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Journal articles on the topic 'Work clothes'
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Indrianti, Pingki. "MUSLIMAH WORK CLOTHING ANALYSIS." Mimbar Agama Budaya 36, no. 1 (2019): 26–38. http://dx.doi.org/10.15408/mimbar.v36i1.335.
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Abstract. The phenomenon of trends and the increasing number of headscarves in Indonesia is accompanied by an increasing number of female workers who wear headscarves, especially in a number of formal offices in big cities, both private and government agencies. However, formal Muslim work attire today in general, many are just following the trend without regard to the suitability of the function of work clothes and in terms of Islamic sharia. This research was conducted to look for criteria or standardization of Muslim work attire, both in terms of silhouette and material usage. The analysis was conducted on the types of formal and semi-official clothing in the formal sector work environment, namely by using a number of pictures or photographs of Muslim women's work clothes from personal documentation, magazines, and online trading sites. Each picture is then given points 1-5 based on the criteria for the function of work clothes and Islamic sharia. The Islamic sharia concept which is used as a reference in assessing the limits of the aahah of Muslim clothing, is the interpretation of Islam to the traditionalists and modernists in Indonesia. The results of the analysis are grouped into three with the highest point value of four to five points. There are Muslim work clothes in accordance with Islamic sharia but do not approach the basic concept of work clothes, Muslim work clothes that are in accordance with the concept of work clothes but do not suffice for sharia values, and Muslim work clothes that meet the value of both.Abstrak. Fenomena tren dan meningkatnya pengguna jilbab di Indonesia diiringi dengan meningkatnya jumlah pekerja wanita yang menggunakan jilbab khususnya pada sejumlah perkantoran formal di kota besar baik instansi swasta maupun pemerintahan. Namun demikian busana kerja muslim formal saat ini pada umumnya banyak yang hanya mengikuti tren tanpa memperhatikan kesesuaian fungsi busana kerja maupun dari segi syariah Islam. Penelitian ini dilakukan untuk mencari kriteria atau standarisasi gaya busana kerja muslim, baik dari segi siluet maupun penggunaan material. Analisis dilakukan pada jenis busana resmi maupun setengah resmi pada lingkungan pekerjaan sektor formal, yaitu dengan menggunakan sejumlah gambar atau foto busana kerja muslim wanita baik yang berasal dokumentasi pribadi, majalah, serta situs jual-beli online. Setiap gambar kemudian diberikan poin 1-5 berdasarkan kriteria fungsi busana kerja dan syariah Islam. Adapun konsep syariah Islam yang digunakan sebagai acuan dalam menilai batasan aurat busana muslimah, adalah penafsiran Islam pada kaum tradisionalis dan modernis di Indonesia. Hasil analisis dikelompokan menjadi tiga dengan nilai poin tertinggi yaitu empat sampai dengan lima poin. Terdapat busana kerja muslimah sesuai dengan syariah Islam namun tidak mendekati konsep dasar busana kerja, busana kerja muslimah yang sesuai konsep busana kerja namun tidak mencukupi nilai syariah, serta busana kerja muslimah yang mencukupi nilai keduanya.
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Singh, Montek, Utkarsh Bajpai, Vijayarajan V., and Surya Prasath. "Generation of fashionable clothes using generative adversarial networks." International Journal of Clothing Science and Technology 32, no. 2 (2019): 177–87. http://dx.doi.org/10.1108/ijcst-12-2018-0148.
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Purpose There are various style options available when one buys clothes on online shopping websites, however the availability the new fashion trends or choices require further user interaction in generating fashionable clothes. The paper aims to discuss this issue. Design/methodology/approach Based on generative adversarial networks (GANs) from the deep learning paradigm, here the authors suggest model system that will take the latest fashion trends and the clothes bought by users as input and generate new clothes. The new set of clothes will be based on trending fashion but at the same time will have attributes of clothes where were bought by the consumer earlier. Findings In the proposed machine learning based approach, the clothes generated by the system will personalized for different types of consumers. This will help the manufacturing companies to come up with the designs, which will directly target the customer. Research limitations/implications The biggest limitation of the collected data set is that the clothes in the two domains do not belong to a specific category. For instance the vintage clothes data set has coats, dresses, skirts, etc. These different types of clothes are not segregated. Also there is no restriction on the number of images of each type of cloth. There can many images of dresses and only a few for the coats. This can affect the end results. The aim of the paper was to find whether new and desirable clothes can be created from two different domains or not. Analyzing the impact of “the number of images for each class of cloth” is something which is aim to work in future. Practical implications The authors believe such personalized experience can increase the sales of fashion stores and here provide the feasibility of such a clothes generation system. Originality/value Applying GANs from the deep learning models for generating fashionable clothes.
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Indrianti, Pingki. "Gaya Busana Kerja MusliMah indonesia dalaM PersPeKtif funGsi dan syariah islaM." El-HARAKAH (TERAKREDITASI) 15, no. 2 (2013): 150. http://dx.doi.org/10.18860/el.v15i2.2763.
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The phenomenon of hijab trend in Indonesia runs concurrently with the increasing number of working women who wear hijab particularly at a number of offices in major cities, both private and state agencies. However, the formal Muslimah’s work clothes currently follow the trend with no regard to the suitability of the function of the work clothes and Islamic shari’a. This study aims at obtaining the criteria for Muslimah’s work clothes, in terms of silhouette and materials used. The research method employed is literature review on the criteria, as well as the analysis of a number of Muslimah’s work clothes images obtained from personal documentation, magazines, and online shops. The finding shows three groups of Muslimah work clothes: closed to shari’a criteria, to basic concept of work clothes, and to both groups. The perspective of modernist Islamic in Indonesia, regarding the forms of hijab is used as a benchmark for analyzing the Islamic shari’a criteria. Work clothes in accordance with the Islamic criteria, work functions and trends, are expected to help Muslimah workers dressed in syar’i, professional, and trendy hijabs.
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Dzivin, V. "Once again in work clothes." Metallurgist 34, no. 8 (1990): 162–63. http://dx.doi.org/10.1007/bf00748641.
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Gornostay, O., and O. Stanislavchuk. "IMPROVEMENT OF WORK CLOTHES FOR EMPLOYEES THAT WORK IN LOW TEMPERATURE CONDITIONS." Bulletin of Lviv State University of Life Safety, no. 17 (August 7, 2018): 41–46. http://dx.doi.org/10.32447/20784643.17.2018.05.
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The article deals with the ways of working conditions improvement for employees that work in the open air during the cold period of the year for a long time. Hypothermia of the body is a consequence of thermal disorder. Such disorder develops in cases when the body heat loss exceeds the heat emission. Untimely regulation of heat exchange processes can lead to various occupational diseases, frostbite, and even death. Hypothermia is promoted by physical fatigue, high humidity and strong wind. The results of the work show that in order to reduce the level of occupational diseases and improve the heat exchange processes of employees working in low temperature conditions it is necessary to provide them with special warmed work clothes with additional heating element (sodium acetate heating pad). Such clothes will provide comfortable thermal conditions in the underwear of the worker.
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Ferrari, Claudio, Leonardo Casini, Stefano Berretti, and Alberto Del Bimbo. "Monocular 3D Body Shape Reconstruction under Clothing." Journal of Imaging 7, no. 12 (2021): 257. http://dx.doi.org/10.3390/jimaging7120257.
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Estimating the 3D shape of objects from monocular images is a well-established and challenging task in the computer vision field. Further challenges arise when highly deformable objects, such as human faces or bodies, are considered. In this work, we address the problem of estimating the 3D shape of a human body from single images. In particular, we provide a solution to the problem of estimating the shape of the body when the subject is wearing clothes. This is a highly challenging scenario as loose clothes might hide the underlying body shape to a large extent. To this aim, we make use of a parametric 3D body model, the SMPL, whose parameters describe the body pose and shape of the body. Our main intuition is that the shape parameters associated with an individual should not change whether the subject is wearing clothes or not. To improve the shape estimation under clothing, we train a deep convolutional network to regress the shape parameters from a single image of a person. To increase the robustness to clothing, we build our training dataset by associating the shape parameters of a “minimally clothed” person to other samples of the same person wearing looser clothes. Experimental validation shows that our approach can more accurately estimate body shape parameters with respect to state-of-the-art approaches, even in the case of loose clothes.
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Ugrekhelidze, Irina. "Georgian men’s dress of XVII century." Linguistics and Culture Review 5, S4 (2021): 1161–75. http://dx.doi.org/10.21744/lingcure.v5ns4.1753.
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The article raises the issue of the importance of the work of Cristoforo de Castelli, an Italian missionary, Patrice of the Order of Theatine, in the study of Georgian historical costume. The sketches made by the author during his work in Georgia are analyzed, according to which it is possible to identify the types of clothes. According to the drawings, the clothes of different strata of the population are compared with the clothes of historical figures depicted in the monumental paintings of Georgian monuments of the same period and the clothes of the characters depicted in the illustrations of literary works. It emphasizes the identity of the costume depicted in Castelli's paintings and the miniatures of Georgian artist Mamuka Tavakarashvili and the similarity of some of the paintings. Finally, it is concluded that the visual material created over the years by Castelli as an eyewitness is still relevant today.
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Gormally, Mary Frances. "Patch Work, a Life Amongst Clothes." Fashion Theory 25, no. 4 (2021): 585–92. http://dx.doi.org/10.1080/1362704x.2021.1898758.
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Kruglov, Alexey V., Evgeniy S. Telegin, Alexey Yu Matrokhin, and Natalya A. Gruzintseva. "MAIN DIRECTIONS FOR THE DEVELOPMENT OF INNOVATIVE TECHNOLOGIES IN CREATING THE POWER SUPPLY SYSTEM OF “SMART CLOTHING”." Technologies & Quality 60, no. 2 (2023): 25–29. http://dx.doi.org/10.34216/2587-6147-2023-2-60-25-29.
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The article analyzes the main directions of energy supply systems for “smart clothes”. The authors considered the most promising types of “smart clothes”, the work of which allows you to generate and ac- cumulate thermal and electrical energy in the process of everyday wear of clothes. The main parameters and characteristics of the considered areas of energy supply of “smart clothes”, namely “generator clothes”, which allow you to receive energy from a solar battery, generate motion, generate human body energy (sweat and body heat) and “battery clothes” are given. In conclusion, the main problems and directions for the development of research on the creation of an energy supply system for innovative clothing are outlined.
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Amiebenomo, S. O., I. I. Omorodion, and J. O. Igbinoba. "Prototype Design and Performance Analysis of Solar Clothes Dryer." Asian Review of Mechanical Engineering 2, no. 1 (2013): 35–43. http://dx.doi.org/10.51983/arme-2013.2.1.2325.
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The current state of the laundry industry in Nigeria has created an opportunity to capture a significant market segment that has rejected conventional dryers as expensive, energy consuming and damaging to clothing. Clothes lines and other hang drying methods subject those users to a lack of privacy, extremely long drying times and great dependency on weather. A solar clothes dryer was designed and developed to provide a compromise solution, with faster dry times, low cost and superior energy efficiency. The unit consists of two parts, an inclined flow chamber (solar collector) and the drying box. A performance- analysis was conducted employing a two stage nested design and two way Anova. The two stage nested design had a total number of 24 observations (6 clothe materials x 2solar radiation modes x 2 replications), using six clothing materials as the test material at an average drying chamber temperature of 50 ºC for safe drying of the clothes. The results of the experimental design shows that the number of clothes, solar radiation mode has highly significant (P<0.05) effect on the drying time. The two way Anova design had a total number of 12 observations (6 clothe materials x moisture remove {%}). The test reveals that the number of clothes, percentage of moisture removed has highly significant (P<0.05) effect on the drying time. Graphical analyses of residuals reveal adequacy of models employed. The normality assumption check conducted on the models revealed nonconstant variance defect which validated the conclusions of the two-staged nested design and two way Anova. The normal probability plots and the standardized residual plots also gave no indication of outliers, which shows that experimental designs took into consideration proper randomization of the experimental runs. The main advantage of this dryer is that it can work all round the year, Asian Review of Mechanical Engineering ISSN 2249 – 6289 Vol. 2 No. 1, 2013, pp.35-43 © The Research Publication, www.trp.org.in with a built-in auxiliary heating system. it consumes less power than conventional dryers in washing machines(800.64kJ). It can easily be built with commonly available materials.
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Apriliana, Era, and Normaliaty Fithri. "Drying Cabinet Using UV Lamp." Jurnal Sains dan Teknologi Industri 20, no. 2 (2023): 786. http://dx.doi.org/10.24014/sitekin.v20i2.22176.
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Drying clothes is an activity carried out by the community. Uncertain weather, such as rain, causes the movement of drying clothes to be hampered. The uncertain weather factor caused by global warming causes the temperature to change, sometimes, it is hot, and sometimes it rains. This causes clothes not to dry entirely and causes damp garments frequently. In this scientific work, the researcher will make a device that functions as a drying cabinet which is equipped with a temperature sensor and drying time uses a DHT22 sensor temperature sensor and LCD, which works to display the drying process. and the time needed to dry the clothes equipped with a heater which functions as a heat source so that the clothes will dry to the maximum. Measurements were made at several test points in the circuit designed to get the most significant error percentage of 5.5% with an average error of 2 .40 %. The results of the design are carried out by the criteria used. From the results of the tests, the drying process using the tools designed has succeeded in drying clothes to the maximum and minimizing germs.
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Ekeyeva, Emma V., та Nikolay V. Ekeyev. "Особенности национальной одежды алтайцев". Oriental Studies 14, № 1 (2021): 103–14. http://dx.doi.org/10.22162/2619-0990-2021-53-1-103-114.
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Introduction. With reference to works by Russian ethnographers and collected field materials, the paper presents the first insight into specific features of Altaian traditional clothes and changes the latter undergo in the modern period. Goals. The work primarily seeks to reveal transformations of Altaian national garments in the late 20th – early 21st centuries. Materials. The study examines data from field expeditions to Ust-Kansky, Shebalinsky and other districts of the Altai Republic in 2017-2019. The research data collection methods included those of questionnaires and interviews among local communities of the mentioned districts of the region. Results. The paper highlights various aspects of men’s and women’s clothes represented mainly by outer garments, such as sheepskin coats, e.g., nekey ton (a sheepskin coat a with long thick fur), akar ton (a coat sheepskin with short thick fur), kyptu ton (a coat with fabric-trimmed upper elements), tortok ton (a short sheepskin coat), and also sleeveless jackets (kögÿspek) and national gowns (chekpen). The work describes caps worn both by men and women (tÿlkÿ bychkak börÿk, talbañ börÿk, kish börÿk, bolchok börÿk), shoes made of fur (skin) from animals’ lower legs (bychkak ödÿk) or leather ones (katu/ köm ödÿk, charyk ödÿk, shiri ödÿk) usually decorated with upright pointed toes. Special attention is paid to women’s wedding and festal clothes, namely: dresses with wide sleeves and long cuffs that were to completely cover hands, the former decorated with buttons, beads, and ornaments to be worn under a full-length silk sleeveless jacket. The research explains differences between the classical and contemporary conventionalized chegedek full-length sleeveless jackets worn by women over a special dress during wedding ceremonies. Chegedek communicates a symbolic message that a girl acquires the new status of a married woman. Some attention is given to men’s undergarments, such as regular shirts (chamcha) mostly worn untucked with woolen trousers (shtan). Conclusions. The Altaian clothes have underwent certain changes but some centuries-old traditions survive till nowadays, e.g., women’s dresses are distinguished by special sleeves (ushtuktar) and ‘wings’ (kanattar). However, it is noteworthy that the tradition of selecting colors for garments with due regard of age and sex is lost, and layout of decorative elements has also changed. The loss of ethnic features in national clothes results from the wide use of commercial cloths and services of tailor shops.
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Cherunova, Irina, Elena Yakovleva, and Ekaterina Stefanova. "Study of the industrial contaminations containing hydrocarbon components and their effect on correlation of protective properties of textiles for clothes." MATEC Web of Conferences 226 (2018): 02027. http://dx.doi.org/10.1051/matecconf/201822602027.
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The article represents trends and results of world investigations for safety of textile materials for humans and environment. The algorithm for identification of potential influence vector of chemical emissions from textile and the environmentally aimed methods based on the alternative chemical substances for textile wet processing were presented. Using the procedure for oleophobic effect determination, the oil resistance levels of a number of modern fabrics for clothes were established. The experimental research results of the oil products concentration in the textile materials after chemical treatment based on the method of the capillary gas chromatography were presented. It was found out that hydrocarbons from C14H30 Tetradecane to С36Н74 Hexatriacontane are the main components with high level of contaminants concentration. The average values of hydrocarbon concentration on the cleaned up samples for the main areas of the clothe surface were determined. Accumulation of residual contaminations, based on saturated hydrocarbons (С17Н36 – С25Н52 block) and related special-purpose clothes areas, was identified. Recommendations for target-oriented correlation of the clothes protective properties were proposed. UWO (unified work order). The research was made in Don State Technical University within the framework of State Assignment of the Ministry of education and science of Russia under the project 11.9194.2017/BCh.
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Baruna Ariesta, I. Gusti Bagus Bayu, and Nyoman Ayu Permata Dewi. "KAJIAN KESEIMBANGAN PADA PAKAIAN ADAT MATRUNA NYOMAN DAN MADAHA DESA TENGANAN PEGRINGSINGAN." Jurnal Da Moda 1, no. 1 (2019): 21–28. http://dx.doi.org/10.35886/damoda.v1i1.53.
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Kain gringsing, aside from being used as cloth that can be used as traditional clothing, is used for daily needs as well as a means of religious ceremony for the people of Tenganan. As in Tenganan Village there is a MaterunaNyoman and Medaha tradition which is a typical education of the local village. In this study the traditional duhateruna clothes in the MaterunaNyoman and Medahaceremonies were examined in the overall balance of clothing. Unity is a state or similarity between the opposing forces and gives rise to a balanced impression visually or in intensity of work. This research was conducted to understand in more detail about the elements of beauty value formed from the balance of the overall traditional clothes of MaterunaNyoman and MedahaTengananPegringsingan Village.
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Fontanini, Tomaso, and Claudio Ferrari. "Would Your Clothes Look Good on Me? Towards Transferring Clothing Styles with Adaptive Instance Normalization." Sensors 22, no. 13 (2022): 5002. http://dx.doi.org/10.3390/s22135002.
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Several applications of deep learning, such as image classification and retrieval, recommendation systems, and especially image synthesis, are of great interest to the fashion industry. Recently, image generation of clothes gained lot of popularity as it is a very challenging task that is far from being solved. Additionally, it would open lots of possibilities for designers and stylists enhancing their creativity. For this reason, in this paper we propose to tackle the problem of style transfer between two different people wearing different clothes. We draw inspiration from the recent StarGANv2 architecture that reached impressive results in transferring a target domain to a source image and we adapted it to work with fashion images and to transfer clothes styles. In more detail, we modified the architecture to work without the need of a clear separation between multiple domains, added a perceptual loss between the target and the source clothes, and edited the style encoder to better represent the style information of target clothes. We performed both qualitative and quantitative experiments with the recent DeepFashion2 dataset and proved the efficacy and novelty of our method.
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Pramudani, Grefima, Ipop Sjarifah, and Yusuf Ari Mashuri. "Garbage collectors, far from health: A study of dermatitis in Middle Java, Indonesia." Al-sihah: The Public Health Science Journal 12, no. 2 (2020): 124. http://dx.doi.org/10.24252/al-sihah.v12i2.15434.
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Household garbage collectors are one of the groups who are at risk of getting dermatitis due to their work. This study aims to determine the relationship between the length of service and the use of long-sleeved work clothes and gloves with dermatitis on the household garbage collector in Surakarta. This was an observational analytic study using a cross-sectional study. The subjects of the study were household garbage collector in Jebres sub-district, Surakarta. A total of 134 respondents was recruited as samples using simple random sampling. A questionnaire sheet was used to collect individual data and dermatitis status was determined by the doctor’s diagnosis. A Chi-square test was used to investigate the relationship between the length of service and the use of long-sleeved work clothes and gloves with dermatitis. Logistic regression was used to determine factors associated with dermatitis. There was a significant relationship between the length of service with dermatitis p=0.000 (p<0.05). There was also a significant relationship between long-sleeve work clothes and gloves with dermatitis p=0.003 (p<0.05). The multivariable test showed that workers with a long length of service had a higher risk of having dermatitis compared to a short length of service (OR=6,701, p=0.000). It was also showed that more frequent use of long-sleeved work clothes intensity reduces the risk of getting dermatitis compared to sometimes use (OR=0.341, p=0.017). There is a significant association between the length of work and the use of long-sleeved work clothes and gloves with dermatitis on household garbage collectors in Surakarta.
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Warner, J. P., and J. A. Gledhill. "What clothes should psychiatrists wear for work?" European Psychiatry 11 (January 1996): 400s. http://dx.doi.org/10.1016/0924-9338(96)89305-9.
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Nienow, Matthew. "I Wear the Work Upon My Clothes." New England Review 34, no. 3-4 (2014): 360. http://dx.doi.org/10.1353/ner.2014.0051.
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Давиденко, І. В., Т. В. Ніколаєва та І. Л. Гайова. "СТРУКТУРУВАННЯ КОМПОЗИЦІЙНИХ ТА КОНСТРУКТИВНИХ ЗАСОБІВ ПРОЕКТУВАННЯ ОДЯГУ ДЛЯ ВАГІТНИХ". Fashion Industry, № 1 (24 вересня 2019): 40–47. http://dx.doi.org/10.30857/2706-5898.2019.1.2.
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The purpose of the research is to analyze and improve the structure of the composition and constructive means of costume design for future mothers through the prism of the historical perspective of its development. In the process of doing the work used modern methods of research: literary analysis, historiography, systematic structural, morphological analysis and classification of artistic and composition elements. On the basis of literary and visual-graphic sources, an analysis of the evolution of constructive-technological means of creating clothes for pregnant women in the European tradition of the 15th-20th centuries is carried out and systematized design solutions for certain historical periods to satisfy the ergonomic, utilitarian, hygienic functions of the respective costume, the creation of psychological comfort, as well as the provision of social, artistic and aesthetic functions. Next was the structuring of composition and constructive means of creating comfortable clothes for pregnant women. Analysis of composition decisions was carried out on the basis of both historical and modern costumes. It was investigated that the use of the principles of transformation in pregnant clothes increases the versatility of products and extends the life of the work. The scientific novelty of research lies in the fact that for the first time a system analysis of the means of shaping and artistic expressiveness in designing special clothes for pregnant women was carried out based on an analysis of the evolution of the shaping of this type of costume in a historical context. It has been determined, systematized and structured the modern constructive-composite means of the design process of promising collections of clothes for pregnant women. The practical significance of the work lies in the development of scientifically based means of shaping special clothes for pregnant women to create collections of modern women’s suits that represent special clothes for pregnant women with improved functional and aesthetic qualities.
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Utami, Putri, Sri Wening, Emy Budiastuti, and Moh Adam Jerusalem. "Tingkat preferensi wanita obesitas pada busana kerja berbahan kain tradisional lurik." Satwika : Kajian Ilmu Budaya dan Perubahan Sosial 6, no. 2 (2022): 255–66. http://dx.doi.org/10.22219/satwika.v6i2.22207.
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Obesitas menjadi masalah tersendiri bagi wanita yang bekerja kantor, sebab mereka kesulitan mendapatkan busana yang cocok untuk dirinya. Penelitian ini bertujuan untuk: (1) menghasilkan busana kerja berbahan lurik untuk wanita obesitas, (2) mengetahui tingkat preferensi wanita obesitas pada busana kerja berbahan lurik. Jenis penelitian ini merupakan penelitian Research & Development dengan desain 4D. Subjek penelitiannya adalah dosen dan karyawan di lingkungan Fakultas Teknik UNY. Instrumen yang digunakan angket tertutup. Teknik analisis data yang dilakukan adalah statistik deskriptif. Penelitian ini menghasilkan busana kerja berbahan lurik dengan penempatan motif pada bagian sisi secara vertikal, berbahan katun dan berwarna gelap. Hasil penelitian menunjukkan bahwa tingkat preferensi wanita obesitas pada busana kerja berbahan lurik paling besar pada aspek pemilihan siluet busana yaitu 28,90%, kemudian pemilihan warna 23%, diikuti pemilihan bahan 20,60%, pemilihan motif 14,5% dan yang terakhir adalah pemilihan tekstur sebesar 13%. Busana kerja berbahan lurik dapat menjadi pilihan yang tepat untuk menciptakan visual badan yang lebih ramping sehingga diharapkan menjadi solusi untuk wanita obesitas untuk meningkatkan rasa percaya diri. Wanita obesitas dapat menggunakan model busana kerja tersebut sebagai solusi agar penampilannya terlihat lebih menarik. Obesity is a problem for women who work in an office, because they have difficulty getting clothes that fit them. This study aims to: (1) produce work clothes made of striated for obese women, (2) determine the level of preference of obese women on work clothes made of striated. This type of research is a Research & Development research with a 4D design. The research subjects were lecturers and staff at the Faculty of Engineering, UNY. The instrument used was a closed questionnaire. The data analysis technique used was descriptive statistics. This research produces work clothes made of striated with the placement of motifs on the sides vertically, made of cotton and dark in color. The results showed that the level of preference for obese women in work clothes made of striated was greatest in the aspect of choosing a fashion silhouette, namely 28.90%, then color selection 23%, followed by material selection 20.60%, motif selection 14.5% and the last is texture selection by 13%. Work clothes made of striated can be the right choice to create a slimmer body visual so that it is expected to be a solution for obese women to increase their self-confidence. Obese women can use the work dress model as a solution to make their appearance look more attractive.
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Liu, Ziming. "Fashion Designer Application Based on Generative Adversarial Network." Highlights in Science, Engineering and Technology 34 (February 28, 2023): 127–35. http://dx.doi.org/10.54097/hset.v34i.5434.
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Embodying the design from scratches has been a common problem for all designers. In some situation, clothes designers have trouble creating works that match their idea the most. Creating a fine work from a simple sketch is a tedious process of endless try-and-error. Designers spend days, weeks, or even months drawing drafts and discard them, because they need to draw the picture that best embodies the idea in their head. This study proposes a deep learning method that can generate clothes images from human sketch input, explores the effect of different image to sketch translators, different Generative Adversarial Network (GAN) architecture, loss functions and regularization methods. Many previous works have demonstrated strong results on conditioned image generation, and this study shows that similar settings can be transferred to help designers to embody their designs. The result shows that the model can generate clothes images with high fidelity while faithful to the input sketch.
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Kamariah, Kamariah, Arifin Arifin, and Gunung Setiadi. "Posisi Kerja Dengan Keluhan Nyeri Punggung Bawah Pada Penjahit Pakaian." JURNAL KESEHATAN LINGKUNGAN: Jurnal dan Aplikasi Teknik Kesehatan Lingkungan 17, no. 1 (2020): 5. http://dx.doi.org/10.31964/jkl.v17i1.178.
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Low back pain is one of the musculoskeletal disorders resulting from the wrong ergonomics. Such conditions can occur in the informal work sector, such as clothes tailors at the Martapura Bauntung Batuah Market. The purpose of this study was to determine the relationship of work position with complaints of lower back pain in clothes tailors at the Bauntung Batuah Market Martapura. This study is an analytical study with a cross-sectional approach. The sampling technique uses total sampling with criteria for male sex so that the number of samples is 43 people. Data will be analyzed using the x2 test (Chi-square). The results of the statistical analysis obtained the value of the work position p-value of 0,000 meaning that there is a relationship between the work position and complaints of lower back pain in the clothes tailor at the Martapura Bauntung Batuah Market. For other researchers, further research needs to being done on other factors such as individual factors and physical environmental factors that can cause complaints of lower back pain.
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Tursunov, Davronjon O., and Nargiza N. Nabidjonova. "THE RESEARCH ON THE PRODUCTION OF SPECIAL CLOTHES FOR CAR REPAIRMEN, TAKING INTO ACCOUNT THE ERGONOMIC FEATURES OF A PERSON." International Journal of Advance Scientific Research 02, no. 04 (2022): 19–24. http://dx.doi.org/10.37547/ijasr-02-04-04.
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The main purpose of work clothes is to reliably protect the human body from various production factors while maintaining a normal functional condition and ability to work. Work clothes should not restrict the movement of the worker during the work process and should meet the needs that arise when used in accordance with the purpose, as well as be comfortable. Convenience affects not only the well-being of the employee but also his or her ability to work efficiently. These articles are devoted to the solution of designing special clothing for car repair workers, taking into account the ergonomic characteristics of men, and analysing the results of research for the design of special clothing.
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Gulsina, Selyaninova. "«Having Food, and Clothing, and Shelter, We will be Satisfied with This»." TECHNOLOGOS, no. 3 (2020): 134–44. http://dx.doi.org/10.15593/perm.kipf/2020.3.10.
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The article is devoted to the survival strategies of the population of the rear territories (drawing on the example of Molotov region) during the Great Patriotic War. The article is based on the methodology of sociocultural trauma. The strategies for biological adaptation to trauma associated with the need for physical self-preservation (food search, housing, providing clothes) are revealed. The narrative sources were used for the study: memories of eyewitnesses of the events: children of the war, home front workers; oral interviews were also involved, as well as written memoirs. As a result of the study it`s possible to conclude that the mechanisms of social adaptation of an individual in the conditions of the war trauma helped to survive in the rear with a shortage of food, a lack of comfortable living conditions, difficulties in providing clothes, as well as the need to work hard and be separated from relatives. Adaptation to the traumatic situation was associated with the need to adapt to difficulties and hardships as a survival strategy. The efforts of people were addressed at this time, first of all, to the issues of biological survival: providing food, shelter and clothing. The food shortage led to the fact that the state of hunger became constant, despite the existence of both state food supply strategies and self-sufficiency mechanisms that were actively used by the population. However, the search for food in the form of “sacking” was faced with tough prohibitive measures by government agencies. During the war, the housing situation in the rear deteriorated sharply, a large number of evacuated settled in existing residential areas. There were mainly state strategies for the distribution of living space: “compaction” and the construction of temporary housing – barracks and dugouts, which in general made it possible to adapt to the trauma of the war and allowed to survive in war conditions. Since the enterprises provided workers with work clothes, work clothes were becoming usual cloth for dailylife. Clothing was restored, changed, made in a handicraft way. Generally, adaptation to sociocultural trauma at the biological level for the population of the rear territories occurred on the verge of physical survival.
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Ugrekhelidze, Irina. "Comparative analysis of the paintings of the Italian missionary Cristoforo de Castelli and the sources of Georgian fine art." Scientific Herald of Uzhhorod University Series Physics 2024, no. 55 (2024): 1677–86. http://dx.doi.org/10.54919/physics/55.2024.167ub7.
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Relevance. The article raises the issue of the importance of the work of Cristoforo de Castelli, an Italian missionary, Patrice of the Order of Theatine, in the study of Georgian historical costume.Purpose. The sketches made by the author during his work in Georgia are analyzed, according to which it is possible to identify the types of clothes.Methodology. According to the drawings, the clothes of different strata of the population are compared with the clothes of historical figures depicted in the monumental paintings of Georgian monuments of the same period and the clothes of the characters depicted in the illustrations of literary works.Results. It emphasizes the identity of the costume depicted in Castelli's paintings and the miniatures of Georgian artist Mamuka Tavakarashvili and the similarity of some of the paintings.Conclusions. Finally, it is concluded that the visual material created over the years by Castelli as an eyewitness is still relevant today.
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Hendrian, Yayan, Yusuf Pribadi Yudatama, and Violetta Surya Pratama. "Jemuran Otomatis Menggunakan Sensor LDR, Sensor Hujan Dan Sensor Kelembaban Berbasis Arduino Uno." Jurnal Teknik Komputer 6, no. 1 (2020): 21–30. http://dx.doi.org/10.31294/jtk.v6i1.6683.
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The condition of weather changes in Indonesia is uncertain, so it difficult to predict clear and rainy weather. This is still a major problem for people who are drying clothes especially in the rainy weather conditions. Usually clothes is often left out traveling, with weather conditions like this make some people feel anxious because they do not have time to lift the clothesline in the rainy weather conditions. To overcome these problems the authors make an automatic clothesline prototype using LDR sensor, rain sensor, and moisture sensor using Arduino Uno. In addition to these sensors there are also additional such as fans and DC motors. From the results of testing tools that have been made tools can work well. The tool can work when the sensor will read the weather around, LDR sensor and rain sensor function to detect the weather around, while the humidity sensor serves to detect the condition of the clothes whether in wet or dry conditions.
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Sheilla Yullia Febrianti, Fakhrizal Labib Musyaffa, Aulia Zahra, Ali Akbar Alkatili, Indra Satria Nugraha, and Syti Sarah Maesaroh. "Analisis Manajemen Risiko Dengan Metode HIRARC Pada Laundry (Studi Kasus Pada Usaha Bobo Laundry)." Jurnal Publikasi Sistem Informasi dan Manajemen Bisnis 2, no. 1 (2022): 154–64. http://dx.doi.org/10.55606/jupsim.v2i1.823.
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Increasingly advanced technology helps save time and makes work more practical, one of which is in the household sector. This is an opportunity for MSME actors to open a business in the form of laundry services. Laundry is a business sector that provides services by providing clothes washing services, the laundry business has great opportunities because of the development of lifestyles and the level of community mobility which prioritizes practicality in the need for clean clothes. community activities in it which are increasingly diverse, encourage the desire to streamline household activities. One of them is handling dirty clothes at home. For the upper middle class and businessmen who are often found in Tasikmalaya City, the community entrusts the work to laundry services. With the increasing needs of the public using laundry services, good service quality for customers is something that is very important for laundry entrepreneurs to pay attention to. This research focuses on risk management in laundry to minimize the impact of losses.
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Żyła, Kamil, Jacek Kęsik, Filipe Santos, and Ginevra House. "Scanning of Historical Clothes Using 3D Scanners: Comparison of Goals, Tools, and Methods." Applied Sciences 11, no. 12 (2021): 5588. http://dx.doi.org/10.3390/app11125588.
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Due to the UN and EU’s strong interest in digitizing cultural heritage, the application of 3D scanning technology is gaining importance, even in the case of under-explored areas, such as the 3D scanning of historical clothes. This article discovers and compares methodologies of 3D scanning of historical clothes presented in the literature in order to determine if a new methodology is needed. PRISMA protocol was used to browse scientific sources in an organized way. We posed the following research question: How have 3D scanners been used to digitize historical clothes? The very limited number of works identified, despite our thorough search, allows us to conclude that this topic is very new, and a lot of research can be conducted in the future. We analyzed the methodologies proposed by other authors, taking into account factors such as what was scanned, what was the purpose of scanning, what hardware and software was used, how detailed the description was, etc. It was revealed that other authors explored the topic insufficiently and no complex and coherent methodology of 3D digitization of historical clothes is present. Generally, the field of 3D scanning of historical clothing remains, at this point, very small and fragmented. This work is one of steps to change it.
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MURADIAN, Iryna V. "LEXEMES DESCRIBING CLOTHING AS A MARKER OF IMAGE DYNAMICS IN THE CYCLE OF STORIES BY I. A. BUNIN "DARK ALLEYS"." Мова, no. 36 (April 1, 2022): 83–86. http://dx.doi.org/10.18524/2307-4558.2021.36.249722.
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The purpose of this article is to study the lexemes included in the descriptions of I. A. Bunin clothes, in different stories of the cycle “Dark Alleys”. The object is the lexemes used by Bunin to describe the clothes of the heroes. The subject of study is marker lexemes that signal changes and dynamics of the artistic image. The material was the description of the clothes of the heroes and the lexemes used in them in all the texts of the cycle. Used for the analysis of lexemes that help to show the dynamics of the image. As a result of the research, the author comes to the following conclusions. In the cycle of stories “Dark Alleys” I. A. Bunin uses common lexemes for clothing. I. A. Bunin makes the description of clothing an important detail, a marker of the dynamics of the image. Clothes change depending on different situations, love experiences, decisions made and changes in the fate of the heroes. And as we could see, often the description of the characters’ clothes, its location in the text of the story is associated with the construction of the plot of the work.
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Ніколаєва, Т. В., І. Л. Гайова, Т. І. Ніколаєва та В. А. Гладка. "ДИЗАЙН СУЧАСНОГО КОСТЮМА НА ОСНОВІ АСОЦІАТИВНИХ ТРАНСФОРМАЦІЙ ТЕКТОНІЧНОЇ СТРУКТУРИ НАРОДНОГО ОДЯГУ". Art and Design, № 1 (3 червня 2020): 154–65. http://dx.doi.org/10.30857/2617-0272.2020.1.12.
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Improving the design process of modern clothes and determining the sign-symbolic functions of costume, inspired by ethnic motives, by studying methods of the associative transformation of the folk costume tectonic structure based on the use of various types of structural transformations. System-informational, visual-analytical research methods are used in the work. Systematic and structural analyses of the artistic and compositional elements transformations in the shaping of a modern costume based on associative conversion is applied.Results. Based on the investigation, the interconnection between associative signs and structural building of modern women’s clothes, designed upon a folk costume construction basis, has been determined. The research of the most expressive elements of traditional clothes has been carried out with the purpose to determine symbolic functionality of a contemporary costume. Principles of project implementation of associative structural transformations of costume forms, spatial elements layout and order of their placement using different types of tectonic transformation have been determined, and classification of structural transformations has been developed. Scientific novelty lies in the development of modern costume designing methods based on the forms and structure of traditional folk clothes. This makes it possible to determine the variability of the use of relationships of morphological and associative transformations of the object and improving the design processes of new promising costume forms. The results of scientific work can be used in the practical activity of costume designers in order to develop promising collections of modern clothes for contests and exhibitions.The results allow to optimize the design process of modern clothing models.
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McDonald, Fiona P. "Wedding Clothes and the Osage Community." Museum Anthropology Review 16, no. 1-2 (2022): 186–89. http://dx.doi.org/10.14434/mar.v16i1-2.34881.
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Lenawati, Meilinda, and Rachmawaty -. "Perancangan Busana Magnificent Of Modular Mode." Style : Journal of Fashion Design 1, no. 1 (2021): 52. http://dx.doi.org/10.26887/style.v1i1.2111.
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Fast fashion can be interpreted as a quick response effort in providing the latest fashionable clothes according to consumer demand. This can lead to a accumulation of clothes which eventually becomes clothing waste. Clothing waste can be overcome with two opportunities, namely reuse and reduction, this reduction method uses the principle of sustainable design. Sustainable that is raised is a modular design. "Modular design" is a kind of design fashion that can not only make clothes more attractive, allow the wearer to participate in choices, increase the possibility of clothing styles, but also can extend the service cycle of clothes. In this "fast fashion" market, modular design ideas can be a breaking point, helping us find ways to balance low-carbon and eco-friendly needs and fashion. Therefore, there is a need for a ready-to-wear fashion modular design that inspires the Woloan Minahasa Stage House that can be disassembled. This will be the common thread in the creation of the work.
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Baihaqi. "BATASAN PENGGUNAAN HIJAB DALAM KONTEKS LITA’?RAF?" MAQASHID Jurnal Hukum Islam 4, no. 2 (2021): 28–41. http://dx.doi.org/10.35897/maqashid.v4i2.638.
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Chlotingis an identity that attaches to the wearer, because by clothes, humans will have a certain impression, when they see others. A neat and good clothes will certainly give the impression that the person he sees is someone who has good identities. Of course in the case of clothes, Islam provides a rule called syar'iclothes. Where the wearer must cover the genitals (aurat) that has been conveyed by Islam.The use of syar'i clothes in this era has entered the public area, even some b eauty brands in Indonesia have no longer been reluctant to use religious language terms, such as the use of the hijab word in their products, although sometimes its use is not necessarily correct, at least it has given the impression that the Indonesian people have an awareness of the importance of clothes that cover genitals, and lately it is very common to find out that the reason for covering up genitalia must limit to know each other because they have to wear veils (hijab) on their faces. Based on the rule of islam (Syar'i), of course those who wear hijab have their own reasons and their own arguments, but when it comes to dealing with public law, where all citizens must have an identity card which requires photos, of course the identity card requires photos, so it will be difficult for law enforcers and the people serving in the public area to ensure whether the identity card shown is in accordance with the owner, and certainly the communication attitude to know each other will not work well.
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Engel, Laura. "Women, Work and Clothes in the Eighteenth-Century Novel." Women's Writing 21, no. 4 (2014): 617–20. http://dx.doi.org/10.1080/09699082.2014.919735.
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Kerfoot, Alicia. "Women, Work, and Clothes in the Eighteenth-Century Novel." Fashion Theory 20, no. 3 (2015): 363–67. http://dx.doi.org/10.1080/1362704x.2015.1102461.
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Mamasolieva, Sh L. "КИЙИМ ОСТИДАГИ МИКРОИҚЛИМ ПАРАМЕТРЛАРИНИ АНИҚЛАШ УСУЛЛАРИ". Journal of Science and Innovative Development 6, № 2 (2023): 90–97. http://dx.doi.org/10.36522/2181-9637-2023-2-10.
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When using the overalls, metabolic products accumulate under it - sweat in the form of a vapour-gas and wet phase. To increase productivity of workers and maintain a comfortable body ambience, that is, an optimal microclimate under special clothing, it is important to remove accumulated moisture and other metabolic products as soon as possible. The method for solving this problem should be aimed at normalizing the state of heat exchange by the human body, associated with the level of severity of labor and changes in the parameters of the external environment. The problem can be solved by improving the design of work-wear or the hygienic properties of the work-wear cloth. This article determines parameters of the ambience under special clothing made of a new fibrous gauze recommended for workers in the automotive industry and compares the findings. The level of comfort of the microclimate in special clothes made of gas with a new composition of fibers with increased hygienic properties, recommended for workers in assembly shops of automobile plants, has been maintained.
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Zalewska, Agata. "Loss and revival of visual identity: Inner work with clothing." Clothing Cultures 7, no. 2 (2020): 177–89. http://dx.doi.org/10.1386/cc_00040_1.
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Lockdown during the COVID-19 pandemic meant an adieu to formal wear. ‘Oh no! How to be me?’ ‐ I panicked, facing an identity crisis, as suits that visually defined me were irrelevant. I allowed clothes to lead the way through the crisis and here present a qualitative research, based on self-ethnography of wardrobe and inner, psychological work with clothing as per guidelines of processwork psychology, involving two ways of thinking: logical and experiential. The objects of the research are formal suits (defining pre-pandemic, ‘normal’ visual identity), sweatpants (a threat to the identity) and overalls (the lockdown outfit). Logical work uses interpretation, association, memory, intellectual understanding of individual, cultural and social perception of clothing and body. Experiential work notices body responses, examines posture, movement and sensory experiences, explores visual images, shapes, colours, textures, details and their appeal. The loss is approached as a death of a certain part of self (formal, official, busy), which gives way to a new, emerging way of being, as specific features of clothes provide a hint of continuity and a link to revival. Dissection of judgement (e.g. lazy) gives access to transformative qualities (idle, effortless). Integration of these qualities means making the unknown known and finally my own. The article remarks on changes in dressing practice, e.g. in styling, care, which reflect the transformative lockdown experience and their impact on social interactions.
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NECHIPOR, SVITLANA, and ALINA ВASHTINSKA. "DESIGN FEATURES OF TRANSFORMING DEMISEASON OUTER WOMEN’S CLOTHES MADE OF ARTIFICIAL LEATHER." Herald of Khmelnytskyi National University 301, no. 5 (2021): 217–24. http://dx.doi.org/10.31891/2307-5732-2021-301-5-217-224.
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The garment industry task is to make products from materials that do not harm the environment and can be used in different life situations (turned into products for different purposes or assortment and used in different weather conditions). Therefore, the work is devoted to transforming clothes. The artificial leather from which it is proposed to make clothes is a modern ecological material, therefore this material is chosen as an example in work. The analysis of scientific researches concerning features of clothes transformation is carried out. It is determined that the issue of transformation of garments requires additional study. The article highlights the design of garments for women’s outerwear made of artificial leather, which can be transformed; certain properties of artificial leather that affect special approaches to the design of such clothing; technological features of processing of some types of transformational from artificial leather are defined. Based on the properties of artificial leather and taking into account the requirements for transforming clothes, the collection of transforming clothes of demi-season women’s outerwear was designed. The logical structure of designing products-transformers from artificial leather is developed. The method of transformation (connection-disconnection) and accessories (buttons, tape- “zipper”) are chosen. Assembly schemes of processing product knots that undergo transformation are developed. Development of product cut details of a collection from the main material is executed. The efficiency of the developed collection is investigated by determining the coefficients of functional use of products. A comparative analysis of the results is performed. The relevance and functionality of the designed products-transformers are investigated. Issues for further research in this area are identified.
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Shemchuk, Yuliya M., and Margarita V. Spanopulo. "Linguistic sensory of the interlocutor’s image in H. Boll’s novel “The Clown”." Neophilology, no. 3 (2023): 534–44. http://dx.doi.org/10.20310/2587-6953-2023-9-3-534-544.
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The purpose of study is to describe the sensory features of interlocutor’s perception by the main character of the novel by H. Boll “The Clown”. Sensory vocabulary representing odors, skin reactions and color combinations of clothes perceived by the protagonist of the analyzed work of art is chosen as the study material. The novelty of study lies in the fact that for the first time the verbalization features of olfactory associations in the novel by H. Boll “The Clown” are considered; for the first time, a quantitative analysis of lexemes-representatives of skin reactions is carried out in it; for the first time, the colouronyms that serve to describe the colour combinations of characters’ clothes in the novel are analyzed. The methodological basis of this study is the linguoculturological approach, which made it possible to interpret the results obtained in the cultural aspect. The relevance of work is determined by its purpose and the active development of linguistic sensory as a new direction of linguistic research. The analysis of the lexical means of expressing the interlocutor’s sensory perception in one particular work of art should be considered as a kind of contribution to the development of linguistic sensory. Sensory vocabulary allows us to expressively describe the internal state of the characters, their experiences, feelings, emotions, form their psychological portraits based on odors, skin reactions and perception of color combinations in clothes. The work may be of interest to specialists in the field of German studies, psycholinguistics, linguistic semantics, intercultural communication, cultural linguistics. Linguistic analysis of sensory vocabulary of works of art by other German-speaking authors seems promising, taking into account its cultural context.
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Azis, Afif, and Ahmad Chusyairi. "PROTOTYPE ALAT JEMURAN PAKAIAN OTOMATIS MENGGUNAKAN ARDUINO BERBASIS ANDROID." Infotech: Journal of Technology Information 7, no. 2 (2022): 63–70. http://dx.doi.org/10.37365/jti.v7i2.112.
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The clotheslines used by the community are still in manual form so people still have to lift the clothesline directly. People who have a lot of interests or who work will not have time to lift the clothesline directly so they have to leave their more important work. People are still confused about how to lift clotheslines with the uncertain weather when there are other jobs or traveling. Based on these problems, a prototype model of an automatic clothesline was built using an Android-based Arduino Uno, this is to lighten and shorten the time in lifting clotheslines or drying clothes when the weather is changing. The purpose of this research is to make a tool that can help reduce household chores, especially drying clothes automatically using LDR sensors and rain sensors and can be controlled by cellphones. An automatic clothesline tool has been designed using an Android-based Arduino. In making the prototype using the LDR sensor as a light detector, using a water/rain sensor as a rainwater detector and using a servo motor to open and close the clothesline roof, and use the HC-05 Bluetooth module to move the clothesline roof with a cellphone using bluetooth which is controlled with an Arduino microcontroller. UNO which functions as a data processing center. After testing this tool works well, the sensor will check the weather outside whether it is sunny or rainy. When the weather is sunny or hot outside, the roof of the clothesline will automatically open and if it is raining outside, the roof of the clothesline will automatically close. When the water sensor and LDR sensor do not work or experience problems, the automatic clothesline can be controlled with a smartphone that is connected to the HC-05 Bluetooth module. The result of this research is that the automatic clothes drying device using Arduino Uno can ease household chores when drying clothes and based on the test results with the blackbox table the tool runs 100% as desired.
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Raud, Inna. "Rahvarõivas talupojakultuuri ühe ilmingu ning mõttemaailma kajastajana. Interpretatsioon Vändra kihelkonna näitel / National Costumes as one of the Manifestations and Reflections of the Frame of Mind of Peasant Culture: Interpretation Based on the Example of Vändra Parish." Studia Vernacula 7 (November 4, 2016): 147–60. http://dx.doi.org/10.12697/sv.2016.7.147-160.
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The contemporary study, making and wearing of national costumes worn in 19th-century Estonian peasant culture requires both good knowledge of the objects and an awareness of the understandings, attitudes and world view related to peasant culture. This article sheds light on the values associated with the national costumes worn in the parish of Vändra. It concentrates on the rational way of thinking connected to national costumes and related aesthetic and moral beliefs. The term “rationality” here denotes, first and foremost, reasonable and purposeful behaviour arising from practical considerations. The study of meaningfulness sheds light on the background and objectives of the aesthetic choices underlying the design of national costumes, but also on the messages conveyed with the help of objects. In addition to literature concerning national costumes, the manuscripts found in the Estonian National Museum concerning the clothes worn in the parish of Vändra and neighbouring parishes and the observations made based on single objects are also used as sources.National costumes are used even today as a type of clothing that shows national belonging. 19th-century understandings and evaluations related to national costumes can today be studied indirectly. They manifest themselves in the way national costumes were made and worn and to a great extent were influenced by the environment in which the peasants lived.The obtaining of clothes meant a lot of work for peasants in the 19th century, starting with the growing and processing of the material and ending with the making and finishing of the clothes. Popular materials were easily accessible and could be processed at home, although they required a lot of work. As the obtaining of linen and woollen yarn and the weaving of cloth were labour-intensive processes, patterns for the sewing of clothes had to be as practical as possible. Great attention was paid to increasing the durability of clothes and to the easiest possible maintenance thereof. In the choice of material and the finishing of clothing, the climate, the ease of use and the context of use were taken into consideration. Both textiles and leather were used to the maximum. Woollen cloth was considered a more valuable material than linen textile, and this could be explained by the latter wearing out sooner.Besides practical aspects, the aesthetic result was also considered important – in addition to aspiring for beauty, many items of clothing represented the wearer’s social status, and people believed in the protective power of clothing. When wearing national costumes, one had to take into account the system of communal values. Unfortunately, very little material has been recorded about these understandings, and the field is difficult to access for researchers studying individual objects.National costumes reflect the way of life and beliefs of the people of the 19th century. In the study of national costumes – where alongside material sources little information has been recorded as regards respective understandings – this knowledge enables researchers to discover people’s frame of mind based on the end results.
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Raud, Inna. "Rahvarõivas talupojakultuuri ühe ilmingu ning mõttemaailma kajastajana. Interpretatsioon Vändra kihelkonna näitel / National Costumes as one of the Manifestations and Reflections of the Frame of Mind of Peasant Culture: Interpretation Based on the Example of Vändra Parish." Studia Vernacula 7 (November 4, 2016): 147–60. http://dx.doi.org/10.12697/sv.2016.7.147-160.
Full textAbstract:
The contemporary study, making and wearing of national costumes worn in 19th-century Estonian peasant culture requires both good knowledge of the objects and an awareness of the understandings, attitudes and world view related to peasant culture. This article sheds light on the values associated with the national costumes worn in the parish of Vändra. It concentrates on the rational way of thinking connected to national costumes and related aesthetic and moral beliefs. The term “rationality” here denotes, first and foremost, reasonable and purposeful behaviour arising from practical considerations. The study of meaningfulness sheds light on the background and objectives of the aesthetic choices underlying the design of national costumes, but also on the messages conveyed with the help of objects. In addition to literature concerning national costumes, the manuscripts found in the Estonian National Museum concerning the clothes worn in the parish of Vändra and neighbouring parishes and the observations made based on single objects are also used as sources.National costumes are used even today as a type of clothing that shows national belonging. 19th-century understandings and evaluations related to national costumes can today be studied indirectly. They manifest themselves in the way national costumes were made and worn and to a great extent were influenced by the environment in which the peasants lived.The obtaining of clothes meant a lot of work for peasants in the 19th century, starting with the growing and processing of the material and ending with the making and finishing of the clothes. Popular materials were easily accessible and could be processed at home, although they required a lot of work. As the obtaining of linen and woollen yarn and the weaving of cloth were labour-intensive processes, patterns for the sewing of clothes had to be as practical as possible. Great attention was paid to increasing the durability of clothes and to the easiest possible maintenance thereof. In the choice of material and the finishing of clothing, the climate, the ease of use and the context of use were taken into consideration. Both textiles and leather were used to the maximum. Woollen cloth was considered a more valuable material than linen textile, and this could be explained by the latter wearing out sooner.Besides practical aspects, the aesthetic result was also considered important – in addition to aspiring for beauty, many items of clothing represented the wearer’s social status, and people believed in the protective power of clothing. When wearing national costumes, one had to take into account the system of communal values. Unfortunately, very little material has been recorded about these understandings, and the field is difficult to access for researchers studying individual objects.National costumes reflect the way of life and beliefs of the people of the 19th century. In the study of national costumes – where alongside material sources little information has been recorded as regards respective understandings – this knowledge enables researchers to discover people’s frame of mind based on the end results.
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Priyandha, Herendra, and Dwi Ana Ratna Wati. "Perancangan Prototipe Sistem Kendali Otomatis Pada Pengering Pakaian Berbasis Air Heater." Jambura Journal of Electrical and Electronics Engineering 5, no. 1 (2023): 71–78. http://dx.doi.org/10.37905/jjeee.v5i1.17212.
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Pengering pakaian diharapkan dapat bekerja secara otomatis dan dapat menjaga kualitas pakaian yang dikeringkan. Terdapat parameter penting pada proses pengeringan pakaian yaitu temperatur dan kelembaban. Untuk menjaga kualitas pakaian, perlu diperhatikan nilai temperatur pengeringan agar tidak melebihi batas temperatur pengeringan yang ditentukan pada setiap jenis pakaian. Oleh karena itu, diperlukan pengaturan setpoint temperatur pengeringan pakaian pada alat pengering pakaian. Pada penelitian ini dirancang prototipe pengendali yang dapat bekerja secara otomatis pada sebuah sistem pengering berbasis air heater. Prototipe yang dirancang terdiri atas air heater, sensor temperatur, sensor kelembaban, Arduino, dan tampilan antarmuka menggunakan LabVIEW. Proses pengeringan dioperasikan oleh pengguna melalui antarmuka dimana pengguna memasukan dua input yaitu jenis pakaian yang akan dikeringkan dan jumlahnya. Input tersebut digunakan pada penentuan nilai temperatur operasi pada air heater. Selama proses pengeringan, nilai temperatur maupun nilai kelembaban pada bilik pengering diukur menggunakan sensor tipe DHT22. Kedua nilai lalu tersebut ditampilkan melalui antarmuka LabVIEW. Nilai temperatur tersebut dibandingkan dengan nilai temperatur setpoint yang ditentukan berdasarkan jenis dan jumlah pakaian yang akan dikeringkan. Berdasarkan nilai perbandingan tersebut, LabVIEW mengirimkan nilai kendali berupa nilai PWM secara serial ke Arduino, yang merupakan sinyal kendali ke air heater. Kemudian, air heater bekerja menjaga temperatur pada bilik pengeringan agar sesuai setpoint selama proses pengeringan berjalan atau kondisi timer on. Jika nilai kelembaban telah mencapai kriteria kondisi kering dan waktu pengeringan telah habis, maka air heater akan masuk pada mode off. Berdasarkan hasil pengujian, prototipe sistem kendali yang dirancang mampu bekerja secara otomatis dan hasil pengeringan dapat mempertahankan kualitas pakaian. Selain itu penghematan energi listrik juga dimungkinkan dengan penggunaan pengendali otomatis pada pengering pakaian tersebut.The clothes dryer is expected to work automatically and can maintain the quality of the clothes. Temperature and humidity are the two main parameters in the process of drying clothes. The drying temperature affects the clothes conditions because each type of clothing has a certain temperature limit to maintain its quality. Therefore, it is necessary to set the temperature setpoint for drying clothes operation. This study designed a controller prototype that can work automatically in an air heater-based clothes dryer. The designed prototype consists of an air heater, temperature sensor, humidity sensor, Arduino, and an interface using LabVIEW. The drying process is operated by the user through an interface where the user inputs the type of clothing and the amount of clothing to be dried. The input is used to determine the temperature setpoint on the air heater. During the drying process, the temperature and humidity values in the drying chamber are read by the DHT22 sensor and then displayed on the interface. This temperature value is compared with the setpoint temperature which is determined based on the type and amount of clothes to be dried. Based on the comparison value, LabVIEW sends control values in the form of PWM values serially to Arduino, which are control signals to the air heater. Then, the air heater works to maintain the temperature in the drying chamber to match the setpoint during the drying process or when the timer is on. The air heater will turn off when the humidity has reached dry conditions and the drying time has been over. Based on the testing results, the control system prototype is able to work automatically, and the drying process can maintain the quality of the clothes. In addition, saving electrical energy is also possible with the use of the automatic controller.
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Gomes, Cecelia. "Rethinking Children and Clothes." Fashion Studies 2, no. 1 (2019): 1–11. http://dx.doi.org/10.38055/fs020103.
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Rethinking Children and Clothes is a photo book designed to register the relationship children have with the garments in their wardrobes. I produced and photographed children in the intimate setting of their home, aiming to explore identity development during the transition from childhood into adolescence. Here, the clothes have emotional significance, durability that surpasses the physical integrity of the fabric. The photographs focus on the wear and tear, holes, stains, and rips that become part of much loved, worn clothing. The pictures show details of the dressed body, preserving the privacy of the subject but revealing aspects of their identity. Based on Sally Mann’s work with her family and discussions about children as research participants, this project is a conversation between fashion and childhood. I intend to propose a different way of seeing identity in a visual medium that is removed from identification. Additionally, the materiality of clothing, their “thing-power” (Bennett 348), demand their existence as objects of discourse between a child and society. The participants were invited to edit the final product and to share their thoughts in a brief interview. With this work, I suggest that wearing worn out clothing creates an emotional connection, preserving garments that do not have to be discarded or replaced so swiftly.
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Priyambodo, Dhimo Kukuh. "MODEST FASHION ITANG YUNASZ DALAM FOTOGRAFI KOMERSIAL." spectā : Journal of Photography, Arts, and Media 4, no. 1 (2020): 51–62. http://dx.doi.org/10.24821/specta.v4i1.3956.
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The creation of the photographic work modest fashion Itang Yunasz in commercial photography will discuss how modest fashion Itang Yunasz is displayed in a visual that attracts consumers by highlighting the characteristics of clothing according to the target market. The object in the creation of this photographic work is a fashion label that is under the auspices of Itang Yunasz namely "Kamilla by Itang Yunasz", "Allea by Itang Yunasz", and "Itang Yunasz Ready To Wear". The results of the creation of this work of art, it was found that fashion photography requires a high budget, both in terms of models that must be professional, locations that must be prepared and accessories used to support photographed, because in the world of professional fashion work is needed in the seriousness of work. In addition, it was found the importance of harmonizing the theme of the clothes with the location to be used, so that between clothes and background will create a visual that appeals to market share.
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Mironova, Galina S. "Evgeny Schwartz’s fairy tale play “The Emperor’s New Clothes”: a satirical comedy or an anti-fascist pamphlet?" Vestnik of Kostroma State University 28, no. 2 (2022): 155–59. http://dx.doi.org/10.34216/1998-0817-2022-28-2-155-159.
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The play-tale “The Emperor’s New Clothes” by Evgeny Schwartz was created in 1934, when serious historical and political processes started in the world, associated with the establishment of a despotic, totalitarian regime in a number of countries, as well as with the spread of fascist ideology in Western Europe, which eventually would lead to World War II. In the article, the fairy tale play “The Emperor’s New Clothes” is considered from the point of view of its genre originality. On the one hand, in this work, reflecting the political processes that took place in the world, there are signs of the genre of an anti-fascist pamphlet (accusatory pathos, socio-political orientation, aphoristic style, irony bordering on sarcasm, etc.). Ideologically, Evgeny Schwartz’s fairy tale is directed against German fascism, as evidenced by the scattered replicas of characters in the play, in which a merciless satire on the reality of Nazi Germany is heard. On the other hand, the genre of the play “The Emperor's New Clothes” is much broader than the framework of an anti-fascist pamphlet, it is a satirical comedy aiming at exposure and debunk of social vices; in this it is close to farce, comedy of manners and character comedy. Thus, behind the external simplicity of the plot of the fairy tale “The Emperor’s New Clothes”, one can guess the diversity and hidden meaning inherent in the satirical work.
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Шевчук, Х. І. "ОСОБЛИВОСТІ ДЕКОНСТРУКТИВІЗМУ В КОЛЕКЦІЯХ ЯПОНСЬКИХ ДИЗАЙНЕРІВ ОДЯГУ КІНЦЯ ХХ – ПОЧАТКУ ХХІ СТОЛІТЬ". Art and Design, № 4 (15 лютого 2021): 173–84. http://dx.doi.org/10.30857/2617-0272.2020.4.14.
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Purpose. The goal of this paper was to discover the main deconstruction in Japanese clothes designers creativity, methods of garment constructions, design and compositional features of fashion deconstruction. Methodology is based on system informative and visual analytical methods. Structural analysis of modification of compositional elements and method of comparative and historical analysis were used. Results. The paper describes basic principles and techniques of deconstruction in clothing design. The design and compositional features of deconstruction (shape, silhouette, construction, plastic, texture, decor, coloristic solution) in the works of Japanese clothing designers are determined. The basic principles of deconstruction in the works of Rey Kawakubo, Issey Miyake, Yohji Yamamoto are systematized and generalized, the combinations of features are inherent in each of the designers, their common and distinctive features are analyzed. Scientific novelty of the research is determined in definition and systematization of the main design and compositional features of deconstruction in clothing design. The basic principles of deconstruction in the collections of Japanese clothing designers are analyzed, the importance of the conceptual component of their work is emphasized. Practical significance. The systematic analysis of characteristics of clothes design deconstruction allows to use new interpretations and projecting unique clothes collections. The paper materials are supposed to be used in scientific research on deconstruction.
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Oktavia, Elsa, Yulindon Yulindon, and Rahmat Hidayat. "Pengembangan Sistem Informasi Industri Jasa Menjahit Online Berbasis Web Menggunakan Metode Waterfall." JISKA (Jurnal Informatika Sunan Kalijaga) 5, no. 2 (2020): 116. http://dx.doi.org/10.14421/jiska.2020.52-06.
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Information systems are currently increasing very rapidly, but it is unfortunate if the utilization is not yet optimal. Reviewing the data from literature studies and observations that have been made, many people need sewing services. The drastic increase in demand makes competition in the convection industry. Most of the work systems in the convection industry are done manually and are not economical. Product development also lacks creativity. Therefore, this researcher will use IT as marketing and design work, this can make processing time shorter and more optimal. Thus, customers will be facilitated in ordering ready-made clothes or clothes that match the customer's wishes by using a web application that only sends data on the size of the clothes or clothing model that the customer wants. This web-based application system can make it easier for customers to transact with the owner and transactions do not have to meet face to face. In addition, clothing sales and large-scale orders can be neatly organized and financial reports can be well structured and organized clearly. The results of this research will be in the form of research reports and web-based online sewing service information systems using the waterfall method.
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Salihi, Irvan A., Stephan Adriansyah Hulukati, and Steven Humena. "Designing an Internet of Things Based Automatic Clothesline." Journal of Sustainable Engineering: Proceedings Series 1, no. 2 (2019): 240–46. http://dx.doi.org/10.35793/joseps.v1i2.33.
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In Indonesia, there are 2 seasons, rainy season and dry season. The rainy season occurs from November to March, while the dry season occurs from April to October. With the changing seasons that are very unpredictable, so that the weather cannot be regulated by humans so that it requires the latest technology in this case the internet of things, that concern increases when outside the home and at that time there is no one at home. for fear of clothes that are dried wet with rain water as a result also if clothes that have been dried in the sun and will be exposed to rain water do not rule out the clothes we use will cause a bad odor. By using the mcu node esp 8266 dried is controlled by using a smartphone so that it can be controlled with a long distance then add a rain sensor to anticipate sudden rain fall. If a rain sensor is detected by water, the web system of the relay component will be active and give a command to Nodemcu esp8266, after the program runs the relay will be active and the motor can run forward or backward if the relay is on and the Relay is Off then the motor unable to work forward or backward. Fabric weight is measured by a scale so that it can calculate the weight of the wet cloth obtained. The maximum number of fabrics to be used in this automatic clothesline is to keep the motor running and the motor won't be damaged easily.
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Adverse, Angélica. "ROUPAS COMO CORPOS: O AGENCIAMENTO POLÍTICO DO VESTUÁRIO POR CHRISTIAN BOLTANSKI / Clothes as bodies: the political agency of clothing by Christian Boltanski." arte e ensaios 26, no. 39 (2020): 55–65. http://dx.doi.org/10.37235/ae.n39.5.
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O artigo aborda o agenciamento das roupas no trabalho do artista Christian Boltanski. Partindo da dimensão do poder dos corpos têxteis, analisaremos como as roupas investem-se das palavras emudecidas dos corpos ausentes, constituindo-se como alegoria do testemunho e do documento histórico. A ideia central é pensar como as roupas explicitam a aniquilação humana provocada pelos regimes políticos totalitários. Analisaremos como as instalações Prendre la Parole (2005) e Personnes(2010) desvelam a presença-ausência da vida-morte na experiência política do discurso têxtil. Palavras-chave: Roupas; Corpos; Agenciamento; Política; Memória.AbstractThe article addresses the agency of clothes in the work of the artist Christian Boltanski. Starting from the dimension of the power of the textile bodies, we will analyze how the clothes invest themselves with the muted words of the absent bodies, constituting themselves as an allegory of the testimony and of the historical document. The central idea is to think about how clothes make explicit human annihilation brought about by totalitarian political regimes. We will analyze how the installations Prendre la Parole (2005) and Personnes (2010) reveal the presence-absence of life-death in the political experience of textile discourse.Keywords: Clothes; Bodies; Agency; Politics; Memory.