Relevant bibliographies by topics / Work of fine art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Work of fine art'

Author: Grafiati
Published: 28 May 2022
Last updated: 31 July 2025

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Journal articles on the topic "Work of fine art"

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Ibrohimovna, Yuldasheva Nilufar, and Abdullaeva Xurshida. "METHODOLOGY OF FINE ART WORK IN GENERAL SECONDARY SCHOOLS." CURRENT RESEARCH JOURNAL OF PEDAGOGICS 04, no. 06 (2023): 42–49. http://dx.doi.org/10.37547/pedagogics-crjp-04-06-08.

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Aliev, T. T. "Street-Art as a Work of Fine Art." Intellectual property law 2 (July 1, 2021): 28–32. http://dx.doi.org/10.18572/2072-4322-2021-2-28-32.

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Purpose. Street art has exploded: it pervades our back alleys, surrounds us at bus-stops, covers billboards, competes with advertising and generally serves as urban wallpaper in most cities. But what is street art? A far cry from mere graffiti, street art has gained some social acceptance, but it remains neither officially sanctioned like public art, nor institutionally condoned, like its more traditional artistic cousins in museums. Somewhere in between these two extremes, street art has emerged, occupying a metaphysically suspect grey area between illegal activity and bona fide art. This pap
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Reznikova, Ksenia, та Maya Smolina. "ВЗАИМОДЕЙСТВИЕ АДРЕСАТА ХУДОЖЕСТВЕННОЙ КРИТИКИ И ПРОИЗВЕДЕНИЯ ИЗОБРАЗИТЕЛЬНОГО ИСКУССТВА". Social Anthropology of Siberia 2, № 2 (2021): 68–83. http://dx.doi.org/10.31804/2687-0606-2021-2-2-68-83.

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The object of this scientific research is art criticism, the subject is the interaction of the addressee of art criticism and a work of fine art. The aim is to study the relationship between the addressee of art criticism and a work of fine art. The conceptual analysis of the concept of "art criticism" is given, the features and structure of the text of art criticism are considered. The conceptual basis for the study was the key provisions of the theory of reflection by G.V.F. Hegel, the basic principles of the synthetic theory of the ideal D.V. Pivovarov and the concept of ideal formation, th
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KHUJANIYAZOV, Rashid K. "FINE LINES IN UZBEKISTAN PAINTING ART." Art and Design: Social Science 02, no. 03 (2022): 8–11. http://dx.doi.org/10.37547/ssa-v2-i3-03.

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This article provides a general overview of the elegant lines of artists in the art of painting in Uzbekistan on a scientific basis, detailing the appearance of the art of painting in the early stages of its formation. In addition, the restoration of historical memories by Uzbek artists, the re-observation of our artistic heritage, as well as the latest achievements of world culture in their creative research, the artist clearly demonstrates the results of this process. and observing the work from a certain distance.
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Hafizah, Harizona. "EUNOIA DALAM FINE ART PHOTOGRAPHY." Matalensa: Journal of Photography and Media 1, no. 1 (2021): 1. https://doi.org/10.26887/matalensa.v1i1.2189.

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Every human being has emotions that can feel happy, sad, or angry. However, negative emotions are often felt in everyday life by someone due to their busy schedule, departing from personal experience, so they are interested in bringing them up into the creation of a thesis. Eunoia is positive thoughts conveyed to others. The purpose of the creation of this thesis is the creation of Fine Art Photography that can motivate and change one's mood (feelings) to be more positive. The creation of this photo work is carried out in four stages, first in the form of preparation by conducting research and
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Osipova, Marina V. "Ainu Art: From Craft to Fine Art." Humanitarian Vector 19, no. 2 (2024): 163–75. http://dx.doi.org/10.21209/1996-7853-2024-19-2-163-175.

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ditional and utilitarian. The modernity gives the boost to the development of the new forms of art. However, there are no studies in domestic or foreign historiography examining this issue. The purpose of this article is to analyze the problem of the formation and development of Ainu modern art as the adaptive mechanisms of traditional crafts. Based on field work and analysis of sources, using descriptive, historical-systemic, comparative-historical and visual methods, an attempt is made to understand the prerequisites for the transition of Ainu craft and decorative art to fine arts, and the c
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Naydenova, Monica. "Glass art objects – between fine and applied art." European Scientific e-Journal 4, no. 4 (2020): 84–98. https://doi.org/10.47451/art2020-12-002.

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The article describes the interrelationships that emerged between art, crafts, technology and design, in the period from the second half of the 19th century to the present day. Attention is paid to the classification of a work and the delineation of the category ‘Object’. The object of this research is contemporary art in the context of its classification as fine and applied in the period from the second half of the 19th century to the present day. Our attention will be focused on the glass material as a means of expression. The task of the research is to trace the metamorphoses th
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Sharifjon O'gli, Sharipov Javlon. "INTERPRETATION OF THE WORK OF RAKHIM AKHMEDOV IN THE ART OF PAINTING OF UZBEKISTAN." European International Journal of Multidisciplinary Research and Management Studies 02, no. 04 (2022): 38–41. http://dx.doi.org/10.55640/eijmrms-02-04-09.

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Currently, a lot of attention is paid to the wide use of samples of our culture, values, National Art, samples of fine art created by our ancestors and famous all over the world in the education of young people. The reflection of the image of our great compatriots and great scientists living in the past in the works of Fine Art also imposes responsible duties on the people of creativity. Famous artist Rahim Akhmedov is a people's artist who left a bright mark in the fine art of Uzbekistan. His works are distinguished by their own fertility, compositional solution. In this article, opinions and
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Karev, Andrey А. "Archival notes on fine art." Rossijskaâ istoriâ, no. 5 (December 29, 2024): 201–5. https://doi.org/10.31857/s2949124x24050145.

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The book was written by M.V. Sidorova, an experienced archival curator, researcher and curator of exhibitions of exhibits from the funds of the State Archive of the Russian Federation. Based on these materials on a thematic basis, the monograph includes chapters on the life and work of emperors and members of the royal family, on gendarmes, as well as on fine art at the imperial court of the 19th century. The review focuses on the assessment of the pictorial materials presented in the third chapter and their role in the activities and lives of representatives of the imperial family.
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Masharipov, Erkaboy. "THE UNIQUE SIGNIFICANCE OF RAKHIM AKHMEDOV’S WORK IN THE DEVELOPMENT OF FINE ART OF UZBEKISTAN." American Journal Of Social Sciences And Humanity Research 02, no. 11 (2022): 18–23. http://dx.doi.org/10.37547/ajsshr/volume02issue11-04.

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The article expresses very valuable thoughts about Rakhima Akhmedov, who has a celebrity title of international significance, an artist of Uzbekistan, who has made a huge contribution to the development of the fine arts of Uzbekistan with his creative and pedagogical activities.
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Dissertations / Theses on the topic "Work of fine art"

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Putter, Andrew. "Native work : an impulse of tenderness." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/13994.

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Native Work is an installation-artwork consisting of 38 portrait photographs. It was made in response to an encounter with the archive of Alfred Martin Duggan-Cronin’s photographs of black southern Africans taken between 1919 and 1939. In its creative focus on traditional black South African culture in a post-apartheid context, Native Work is one of a series of related - but independent - projects occurring contemporaneously with it in the city of Cape Town (a situation examined more closely in the conclusion to this document: see p. 33). Native Work is motivated by a desire for social solid
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Bush, Julie. "The life, work and artistic context of William Logsdail (1859-1944)." Thesis, University of Lincoln, 2017. http://eprints.lincoln.ac.uk/26576/.

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William Logsdail (1859-1944) was a Lincoln born artist. He is largely unknown to the general public and little has been written about him even though he was a successful and prolific artist during his lifetime, as contemporary accounts prove. This is the first comprehensive and modern scholarly account of this artist’s life and work. The thesis is comprised of two sections, plus an appendix of a full, annotated catalogue of the artist’s known works. Part I relates to Logsdail’s life, training and artistic achievements in relation to the cultural environments and circumstances under which he pr
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Spindler, Katherine. "At sea : documentation and commentary on the body of practical work submitted for the degree of Masters of Fine Art." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/11651.

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This body of work is comprised of individual pieces that differ in media and scale, forming a series of linked and related encounters. All the works find their origin in an eighteen-month period of living on a hospital ship in West Africa, and the story of this time forms the basis of this book. In addition the intense and emotional experience of caring for a friend in the last few weeks of her life brought into focus thoughts of living and dying that seemed to be reflected in much of what I encountered on board. This book is a reflection of both my working process and the experiences, images
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Leung, Kwan Kiu. "Uncompromising aesthetic subjectivity in the work of Tracey Emin and He Chengyao." Thesis, Royal College of Art, 2018. http://researchonline.rca.ac.uk/3707/.

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This thesis is a comparison between the work of Tracey Karima Emin and He Chengyao in global contemporary art of East and West. My original contribution to knowledge is, firstly, this comparative research of Emin and Chengyao, secondly, to demonstrate how and why their work constitutes an ontological identification relationship between subjectivity and art practice that exhibits three aspects of Emin and Chengyao’s subjectivity: performativity, visibility, and univocity, and thirdly, to claim and to offer an exposition of how and why their naked self-portraiture is a new nude. I argue that an
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Hawley, Jessica R. "Religious Symbolism in Salvador Dali's Art: A Study of the Influences on His Late Work." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/honors/34.

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Salvador Dalí was an artist who existed not long before my generation; yet, his influence among the contemporary art world causes many people to take a closer look at the significance of the imagery in his paintings. For the most part, Dalí is categorized as a Surrealist artist, yet in this essay, I also plan to explore other possibilities of influence that surrounded Salvador Dalí’s generation and inspirational background. Around 1941, Dalí’s work began to shift away from Surrealism and, instead, moved toward a more Classical style that contained many religious themes, a style which he ca
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Hill, Robert William. "Works of art as commodities : art and patronage : the career of Sir Dudley Carleton 1610-1625." Thesis, Southampton Solent University, 1999. http://ssudl.solent.ac.uk/2450/.

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This thesis examines the way in which Sir Dudley Carleton, ambassador first to Venice and subsequently to The Hague, used paintings, sculptures and other artefacts as the means to secure patrons at the English Court and thereby gain promotion. Carleton had not wanted to go to Venice, and when he arrived there in 1610 he showed no interest in the arts. It was the deaths of the Earl of Salisbury and Prince Henry in 1612 which made him aware of the need to obtain new patrons. By this time he was becoming conscious of the fact that works of art were useful tools in securing patronage, but it was n
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Kilcoyne, Janet. "A case for art as a socially engaged, politicising force, utilising the work of Alfredo Jaar." Thesis, Royal College of Art, 2018. http://researchonline.rca.ac.uk/3768/.

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My original contribution to knowledge is a framework constructed via the writings of Antonio Gramsci and Walter Benjamin for understanding what distinguishes art as a political object from art as a socially engaged, politicising force. The dominant understanding of art's reformative social agency raises two ethical problems that the thesis addresses. The first involves the artist's right to assume the authority to represent people and social conditions. The second involves an ethical aesthetic of tastefulness that engages with viewing as opposed to action. The framework I develop argues that a
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Parmenter, Dorina Miller. "Bookbinding with metal ornamentation." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1027126.

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During the Middle Ages, books were rare and cherished art forms, individually hand-crafted and decorated both on the pages and on the covers. Monks transcribed religious documents and classical literature with beautiful calligraphy, bound the pages together, and illuminated the covers with leather, silver, gold, ivory, enamels, and jewels.The purpose of this creative project was to research the history of bookbinding and its metal ornamentation, focusing on Medieval treasure bindings, and to explore and execute the historical bookbinding and metalworking techniques which were studied. Four boo
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Carew, Colleen 'Co' M. "The Moccasin Project| Understanding a Sense of Place through Indigenous Art Making and Storytelling." Thesis, Lesley University, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13428314.

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<p> The purpose of this arts-based, and Indigenous research study was to explore how Native Americans understand &lsquo;place-based imagery&rsquo; through an Indigenous art making and storytelling experience in order to illuminate perspectives and experiences of a &lsquo;sense of place&rsquo;. Storywork, an Indigenous research method directed the culturally grounded research project. The Native American moccasin was the symbolic cultural catalyst used to create a multimedia art piece to express and reflect traditional cultural knowledge rooted within this symbol. Native Americans representing
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Tolley, Rebecca. "Review of Art Full Text." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/5640.

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Books on the topic "Work of fine art"

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Duce, William R. The fine art of small-scale woodturning. Sterling Pub., 1999.

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Davis, Sally Prince. The fine artist's guide to showing and selling your work. North Light Books, 1989.

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Association, Contemporary QuiltArt, ed. Fine art quilts: Work by artists of the Contemporary QuiltArt Association. Fiber Studio Press, 1997.

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Deo, Josephine Couch Del. Beginnings: The history of the Fine Arts Work Center, 1964-1969. Three Dunes Press, 1999.

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Sotheby's (Firm). Fine Chinese ceramics & works of art. Sotheby's, 2003.

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Sotheby's (Firm). Fine Chinese ceramics & works of art. Sotheby's, 2002.

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Sotheby's (Firm). Fine Chinese ceramics & works of art. Sotheby's, 2004.

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Hammad, Medina. Sudanese stories: New work by Medina Hammad. Usher Gallery, 1998.

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1951-, Valavanis William N., ed. Fine bonsai: Art and nature. Abbeville Press, 2012.

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Kristine, Bell, Lulay Greg, and Zwirner & Wirth (Gallery), eds. Franz West: Early work. Zwirmer & Wirth, 2004.

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Book chapters on the topic "Work of fine art"

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Van Remoortel, Marianne. "The Fine Art of Satire: Florence and Adelaide Claxton and the Magazines." In Women, Work and the Victorian Periodical. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137435996_6.

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Scheibler, Ingrid. "Art as Festival: Transcending the Self Through the Work of Art." In Life the Play of Life on the Stage of the World in Fine Arts, Stage-Play, and Literature. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0826-6_14.

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Karim, Luqman Saleh. "Fine Arts Meet Social Work, from First Observations to Realization." In Social Work at the Level of International Comparison. Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-30394-5_18.

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Canán, Alberto Carrillo. "Life as Self-Production in Kierkegaard’s Early Work." In Life the Play of Life on the Stage of the World in Fine Arts, Stage-Play, and Literature. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0826-6_17.

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McCloskey, Mary A. "Fine Art." In Kant’s Aesthetic. Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08796-9_11.

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"Chapter Five Art Workers and the Hidden Class Conflict of Late Socialism." In Art Work. University of Toronto Press, 2021. http://dx.doi.org/10.3138/9781487538187-008.

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Kox, A. J., and H. F. Schatz. "Prologue." In A Living Work of Art. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198870500.003.0001.

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The prologue presents the structure of this book about Lorentz’s life and work. It describes how it deals with Lorentz’s ideas and achievements and his activities in society at large, all in their historical context. It indicates how the book highlights Lorentz’s unique position in the scientific world of his day, especially after World War One, as witnessed by the overwhelming attendance by both the fine fleur of international science and ordinary people at his funeral.
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Erchinger, Philipp. "William Morris’s ‘Work-Pleasure’: Literature, Science and Fine Art." In Artful Experiments. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474438957.003.0007.

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This chapter seeks to elucidate nineteenth-century conceptions of art as fine art. Taking its cue from Raymond Williams’s account of a divorce of (fine) art from (technical) work, the chapter pursues various attempts to define the aesthetic specificity of the fine arts, including literature in the narrow sense, in relation to other ways of exercising skill, including the use of experimental methods in the sciences. In this way, it seeks to show that the idea of the aesthetic, despite all attempts to purify it, remained deeply entangled in a net of work, in which experiences of pleasure (or bea
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Wells, Christi Jay. "“A Fine Art in Danger”." In Between Beats. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197559277.003.0005.

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During the 1950s and 1960s, jazz music became solidly entrenched in America’s institutions of high art patronage as the music’s most prestigious venues shifted from popular clubs and ballrooms to concert halls and upscale summer festivals, most notably the Newport Jazz Festival. While for most professional jazz dancers, this period marked a time when the work “dried up,” there were several lindy hop and rhythm tap dancers who managed to access these spaces through their relationships with jazz historian Marshall Stearns. Stearns was a key player in the adoption of jazz history as an academic s
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Shiner, Larry. "Overview." In Art Scents. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190089818.003.0027.

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In this final part of the book we turn to three areas of aesthetic practice that raise unavoidable ethical as well as aesthetic issues. If we are to do justice to both the aesthetics and ethics of scenting bodies, places, and foods, we will need an understanding of aesthetic experience and judgment that goes beyond views of aesthetics based primarily on the appreciation of the fine arts. On the one hand, not even all fine artworks have been meant to be experienced purely aesthetically, but also to engage us morally, religiously, or politically. On the other hand, aesthetic experience itself ha
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Conference papers on the topic "Work of fine art"

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Revnew, Steve. "Quality Work and Contractor Profitability." In Paint and Coatings Expo (PACE) 2007. SSPC, 2007. https://doi.org/10.5006/s2007-00076.

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Abstract Producing quality work on time and within budget is the key to a profitable paint job. This presentation details a systematic approach for painting contractors on the key elements of profitability ― everything from managing labor and job cost to selecting quality products for better productivity is examined. The goal is to inform contractors on how to measure and fine-tune their processes to improve their competitive edge. Objectives are to provide contractors with best practices and to educate them on how innovative coating technology makes jobs simpler, faster and more profitable.
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Tabisz, Stanisław. "City as a work of art." In Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8109.

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Impressional and comparative reflection about the existence and the operation of selected cities in a context of their unique aesthetics and beauty, by a painter, draftsman and designer, the chancellor of the Academy of Fine Arts in Krakow. A description of a direct experience of the city seen as an open work of art, specific in its structural complexity both in its material and spiritual atmosphere
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Ziljak Grsic, Jana, Lidija Tepes Golubic, and Sanda Stanacev Bajzek. "HIDDEN FINE ART WITH IR COLORANTS." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.10.

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We are surrounded by video surveillance cameras that register separately in two light areas: visible to our naked eye - Red, Green Blue record and near infrared record (NIR � Z). In this article, we present quantitative data on the measurement of light absorption for fine art colorants. We expand the theory and practice of Infrared Art by giving examples of artists who paint so-called "infrared pictures" as a new, different creation of a work of art, a new expressive possibility that the artist adapts to his artistic nature, that is, to his expression, and by no means as a new technological po
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Shipilov, A. G., M. I. Bochukova, and M. V. Vernov. "CITATION OF WORKS OF FINE ART IN ARCHITECTURE." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2021. http://dx.doi.org/10.22250/iss.2021.30.

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Юрасовская, Н. М. "RUSSIAN TRACE IN THE FINE ART OF ART DECO." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.27.

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Декоративный стиль ар-деко, родившийся во Франции как шикарный fashion- style в 1910–1930-х гг., занял все уровни проектирования жизненной среды от моды, рекламы, дизайна интерьеров и техники — до архитектуры небоскребов, кинофильмов, музыкальных ораторий, а также произведений изобразительного искусства. Немалую роль в формировании и развитии ар-деко сыграли русские художники первой трети ХХ в. Среди них важное место занимали представители отечественной эмиграции первой волны, уехавшие в годы революции из России уже состоявшимися мастерами. Долгое время в Советском Союзе они оказывались за пре
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Sun, Lingxiao. "RUSSIAN ARTIST VASILY PEROV: CULTURAL INTERPRETATION OF FINE ART AND CREATIVITY OF TRAVEL." In Themed collection of papers from Foreign international scientific conference «Joint innovation - joint development». Part 1. by HNRI «National development» in cooperation with PS of UA. May 2024. - Harbin (China). Crossref, 2024. http://dx.doi.org/10.37539/240530.2024.69.51.016.

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This study is devoted to the artistic career and work of Russian artist Vasily Perov, studying the representation of elements of travel in fine art and its cultural significance. By analyzing Perov's life and the historical epoch in which he lived, the social and cultural background of his work is revealed. The article provides an in-depth analysis of Perov's work, especially his works on tourism topics, and also analyzes how he uses fine art to display the characteristics of different cultural regions. At the same time, the study reveals the important role of cultural interpretation in artist
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Sugito, Sugito, Adek Azis, Gamal Kartono, Mesra Mesra, Nelson Tarigan, and Deo Panggabean. "Development of Parameters for Assessment of Dwimatra Fine Art Works in the Fine Arts Department." In Proceedings of the 6th International Conference on Innovation in Education, Science, and Culture, ICIESC 2024, 17 September 2024, Medan, Indonesia. EAI, 2025. https://doi.org/10.4108/eai.17-9-2024.2352841.

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Rose, Andrew T. "Work in progress — Structural art: Encouraging student creativity and artistic expression." In 2011 Frontiers in Education Conference (FIE). IEEE, 2011. http://dx.doi.org/10.1109/fie.2011.6142804.

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Narayanan, Vasanth. "The Forgotten Women: Investigating the Absence of the Female Artist from Traditionally Male-Centric Southeast Asian Contemporary Art Historical Narratives." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-24.

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Until recently, Southeast Asian contemporary art’s historical narratives overlooked the influence of female artists. This underrepresentation of female artists is not unique to Asia, nor is it exclusive to contemporary art. Curators’ decisions and other factors may have contributed to the trend in part. However, within the realm of modern art, possibilities have lately developed that may expose the public to the work of more female artists. These include curating shows exclusively for female artists and prominently showcasing the work of female artists on the Internet.
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Nuere, Silvia, Esperanza Macarena Ruiz Gómez, and Laura de Miguel Álvarez. "Sketch as a Tool of Thought in Art and Science." In 80th International Scientific Conference of the University of Latvia. University of Latvia Press, 2022. http://dx.doi.org/10.22364/htqe.2022.69.

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Professors from different studies such as fine arts, engineering in industrial design and digital graphic design and from different universities (Politécnica de Madrid, Complutense de Madrid and Internacional de La Rioja) have participated in an educational innovation project dealing with sketching as a starting point to creation. Teachers from the Universidad Complutense de Madrid and the Universidad Politécnica de Madrid proposed to their students exchange experiences. Students from industrial design went to classes to the Fine Art Faculty and fine art students had to deal with an industrial
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Reports on the topic "Work of fine art"

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Brison, Jeffrey, Sarah Smith, Elyse Bell, et al. The Global Engagement of Museums in Canada. University of Western Ontario, 2021. http://dx.doi.org/10.5206/vdjm2980.

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The Global Engagement of Museums in Canada examines Canadian museum diplomacy, assessing the international activities of Canadian museums to consider the ways these institutions act as cultural diplomats on the global stage. The report presents the results of a multi-partner collaborative research project addressing the work of ten institutions, including the Art Gallery of Alberta; Aga Khan Museum; Canadian Museum of History; Canadian Museum of Immigration at Pier 21; Montreal Museum of Fine Arts; Museum of Anthropology at UBC; National Gallery of Canada; Ottawa Art Gallery; Pointe-à-Callière
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Варданян, Марина Володимирівна, Ірина Анатоліївна Дирда, and Маргарита Вікторівна Кірєєва. Cultural memory of Chornobyl in literature and fine arts (in case of a picturebook “The Flowers beside the Fourth Reactor” by K. Mikhalitsyna and paintings by M. Prymachenko). Atlantis, 2022. http://dx.doi.org/10.31812/123456789/7059.

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From the category “cultural memory”, the paper compares the works of different arts – a picturebook Kvity bilia chetvertoho (The Flowers beside the Fourth Reactor) by K. Mikhalitsyna and paintings of a representative of naive art, an artist M. Prymachenko. The paper explores the interaction of various arts based on Chornobyl’s issue within the comparative interpretation. The Flowers beside the Fourth Reactor by K. Mikhalitsyna narrates the life of M. Prymachenko and refers to her paintings devoted to Chornobyl. From the reception of fine arts, the writer’s picturebook raises verbilised and vis
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Eshed, Yuval, and John Bowman. Harnessing Fine Scale Tuning of Endogenous Plant Regulatory Processes for Manipulation of Organ Growth. United States Department of Agriculture, 2005. http://dx.doi.org/10.32747/2005.7696519.bard.

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Background and objectives: Manipulation of plant organ growth is one of the primary reasons for the success of mankind allowing increasing amounts of food for human and livestock consumption. In contrast with the successful selection for desirable growth characteristics using plant breeding, transgenic manipulations with single genes has met limited success. While breeding is based on accumulation of many small alterations of growth, usually arise from slight changes in expression patterns, transgenic manipulations are primarily based on drastic, non-specific up-regulation or knock down of gen
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Strednansky, Susan E. Balancing the Trinity: The Fine Art of Conflict Termination. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada387672.

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Slattery, S. R., P. J. Barnett, A. J. M. Pugin, et al. Tunnel-channel complexes in the Zephyr area, Ontario: potential high-yield aquifers. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331410.

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In south-central Ontario, tunnel channels are primary targets for groundwater exploration due to their potential to contain confined, water-bearing, coarse-grained sediment fills. Despite extensive hydrogeologic and geologic exploration within these features, a comprehensive depositional model that illustrates the spatial distribution of coarse- and fine- grained sediment in tunnel-channel complexes is absent. Work in the Zephr area, north of ORM, presents new subsurface data to improve understanding of this geologic setting and to add to geologic models of these channel systems. Findings resu
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Schonfeld, Roger, and Liam Sweeney. Organizing the Work of the Art Museum. Ithaka S+R, 2019. http://dx.doi.org/10.18665/sr.311731.

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Pandya, Phorum. Data In Deed. Edited by Sowmya Rajaram and Swetha Prakash. Indian School of Development Management, 2024. http://dx.doi.org/10.58178/2411.1050.

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"Data Stories is a project that captures inspirational stories of how Social Purpose Organisations (SPOs) are using data to maximise their impact. These stories will be told in a unique format – a graphic novel – and emphasise how data-driven decision-making has helped Social Purpose Organisations (SPOs) create real, measurable change on the ground. This edition of the novel features the stories of 3 SPOs across the country – Udayan Care, Saturday Art Class, and Nourishing Schools Foundation. Told in a narrative, storytelling style, each story shows how the use of data has helped the SPO becom
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Meacham, Brian, Håkan Frantzich, Margaret McNamee, and Erik Kimblad. Risk and Performance Assessment Framework for a Sustainable and Fire Resilient Building Environment (SAFR-BE). SFPE Foundation, 2023. https://doi.org/10.64167/x749-0nar.

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The work presented in this report represents an overview of risk methodologies, an investigation of state-of-the-art publications concerning the nexus between fire safety and sustainability, and the latest proof-of-concept and development of a model to foster sustainable and fire resilient choices in the design process of a building. The literature review has shown that while little is presently published concerning the nexus of sustainability and fire safety, some interesting investigations of sustainable and fire safe solutions have been found. Further, while the development of a complex hie
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Napier, Dillon. An Exploration of Classical Greek Dress through Fine Art and Draping Insights. Iowa State University, 2024. http://dx.doi.org/10.31274/cc-20240624-179.

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Ebringerová, Paulína, Peter Mazalán, and Michal Hronský. Fine art projects in architectural education: a tool for socio-critical reflection. WIETE Publications, 2025. https://doi.org/10.61544/vwck4333.

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The study of architecture, urban planning and design at technical universities primarily offers a rational, technology- and practice-oriented education. The offer of a conceptual and socially critical approach to creation is only represented to a low degree. Students create projects that take into account the latest technical, environmental and architectural trends, but receive few assignments or conceive their designs as specific philosophical statements critically examining current social and political phenomena, whether on a local or trans-regional scale. By implementing courses and seminar
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