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Dissertations / Theses on the topic 'Works of Henry Fielding'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Mace, Rachel Kathryn. "Character on trial : reading and judgement in Henry Fielding's works." Thesis, University of Plymouth, 2018. http://hdl.handle.net/10026.1/10893.

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To be placed above the Reach of Deceit is to be placed above the Rank of a human Being - Henry Fielding, A Clear State of the Case of Elizabeth Canning, 1753. Throughout his literary and legal careers, Fielding was concerned with the difficulties of reading and judging character accurately. He saw society as being rife with deceptive and duplicitous individuals and articulated his concerns in his writing, offering various advices to his readers. This thesis examines Fielding’s changing approaches to characterization and his proposed methods for judging character. There is a strong tradition wi

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2

Robertson, Scott. "Henry Fielding literary and theological misplacement /." Thesis, Thesis restricted. Connect to e-thesis to view abstract, 2008. http://theses.gla.ac.uk/497/.

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Thesis (Ph.D.) - University of Glasgow, 2008.<br>Ph.D. thesis submitted to the Department of Theology and Religious Studies, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.

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3

Sneddon, Brian Scott. "A reassessment of the early fiction of Henry Fielding." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0004/NQ35325.pdf.

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4

Bock, Mary Stewart. "Aspects of style in the novels of Henry Fielding." Doctoral thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/22437.

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The prefatory essays in Fielding's two major novels Joseph Andrews and Tom Jones foreground his interest in the problems and challenges of the writing of fiction. In the narrative, he experiments with answers to the questions raised in these discursive sections. Analysis of style in these novels also shows a gradual development from the pervasive and self-reflexive irony and the interplay of stylistic modes that characterise the earlier novel to the more confident and increasingly serious authorial voice of the latter. Both Fielding's theoretical concerns and the development in his narrative s

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5

Happe, Marguerite 1991, Henry 1707-1754 Fielding, and T. Edward Hanley. "Henry Fielding: Early editions in the University of Arizona Libraries with an appendix: Early Editions of Sarah Fielding." Tucson, Arizona : Department of Special Collections University of Arizona Libraries, 2017. http://hdl.handle.net/10150/625480.

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6

Kaneko, Y. "All you need is law? : Henry Fielding and his legal novels." Thesis, Swansea University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.637756.

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The aim of this thesis is to demonstrate the centrality to Fielding’s novels of matters and questions pertaining to the law. Being a barrister and justice, Fielding regarded himself as in the conservative tradition of the common law, and spoke in defence of his motherland’s legal heritage and wisdom. His admiring attitude towards English law did not, however, lead him to ignore its imperfections. The English Revolution seemed to have established civil liberty and rule of law, but in the age of Fielding the honourable reputation of the rule of law as an abstract principle found itself opposed t

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7

Pansier, Frédéric-Jérôme. "Délinquance et châtiment dans l'oeuvre de Henry Fielding (essais et romans)." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37617304g.

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8

PANSIER, FREDERIC-JER. "Delinquance et chatiment dans l'oeuvre de henry fielding. (essais et romans)." Montpellier 3, 1988. http://www.theses.fr/1988MON30023.

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En introduction, henry fielding est presente au travers de sa passion du droit. Une premiere partie analyse la delinquance dans l'oeuvre de henry fielding par l'inventaire de ses causes - les inegalites sociales, l'existence de lieux de distraction, l'alcoolisme, le jeu, la liberte des moeurs, le gout de la violence et de l'affrontement et la cupidite - et de ses formes, d'une part en ce qui concerne les delits mineurs et les delits majeurs, d'autre part en distingant, infractions contre les personnes et contre les biens. Une seconde partie etudie le chatiment dans ces oeuvres, par la determin

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9

Fallon, Roger J. "Henry Fielding and the language of morals : an experiment in contextual reading." Thesis, University of Leicester, 1988. http://hdl.handle.net/2381/34853.

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This historical study attempts a thorough revision of some current assumptions about Fielding's moral 'philosophy'. It endorses the orthodox view that Latitudinarian Anglicanism was a decisive influence, but questions whether the Anglican moralists can usefully be described as exponents of 'benevolism' - their sermons are distinguished most notably by an overriding concern with the inculcation of prudence, and by persistent hortatory appeals to self-interest. 'Prudentialism' is arguably a better term for Latitudinarian ethics, and indeed for that dimension of Fielding's work which is attributa

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10

Budd, Adam. ""Too fond to be here related" : ironic didacticism and the moral analogy in Henry Fielding's Amelia (1751)." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=28249.

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This thesis, entitled "Too Fond to Be Here Related": Ironic Didacticism and the Moral Analogy in Henry Fielding's "Amelia" (1751), opens by exploring the current and historical critical reception of Fielding's final extended work of fiction. In an effort to explain Amelia's "failure"---the prevailing assessment among even its more sympathetic critics---I then argue that this experimental novel offers an innovative engagement with David Hume's moral philosophy. The emerging analogy provides a fascinating but previously neglected departure from Samuel Richardson's means of providing moral instru

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11

Castro, Santana Anaclara. "Errors and reconciliations : marriage in the plays and early novels of Henry Fielding." Thesis, University of York, 2013. http://etheses.whiterose.ac.uk/5100/.

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This thesis explores Henry Fielding’s fascination with marriage, and the importance of the marriage plot in his plays and early novels. Its main argument is twofold: it contends that Fielding presents marriage as symptomatic of moral and social evils on the one hand, and as a powerful source of moral improvement on the other. It also argues that the author imported and adapted the theatrical marriage plot—a key diegetic structure of stage comedies of the early eighteenth century—into his prose fictions. Following the hypothesis that this was his favourite narrative vehicle, as it proffered har

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12

Ogée, Frédéric. "Fielding et l'esthétique : contribution à l'analyse des romans de Henry Fielding à la lumière de l'Analyse de la Beauté de William Hogarth." Paris 10, 1985. http://www.theses.fr/1985PA100036.

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13

Catto, Susan J. "Modest ambition : the influence of Henry Fielding, Samuel Richardson and the ideal of female diffidence on Sarah Fielding, Charlotte Lennox and Frances Brooke." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297328.

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14

Barlow, Kathleen P. "Henry Fielding's four journals : the Champion, the True patriot, the Jacobite's journal, the Covent garden journal : on the uses and abuses of language." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/774766.

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This study is an examination of Henry Fielding's attitude toward the uses and abuses of language in the four newspapers which he edited: The Champion (1739-40), The True Patriot (1745-46), The Jacobite's Journal (1747-48), The Covent Garden Journal (1752). This exploration begins with a consideration of Fielding's attitude toward the corrupting and corruptible word and the relationship which he saw between the corruption and decline in language and the corruption and decline in ethics and morality. It focuses on these four journals largely neglected by previous Fielding critics, searching them

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15

Tyler, Jenny L. "Time in the late works of Henry James." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.329031.

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16

Millet, Baudouin Bony Alain. ""Ceci n'est pas un roman" l'évolution du statut de la fiction en Angleterre de 1652 à 1754 /." Lyon : Université Lumière Lyon 2, 2004. http://demeter.univ-lyon2.fr:8080/sdx/theses/lyon2/2004/millet_b.

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17

Aubrey, Amanda Leigh. "The Gastonia Novels and Ecofeminism: Rereading the Works of Fielding Burke Grace Lumpkin and Myra Page." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1355.

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This thesis examines Fielding Burke's Call Home the Heart, Grace Lumpkin's To Make My Bread, and Myra Page's Gathering Storm through the lens of ecofeminism, an interdisciplinary theory that contributes the necessary insight into the link between the abuse of power on personal, political, and economic levels that underlies the human oppression and environmental exploitation experienced by the novels' characters and communities. A resurrection of the Gastonia novels through the framework of ecofeminism will contribute to the scholarly discourse regarding this maturing theory as well as intensif

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18

Audigier, Jean-Pierre. "Autorite et enonciation : defoe, richardson, fielding, sterne, ou le roman (anglais) de l'origine." Paris 8, 1986. http://www.theses.fr/1986PA080031.

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Il s'agit, au-dela de la specificite du roman anglais, d'apporter une contribution a la grammaire de l'enonciation et a la typologie du discours romanesque en general. Cela a travers: quatre categories servant de crible a l'analyse du discours (interlocuteurs, ordre, figures, temporalite); et une opposition radicale entre un discours "autorise" soucieux de faire comme si l'enonciation ecrite etait immediate, et un discours "autoritaire" proclamant au contraire sa mediatete fondamentale. 1. Discours autorise. 1. 1. Defoe: pseudo-autobiographie et autorisation du "je". Au-dela de l'absence d'aut

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19

Sutton, Robert James. "The educational roots of Henry Moore's public works, 1938-1950." Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/8043/.

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Between 1938 and 1950, Henry Moore worked on four public commissions for four widely divergent educational establishments, each one representing a different strand of educational provision as it existed in Britain in the years either side of the Second World War. The first commission was for a series of reliefs to decorate the side of the Senate House building at the heart of the University of London’s new Bloomsbury campus. It was commissioned by the campus’ architect Charles Holden who had provided Moore with his first public commission a decade earlier. The second was for a sculpture to pop

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20

Canter, Zachary A. "Tom Jones, Joseph Andrews, and The Canterbury Tales: Parallels in the Comic Genius of Henry Fielding and Geoffrey Chaucer." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3036.

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The parallels between the works of Geoffrey Chaucer and Henry Fielding are very striking. Both authors produced some of the greatest works in English literature, yet very little scholarly investigation has been done regarding these two in relationship with one another. In this work I explore the characters of Chaucer’s Parson and Parson Adams, assessing their strengths and weaknesses through pastoral guides by Gregory the Great and George Herbert, while drawing additional conclusions from John Dryden. I examine the episodic, theatrical nature of both authors’ works, along with the inclusion of

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21

Manton, C. N. "Henry Wilson (1864-1934) : His work and influence." Thesis, University of Brighton, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381595.

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22

Tolley, Rebecca. "Review of Sociology: A Guide to Reference and Information Sources, by Stephen H. Aby, James Nalen, and Lori Fielding." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etsu-works/5630.

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23

Philips, Deborah. "Languages and cultures in the work of Henry James." Thesis, University of East Anglia, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.236388.

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24

Potter, Lawrence T. "Harlem's forgotten genius : the life and works of Wallace Henry Thurman /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9946287.

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25

Stamoulis, Derek Clarence. "In pursuit of virtue : the moral education of readers in eighteenth-century fiction /." Title page, contents and preface only, 1991. http://web4.library.adelaide.edu.au/theses/09ARM/09arms783.pdf.

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26

Jolly, Roslyn. "History and fiction : modes of narrative in the works of Henry James." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304887.

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27

Goulding, Robert David. "Studies on the mathematical and astronomical papers of Sir Henry Savile." Thesis, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322190.

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28

Hamilton, William John. ""The irrevocable ties of love and law" : rhetorics of desire in Eliza Haywood's contributions to eighteenth-century satire /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3201680.

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Thesis (Ph. D.)--University of Oregon, 2005.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 173-182). Also available for download via the World Wide Web; free to University of Oregon users.

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29

Eguchi, Tomoko. "Ethical aestheticism in the early works of Henry James : the shadow of John Ruskin." Thesis, University of Aberdeen, 2012. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=189431.

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30

Leuschner, Eric D. "Prefacing fictions : a history of prefaces to British and American novels /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3144435.

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31

Schniedermann, Wibke [Verfasser], Christa [Gutachter] Buschendorf, and Julika [Gutachter] Griem. "Masculine domination in the works of Henry James / Wibke Schniedermann ; Gutachter: Christa Buschendorf, Julika Griem." Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg, 2019. http://d-nb.info/1177881578/34.

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32

Boren, Holly Lynn. "The American claimant theme in the works of Nathaniel Hawthorne, Henry James and Mark Twain." Thesis, University College London (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286386.

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33

Daughters, James Robert. "MARCH PERFORMANCE PRACTICES OF HENRY FILLMORE WITH STYLE GUIDES AND HISTORICAL EDITIONS OF SELECTED WORKS." UKnowledge, 2017. https://uknowledge.uky.edu/music_etds/101.

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With a career spanning over four decades, Henry Fillmore earned wide recognition as an important and prolific composer of marches and trombone smears in the wind band medium. While he contributed significantly to chamber music, solo literature, vocal settings, and arrangements for band, his compositions for wind band have arguably provided his most universal acclaim. Fillmore’s published marches are unique in that scores rarely had performance markings and contained little more than notes and repeat signs. Fillmore conducted most of his marches and altered march strains, changed orchestration,

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34

Takei, Tomoko. "From Nowhere to Everywhere: The Inbetweenness in Henry James's Works after the New York Edition." Kyoto University, 2020. http://hdl.handle.net/2433/245821.

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Kyoto University (京都大学)<br>0048<br>新制・論文博士<br>博士(人間・環境学)<br>乙第13306号<br>論人博第52号<br>新制||人||219(附属図書館)<br>2019||論人博||52(吉田南総合図書館)<br>京都大学大学院人間・環境学研究科文化・地域環境学専攻<br>(主査)教授水野尚之, 教授廣野由美子, 准教授小島基洋, 教授中川優子<br>学位規則第4条第2項該当

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35

Meredith, Charles Lloyd. "Spiritualism and psychology in the works of Robert and Elizabeth Browning, Henry and William James." Thesis, University of Cambridge, 1991. https://www.repository.cam.ac.uk/handle/1810/251512.

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36

Despotopoulou, Anna. "In search of the 'Chamber of Consciousness' : an examination of setting in the works of Henry James." Thesis, University of Reading, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266151.

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37

Crump, Gary L. "A New Man: Masculine Confusion and Struggle in the Works of Edith Wharton." TopSCHOLAR®, 2008. http://digitalcommons.wku.edu/theses/32.

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Edith Wharton’s male characters offer an important commentary on the evolving situation of the man in American society. Wharton did not wish for women to usurp all social positions from men but rather to claim their rightful position alongside them. Characters such as Lawrence Selden in The House of Mirth and Ralph Marvell in The Custom of the Country display the same characteristics of fear, passion, and vulnerability as do many of her primary female figures. Wharton’s societal concerns do not merely extend to that of her own sex but to that of the male in society who struggled with his sex

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38

Berndt, Annette (Annette Yvonne) Carleton University Dissertation Canadian Studies. ""The burden of the past": perspectives on the holocaust in the works of Walter Bauer and Henry Kreisel." Ottawa, 1991.

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39

Nibelius, Folke. "Lord Bolingbroke (1678-1751) and history : a comparative study of Bolingbroke's politico-historical works and a selection of contemporary texts as to themes and vocabulary." Doctoral thesis, Stockholm : Almqvist & Wiksell international, 2003. http://catalogue.bnf.fr/ark:/12148/cb392572367.

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40

Collingwood, Benjamin David. "Methods of analysing early Tudor sacred polyphony : the works of Robert Fayrfax (1464-1521)." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/87761.

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This study explores the different ways in which music of the early-Tudor period can be analysed. Approaching the analysis first from a performer’s perspective, it takes the surviving works of Robert Fayrfax (1464–1521) as a case study. Fayrfax was chosen both because of the important rôle he plays within the chronology of changing style in early Tudor England, and because of the lack of a convincing analytical survey of his surviving works. Various analytical methods are developed by drawing upon three areas of investigation: (1) previous analyses of renaissance polyphony; (2) sixteenth-centur

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41

Day, Hilary Margaret. "A study of the use of the Bible and the Book of Common Prayer in the prose works of Henry Vaughan." Thesis, University College London (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282863.

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42

Millet, Baudouin. ""Ceci n'est pas un roman" : l'évolution du statut de la fiction en Angleterre de 1652 à 1754." Lyon 2, 2004. http://theses.univ-lyon2.fr/documents/lyon2/2004/millet_b.

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Cette étude porte sur les discours théoriques et les dispositifs rhétoriques auxquels la fiction de langue anglaise a recours pour se légitimer, dans un contexte de ferme condamnation morale et de mépris de la part des doctes. Ces discours et ces dispositifs se déploient dans des titres, des préfaces et au coeur même des récits. Les auteurs les mobilisent pour affirmer que leur récit contient une vérité morale ou, le plus souvent, pour présenter ce dernier comme un compte-rendu factuel. Cette revendication de l'historicité fait intervenir la figure du narrateur témoin, garant de la véracité de

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43

Morton, Sheila Ann. "Satire's Liminal Space: The Conservative Function of Eighteenth-Century Satiric Drama." BYU ScholarsArchive, 2004. https://scholarsarchive.byu.edu/etd/122.

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The eighteenth century is famous for producing literary satire, primarily in verse (and later prose) form. However, during this period, a new dramatic form also arose of which satire was the controlling element. And like the writers of prose and verse satires, playwrights of dramatic satire claimed that their primary aim was the correction of moral faults and failings. Of course, they did not always succeed in this aim. History has shown a few, however, to have had a significant impact on the ideas and lives of their audiences. This thesis is an attempt to demonstrate how these satiric dramas

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44

Cheang, Kai Hang. "Examining the Literature of Resistance: The Politics and Poetics of Chinese American Identity in the Works of Frank Chin and David Henry Hwang." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/theses/996.

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In my thesis, I argue "against the grain," asserting that the war over authenticity among first-wave and second-wave-Asian-American writers is in fact a red-herring argument. The diversity within Asian American literature--be it nationalist, multiculturalist, or globalist--is initiated by a subversive kernel borne out of Asian American writers' frustration at the manner in which Asians had, up until now, been portrayed in popular culture. This thesis will pay particular attention to how Chinese American writers, namely Frank Chin and David Henry Hwang, contest the emasculated stereotype of Asi

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45

Lattimore, Lee Ian. "Les Morceaux de Concours de Flûte du Conservatoire de Paris: A Structural Comparison of Selected Works of Jean-Louis Tulou and Joseph-Henri Altès: A Lecture Recital Together with Three Recitals of Selected Works of Mozart, Halffter, Gaubert and Others." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc330772/.

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The lecture was presented April 7, 1987. This presentation centered on the flute music literature used for the Concours of the Conservatoire de Paris from 1828 through 1893. The historical parameter began with Jean-Louis Tulou's tenure as flute professor at the Conservatoire and ended with Joseph-Henri Altes'tenure in the same capacity. The Concours is an annual performance competition to determine which students on each instrument will graduate from the Conservatoire. The majority of Concours pieces for flute during the tenures of professors from Tulou through Altes were composed by those tw

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46

Davies, D. J. "A comparative study of London and Paris in the works of Henry James and Emile Zola : With special reference to 'The Princess Casamassima' and 'L'Assommoir'." Thesis, London Metropolitan University, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.378969.

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47

Brown, Jeremy Scott. "A selected annotated list of wind band works by Henry Cowell and a performance edition of his Hymn and Fuguing Tune No.1 for Symphonic Band." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1335455406.

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48

Bowen, Michael John. "Uncertain affections : representations of trust in the British sentimental novel of the eighteenth century." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38158.

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This thesis examines representations of trust in selected British sentimental novels of the eighteenth century. It focuses principally on the manner in which sentimental prose fiction reflects and participates in the shift from premodern to modern formations of trust. Commenting on the nature of modern trust, Anthony Giddens claims that, with the move to modernity, trust relations in the intimate sphere become increasingly dependent on emotional mutuality, while trust in institutions becomes increasingly impersonal and disengaged from assessments of moral character.<br>My work explores this du

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49

Colbourne, Jane. "A critical survey of the materials and techniques of Charles Henry Sims RA (1873-1928) with special reference to egg tempera media and works of art on paper." Thesis, Northumbria University, 2011. http://nrl.northumbria.ac.uk/10349/.

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This thesis collates and provides new knowledge about the working practices and dissemination of materials and techniques of a leading Edwardian painter. Charles Sims RA (1873-1928) represents a neglected body of British artists who were responding to and assimilating certain new tendencies within early modernism yet at the same time were conscious and respectful of traditional practices and training methods. The study makes consistent reference to the extensive studio archive at Northumbria University whose existence has provided a unique opportunity to map Sims’ own informal working notes an

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50

Honeycutt, Scott R. "Beautiful Day. Pleasant Walk: Walking and Landscape in the Works of Eswick Evans, John D. Godman, Elizabeth Fries Ellet, and Bradford Torrey." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_diss/89.

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Throughout the nineteenth century, walking for leisure and for spiritual endeavor in America correlated with the rise of literary romanticism. This burgeoning fashion of pedestrian travel, coupled with an impulse to experience the ever expanding nation, spawned a new and enduring subgenre in American letters – the walking text. Many scholars consider Henry David Thoreau and John Muir to be the century’s greatest literary amblers and naturalists; while their catalogs of walking literature are foundational, they are not exclusive. “Beautiful Day. Pleasant Walk: Walking and Landscape in Works of

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