Academic literature on the topic 'Word wall picture'
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Journal articles on the topic "Word wall picture"
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Marhamah, Marhamah, and Mulyadi Mulyadi. "The Effect of Using Word Wall Picture Media and Linguistic Intelligence to Enhance Learning Outcomes of English Vocabularies." Journal of Educational and Social Research 10, no. 2 (2020): 134. http://dx.doi.org/10.36941/jesr-2020-0033.
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This study focused on investigating the effect of word wall picture on the fourth grade Elementary School in learning outcomes of English vocabularies. The experimental method used in this study and the participants were 98 fourth grade elementary school of Al-AzharSyifa Budi,Bekasi, Eastern Jakarta, Indonesia academic year 2016-2017, as well as samples with a stratified random technique based factorial design that was selected group of students. The data were analyzed using statistical program SPSS 21.0 for descriptive analysis and inferential analysis with ANOVA two lanes to test the hypothesis followed by Tukey's test. The results showed that: 1) there was a significant difference in learning outcomes of English vocabularies between students who taught by using word wall picture and students taught by using printed media. 2) there was an interaction in learning outcomes of English vocabularies on a test comprised of “linguistic intelligence” between students who taught by using word wall picture and students taught by using printed media .3) there was higher learning outcomes of English vocabularies for higher linguistic intelligence students who taught by using word wall picture than students taught by using printed media. 4) there was lower learning outcomes of English vocabularies for lower linguistic intelligence students who taught by using word wall picture than students taught by using printed media. Based on these findings it can be concluded that the word wall picture is effective to improve learning outcomes of English vocabularies, and to enhance linguistic intelligence.
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Harpiansi, Harpiansi, and Fatimah Kesuma Astuti. "IMPLEMENTING THE TOTAL PHYSICAL RESPONSE METHOD WITH WORD WALL PICTURE TO INCREASE DEAF STUDENTS’ VOCABULARY IN THE FIRST GRADE OF SMP LUAR BIASA NEGERI MARTAPURA." JEES: Journal of English Educational Study 2, no. 1 (2019): 1–10. http://dx.doi.org/10.31932/jees.v2i1.360.
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Abstract : This research aimed to increase the English vocabulary mastery of the deaf students, especially in the material of instruction by using the total physical response method with word wall picture in the first grade of SMP Luar Biasa Negeri Martapura in the academic year of 2014/2015. The subject of this research consisted of 9 students. The method used in this research was Classroom Action Research (CAR) designed based on the model proposed by Kemmis and McTaggart. This research was conducted in three cycles, in which for each cycle consisted of 3 meetings. It consisted of a planning phase, acting, observing, and reflecting. To answer the research questions, qualitative and quantitative were collected. The qualitative data were obtained through observation, while the quantitative data were obtained through tests and a questionnaire. The result showed there was an increase of the deaf students’ English vocabulary mastery. The pre-cycle test mean score was 48.89, while the mean score in the test of cycle 1, cycle 2, and cyle 3 was respectively 56.67, 63.89, and 78.89. So, the criteria of success had been achieved. The data obtained through the questionnaire showed there was a positive response given by the students in the teaching-learning process of English vocabulary using the total physical response method with word wall picture. In which the mean score of the pre-questionnaire was 32.22%. Then the mean of the post-questionnaire was 77.04%, so it increased as much as 44.82%. Furthermore, the results of observation showed that deaf students were motivated in the teaching-learning process during the implementation of total physical response method with word wall picture. Keywords: Total physical response, word wall picture, vocabulary mastery, deaf students, and classroom action research.
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Darmayanti, Putu Sri, and Ni Made Sri Rahayu. "The influence of word wall media toward hospitality students’ vocabulary mastery." English Teaching Journal : A Journal of English Literature, Language and Education 11, no. 1 (2023): 71–75. https://doi.org/10.25273/etj.v11i1.16531.
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As a foreign language, English is not easy to be mastered by the students. There is still dissatisfaction with the English proficiency of Indonesian students. Many students find difficult to write and speak English in a simple sentence. It makes the students feel less confidence, afraid of made some mistake, and memorizing word is quite bored to be learned. Lack of vocabulary felt by Indonesian students make them difficult to understand spoken and written language. English proficiency among Indonesian students’ needs more improvement to assist them to communicate effectively. The technology provides many resources suitable to utilize as a media in teaching and learning process. The researcher implemented word wall media as a tool to teach vocabulary, letter-sound correspondence, spelling, etc. It is a good way to make the activity in the classroom becomes more fun and interesting in hospitality students at Institut Pariwisata dan Bisnis Internasioanal. This study used a qualitative approach by implementing a case study design. The questionnaire and the interview sheet given to the 61 respondents. The result show that most students increase their vocabulary mastery. 67,2% students agree that the word wall media helped to understand the vocabulary easily, 77% students easy to understand the vocabulary with picture include, 54,1% students enjoyed the activity in the classroom, 54% students mentioned that the word wall media was easy to use, and 60,7% students mentioned that they could memorize longer.
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Sugio, Kusno. "Application Of Methods For Playing Wall-Based Cancel To Improve Activities And Learning Outcomes Student Students Social Science World Material II." Metafora: Education, Social Sciences and Humanities Journal 3, no. 2 (2019): 54. http://dx.doi.org/10.26740/metafora.v3n2.p54-65.
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The study of the application of pictorial word guessing methods to improve the activity and learning outcomes of class IX A social studies subjects in World War 2 material and consequently in Sugio 1 Public Middle School 2018/2019 school year aims to apply the method of guessing words to improve learning activeness and results students of class IX A on social studies subjects especially material for World War 2 and consequently even semester 2018/2019 as many as 24 students. The method of data collection is done through tests, observations, documents and interviews. The data analysis technique was carried out by analyzing the average score of the students' performance in the teaching and learning activities. Determine student learning outcomes. Calculates the percentage of students who have successfully taken the test. Data collection. This class action is carried out in 2 cycles consisting of the planning, implementation stages. Observation and reflection. In cycle 1 to cycle 2 there is an increase in the results of completeness of learning outcomes of students. Keywords : Picture word guessing games, Active students in learning
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Maftuhah, S. "Pembelajaran Matematika bagi Siswa Madrasah Ibtidaiyah Berbasis Edugame Wordwall." Madrasah Ibtidaiyah Education Journal 1, no. 1 (2023): 34–40. https://doi.org/10.63321/miej.v1i1.6.
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This research aims to discuss how the game wordwall is used as a mathematics learning media at Madrasah Ibtidaiyah. This research uses qualitative methods with data sources from interviews and observations. The data obtained was then analyzed to obtain a general picture of the use of the game word wall learning media in fifth-class mathematics learning at MI Islamiyah Banin. The research results showed that there were changes in attitudes that occurred in students after learning using the game Wordwall media. These changes can be seen from the aspect of student activity and the observation assessment criteria are measured through several indicators, including student activity when participating in teaching and learning activities, student activity when submitting assignments on time, and asking questions about material that is not yet understood.
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Hans, Dieter Huber. "Materiality, Embodiment and Affordance in Paul Grahams a shimmer of possibility." Art Style, Art & Culture International Magazine 7, no. 7 (2021): 135–57. https://doi.org/10.5281/zenodo.6371518.
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Art Style | Art & Culture International Magazine Abstract First, the question of what a material picture is and what is meant by an image is discussed. We do not clearly distinguish whether we mean a physical object, a pictorial representation or a mental image that arises in our brain. The pictorial surface of a material carrier is the interface between the physical picture and the mental image. In contrast, our way of speaking of a pictorial representation works quite differently. Material picture and pictorial representation are structurally coupled. The representation cannot exist without a material carrier. The material picture embodies the pictorial representation like the actor embodies the role. The pictorial representation is only partially determined. It contains spots of indeterminacy that are filled up by the viewer’s imagination. Gibson invented the word affordance as a replacement for the concept of value. Affordances are what things offer a living being, what they ‘provide’ or ‘allow’ it to do. The fundamental problem with his theory lies in the attempt to construct a ‘direct’ and ‘unmediated’ approach to reality. The objectivism implicit in his theory oversees that affordances are neither ‘given’ nor ‘direct’ ‘properties of objects. Affordances are the result of active attribution and evaluation by a scientific observer. The photographic series of Paul Graham’s a shimmer of possibility exists in different materialities, namely as various photobooks and sequences of photographic colour prints on the wall, which provide different affordances. The photobooks and the photographic sequences are embedded into a space of potentiality out of which they are brought to actuality through a concrete process of aesthetic experience.
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Asik, Nur, and Amirah Humaerah. "USING WORD WALL PICTURE IN TEACHING VOCABULARY TO THE AUTISM CHILDREN AT SEKOLAH LUAR BIASA NEGERI PEMBINA PROVINSI SULAWESI SELATAN SENTRA PK-PLK." ETERNAL (English, Teaching, Learning and Research Journal) 2, no. 1 (2016): 55–62. http://dx.doi.org/10.24252/eternal.v21.2016.a8.
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Sehested, Ken. "The things that make for peace: The purpose, promise, and peril of interfaith engagement." Review & Expositor 114, no. 1 (2017): 71–80. http://dx.doi.org/10.1177/0034637316688456.
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In the early weeks of 2011, during the Arab Spring uprising, Egyptian blogger Nevine Zaki posted a photograph from Cairo’s Tahrir Square. It showed a group of people bowing in the traditional style of Muslim prayer, surrounded by other people standing hand-in-hand, facing outward, as a wall of protection against hostile pro-government forces. Zaki affixed this caption: “A picture I took yesterday of Christians protecting Muslims during their prayers.” Similar scenes, some ancient, some as recent as yesterday’s newspaper, can be referenced in numerous ways with a variety of religious identities. No religious tradition can claim a monopoly on compassionate courage, yet such stories are rarely headlined. This article will review some of the progress made in interfaith collaboration on issues of justice, peace, and human rights, beginning with a review of organizational breakthrough statements, like “Dabru Emet,” a document from Jewish intellectuals and rabbis affirming that “Jews and Christians worship the same God,” and “A Common Word Between Us and You,” by leading Islamic scholars and clerics, followed by multiple responses from Christian bodies. With these as evidence of closer interfaith orbits on a large scale, we then examine the purpose, promise and pitfalls of interfaith collaboration on the ground in regions and communities, especially in the United States.
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Hoyle, Sally. "So Many Lovely Girls." Genealogy 2, no. 3 (2018): 33. http://dx.doi.org/10.3390/genealogy2030033.
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A little over 20 years ago I was reunited with my daughter, who had been adopted at the age of six weeks. We have become friends since then and I felt I owed it to her to explain the circumstances surrounding her birth and relinquishment. I have done this as an adult, in conversation with her, but there is only so much we can say to each other face to face. She knows my adult self but I wanted her to understand how my teenage self felt about losing a child, and to understand the shame surrounding illegitimacy at the time she was born. In the 1960s in England, “bastard” was still a dirty word. My parents dealt with the shame of my pregnancy by never speaking of it. They built a wall of silence. It took me 30 years to climb that wall: The attitudes I encountered as a teenager have not disappeared altogether. The shame of teenage pregnancy is still very much an issue in Ireland, for instance. The events I have written about took place in the late 60s in England, and I have tried to give a picture of the culture of the time. Women who gave birth to illegitimate children in the 60s and into the 70s were judged harshly by doctors and nurses and treated with less care than married women. So Many Lovely Girls is an extract from a longer memoir piece, which could be termed relational, because it deals with an intimate relationship, but I prefer the classification of autogynography, a term coined by feminist critic Donna Stanton in The Female Autograph. Stanton uses the term to differentiate women’s life writing from men’s.
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Dr, Anjali Pandey. "SOME REPESENTATIVE FOLK ART OF INDIA." International Journal of Research - Granthaalayah 8, no. 3 (2020): 348–56. https://doi.org/10.5281/zenodo.3742954.
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Indian folk art has its own recognition in universal context. It transmits from generation to generation having their own experience. Religious ceremonies and ritual acts are necessary for achieving psychological refinement. The folk culture moves around the elements of nature. The shapes are often symbolic and come out from their observations in simple pictorial language. The ritual paintings are generally created on wall, paper, cloth, and floor. The figures of human beings, animal, along with the daily life scene, mythological and rituals are created in rhythmic pattern with regional essence. Folk peoples express themselves in vivid styles through the paintings, this was the only means of transmission and inculcation of the culture through folk lore to a populace those who are not familiar with the written word. The traditions of folk culture are surviving in Odissa, Bengal, Andhra Pradesh, Maharashtra and Kerala are the unique representation of the region. Yet the changes with the time are noticed but characteristically folk art is not influenced by the time of change in academic or fine art circles and movements of Era.
Dissertations / Theses on the topic "Word wall picture"
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Melberg, Alexandra, and Tilde Gustafson. ""And the World has Somehow Shifted." : En kvantitativ studie av genuskonstruktioner i Walt Disney Pictures animerade långfilmer." Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-36176.
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The Disney princess line includes nine films, in our study we have extended this line to include the latest three films from Walt Disney Pictures that follow the same pattern. These films are Tangled (2010), Brave (2012) and Frozen (2013). We have conducted our study using the same method used by England, Descartes and Collier-Meeks (2011) in their study of the first nine films, starting with Snow White and the Seven Dwarfs produced in 1937 to Princess and the Frog from 2009. A quantitative study was executed where we focused on gender role portrayal, the main characters behavioral characteristics and performed rescues. We applied the following theories to our result; the Social Constructivism, Laura Mulvey’s theory of the Male Gaze, Michel Foucault’s theory of power and discourse, intersectionality and Claude E. Shannon and Warren Weaver’s model of communication. Our result of the content coding shows a more nuanced depiction of both male and female main characters where the roles have shifted. The female main characters have been asigned a more traditionally masculine role in the films. The story in all of our three films revolves around the female main characters efforts to achieve their goals. The male main characters have abandoned their shiny armour and white horse and persued a role as the one who leads the female to her goal. A one-way analysis of variance was implemented to see differences over time in gender role portrayal of men and women. The result suggest that the male and female roles have changed over time, altough the men are those who have changed the most.
Books on the topic "Word wall picture"
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Meyers, Mary. Picture & word wall cards of essential high-frequency vocabulary. MainStreams Publications, 1999.
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Hopkins, Tony. Walking the wall: The story in words and pictures of a coast-to-coast walk along Hadrian's wall. Keepdate, 1993.
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Pictures, Walt Disney. Walt Disney Pictures presents Dinosaur. University Games Corp., 2000.
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Little, Jean. Who framed Roger Rabbit: Make the world laugh : based on the motion picture from Walt Disney Pictures and Steven Spielberg. Golden Books, 1988.
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Pictures, Walt Disney, ed. Walt Disney Pictures presents Dinosaur: Animated flip book. Mouse Works, 2000.
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Cathy, Hapka, ed. Disney's Add a little magic: Words of inspiration. Disney Press, 1999.
Find full textBook chapters on the topic "Word wall picture"
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Galant, Philippe, Paul Ambert†, and Albert Colomer†. "Prehistoric Speleological Exploration in the Cave of Aldène in Cesseras (Hérault, France): Human Footprint Paths and Lighting Management." In Reading Prehistoric Human Tracks. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-60406-6_15.
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AbstractAldène Cave is a system of 9 km of extent, on four hydrogeological levels. Within the first two fossil levels, which comprise more than half of the system, many archaeological remains have been discovered. They represent a continuum of more than 350,000 years of human history. On the second level, we find the Paul Ambert gallery, discovered in 1948 by the Abbé Dominique Cathala. This gallery contains many human traces, with footprints and marks of torches that were brought into the cave. A recent geomorphological study of these elements concerned registration and systematic analysis of the lighting marks, as well as an initial determination of the footprints. This work confirmed the contemporaneousness and functional link of these archaeological remains. Lighting management could be determined precisely with the traces on the walls and the remains discovered on the floor in connection with the footprints. These data, investigated with a spatial approach in relation to the cave network, clarify the prehistoric passages and allow an interpretation of the behaviour of visitors. All elements together form the picture of a family at a speleological investigation, which is attributed to the Mesolithic.
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"The Museum Without Walls: The Museum of Modern Art and Photography’s Double Duty." In Picture-Work. The MIT Press, 2023. http://dx.doi.org/10.7551/mitpress/14086.003.0006.
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James, Simon. "The Big Picture." In The Roman Military Base at Dura-Europos, Syria. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198743569.003.0014.
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It is now twenty years since Fergus Millar highlighted the importance of the spectacular archaeological discoveries made at the ancient city known today as Dura-Europos. While praising the energy of the original excavators, he set out the shortcomings of the limited available publications, and called for ‘the entire corpus of material from Dura’, published and unpublished, ‘to be systematically reviewed’ (Millar 1998, 474). Research and publication had, in fact, never entirely ceased, and a new generation of scholars was already busy on both archive and site when Millar wrote. Since then, both the scale and pace of work have sharply increased, effectively developing into a renaissance in Dura studies. It is hoped that what follows will constitute a significant contribution to this wider current enterprise, regarding a key aspect of the city in the final century of its existence: the highly obtrusive Roman military presence. Imperial soldiers were always central to the story of Dura- Europos on the Syrian Euphrates. Founded by soldiers of one empire, it was eventually destroyed in conflict between those of two more, and was even revealed to modern scholarship by troops of a fourth. In 1920 Indian soldiers of the British empire, on what we would now call counter-insurgency operations, camped in the ruins known as Salhiyeh, the ancient name of which was unknown. They started digging defensive trenches, and were surprised to discover wall paintings, one of which depicted a Roman auxiliary regiment making sacrifice (Breasted 1924). The military tribune Julius Terentius, named in Latin, is seen offering incense before three Palmyrene gods, and the Tychai of Palmyra and Dura. Thus the name—as it turned out, one of the twin names—of the city was rediscovered, as was the fact that it had a Roman garrison, here on the eastern fringe of Rome’s empire. Subsequent scientific excavations revealed its other name given by its original Macedonian soldier-settlers: Europos. They also revealed that, in the decades before Dura’s violent destruction by the Sasanians (AD c.256) and permanent abandonment, one of the most prominent features inside its walls was a sprawling Roman military base.
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"On a walk with Lily and Satoshi Kitamura: how children link words and pictures along the way." In Children Reading Pictures. Routledge, 2004. http://dx.doi.org/10.4324/9780203005156-14.
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Freudenburg, Kirk. "Seeing as Telling." In Virgil's Cinematic Art. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197643242.003.0004.
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Abstract This chapter offers a fresh take on the temple ecphrasis of Aeneid 1, which is one the most studied passages in Latin literature and the first large-scale ecphrasis of the entire work. Through a close analysis of the visual workings of the ecphrasis, it is argued that the whole of it is presented to us as quoted sight; that is, Virgil taking us into Aeneas’ head, letting us experience how Aeneas reckons with what he sees. Not simply “what is there,” in other words, but a particular, highly motivated distortion of what is there, summoned into existence by the specific story elements that Aeneas pounces upon and agonizes over as he tours his way through the continuous narrative picture on the temple walls. Rather than the story on the temple wall, it is the story that Aeneas spins from the story on the temple wall: a selective, reactionary view of the painted frieze, as agonized over by him. By rescuing smaller worlds of pathos and defeat from the singular big triumph that the temple frieze depicts, Aeneas lets us see that there are other, opposite, in fact defiantly oppositional ways of seeing and valuing the very same thing. The chapter concludes with a look at the “match cut” transition that Virgil uses to bring Dido onto the scene at the end of the ecphrasis, comparing it to a similar “lust at first sight” transition in Catullus’ poem on the marriage of Peleus and Thetis.
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Gallas, Alexander. "Conclusion." In Exiting the Factory (Volume 2). Policy Press, 2024. https://doi.org/10.1332/policypress/9781529242225.003.0009.
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Sitting at my desk and composing this last section of my book, I revert to looking at images of work, this time two pictures on my wall. Up in front of me is a reproduction of a painting by Mancunian artist L.S. Lowry from the mid-20th century. It depicts a football match on a bleak, grey day in what is presumably the Northwest of England. We see a goal and two teams battling it out on pitch. Two of the players, one representing each side, are jumping towards the ball, probably with the aim of heading it. They are surrounded by their respective teammates. In the foreground, there is a perimeter, and a few people watching who are positioned in front of it, mostly with their backs turned towards the observer. In the back, an industrial cityscape is visible: smoking chimneys, factory buildings and a gasometer. In Lowry’s painting, we glimpse what philosopher Bertrand Russell called, with dismissive overtones, the ‘industrial civilization’ (2010). He referred to a way of life centred on industrial work and the factory, which was prevalent, in the 19th and 20th century, in many parts of Britain, Western Europe and the wider world. Lowry’s imagery indicates that this civilization is characterized by strenuous, manual labour and a popular culture that celebrates comradery and confrontational physical activity (see Gramsci, 1971: 277–320; Hobsbawm, 1984: 182). And arguably, he depicts a male-dominated world. In the picture, there are only two females – a woman and a girl watching from outside the perimeter.
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Aguirre, Mercedes, and Richard Buxton. "Landscape." In Cyclops. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198713777.003.0003.
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Where did the Cyclopes live, and where did they work? The answers are surprisingly complex. Some of the complexities derive from the fact that the Cyclopes are linked with distinct types of work—building, metalworking, herding—each of which relates differently to the natural setting. Then there are divergences between genres: epic, satyr play, pastoral, vase painting, and wall painting each has its own characteristic ways of evoking landscape; moreover, needless to say, individual narratives also exploit particular nuances. Next, various topographical features appear in myths of the Cyclopes, including cave, sea, seashore, mountain, volcano, island, pastureland, and city, the last mentioned being enclosed by that indispensable boundary, a wall; the interplay between all these features complicates the overall picture. Finally, there are significant diachronic shifts, involving especially the various geographical locations in which chronologically disparate sources place the pastoral ogres. In this chapter Aguirre and Buxton try to tease out these intricacies, and to investigate how they impact on wider issues about Cyclopean mythology.
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McLaughlin, Don James. "Aphasic Etymology." In The Oxford Handbook of Ralph Waldo Emerson. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780192894373.013.31.
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Abstract This chapter describes as “aphasic etymology” Emerson’s studied devotion to concealed histories of linguistic meaning, his attunement to our inability to excavate all we attempt to express. Emerson’s interest in etymological estrangement shapes his essay “The Poet” (1844), which likens poetry to etymology. “The poets made all the words,” Emerson explains. “For, though the origin of most of our words is forgotten, each word was a stroke of genius. … The etymologist finds the deadest word to have been once a brilliant picture. Language is fossil poetry.” Here collective memory loss becomes the landscape of speech itself. “The Poet” thus makes room for a social model of aphasic etymology, resituating the “fossil poetry” embedded in language as a forgetting commons. “Poetry” is the mechanism of accessibility that endeavors to traverse these spectral distances. This chapter concludes by using such concepts to reframe Emerson’s relationship with Walt Whitman.
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Crafton, Donald. "From the Lexigraphic to the Melomanic." In Aesthetics of Early Sound Film. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463727372_ch04.
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Lexigraphic and Melomanic are concepts proposed to fine tune our understanding of American studio animation’s transition to sound. In the 1910s and 1920s, animators and audiences were accustomed to following cartoon stories as a kind of reading, assisted by icons and words-in-the-image stylistics adapted from comic strips and comic books. These symbols and picture-words anticipated emoji, delivering an idea, concept, or emotion in pictorial form. Many animators employed these image-texts and picture icons imaginatively and reflexively. Led by the competitive example of the Walt Disney studio when it converted to sound, the established lexigraphic mode of production and reception gave way quickly to melomania – an obsessive preoccupation with syncing screen action to a pre-recorded soundtrack.
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Milgrom, Lionel R. "Where porphyrins come from …" In The Colours of Life. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198553809.003.0002.
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Abstract It is difficult to imagine the earth as a young world devoid of all life. The famous Walt Disney cartoon Fantasia gives as good a picture as any of what our prebiotic planet must have been like. The scientific imagination has managed to add some bones to Hollywood’s speculations, in the form of experiments on mixtures of gases that are thought to have constituted the earth’s primordial atmosphere.
Conference papers on the topic "Word wall picture"
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Jäsberg, Ari, and Markku Kataja. "New Experimental Results on the Flow Regimes in Closed Channel Flows of Wood Fibre Suspensions." In Advances in Pulp and Paper Research, Oxford 2009, edited by S. J. I’Anson. Fundamental Research Committee (FRC), Manchester, 2009. http://dx.doi.org/10.15376/frc.2009.1.161.
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We consider here the behaviour of wood fibre suspension with fibre concentration above that of sedimentation in a pressure driven flow in a straight pipe with smooth walls. The flow behaviour can be roughly divided in two main regimes: the plug flow regime that occurs at low flow rates and the drag reduction regime that occurs at high flow rates. We utilized new experimental methods in order to gain more detailed understanding on the flow behaviour of wood fibre suspensions, and especially on the relevant physical phenomena inducing such behaviour. In addition to carrying out conventional loss experiment, the velocity profiles across the pipe were measured using pulsed ultrasound velocimetry (PUDV) techniques, and the thickness of the lubrication layer in fully developed flow was measured using a laseroptical device. Based on our direct measurements, we were able to identify five different flow regimes in suspension flows. In addition, we refined the qualitative picture of these flows in relation to the forming of fibre plug and to the physical phenomena taking place in transition from one flow regime to another one.
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Valero, Enrique, Alan Forster, Frédéric Bosché, Lyn Wilson, and Alick Leslie. "COMPARISON OF 3D REALITY CAPTURE TECHNOLOGIES FOR THE SURVEY OF STONE WALLS." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.2582.
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The maintenance of the external fabric of historic buildings constitutes a large portion of overall building life cycle costs.Advanced reality capture and data processing technologies have the potential to transform existing survey practice,providing surveyors with objective data pertaining to building fabric, in a more rapid (frequent), safe and cost-effectivemanner. In this paper, we present a unique evaluation of several Terrestrial Laser Scanning (TLS) and photogrammetric(PG) systems that assess their relative strengths for the survey of stone walls. The assessment is conducted using anhistoric building selected for its representativeness of form, fabric and condition. The work considers performance interms of data accuracy and precision, data completeness, and process efficiency. The results show that, while TLSprovides good geometric data to generate accurate and valuable 3D models, the quality of PG reconstructions can bealso be sufficient in such contexts. And considering the relatively low-cost and portability of modern digital camerascompared to laser scanners, photogrammetry can constitute a realistic alternative to TLS. In addition, mounting a cameraon a UAV could further solve access issues, preventing the need for any additional infrastructure (e.g. scaffolding), whichwould be required when employing TLS. However, a lesson drawn from this work is that effective acquisition ofphotogrammetric data requires careful planning to select the appropriate camera settings and picture density (andlocations) to ensure accurate and reliable photogrammetric reconstruction. This process may be referred to as: Planningfor Photogrammetry (P4P).
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Wágberg, Lars, and Göran Annergren. "Physicochemical Characterization of Papermaking Fibres." In The Fundamentals of Papermaking Materials, edited by C. F. Baker. Fundamental Research Committee (FRC), Manchester, 1997. http://dx.doi.org/10.15376/frc.1997.1.1.
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The purpose of this paper is to present as complete as possible, a picture of our present knowledge about papermaking fibres and their physico-chemical characteristics. The properties of the papermaking fibres are, in most cases, significantly influenced by the morphology of the wood fibres, but, from one and the same kind of wood fibres, paper can be produced with widely different properties as a result of different pulping and papermaking processes. Dissolution of material from the fibre wall and the middle lamella, structural changes of the polymeric material, and mechanical work on the fibrous material (defibration, refining, and to a certain extent undesired mechanical damage to the fibres in the pulp mill machinery) combine to produce the fibre properties required in the papermaking process. Starting from the structure of the wood, a survey is given of the pattern of dissolution of different important pulping processes and the resulting bulk composition of the pulps. Characterisation of papermaking properties should include effects of both bulk and surface of the fibres and for that reason they are both discussed. The bulk composition has been studied for many years and we have a fairly good knowledge of the main features, although there is still a need for more detailed knowledge. The properties of the fibre surface are less known, but they have been the subject of several recent studies. They are therefore dealt with in more detail, particularly the problem of making reliable and relevant measurements. Dissolution of lignin and other components in the pulping process is also important for the chemical composition of the surface. Mechanical removal of the remaining middle lamella and the outer layers of the fibre wall (the primary wall and SI of the secondary wall) substantially change the surface composition and create fines with a large surface area, which may interact with the wet-end chemicals in the paper mill and decrease the over-all effects of these chemicals. Removal of the outer layers will also change the fibre properties as a whole since, for instance, the SI layer restricts outward swelling of the main part of the secondary wall, S2, and preserves fibre rigidity. Swelling of the fibres influences there fining behaviour of a pulp. For lignin-containing pulps, swelling facilitates refining. For bleached pulps with a very low content of residual lignin, the effect of swelling on refining is rather difficult to as will be briefly discussed.
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Paajanen, A., P. Penttilä, A. Zitting, and J. A. Ketoja. "New Tools to Study Water Interactions of Microfibril Bundles: Molecular Modelling Based on Nanoscale Characterization." In Advances in Pulp and Paper Research. Pulp & Paper Fundamental Research Committee (FRC), Manchester, 2022. http://dx.doi.org/10.15376/frc.2022.1.483.
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The picture of the smallest structural units of wood fibres, that is, cellulose microfibrils and their bundles, has become more accurate during the last couple of decades, when information gained from several experimental characterisations has been drawn together. This work has been supported by computational methods that allow one to test the behaviour of postulated structures on the nanometre scale, and thus help in interpreting the experimental data. Bound water is an essential component in these models, as it affects both the structural swelling and the mechanical properties of the fibre wall nanostructure. Moreover, mechanisms on this scale can be expected to drive similar properties of macroscopic fibres. We suggest that several large-scale problems in papermaking and converting could be approached with atomistic molecular dynamics simulations for varied chemical compositions and external conditions. We demonstrate this by first showing that simulated moisture diffusion rates agree with measured ones at room temperature, and then determine diffusion rates at elevated temperatures that lack reliable experimental data. These predictions provide key knowledge for further development of high-temperature drying and pressing processes. The results are important also when linking material performance at varied external conditions to the composition of the fibres.
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Dalbert, P., G. Gyarmathy, and A. Sebestyen. "Flow Phenomena in a Vaned Diffuser of a Centrifugal Stage." In ASME 1993 International Gas Turbine and Aeroengine Congress and Exposition. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/93-gt-053.
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The 3D viscous flow code BTOB3D of Dawes has been applied to a standard geometry of a vaned diffuser of an industrial centrifugal compressor stage. The objective of the work was to check the ability to calculate the performance of cascade diffusers and to investigate possibilities of representing the results for a better understanding of the flow phenomena. The computations are compared with the measurements at different operating points. The theoretical results are represented in numerous 2D and 3D illustrations for the description and comparison of the design and off-design flow fields within the investigated diffuser. They show that the knowledge of the wall pressures and wall streamlines does not fully reveal the extremely complex 3D flow within such a diffuser. Moreover, the technique of flow visualization by using moving pictures on a video film was applied, aimed at enhancing the physical understanding of the flow effects in vaned diffusers.
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Kuprina, N. I., V. V. Shilov, and A. N. Nikanov. "ULTRASOUND DIAGNOSTIC CRITERIA FOR ANGIODYSTONIC VASCULAR SYNDROME OF UPPER EXTREMITIES IN OCCUPATIONAL POLYNEUROPATHIES." In The 17th «OCCUPATION and HEALTH» Russian National Congress with International Participation (OHRNC-2023). FSBSI «IRIOH», 2023. http://dx.doi.org/10.31089/978-5-6042929-1-4-2023-1-273-276.
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Occupational polyneuropathies in the modern world occupy one of the leading places among all occupational pathologies and are an urgent problem for workers employed in such professions as miners, grinders, woodcutters, etc. early detection of the development of an angodystonic syndrome in patients with occupational polyneuropathy of the upper extremities. In occupational polyneuropathies of the upper extremities, an increase in the rigidity of the vascular wall of the forearm with a decrease in speed indicators was revealed. Thus, the revealed increase in peripheral resistance in the arteries of the forearm, together with a decrease in the peak systolic blood flow velocity at the level of the forearm, leads to prolonged ischemia of the surrounding peripheral tissues of the forearms and hands. The consequence of this is the aggravation of the clinical picture and the manifestation of a more pronounced ischemic syndrome.
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Sato, Hiroshi, Takayuki Hamajima, Masahiro Katayama, and Yasuhisa Kanamaru. "Development of a 3D Ultrasonic Inspection Device for Pipeline Girth Welds." In 2006 International Pipeline Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/ipc2006-10617.
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Quality requirements for girth welded joints in gas pipelines necessitate adequate penetration to the inner surface and no harmful defects. Toho Gas has completed development of the world’s first inspection system applying the ultrasonic synthetic aperture method for welds in steel pipes used to carry gas (external diameter 200mm, pipe wall thickness 5.8mm). In recent years, ultrasonic phased-array technology and ultrasonic TOFD methods etc. have attracted attention. However, the ultrasonic synthetic aperture method is an imaging technology that is superior to these, as it can synthesize several thousands of wave form data at high speed, its image clarity is the best in the world. The four features of the system are (1) the ability to provide an image of the interior of a weld, (2) the ability to quantity incomplete root bead penetration, (3) automatic high speed collection of data, and (4) data base management capability. The ultrasonic synthetic aperture method simplifies defect judgments because it does not require that operators possess special qualifications and training. It can produce three-dimensional high picture quality data. It can be handled easily at work sites because it is portable. This report describes the ultrasonic inspection system development process and the results of trial inspections.
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Bjørkvoll, Knut Steinar. "Overview of how the Calculation of Dynamic Temperature of Drilling Fluids is Closely Linked with Rheology." In The Nordic Rheology Conference. University of Stavanger, 2024. http://dx.doi.org/10.31265/atnrs.776.
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Based on many years of work with the calculation of dynamic temperature of drilling fluids during operations, a pedagogic overview of how the calculation of heat transfer and temperature is closely linked with fluid flow properties will be given. For example, the onset of vortices and turbulence due to imposed flow and rotation of the drill string / running string has a large impact on heat transfer. Changing from idealized laminar flow with only conduction radially to flow with vortices and turbulence with convective heat transfer also radially, causes a large boost of heat transfer, especially along the outer wall of the drill string. Clearly, the rheological behaviour of the fluid is essential. Different vibrational modes and other disturbances add to the complexity of the picture, such that some effects can be modelled from first principles, while others are too complicated for practical models and must be handled differently.
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Kharoua, N., L. Khezzar, and Z. Nemouchi. "Effects of the Forcing Frequency on Pulsating Impinging Jet Behavior and the Boundary Layer on the Target Curved Wall." In ASME 2018 5th Joint US-European Fluids Engineering Division Summer Meeting. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/fedsm2018-83334.
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In the present work, time-dependent responses of Nusselt number, friction coefficient and pressure profiles to the passage of groups of coherent structures along a curved impingement wall, is considered. It is meant to replicate a more realistic picture of the flow. The jet considered belongs to heating applications where the jet flow temperature is higher than that of the impingement wall. The flow was simulated using Large Eddy Simulation with the Dynamic Smagorinsky sub-grid-scale model. The plane jet was forced at frequencies increasing gradually to a maximum of 2200 Hz with an amplitude equal to 30% of the mean jet velocity. The computational domain was divided into 16.5 million hexahedral computational cells whose resolution was assessed based on the turbulence scales. It was found that for low forcing frequencies (e.g., 200Hz), coherent forced primary vortices induced by the pulsations are separated by less organized vortices naturally induced similar to those of the unforced jet. It could be seen that the natural vortices have moderate effects on the boundary layer development on the impingement surface starting at relatively short distances from the stagnation point compared to the forced vortices. Increasing the forcing frequency to 1000Hz reduces the distance separating successive forced vortices causing the pairing phenomenon to occur at a certain distance along the target wall. Increasing the forcing frequency further to 2200Hz makes the pairing phenomenon followed by vortex breakdown to occur at shorter distances along the target wall. The smaller forcing frequencies yield large and strong distant vortices which affect the dynamical field noticeably in conjunction with an important deterioration of heat transfer due to their strong mixing effect and entrainment of cold air from the surroundings. On the other hand, high frequencies generate smaller vortices which are relatively close to each other. Thus, they have a weaker effect allowing the growth of the boundary layer on the target wall up to a distance equal to four times the jet-exit width where the minimum heat transfer is observed. In fact, the small successive vortices form a sort of shield preventing the cold air from the surroundings to reach the target wall until their breakdown.
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Mele, Maria Grazia Rosaria. "Occupare lo spazio dentro la città fino alle mura: Oristano in alcuni documenti del primo Seicento." In FORTMED2024 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18091.
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Through the state property concessions issued by the patrimonial offices of the Kingdom of Sardinia in the modern age we possess a very interesting picture of the settlement and monumental emergencies of the city of Oristano, capital of the Kingdom of Arborea in the Middle Ages and then simply royal city of the Hispanic Monarchy. The type of document lends itself easily to the reconstruction of the settlement experience through the type of property indicated and its boundaries (streets, squares, monuments, fortifications) and who lives there. In this essay we will examine the policy of patrimonial officials at the beginning of the 17th century regarding the land granted in emphyteusis near the walls, in a strip that normally had to be left free for military needs.State properties in the city and its territory were managed by the royal prosecutor, who had expertise in the patrimonial field. Between the end of the fifteenth century and the beginning of the sixteenth century, with the transformation of Oristano into a royal city, the city's emphyteutic concessions mostly concerned the intramural area surrounding the royal palace, indicating a clear desire to deconstruct the buildings and areas of the secular center of judge them and make them forget.Through the emphyteutic concessions of the early seventeenth century, however, the monarchy and the royal officials themselves were not interested in financing the maintenance work of the fortifications, allowing some private individuals to clutter the internal space close to the curtain wall, provided that they did not leave deteriorate the real estate entrusted to them but highlighting a patronage practice in the management of public affairs. At the same time, it was the citizens of Oristano themselves who, following a very widespread practice, exploited the spaces reserved for walkways without authorization or exploited the moat full of debris for their own gain.