Relevant bibliographies by topics / Worms (Germany). Paulus Museum

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Academic literature on the topic 'Worms (Germany). Paulus Museum'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Worms (Germany). Paulus Museum"

1

Kasten, Brigitte. "St. Paulus Worms 1002-2002. Kollegiatstift - Museum - Dominikanerkloster, hg. von P. Josef kleine Bornhorst OP." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Kanonistische Abteilung 90, no. 1 (2004): 591–92. http://dx.doi.org/10.7767/zrgka.2004.90.1.591.

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Zuschlag, Christoph. "Paul Klee und die »Entartete Kunst«." Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee-Studien 4, Autumn (2017): 3–18. https://doi.org/10.5281/zenodo.1044098.

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PAUL KLEE AND »DEGENERATE ART« This essay is devoted to the Nazis' stigmatization of Paul Klee as a »degenerate« artist. Klee, who was dismissed from his professorship at Kunstakademie Düsseldorf a few weeks after they took power, was represented in several of the »chambers of horror« in 1933/34, which pilloried modern art. Klee's works were also presented in the travelling Degenerate Art Exhibition (1937 to 1941). The article's second focal theme is an investigation into the seizure of Degenerate Art from German museums (including 134 of Klee's works) and its »exploitation« by the Nazis, whic
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3

Eggelhöfer, Fabienne, Walther Fuchs, and Osamu Okuda. "Autorinnen und Autoren ZM10." Zwitscher - Maschine. Journal on Paul Klee / Zeitschrift für internationale Klee - Studien, no. 10 (July 8, 2021): 110–11. https://doi.org/10.5281/zenodo.5082304.

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<strong>Oskar B&auml;tschmann</strong>, 1943 geb. in Luzern, Promotion und Habilitation in Z&uuml;rich, Professuren in Deutschland, 1990/91 Getty Scholar, 1991&ndash;2009 o. Prof. f&uuml;r Kunstgeschichte an der Universit&auml;t Bern, 2001&ndash;2003 Dekan der Phil.-hist. Fakult&auml;t, 2009&ndash;2018 am Schweizerischen Institut f&uuml;r Kunstwissenschaft SIK-ISEA, Z&uuml;rich; 2005 Professeur de France am Institut National d&rsquo;Histoire de l&rsquo;Art, Paris, 2009/10 Wittkower Professor an der Bibliotheca Hertziana Rom (Max Planck-Institut), 2012/13 Samuel H. Kress Professor am Center for
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"Catalogus." Oud Holland - Quarterly for Dutch Art History 120, no. 1-2 (2007): 70–106. http://dx.doi.org/10.1163/187501707x00257.

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AbstractHerman Jansz Breckerveld was born in Duisburg, Germany, in 1595/1596. He left his birth country for religious and economic reasons, deciding to settle in the Netherlands. There is evidence he was living in The Hague in the year 1622, though there is a strong possibility that he had been in the country for some time before then. It is probable that he learned the trade of glass making from a Master in Arnhem. Whilst living in The Hague Breckerveld befriended David Beck, Master of the French School there. Beck kept a diary of the year 1624 from which much information on the daily lives o
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Books on the topic "Worms (Germany). Paulus Museum"

1

kleine, Bornhorst Josef, ed. St. Paulus Worms 1002-2002: Kollegiatstift, Museum, Dominikanerkloster. Selbstverlag der Gesellschaft für Mittelrheinische Kirchengeschichte, 2002.

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Museum, J. Paul Getty, ed. August Sander: Photographs from the J. Paul Getty Museum. The Museum, 2000.

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Sander, August. August Sander: "In der Photographie gibt es keine ungeklärten Schatten!" : eine Ausstellung des August Sander Archives/Stiftung City-Treff Köln. Ars Nicolai, 1994.

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Sander, August. August Sander: Citizens of the twentieth century : portrait photographs, 1892-1952. MIT Press, 1989.

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Sander, August. August Sander. Aperture, 1997.

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Sander, August. August Sander: Köln wie es war. Kölnisches Stadtmuseum, 1988.

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7

Sander, August. August Sander: Landschaften. Schirmer/Mosel, 1999.

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8

Bischof Burchard, 1000-1025: Tausend Jahre Romanik in Worms : Begleitpublikation zur Ausstellung im Museum der Stadt Worms (11. März bis 1. Oktober 2000). Stadtarchiv Worms, 2000.

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Medieval Literature on Display: Heritage and Culture in Modern Germany. Bloomsbury Publishing Plc, 2020.

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Sterling-Hellenbrand, Alexandra. Medieval Literature on Display: Heritage and Culture in Modern Germany. Bloomsbury Publishing Plc, 2021.

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Conference papers on the topic "Worms (Germany). Paulus Museum"

1

Carneiro De Carvalho, Vânia. "Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.

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In São Paulo/Brazil, between the years 1950 and 1980, porcelain sculptures representing courtesy scenes were fashionable in wealthy and middle-class homes. Several Brazilian factories started to produce such images and many others were imported, the most of them from Germany. These representations were inspired by the fêtes gallants, a rococo style genre from the 18th century. Factories like Meissen, Limoges and Capodimonte produced thousands of copies which circulated in Western Europe and the Russian Empire. During the 19th century, from French institutional policies, the fêtes galantes were
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