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Dissertations / Theses on the topic 'Work of fine art'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Putter, Andrew. "Native work : an impulse of tenderness." Master's thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/13994.

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Native Work is an installation-artwork consisting of 38 portrait photographs. It was made in response to an encounter with the archive of Alfred Martin Duggan-Croninâ€™s photographs of black southern Africans taken between 1919 and 1939. In its creative focus on traditional black South African culture in a post-apartheid context, Native Work is one of a series of related - but independent - projects occurring contemporaneously with it in the city of Cape Town (a situation examined more closely in the conclusion to this document: see p. 33). Native Work is motivated by a desire for social solid

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2

Bush, Julie. "The life, work and artistic context of William Logsdail (1859-1944)." Thesis, University of Lincoln, 2017. http://eprints.lincoln.ac.uk/26576/.

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William Logsdail (1859-1944) was a Lincoln born artist. He is largely unknown to the general public and little has been written about him even though he was a successful and prolific artist during his lifetime, as contemporary accounts prove. This is the first comprehensive and modern scholarly account of this artist’s life and work. The thesis is comprised of two sections, plus an appendix of a full, annotated catalogue of the artist’s known works. Part I relates to Logsdail’s life, training and artistic achievements in relation to the cultural environments and circumstances under which he pr

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3

Spindler, Katherine. "At sea : documentation and commentary on the body of practical work submitted for the degree of Masters of Fine Art." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/11651.

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This body of work is comprised of individual pieces that differ in media and scale, forming a series of linked and related encounters. All the works find their origin in an eighteen-month period of living on a hospital ship in West Africa, and the story of this time forms the basis of this book. In addition the intense and emotional experience of caring for a friend in the last few weeks of her life brought into focus thoughts of living and dying that seemed to be reflected in much of what I encountered on board. This book is a reflection of both my working process and the experiences, images

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4

Leung, Kwan Kiu. "Uncompromising aesthetic subjectivity in the work of Tracey Emin and He Chengyao." Thesis, Royal College of Art, 2018. http://researchonline.rca.ac.uk/3707/.

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This thesis is a comparison between the work of Tracey Karima Emin and He Chengyao in global contemporary art of East and West. My original contribution to knowledge is, firstly, this comparative research of Emin and Chengyao, secondly, to demonstrate how and why their work constitutes an ontological identification relationship between subjectivity and art practice that exhibits three aspects of Emin and Chengyao’s subjectivity: performativity, visibility, and univocity, and thirdly, to claim and to offer an exposition of how and why their naked self-portraiture is a new nude. I argue that an

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5

Hawley, Jessica R. "Religious Symbolism in Salvador Dali's Art: A Study of the Influences on His Late Work." Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/honors/34.

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Salvador Dalí was an artist who existed not long before my generation; yet, his influence among the contemporary art world causes many people to take a closer look at the significance of the imagery in his paintings. For the most part, Dalí is categorized as a Surrealist artist, yet in this essay, I also plan to explore other possibilities of influence that surrounded Salvador Dalí’s generation and inspirational background. Around 1941, Dalí’s work began to shift away from Surrealism and, instead, moved toward a more Classical style that contained many religious themes, a style which he ca

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6

Hill, Robert William. "Works of art as commodities : art and patronage : the career of Sir Dudley Carleton 1610-1625." Thesis, Southampton Solent University, 1999. http://ssudl.solent.ac.uk/2450/.

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This thesis examines the way in which Sir Dudley Carleton, ambassador first to Venice and subsequently to The Hague, used paintings, sculptures and other artefacts as the means to secure patrons at the English Court and thereby gain promotion. Carleton had not wanted to go to Venice, and when he arrived there in 1610 he showed no interest in the arts. It was the deaths of the Earl of Salisbury and Prince Henry in 1612 which made him aware of the need to obtain new patrons. By this time he was becoming conscious of the fact that works of art were useful tools in securing patronage, but it was n

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7

Kilcoyne, Janet. "A case for art as a socially engaged, politicising force, utilising the work of Alfredo Jaar." Thesis, Royal College of Art, 2018. http://researchonline.rca.ac.uk/3768/.

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My original contribution to knowledge is a framework constructed via the writings of Antonio Gramsci and Walter Benjamin for understanding what distinguishes art as a political object from art as a socially engaged, politicising force. The dominant understanding of art's reformative social agency raises two ethical problems that the thesis addresses. The first involves the artist's right to assume the authority to represent people and social conditions. The second involves an ethical aesthetic of tastefulness that engages with viewing as opposed to action. The framework I develop argues that a

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8

Parmenter, Dorina Miller. "Bookbinding with metal ornamentation." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1027126.

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During the Middle Ages, books were rare and cherished art forms, individually hand-crafted and decorated both on the pages and on the covers. Monks transcribed religious documents and classical literature with beautiful calligraphy, bound the pages together, and illuminated the covers with leather, silver, gold, ivory, enamels, and jewels.The purpose of this creative project was to research the history of bookbinding and its metal ornamentation, focusing on Medieval treasure bindings, and to explore and execute the historical bookbinding and metalworking techniques which were studied. Four boo

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9

Carew, Colleen 'Co' M. "The Moccasin Project| Understanding a Sense of Place through Indigenous Art Making and Storytelling." Thesis, Lesley University, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13428314.

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<p> The purpose of this arts-based, and Indigenous research study was to explore how Native Americans understand ‘place-based imagery’ through an Indigenous art making and storytelling experience in order to illuminate perspectives and experiences of a ‘sense of place’. Storywork, an Indigenous research method directed the culturally grounded research project. The Native American moccasin was the symbolic cultural catalyst used to create a multimedia art piece to express and reflect traditional cultural knowledge rooted within this symbol. Native Americans representing

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10

Tolley, Rebecca. "Review of Art Full Text." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/5640.

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11

Oxlee, John. "Analysis of creativity in the practice and teaching of the visual arts, with reference to the current work of art students at GCSE level and above." Thesis, University of Newcastle Upon Tyne, 1996. http://hdl.handle.net/10443/339.

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The specific aims of this investigation were to establish the nature of the relationship between creativity, art, and art education, to study the characteristics and abilities of students, then to identify and test a teaching method favoured by art teachers for improving creative response. This study traces a chronology of the history of art and art education, from pre-history to the National Curriculum, charting the changes in philosophy and social contexts. It presents a review of current literature on creativity, framed in the psychological paradigm o division into three parts:- the creativ

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12

Cwiertnia, Elke. "Using analytical techniques for the study and authentication of works of art attributed to Francis Bacon (1909-1992)." Thesis, Northumbria University, 2014. http://nrl.northumbria.ac.uk/36127/.

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13

Okashimo, Colin. "Art as contemplative place, with reference to Isamu Noguchi's sited works." Thesis, University of the Arts London, 2007. http://ualresearchonline.arts.ac.uk/2307/.

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The term contemplative place, a new concept that forms the core of this research is defined as "space where a meaningful sense of calm can be experienced." Contemplative place situates itself as a category of place. M. Auge defines place as that which is "relational, historical and/or concerned with identity" (1995). For the artwork to be meaningful, it needs to be expressive and significant through its response to its physical, cultural, historical and/or social identity. With reference to Isamu Noguchi's sited works, three projects are seen as representatively defining his career. They are T

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14

Tolley, Rebecca. "Review of Self-Taught Art: The Culture and Aesthetic of American Vernacular Art." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etsu-works/5710.

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15

Tolley, Rebecca. "Review of Art of George Rodrigue, by Ginger Danto." Digital Commons @ East Tennessee State University, 2004. https://dc.etsu.edu/etsu-works/5722.

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16

Frondorf, Aaron William. "Hoodoo and the law| Mostly printed works." Thesis, Colorado State University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1590571.

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<p> This paper discusses the relationship of ideas to their media, through the relationship of contents to a book and through the use of aesthetic barriers. The conceptual content of the artworks produced center around epistemological self-betterment and practical mysticism. I discuss in this paper my thought process, the work itself, and the works intended functions. I discuss the idea of the book and my rationale behind working in printmaking.</p>

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17

Wyers, Giselle Eleanor. "The third art: The embodiment of meaning through texture in the choral works of Robert Kyr." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/289945.

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The purpose of this document is to explore the relationship between text, texture, and meaning, in selected choral works of Robert Kyr (born 1952). It will show that texture is used consistently by Kyr as an expressive device to illuminate the inner meaning of the text. Kyr weaves text into musical texture, and in the fusion of text and music, creates a third art form that is more than the sum of its original parts. It is neither text set to music, nor music written to fit within a preexistent text. Instead, all dimensions of the composition are conceived simultaneously. Through this powerful

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18

Haertel, Nilza Belita Grau. "Landscape and nature in American prints : transformations in form and meaning in the work of contemporary women artists /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3240649.

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19

Tolley, Rebecca. "Review of Feminine Persuasion: Art and Essays on Sexuality." Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/etsu-works/5719.

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20

Soelle, Sally. "New Deal art : the Section of Fine Arts Program in the Great Plains states /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1993.

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21

Tolley, Rebecca. "Review of The Art of Adolf Wolfli: St. Adolf-Giant-Creation." Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/etsu-works/5718.

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22

Tolley, Rebecca. "Review of Downside UP: How Art Can Change the Spirit of a Place." Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/etsu-works/5603.

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Review ofDownside UP: How Art Can Change the Spirit of a Place. Produced and directed by Nancy Kelly. 56 min. New Day Films, 2002. Videocassette. http://www.newday.com (888)367-9154 (toll free). $95-$250.

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23

Colbourne, Jane. "A critical survey of the materials and techniques of Charles Henry Sims RA (1873-1928) with special reference to egg tempera media and works of art on paper." Thesis, Northumbria University, 2011. http://nrl.northumbria.ac.uk/10349/.

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This thesis collates and provides new knowledge about the working practices and dissemination of materials and techniques of a leading Edwardian painter. Charles Sims RA (1873-1928) represents a neglected body of British artists who were responding to and assimilating certain new tendencies within early modernism yet at the same time were conscious and respectful of traditional practices and training methods. The study makes consistent reference to the extensive studio archive at Northumbria University whose existence has provided a unique opportunity to map Sims’ own informal working notes an

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24

Tolley, Rebecca. "Review of Art/Women/California 1950-2000: Parallels and Intersections." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etsu-works/5714.

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25

Tolley, Rebecca. "Review of Tools of Her Ministry: The Art of Sister Gertrude Morgan." Digital Commons @ East Tennessee State University, 2004. https://dc.etsu.edu/etsu-works/5726.

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26

Kay-Wand, Hanna. "Event, Eventing, Eventuality: reflecting on the ‘fusion of horizons’ in works of art." Thesis, The University of Sydney, 2019. http://hdl.handle.net/2123/20232.

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The aim of this practice-based research project is an attempt to understand the perceptual space that occurs when a viewer encounters a work of art. More specifically, it reflects on the in-between space that occurs when viewers interact with artworks that draw on historical events to explore violent conflicts, death and commemorations. The thesis expands on contemporary notions of interpretations with a particular focus on the non-linguistic factors that may convene in the aesthetic experience. It has a dual outcome, consisting of creative and written components. The creative component, Shif

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27

Atzmon, Leslie Chandler. "Dream work : the art and science of fin de siècle fantasy imagery." Thesis, Middlesex University, 2006. http://eprints.mdx.ac.uk/13446/.

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In this dissertation, I argue that the fantasy imagery of tum-of-the-century British illustrators Arthur Rackham, Aubrey Beardsley, and Sidney Sime, and French filmmakers Georges Méliès and Emile Cohl functions as visual rhetorical "texts" that explicate contemporaneous ideas about the self. At the fin de siecle, models of the self were shaped, in part, by scientific thought that interrogated themes of materiality and immateriality, visibility and invisibility, univalence and multivalence, permanence and impermanence. Dream Work grapples with these oppositions, the questions they brought up, a

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28

Han, Jane. "Passing through time : the intersection of painting and cinema in the works of Julian Schnabel." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:82ffb3f5-02da-4f37-8315-5ba74c33b139.

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This study examines the intersection of painting and cinema through the oeuvre of American artist Julian Schnabel. A controversial painter who came to prominence in the contemporary art world of the eighties, the study begins by contextualizing Schnabel within the art critical debates of the period. Addressing and revising the perceived reputation of the artist, the first chapter re-positions Schnabel predominantly as an inheritor of various traits of post-war American painting, in particular the somatic, affective and existential treatment of the canvas characteristic of action painting. The

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29

Di, Benedetto Stephen Anthony. "Playwriting as a visual art : a study of contemporary English-speaking dramaturgy using the works of five playwrights trained as fine artists." Thesis, Goldsmiths College (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.445342.

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In a visual culture where the dividing line between the theatrical and visual art forms is becoming increasingly blurred, it is important to reconsider the ways in which the spatial is conceived. Space is another non-linguistic medium of communication-it does not convey ideas through language, but through an array of visual and spatial components augmented by aural or linguistic threads. Robert Wilson, Maria Irene Fames, John Byme, David Storey and John Arden were trained as fine artists before becoming playwrights. Their works are used to describe stage space as a visible medium of expression

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30

Anderson-Dolcini, Catherine. "One-percent for whom?, Canada's Public Works Fine Art Programme, 1964-1978 : its rise and demise." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ57697.pdf.

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31

Anderson-Dolcini, Catherine Carleton University Dissertation Art History. "One-percent for whom? Canada's public works fine art programme, 1964- 1978; its rise and demise." Ottawa, 2000.

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32

Scansani, Marco. "Giovanni De Fondulis : un protagonista dell’arte della terracotta nel Quattrocento tra Lombardia e Veneto." Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/85778.

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33

Shanks, Sarah M. "The Memory Yields: B.F.A. Thesis Exhibition." Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1401583720.

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34

Roberts, Teresa L. "Collaboration in Contemporary Artmaking: Practice and Pedagogy." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1248880538.

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35

Tolley, Rebecca. "Review of Drawing on America’s Past: Folk Art, Modernism, and the Index of American Design." Digital Commons @ East Tennessee State University, 2003. https://dc.etsu.edu/etsu-works/5717.

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36

Holmes, H. Cecilia. "'A bright memory to remain' : the life and works of Charles Sims RA (1873-1928)." Thesis, Northumbria University, 2005. http://nrl.northumbria.ac.uk/2889/.

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This thesis investigates the life and work of the English painter Charles Sims RA (1873-1928). It takes the form of a monograph and examines key themes of Sims' career within a chronological framework. The study makes consistent reference to the Sims Archive — the artist's studio contents recently brought to light by the author in negotiation with the artist's family and currently in the possession of Northumbria University. For the first time Sims' working practices and motivations have been explored in detail, thus contributing to knowledge of this particular neglected painter and more gener

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37

Massip-Bosch, Enric. "Five forms of emotion : Kazuo Shinohara and the house as a work of art." Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/393940.

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This research presents the work of the Japanese architect Kazuo Shinohara (1925-2006) and studies five of his residential designs as epitome of his oeuvre. lts development is understood as a continuous quest to reconcile two key elements, the house and the city, in order to put emotional the heart of domestic space. These two elements were present in his preoccupations from the beginning of his career but he only managed to merge them in his last designs. lt is based on the assumption that this is one of the first in-depth research studies developed beyond the conventional segmentation and ex

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38

Tolley, Rebecca. "Review of Ceramic Trees of Life: Popular Art from Mexico, by Mary Hoag Mulryan." Digital Commons @ East Tennessee State University, 2004. https://dc.etsu.edu/etsu-works/5725.

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39

Garner, Aubry C. "Transmutation and Metamorphosis through the Work of Bartholomeus Spranger and the Patronage of Rudolf II." Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1462534898.

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40

Lust, Caitlyn. "Women’s Work: Re-evaluating the Canon of Graphic Design History." Ohio University Honors Tutorial College / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1556273078639679.

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41

Vankeuren, Jody L. "Parasites Predators and Symbionts." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619475426952694.

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42

Cassidy, Donna. "The painted music of America in the works of Arthur G. Dove, John Marin, and Joseph Stella: an aspect of cultural nationalism." Thesis, Boston University, 1988. https://hdl.handle.net/2144/38014.

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Thesis (Ph.D.)--Boston University<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>The music-painting analogy had a pervasive influence on American early modernist art criticism, theory, and painting. Music became an aesthetic model and a theme in painting, and, for some artists and critics

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43

Derbish, Mary. ""That's How You Find Out How Real Archaeologists Work---When You Do it Yourself": Children's Experiences with Archaeology." W&M ScholarWorks, 2003. https://scholarworks.wm.edu/etd/1539626391.

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44

Weber, Micah H. "WORK/DEATH, OF EACH IN THEIR OWN." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5446.

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45

Lidman, Charlotte. "Konstes fria studie : En undersökning av förändringarna i avgångselevernas examensutställningar vid Kungliga Konsthögskolan 1962-2011." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-276865.

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The aim of the essay is to examine how the student exhibitions of the Royal University college of Fine Arts in Stockholm has changed between 1962-2011, and what these changes can depend on. The questions are: What are the changes in the choice of examination work for the students of the Royal University college of Fine Arts, and what can they depend on? Is the school adjusting their education to the surrounding art world, and in what way is that noticeable? By studying the catalogs from the exhibitions, newspaper reviews and other literature, a shorter conclusion is given concerning the art wo

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46

KIM, EUN KYUNG. "PATTERN ANALYSIS ON THE WORKS OF BONNIE CASHIN FROM THE 1960S TO THE 1970S." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1021996954.

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47

Kurtz, Amanda J. "Virtuosic Performance: Rearticulating Disability in the Works of Lisa Bufano, Ron Athey, and Martin O'Brien." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1354806907.

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48

Rowbottom, Andrea. "The fine art of advertising and education, how is a deaf secondary school student's interpretation and understanding of the works of the masters, in advertising a reflection of his/her art history experience?"." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ28157.pdf.

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49

Hoffman, Sheila K. "L'histoire de la documentation des oeuvres d' art du 17e au 21e siècle : les impacts des technologies optiques et numériques sur les pratiques documentaires des galeries nationales à Londres, Ottawa et Washington D.C." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H014/document.

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Cette thèse examine les convergences et divergences le long de l'histoire de la documentation muséale dans trois galeries nationales en Angleterre, au Canada et aux États-Unis. Elle met en évidence un modèle commun, émanant plus particulièrement des deux types d'institutions apparues en Angleterre au 17e siècle : les musées publics, fondés sur des principes scientifiques et populistes, et la galerie privée, ancrée dans des traditions élitistes. Les galeries nationales analysées constituent un modèle hybride, en conflit avec ces deux formats antagonistes, mais leurs similitudes les plus frappan

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50

Seaman, Leah M. "The depiction of female emotion as seen through the work of Italian Renaissance artists Artemisia Gentileschi and Michelangelo Caravaggios Judith Beheading Holofernes and Artemisia Gentileschi and Cavaliere dArpinos Susanna and the Elders." Marietta College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors161944857779248.

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