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Relevant bibliographies by topics / World War, 1939-1945 – Propaganda – Germany

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Academic literature on the topic 'World War, 1939-1945 – Propaganda – Germany'

Author: Grafiati

Published: 10 March 2023

Last updated: 31 July 2025

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Journal articles on the topic "World War, 1939-1945 – Propaganda – Germany"

1

BRODIE, THOMAS. "Between ‘National Community’ and ‘Milieu’: German Catholics at War, 1939–1945." Contemporary European History 26, no. 3 (2017): 421–40. http://dx.doi.org/10.1017/s0960777317000169.

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This article examines German Catholics’ sense of community and identity during the Second World War. It analyses how far they were able to reconcile their religious faith with support for Nazism and the German war effort and questions the extent to which Catholicism in the Rhineland and Westphalia represented either a sealed confessional subculture or a homogenising Nazified ‘national community’ (Volksgemeinschaft). The article argues that, in their pure forms, neither of these analytical paradigms accounts for the complexities of German Catholics’ attitudes during this period, which were far

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Robison, William B. "Lancastrians, Tudors, and World War II: British and German Historical Films as Propaganda, 1933–1945." Arts 9, no. 3 (2020): 88. http://dx.doi.org/10.3390/arts9030088.

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In World War II the Allies and Axis deployed propaganda in myriad forms, among which cinema was especially important in arousing patriotism and boosting morale. Britain and Germany made propaganda films from Hitler’s rise to power in 1933 to the war’s end in 1945, most commonly documentaries, historical films, and after 1939, fictional films about the ongoing conflict. Curiously, the historical films included several about fifteenth and sixteenth century England. In The Private Life of Henry VIII (1933), director Alexander Korda—an admirer of Winston Churchill and opponent of appeasement—empha

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Poprawa, Marcin. "Prasa konspiracyjna w służbie kontrpropagandy — funkcje, cele, zjawiska językowe na przykładzie gazet podziemnych 1939–1945." Oblicza Komunikacji 10 (November 15, 2018): 57–98. http://dx.doi.org/10.19195/2083-5345.10.3.

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Underground press in the service of counterpropaganda — functions, goals, linguistic phenomena as seen in underground newspapers of 1939–1945In the article the author examines the most important strategies of the linguistic fight against the Nazi propaganda employed by the underground press published by political parties active in the Polish Underground State during the Second World War. A theoretical introduction contains an outline of the model of political communication under German occupation 1939–1945 as well as the most important functions of articles that could be placed between politic

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Salsabila, Arih. "The Historical Criticism in The Women in the Castle by Jessica Shattuck." Journal of Literature, Linguistics, & Cultural Studies 2, no. 1 (2023): 142–56. http://dx.doi.org/10.18860/lilics.v2i1.2856.

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World War II occurred in Germany between 1933 and 1945, under the rule of Hitler and the Nazis, pitting Germany against the Allies. Propaganda played a significant role in their efforts to secure victory. Propaganda was employed to manipulate the perceptions and positions of various groups to align with the Nazis' agenda. This study focused on the forms of propaganda used by the Nazis against Non-Aryan groups, including Gypsies, Slavs, Jews, and Polish. It also explored how German society responded to this propaganda during the period of 1933-1945, as depicted in Jessica Shattuck's novel "The

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Lavrenko, Valeriia. "<b>Updating the experience of the Great War (1914–1918) in Soviet society during the Second World War</b>." Universum Historiae et Archeologiae 6, no. 1-2 (2023): 128–37. https://doi.org/10.15421/26230611.

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The aim of the article is to analyze appeals to the experience of the First World War by Soviet publicists during the years of the new global conflict of 1939–1945. Methods used in the research: the method of content analysis, historical-genetic and historical-comparative. The main results. The article examines the transformations in the images of the First World War in Soviet journalism during 1939–1944 under the influence of the deployment of hostilities on the fronts of the Second World War, the defeats of the Red Army at the initial stage of the Soviet-German conflict, and the occupation o

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Heinrich, Anselm. "Theatre in Britain during the Second World War." New Theatre Quarterly 26, no. 1 (2010): 61–70. http://dx.doi.org/10.1017/s0266464x10000060.

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In this article Anselm Heinrich argues for a renewed interest in and critical investigation of theatre in Britain during the Second World War, a period neglected by researchers despite the radical changes in the cultural landscape instigated during the war. Concentrating on CEMA (the Council for Encouragement of Music and the Arts) and the introduction of subsidies, the author discusses and evaluates the importance and effects of state intervention in the arts, with a particular focus on the demands put on theatre and its role in society in relation to propaganda, nation-building, and educatio

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Partyko, Zinovij, and Maria Kravchuk. "PRESS OF ZHYTOMYR REGION DURING THE SECOND WORLD WAR." Bulletin of Lviv Polytechnic National University: journalism 2, no. 4 (2022): 6–20. http://dx.doi.org/10.23939/sjs2022.02.006.

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38 newspaper editions of the Zhytomyr region during the Second World War (1939-1945) was selected as the object of the study. The subject of the study is the conditions of origin of newspapers, the peculiarities of their operation and time of publication, as well as the features of the materials of these publications. Research methods are traditional analysis (qualitative); historical method; logical method; synthesis; generalization. It is expedient to divide newspaper editions into legal editions of the Ukrainian independence movement; official German publications; underground Soviet publica

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Dudaiti, A. K. "Iran’s Foreign Policy in 1933-1939: Problems of Diversifying Relations with Leading World Powers." Nauchnyi dialog, no. 12 (December 28, 2021): 309–26. http://dx.doi.org/10.24224/2227-1295-2021-12-309-326.

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The article is devoted to the problems of modernizing Iran’s foreign policy strategy on the eve of World War II, the implementation of a set of measures to diversify its relations with the leading world powers. The factors influencing the formation of the conflict relations of Iran with Great Britain and the USSR are revealed. The features of the nationalist policy of the Reza Shah regime, aimed at liberating the country from British control and weakening Soviet influence in the country, are traced. Particular attention is paid to the formation of a pro-German course in Iran’s foreign policy.

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Morley, Elaine. "Intercultural Experience, the Anglo-American Occupation and UNESCO in Germany 1945–1949." Comparative Critical Studies 13, no. 2 (2016): 193–213. http://dx.doi.org/10.3366/ccs.2016.0199.

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Independent of each other, though contemporaneous, the Anglo-American occupiers of Germany and the newly founded United Nations Educational, Cultural and Scientific Organization employed culture to foster greater intercultural and international understanding in 1945. Both enterprises separately saw culture as offering a means of securing the peace in the long term. This article compares the stated intentions and activities of the Anglo-American occupiers and UNESCO vis-à-vis transforming morals and public opinion in Germany for the better after World War II. It reconceptualizes the mobilizatio

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Kotelenets, Elena A., and Maria Yu Lavrenteva. "The British Weekly: a case study of British propaganda to the Soviet Union during World War II." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (2019): 486–98. http://dx.doi.org/10.22363/2312-9220-2019-24-3-486-498.

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The research investigates a publishing history of the Britansky Souyznik (British Ally) weekly (further - British Weekly) in Russian language, which was published in the Soviet Union by the UK Ministry of Information in the Second World War years and to 1950. This newspaper published reports from fronts where British troops fought against Nazi Germany and its allies, articles on British-Soviet military cooperation, materials about British science, industry, agriculture, and transport, reports on people’s life in the UK, historical background of British Commonwealth countries, cultural and lite

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Dissertations / Theses on the topic "World War, 1939-1945 – Propaganda – Germany"

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Bennet, Victor Kenneth. "Public opinion and propaganda in national socialist Germany during the war against the Soviet Union /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/10371.

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Welch, David. "The Third Reich politics and propaganda /." London : Routledge, 2002. http://site.ebrary.com/id/10205184.

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Borys, Bill. ""Mitteilungen für die Truppe' : ideology in publication." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22565.

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A vast amount of literature has been published about Germany's campaign in Russia during the Second World War. New attention has been focused on the role played by indoctrination in the conduct of the ideological war.<br>This thesis examines the thematic content of the German Armed Forces circular Mitteilungen fur die Truppe for a period that coincides with the climactic confrontation on the Eastern Front. It illustrates the presence of a coherent propaganda policy designed to boost troop resilience.<br>The data have been derived from copies of the primary source, namely part of the captured G

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Thériault, Mark J. "Art as propaganda in Vichy France, 1940-1944." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112592.

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The French government under Philippe Petain, based at Vichy, simultaneously collaborated with the Germans and promoted French patriotism. French artists and designers produced an abundance of posters, paintings, sculptures and other objets d'art, examples of which are included here, to promote the values of the "new order." Although Christian symbols were common, fascist symbols among the mass-produced images support the idea that the Vichy regime was not merely authoritarian, but parafascist.<br>The fine arts were purged of "foreign" influences, yet the German Arno Breker was invited to exhib

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Pfeifer, Justin Thomas. "The Soviet Union through German Eyes: Wehrmacht Identity, Nazi Propaganda, and the Eastern Front War, 1941-1945." University of Toledo / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1417426182.

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Ryan, Kathleen M. ""When flags flew high" : propaganda, memory, and oral history for World War II female veterans /." Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2008. http://hdl.handle.net/1794/8332.

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Thesis (Ph. D.)--University of Oregon, 2008.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 377-400). Also available online in Scholars' Bank; and in ProQuest, free to University of Oregon users.

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Jang, Hoi Sik. "Japanese imperial ideology, shifting war aims and domestic propaganda during the Pacific War of 1941-1945." Diss., Online access via UMI:, 2007.

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Byers, Catherine P. "Reporting wartime Germany : perceptions of American journalists in Berlin, 1939-1941." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/478643.

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"Reporting Wartime Germany" is a study of the memoirs, diaries, and other works of American journalists who were in Berlin during the early wartime years, 1939-1941. It analyzes their perceptions of the changes which occurred during that important period. Manipulation of politics and political power is discussed, along with growth of resistance to the regime, and the apparent inability of the regime to negotiate with foreigners in good faith. The role of newspapers, periodicals, radio and the motion picture industry as media of propaganda is studied; the system of education, control of religio

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Doubler, Michael D. "Closing with the enemy : American combined arms operations in the war against Germany, 1944-1945 /." The Ohio State University, 1991. http://catalog.hathitrust.org/api/volumes/oclc/26692664.html.

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Thesis (Ph. D.)--Ohio State University, 1991.<br>Advisor: Allan R. Millett, Dept. of History. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

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Ludewig, George Frederick. "A childhood shaped by World War II." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 72 p, 2009. http://proquest.umi.com/pqdweb?did=1885544251&sid=6&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Books on the topic "World War, 1939-1945 – Propaganda – Germany"

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Auckland, R. G. British 'black' propaganda to Germany, 1941-1945. 2nd ed. Psywar Society, 1989.

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2

Wójcik, Władysława. Prasa gadzinowa Generalnego Gubernatorstwa, 1939-1945. Wydawn. Nauk. Wyższej Szkoły Pedagogicznej, 1988.

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Woźniakowski, Krzysztof. Polskojęzyczna prasa gadzinowa w tzw. Starej Rzeszy, 1939-1945. Wydawn. Naukowe Akademii Pedagogicznej, 2001.

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4

Herf, Jeffrey. The Jewish enemy: Nazi propaganda during World War II and the Holocaust. Belknap Press of Harvard University Press, 2006.

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5

Serrano, Andrew Smith. German propaganda in military decline 1943-1945. Pentland, 1999.

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6

Kohlmann-Viand, Doris. NS-Pressepolitik im Zweiten Weltkrieg: Die "Vertraulichen Informationen" als Mittel der Presselenkung. Saur, 1991.

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7

Vossler, Frank. Propaganda in die eigene Truppe: Die Truppenbetreuung in der Wehrmacht 1939-1945. F. Schöningh, 2005.

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8

Bohse, Jörg. Inszenierte Kriegsbegeisterung und ohnmächtiger Friedenswille: Meinungslenkung und Propaganda im Nationalsozialismus. Metzler, 1988.

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9

I͡A, Orlov I͡U. Krakh nemet͡sko-fashistskoĭ propagandy v period voĭny protiv SSSR. Izd-vo Moskovskogo universiteta, 1985.

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10

Edwards, John Carver. Berlin calling: American broadcasters in service to the Third Reich. Praeger, 1991.

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Book chapters on the topic "World War, 1939-1945 – Propaganda – Germany"

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Kallis, Aristotle A. "Cinema and Totalitarian Propaganda: ‘Information’ and ‘Leisure’ in NS Germany, 1939–45." In Nazi Propaganda and the Second World War. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230511101_9.

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Cull, Nicholas John. "The Gathering Storm: Britain’s American Propaganda Policy, 1937 to 1939." In Selling War. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195085662.003.0002.

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Abstract By January 1937, Britain faced its worst international crisis since the end of World War I. The trouble had begun six years before, when the Japanese army seized Manchuria. Now the threat of further Japanese expansion into China had been augmented by growing instability in Europe. While the League of Nations fumbled with the Abyssinian crisis, Mussolini had drifted toward an alignment with the new menace of Hitler’s Germany. Then, in March 1936, the German army marched into the Rhineland, shattering the foundations of the postwar European peace. With the Spanish Civil War beckoning th

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"“Kultur-terror” Pro-German, Anti-American Propaganda Poster." In Milestone Visual Documents in American History. Schlager Group Inc., 2022. https://doi.org/10.3735/9781935306733.book-part-087.

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This poster was part of the work done by the Norwegian artist Harald Damsleth and his advertising agency, Heralden, undertaken for the extreme right-wing administration of Vidkun Quisling (1887–1945) in Norway during World War II. From the time Nazi troops seized control of most of Norway in April 1945, Quisling’s regime had aligned itself with Germany—and ultimately the Axis Powers of Germany, Italy, and Japan—against the Allies, France and Britain. After France was overrun and capitulated to the Germans on June 25, 1940, and England had fended off Hitler’s Reich for over a year, the Soviet U

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"“Kultur-terror” Pro-German, Anti-American Propaganda Poster." In The Schlager Anthology of American Wars and Conflicts. Schlager Group Inc., 2025. https://doi.org/10.3735/9781961844179.book-part-148.

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This poster was part of the work done by the Norwegian artist Harald Damsleth and his advertising agency, Heralden, undertaken for the extreme right-wing administration of Vidkun Quisling (1887–1945) in Norway during World War II. From the time Nazi troops seized control of most of Norway in April 1945, Quisling’s regime had aligned itself with Germany—and ultimately the Axis Powers of Germany, Italy, and Japan—against the Allies, France and Britain. After France was overrun and capitulated to the Germans on June 25, 1940, and England had fended off Hitler’s Reich for over a year, the Soviet U

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Wight, Martin, and DAVID S. YOST. "Germany in The World in March 1939." In History and International Relations. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192867476.003.0011.

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Abstract The factors that led to Germany’s conquest of Bohemia and Moravia in March 1939 included the pursuit of national revival after defeat in the First World War, the widespread belief in betrayal and stab-in-the-back myths, the backing for the National Socialist movement by “demobilized and unemployable soldiers,” and Hitler’s charismatic leadership. Hitler promoted an ideology of racism and built up his Nazi movement’s power by agitating the masses through crude and brutal oratory. Hitler’s perseverance and organizational skills enabled him to exploit multiple methods of manipulation, fr

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Wight, Martin, and DAVID S. YOST. "Spain and Portugal in The World in March 1939." In History and International Relations. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192867476.003.0013.

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Abstract The Nationalists led by Franco won the 1936–1939 civil war in Spain. “With the victory of the Nationalist Government, Spain’s will to empire, her imperial and Catholic mission, became the constant theme of propaganda.” However, Wight pointed out, “the foreign ambitions of the Nationalist Government, when its authority was at last established throughout the territory of Spain, were limited by physical exhaustion and political instability.” Franco estimated in 1939 that “at least five years’ peace were necessary” before Spain could be ready to enter a war supporting the Axis. In contras

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Nikel, Joanna. "Berlin 1945. Obraz pokonanego miasta w świetle wspomnień i raportów aliantów." In Oblicza Wojny. Tom 5. Miasto i wojna. Wydawnictwo Uniwersytetu Łódzkiego, 2021. http://dx.doi.org/10.18778/8220-699-9.21.

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The aim of this article is to present an image of the fallen German capital, as seen through the eyes of Soviet and American political officers, responsible for rebuilding German life in the sectors of Berlin they occupied. The image of Berlin presented in this article is a picture of the city as seen primarily through the eyes of Soviet officers: Alexander Dymschitz, a literary scholar and cultural editorial staff member at the Tägliche Rundschau newspaper published by the Russians as early as 15 May, Sergei Tjulpanov – head of the Propaganda Board of the Soviet Military Administration in Ger

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Potter, Simon J. "Propaganda and war, 1939–1945." In This is the BBC. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192898524.003.0004.

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During the Second World War, on the home front, the BBC became the crucial mechanism for keeping up morale and distributing official information and propaganda. Similarly, in its international work, the BBC cemented links with Britain’s allies, sought to encourage the US to enter the war against fascism, encouraged a spirit of resistance in occupied nations, and conducted increasingly aggressive psychological warfare against the enemy. This was when the BBC truly became a global broadcaster: its international work was, arguably, a higher priority than broadcasting for listeners in the UK. It f

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"18. Francoist Antisemitic Propaganda, 1939–1945." In Spain, the Second World War, and the Holocaust. University of Toronto Press, 2020. http://dx.doi.org/10.3138/9781487532505-022.

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Piffer, Tommaso. "Resistance and Diplomacy in Occupied Europe." In The Big Three Allies and the European Resistance. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198826347.003.0002.

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Abstract After the Soviet pact with Hitler in August 1939, the international communist movement had to adapt to the new course of Soviet foreign policy, scrapping common fronts with the other antifascist forces and focusing the firepower of its propaganda against the Western democracies. When the war finally broke out in September, the European communist parties did nothing to oppose the German invasion of their countries. In the meantime, it was the British who tried to light the fire of rebellion against the Germans in occupied Europe. In a desperate military position, Britain was in search

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