentieth-Century Literature 66, no. 4 (2020): 463–84. http://dx.doi.org/10.1215/0041462x-8770695.

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This article argues that synesthesia exerted a profound influence on the writing of Virginia Woolf. Examining a wide range of works, it establishes that Woolf not only registered synesthesia as a cultural phenomenon by depicting many synesthetes in her fiction but also, from the outset of her writing life, adopted synesthesia as an aesthetic principle. It helped her critique the atomization of the human senses under the technological conditions of modernity, but also to condemn both the militarism of the Great War and the rise of totalitarian politics in the late 1930s. Ultimately, however, Wo

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26

Glogowski, James, Shirley Panken, Robert E. Seaman, and Thomas C. Caramagno. "Virginia Woolf and Psychoanalytic Criticism." PMLA 103, no. 5 (1988): 808. http://dx.doi.org/10.2307/462519.

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27

Panken, Shirley. "Virginia Woolf and Psychoanalytic Criticism." Publications of the Modern Language Association of America 103, no. 5 (1988): 808–10. http://dx.doi.org/10.1632/s0030812900136430.

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28

Seaman, Robert E. "Virginia Woolf and Psychoanalytic Criticism." Publications of the Modern Language Association of America 103, no. 5 (1988): 810. http://dx.doi.org/10.1632/s0030812900136442.

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29

Knopp, Sherron E. "Virginia Woolf and Sapphism - Reply." Publications of the Modern Language Association of America 103, no. 5 (1988): 812–13. http://dx.doi.org/10.1632/s0030812900136478.

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30

Caramagno, Thomas C. "Virginia Woolf and Madness - Reply." Publications of the Modern Language Association of America 104, no. 1 (1989): 75–77. http://dx.doi.org/10.1632/s0030812900136740.

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31

Duran, Jane. "Virginia Woolf, Time, and the Real." Philosophy and Literature 28, no. 2 (2004): 300–308. http://dx.doi.org/10.1353/phl.2004.0023.

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32

Carter, Steven. "Albee's Who's Afraid of Virginia Woolf?" Explicator 56, no. 4 (1998): 215–18. http://dx.doi.org/10.1080/00144949809595320.

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33

Feito, Patricia M., and Karen L. Levenback. "Virginia Woolf and the Great War." Tulsa Studies in Women's Literature 19, no. 2 (2000): 350. http://dx.doi.org/10.2307/464439.

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34

García-Madrid, Alberto García. "Shaping Gender: Femininity and Masculinity Through Sartorial Fashion in Virginia Woolf’s Mrs Dalloway." Gender Studies 17, no. 1 (2018): 9–19. http://dx.doi.org/10.2478/genst-2019-0002.

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Abstract Virginia Woolf’s Mrs Dalloway — published in 1925 — not only represents a major work regarding its literary techniques during the years of British Modernism, but also constitutes a critique of the social system of the post-war years, which was experiencing a change regarding the strict Victorian stereotypes of gender. Social status linked to sartorial fashion is a recurring element in the novel when considering these configurations. Woolf vindicates through different characters’ reflections a rearrangement of femininity and masculinity.

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35

Sim, Lorraine. "Virginia Woolf Tracing Patterns through Plato's Forms." Journal of Modern Literature 28, no. 2 (2005): 38–48. http://dx.doi.org/10.2979/jml.2005.28.2.38.

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36

PIREDDU, N. "Modernism Misunderstood: Anna Banti Translates Virginia Woolf." Comparative Literature 56, no. 1 (2004): 54–76. http://dx.doi.org/10.1215/-56-1-54.

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37

Blodgett, Harriet. "A woman writer's diary: Virginia woolf revisited." Prose Studies 12, no. 1 (1989): 57–71. http://dx.doi.org/10.1080/01440358908586360.

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38

Sim, Lorraine. "Virginia Woolf Tracing Patterns through Plato's Forms." Journal of Modern Literature 28, no. 2 (2005): 38–48. http://dx.doi.org/10.1353/jml.2005.0032.

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39

Hoff, Molly, and Melba Cuddy-Keane. "Virginia Woolf and the Greek Chorus." PMLA 106, no. 1 (1991): 122. http://dx.doi.org/10.2307/462828.

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40

Caramagno, Thomas C. "Virginia Woolf and Psychoanalytic Criticism - Reply." Publications of the Modern Language Association of America 103, no. 5 (1988): 810–12. http://dx.doi.org/10.1632/s0030812900136454.

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41

Hanson, Clare, Alice Fox, and Stella McNichol. "Virginia Woolf and the Literature of the English Renaissance." Yearbook of English Studies 22 (1992): 340. http://dx.doi.org/10.2307/3508452.

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42

George, Jodi-Anne. "Virginia Woolf and the literature of the English renaissance." Women's Studies International Forum 15, no. 5-6 (1992): 622–23. http://dx.doi.org/10.1016/0277-5395(92)90069-8.

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43

Koutsantoni, Katerina. "Manic depression in literature: the case of Virginia Woolf." Medical Humanities 38, no. 1 (2012): 7–14. http://dx.doi.org/10.1136/medhum-2011-010075.

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44

Andrew, Barbara. "The Psychology of Tyranny: Wollstonecraft and Woolf on the Gendered Dimension of War." Hypatia 9, no. 2 (1994): 85–101. http://dx.doi.org/10.1111/j.1527-2001.1994.tb00434.x.

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Mary Wollstonecraft and Virginia Woolf criticize the social construction of the soldier and argue that gender hierarchy relies on particular constructions of masculinity and femininity. Both contend that private tyrannies lead to public ones, and thatmen's domination in families provides a model for public domination. This reveals the social and psychological conditions which replicate domination, violence, and war. I examine how gender constructs promote and participate in the psychological conditions necessary for war.

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45

Southworth, Helen, Mary Ann Caws, Nicola Luckhurst, and Patricia Laurence. "The Reception of Virginia Woolf in Europe." Tulsa Studies in Women's Literature 23, no. 1 (2004): 141. http://dx.doi.org/10.2307/20455178.

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46

Scott, Bonnie Kime, B. J. Kirkpatrick, Anne Olivier Bell, et al. "Virginia Woolf: Access to an Outsider's Vision." Tulsa Studies in Women's Literature 4, no. 1 (1985): 125. http://dx.doi.org/10.2307/463809.

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47

DuPlessis, Rachel Blau, Daniel Ferrer, Geoffrey Bennington, Rachel Bowlby, and Lisa Ruddick Ithaca. "Virginia Woolf and the Madness of Language." Tulsa Studies in Women's Literature 10, no. 2 (1991): 295. http://dx.doi.org/10.2307/464020.

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48

Neves, Caroline Resende, and Nícea Helena de Almeida Nogueira. "VIRGINIA WOOLF E SEU PAPEL COMO CRÍTICA LITERÁRIA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 28–38. http://dx.doi.org/10.34019/1982-0836.2019.v23.29178.

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Em 2019, Um teto todo seu celebrou seus 90 anos de publicação e Três guinéus foi traduzido e publicado no Brasil pela primeira vez. Esses dois eventos, mais a participação na palestra A room of my own (Um teto todo meu) organizado pelo Durham Book Festival (Festival do Livro de Durham), onde os participantes discutiram os desafios que as escritoras ainda enfrentam nos dias atuais, nos inspirou a publicar o presente artigo, para analisar o papel de Virginia Woolf como crítica e apresentar algumas de suas teorias mais relevantes. Palavras-chave: Virginia Woolf. Autoria feminina. Crítica fe

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49

Breeze, A. "Vagulous in Belloc and Virginia Woolf." Notes and Queries 58, no. 1 (2011): 118. http://dx.doi.org/10.1093/notesj/gjq210.

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50

Suzanne Poirier. "Jo Banks and Virginia Woolf—Three Moments." Literature and Medicine 26, no. 2 (2008): 285–88. http://dx.doi.org/10.1353/lm.0.0010.

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