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Relevant bibliographies by topics / Words; Text setting; Music / Dissertations / Theses

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Dissertations / Theses on the topic 'Words; Text setting; Music'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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Consult the top 18 dissertations / theses for your research on the topic 'Words; Text setting; Music.'

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1

King, Jonathan. "Texting in early fifteenth-century sacred polyphony." Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321515.

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2

Hurd, James Alexander. "From a Peacock to Apocope: An Examination of Maurice Ravels Text Setting in the Histoires naturelles, LHeure espagnole and Other Pre-WWI Vocal Works." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1258478854.

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3

Banga, David Paul. "Arnold Schoenberg's approach to text setting in "The Book of the Hanging Gardens"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ57083.pdf.

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4

Lyszczarz, Joseph E. "Among the Voices Voiceless: Setting the Words of Samuel Beckett." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011787/.

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Among the Voices Voiceless is a composition for flute (doubling piccolo), clarinet (doubling bass clarinet), viola, cello, percussion, piano, and electronics, based on the poem "What would I do without this world faceless incurious" by Samuel Beckett. The piece is a setting for disembodied voice: the vocal part exists solely in the electronics. Having no physical body, the voice is obscured as the point of empathy for the audience. In addition, instrumental solos compete for focus during the work's twenty minute duration. In passages including a soloist, the soloist functions simultaneously as

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5

Langager, Graeme Michael Allyn. "Of Text and Tune: The Relationship Between Words and Music in the Choral Music of Gerald Finzi." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1155575211.

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6

Parsons, James. "Music and Words. Towards an Understanding of Text in the Finale of Beethoven's Choral Symphony." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37116.

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7

Viglianti, Raffaele. "Music and Words: Reconciling libretto and score editions in the digital medium." Allitera Verlag, 2016. https://slub.qucosa.de/id/qucosa%3A23357.

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8

Ku, Christopher Jun-Sheng. "'Aptlie framed for the dittie' : a study of setting sacred Latin texts to music in sixteenth-century England." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:8b7d80ad-6989-48f5-9d88-6987b656ef59.

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Although considerable attention has been paid to the texting practices of specific composers and certain repertoires, a comprehensive study of the practice of texting in the sacred Latin‐texted vocal works of sixteenth‐century England remains to be undertaken. How did English composers, scribes, and singers of the sixteenth century set words to music? Today, the general impression that emerges from critical apparatuses of modern performing editions, where manuscripts of vocal music copied by sixteenth-century English copyists are concerned, is negative: they are regarded as casual, often‐contr

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9

Rosser, Geraldine Metcalf. "Rules for setting of French text in the writings of Alexandre Etienne Choron (1771-1834) and his contemporaries." Columbus, Ohio : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5num=osu1064018314.

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Thesis (Ph. D.)--Ohio State University, 2003.<br>Title from first page of PDF file. Document formatted into pages; contains xiv, 272 p. : ill. Advisor: Burdette Green, School of Music. Includes bibliographical references (p. 251-272).

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10

Hoffman, Brian D. "Elements of the Musical Theater Style: 1950–2000." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1307322562.

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11

Siegrist, Tomasz Marc. "At the borders of Polyphony : About different Text simultaneously in a choir setting,with a particular focus on vowels." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2510.

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12

Tucker, Carlton S. "The Choral Works of Robert Ward: A View of His Compositional Approach to Text Settings and His Use of Symbols and Allusions." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3604.

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13

Sherman, Philip. "Where words leave off, music begins : A comparison of how Henry Purcell and Franz Schubert convey text through their music in the compositions Music for a while and Erlkönig." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2342.

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”The singer is always working through a text that in some way or another inspired the vocal line and its texture,” wrote American pianist, pedagogue, and author Thomas Grubb. But exactly how does a text inspire a composer to create this synergy between words and music? During the course of my studies at the Royal College of Music in Stockholm, I gradually began to deepen my knowledge and awareness of Henry Purcell and Franz Schubert. I was at once astounded by their ability to seemlessly amalgamate the chosen texts to their music, and decided that this connection required greater research. The

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14

Silverman, Gregory Carmine. "The Influence of the Reformed Jewish Movement and Religious Belief on Text-Setting in Darius Milhaud's Service Sacré." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311577.

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The music and texts of the Jewish liturgy are commonly called the Sacred Service. Choral settings of this liturgy form a distinct genre of choral music. Despite the rich history and influence of the text itself, relatively few composers have set it chorally. Among the two most influential settings are Avodath Hakodesh (1933) by Ernest Bloch and Darius Milhaud’s Service sacré (Sacred Service) of 1947. Temple Emanu-El Reformed Congregation in San Francisco commissioned both under the leadership of Cantor Reuben Rinder, and the two pieces have many similarities. The focus of the present rese

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15

Fritz, Rebekka. "Text and music in German operas of the 1920s : a study of the relationship between compositional style and text-setting in Richard Strauss's Die Ägyptische Helena, Alban Berg's Wozzeck and Arnold Schoenberg's Von Heute auf Morgen /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1998. http://catalogue.bnf.fr/ark:/12148/cb36970888n.

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16

Nienhuis, Kathryn. "The institutional family : group music therapy in an institutional setting." Diss., 2003. http://hdl.handle.net/2263/30578.

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This study focuses on the social interactions that occur during group music therapy between children who have mental and physical handicaps and the music therapist. It also examines the interactions that occur in a daily institutional family context between children who have mental and physical handicaps and their adult group leader. The aim is to investigate what role music therapy might play within an institutional family with persons who have diverse disabilities and how music therapy could adapt to become more relevant for the institutional context. This study examines the parallels betwee

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17

Sweetko, Marlene. "The union of words and music in the setting of EE Cummings' poetry /." 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR32028.

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Thesis (M.A.)--York University, 2007. Graduate Programme in Musicology and Ethnomusicology.<br>Typescript. Includes bibliographical references. Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR32028

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18

Ricardo, João Diogo Cristovão. ""... and Words on Music" O Texto Transcrito como Base para a Composição Musical." Master's thesis, 2019. http://hdl.handle.net/10362/82084.

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Os ficheiros audio que fazem parte desta dissertação estão disponíveis na Biblioteca Mário Sottomayor Cardia<br>Este relatório de projeto artístico tem como base a sistematização de uma metodologia de composição que testa uma possível associação entre componentes textuais e elementos musicais. Poderá ser encarada como uma transcrição de caraterísticas textuais para parâmetros musicais, de forma a que a literatura continue a ser um dos impulsos principais na criação musical, mas diferente de géneros e métodos de composição ligados à literatura pelo uso da palavra cantada ou declamada, ou n

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