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1

Wood, Malcolm. [Selected works]. California College ofArts and Crafts, 1990.

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2

Detweiler, Kelly. The educated eye: Works by Santa Clara University Art Department faculty. De Saisset Museum, Santa Clara University, 1997.

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3

Basavarāja, Kalguḍi, M. Ramachandra Mohan, and Bangalore University, eds. Science and technology: Abstracts of research works done by science & engineering faculty. Bangalore University, 2003.

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4

Johnson, F. M. G. People we meet. McGill Outlook, 1995.

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5

Ciechańska, Marzenna. Between science and art: Faculty of Conservation and Restoration of Works of Art. Academy of Fine Arts, 2016.

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6

Buckwalter, Douglas. Guide to the reference systems for the works of Flavius Josephus. Evangelical Theological Society, 1995.

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7

Gozo, Bennet G. Bibliography of researches and works of MSU-IIT faculty, staff, and graduate students, 1969-1997. MSU-Iligan Institute of Technology, Office of the Vice Chancellor for Research and Extension, 1998.

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8

Pineda, Cecile. Face. Viking, 1985.

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9

Müzesi, Pera, ed. Karşılaşmalar: Akdeniz Üniversitesi Güzel Sanatlar Fakültesinden yapıtlar = Encounters : works from Akdeniz University Faculty of Fine Arts. Suna İnan Kıraç Vakfı, 2016.

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10

Lui, Diane Chin. The cadence of stupidity: The works of Arthur González. John Natsoulas Press, 1999.

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11

Villegas, Marcela Uribe. Universidad de la Sabana: 20 años. La Universidad, 1999.

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12

University of Houston. Libraries. Special Collections Dept. and University of Houston. Creative Writing Program., eds. Signature works: University of Houston Creative Writing Program faculty and graduates choose their own most significant writing. University of Houston Libraries], 1994.

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13

Westfall, Alex. Faces of Andover. Phillips Academy, 2014.

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14

1921-1994, Kriz Vilem. Vilem Kriz : fotografie z obdobi, 1937-1992. Vydala Stredoceska Galerie, 1992.

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15

1943-, Yew Wei, ed. Pacific Rim design: The works of 15 Pacific Rim graphic designers. Quon Editions, 1991.

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16

Ülgen, Yasemin. Sarsılan imge: Hacettepe Üniversitesi Güzel Sanatlar Fakültesi'nden yapıtlar = Shaken image : works from the Hacettepe University Faculty of Fine Arts. Pera Müzesi, 2018.

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17

Kuspit, Donald B. Viola Frey : plates 1968-1994. Butler Institute of American Art, 1994.

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18

Davids, Kenneth. Coffee: A guide to buying, brewing, and enjoying. 4th ed. 101 Productions, 1991.

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19

Ernst, Hedi-Katharina. Hedi-Katharina Ernst: Ernstes Spiel von und mit Farben und Material = deep play (Ernstes Spiel) with color and material. Alfred Schmid, 2001.

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20

Darden, Joe T. Black geographers in institutions of higher education in the United States: Where they are and a selected bibliography of their works. J.T. Darden, 2003.

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21

1940-, Walker Sue Brannan, and Roffman Rosaly Demaios, eds. Life on the line: Selections on words and healing. Negative Capability Press, 1992.

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22

Center, Arkansas Arts. National Drawing Invitational. Arkansas Arts Center, 1986.

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23

1930-1992, Arneson Robert, and John Natsoulas Gallery, eds. 30 years of TB-9: A tribute to Robert Arneson. John Natsoulas Gallery, 1991.

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24

Kyger, Joanne. Just space: Poems, 1979-1989. Black Sparrow Press, 1991.

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25

1808-1900, Park Edwards Amasa, ed. Writings of Professor B. B. Edwards. J.P. Jewett, 1990.

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26

Jan, Janeiro, Larsen Jack Lenor, Batchelder Ann, and Orban Nancy 1938-, eds. Fiberarts design book five. 5th ed. Lark Books, 1995.

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27

Museum, Milwaukee Art, and University of Wisconsin--Milwaukee. University Art Museum, eds. Fiber r/evolution: Milwaukee Art Museum and University Art Museum, the University of Wisconsin--Milwaukee, John Porter and Florence Horn Retzer Exhibition. The Museum, 1986.

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28

Pineda, Cecile. Face. Penguin, 1986.

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29

Pineda, Cecile. Face. Penguin, 1986.

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30

Lederer, Wolfgang. Bridging two worlds in graphic design, education, and illustration. Regional Oral History Office, the Bancroft Library, 1992.

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31

Şeker, Mehmet Yavuz. A map of the divine subtle faculty: The concept of the heart in the works of Ghazali, Said Nursi, and Fethullah Gülen. Tughra Books, 2015.

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32

1946-, Brady Robert, Nagle Ron, Arneson Robert 1930-1992, et al., eds. Here and now : Bay Area masterworks from the di Rosa collections . Oakland Museum, 1994.

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33

Davids, Betsy. Artists writing. Alliance for Contemporary Book Arts, 1994.

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34

Mayfield, Signe. Directions in Bay Area printmaking: Three decades. Palo Alto Cultural Center, 1992.

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35

Dickinson, Eleanor. Gender discrimination in the art field : statistics. Artists' Equity Association, 1995.

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36

Dickinson, Eleanor. Gender discrimination in the art field : statistics. Artists' Equity Association, 1990.

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37

Kānsadǣng Sinlapakam khō̜ng ʻĀčhān Khana Čhittrakam, Pratimākam, læ Phāpphim, Mahāwitthayālai Sinlapākō̜n (26th 2009 Mahāwitthayālai Sinlapākō̜n). Our best recent works & glass art project: 26th Art Exhibition by Members of the Faculty of Painting Sculpture and Graphic Arts, Silpakorn University. Faculty of Painting Sculpture and Graphic Arts, Silpakorn University, 2009.

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38

Ricke, Helmut. Neues Glas in Europa: 50 Künstler, 50 Konzepte = New glass in Europe : 50 artists, 50 concepts. Verlagsanstalt Handwerk, 1990.

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39

Ricke, Helmut. Neues Glas in Europa =: New glass in Europe : 50 Künstler-50 Konzepte = 50 Artists-50 Concepts. Verlagsanstalt Handwerk, 1990.

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40

Suzanne, Lacy, and Sharpe Karen, eds. Kohtaamisia rajojen tiellä =: Encounters on the road of borders : documenting a collaborative performance directed by Suzanne Lacy. PostiTele, 1992.

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41

A, visual arts encounter :. African Americans and Europe (1994 Paris France). A visual arts encounter : African Americans & Europe ; February 2,3,4, 1994 ; Palais du Luxembourg, Paris : some of what happened. US Publishingin, 1994.

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42

Brooks-Myers, Inez. Lia Cook : material allusions. Oakland Museum of California, 1995.

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43

Henry, Hopkins. California painters: New work. Chronicle Books, 1989.

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44

Carole, Austin, Curreri-Chadwick Dyana, Cohen Ted, San Francisco Craft & Folk Art Museum., California College of Arts and Crafts (Oakland, Calif.), and California Crafts Museum (San Francisco, Calif.), eds. Nine decades: The Northern California craft movement, 1907 to present. San Francisco Craft & Folk Art Museum, 1993.

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45

1935-, Inagaki Kōichirō, ed. Visual identity in Chicago. Seibundō Shinkōsha, 1991.

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46

Steven, Heller, and Steven Heller. Low-budget/high-quality design. Watson-Guptill Publications, 1990.

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47

The faculty room. Samuel French, 2010.

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48

Hill QC, Mark. Faculty Jurisdiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807568.003.0007.

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This chapter examines the faculty jurisdiction of the Church of England. A faculty refers to a permissive right to alter a church building, its contents, or its immediate surroundings. Undertaking such works in the absence of a faculty is unlawful. The chapter first considers matters that do not require a faculty before discussing the ecclesiastical exemption for particular church buildings or particular categories of building. It then looks at the roles of the Diocesan Advisory Committee, national amenity societies, and the Church Buildings Council in faculty jurisdiction. It also explains is
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49

Martha, Johnson, and Peterson Jim. From Source to Surface: Works by Randolph College Studio Art Faculty. Primedia eLaunch LLC, 2018.

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50

Cohn, Neil, and Joost Schilperoord. A Multimodal Language Faculty. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350404861.

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Abstract:
Language has traditionally been held as an “amodal” system that flows into different forms like speech, writing, or signing; however, communication is multimodal by nature. We pair speech with gestures, use emoji with text, and combine writing with drawings and images in places from doodles to comics to advertising. Yet, the linguistic and cognitive theories maintaining the traditional amodal notion of language cannot account for the richness of this multimodal communication. What is needed is a new, multimodal paradigm of language. This book presents a model of a multimodal language faculty w
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