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Relevant bibliographies by topics / Worship Church development, New

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Academic literature on the topic 'Worship Church development, New'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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Journal articles on the topic "Worship Church development, New"

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Asmara, Oni Andhi, Endang Susilowati, and Agustinus Supriyono. "The Influence of Charismatic Church Development on Religious Christians Life in the City of Semarang 1970-2015." Indonesian Historical Studies 4, no. 2 (2020): 155–69. http://dx.doi.org/10.14710/ihis.v4i2.8253.

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This article discusses the development of the Charismatic church on the Christians life in Semarang City in 1970-2015 using historical methods and using social religion approach. Since its inception in 1970, the Charismatic church in the city of Semarang has had a major influence on the Christian life in the city. A series of innovations in worship and evangelism that are adapted to the times have made the Charismatic church much in demand by Christians in big cities, one of them is Semarang. Christian interest in the Charismatic church can be seen from the development of the number of Charismatic churches in the city of Semarang. One of the Charismatic churches that is experiencing rapid development is JKI Injil Kerajaan. In the beginning, there were 25 people in the congregations. One decade later it reached 3,557 people and continued to increase to 13,324 people on the next decade. This rapid development has brought significant changes to the Christians life in the city of Semarang. It can be seen, among others, from the increasing number of churches that are full of Charismatic churches at worship services. But on the other hand, the presence of Charismatic church with a new pattern of worship caused less harmonious relationship between non-Charismatic churches and charismatic churches as the result of the high increasing number of original church people who moved to the Charismatic church. It is because Christians in Semarang are mostly more interested in taking worship in the Charismatic church.

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Said, Shannon. "White Pop, Shiny Armour and a Sling and Stone: Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity." Religions 12, no. 2 (2021): 123. http://dx.doi.org/10.3390/rel12020123.

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It has taken many years for different styles of music to be utilised within Pentecostal churches as acceptable forms of worship. These shifts in musical sensibilities, which draw upon elements of pop, rock and hip hop, have allowed for a contemporisation of music that functions as worship within these settings, and although still debated within and across some denominations, there is a growing acceptance amongst Western churches of these styles. Whilst these developments have taken place over the past few decades, there is an ongoing resistance by Pentecostal churches to embrace Indigenous musical expressions of worship, which are usually treated as token recognitions of minority groups, and at worst, demonised as irredeemable musical forms. This article draws upon interview data with Christian-Māori leaders from New Zealand and focus group participants of a diaspora Māori church in southwest Sydney, Australia, who considered their views as Christian musicians and ministers. These perspectives seek to challenge the relationship between Indigenous and non-Indigenous relations within a church setting and create a more inclusive philosophy and practice towards being ‘one in Christ’ with the role of music as worship acting as a case study throughout. It also considers how Indigenous forms of worship impact cultural identity, where Christian worship drawing upon Māori language and music forms has led to deeper connections to congregants’ cultural backgrounds.

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Muster, Janine. "From Silver Screen to Sacred Home: Transforming Places of Entertainment Into Spaces of Worship." Space and Culture 20, no. 4 (2017): 429–40. http://dx.doi.org/10.1177/1206331217720074.

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Forward Christian Community (Forward) is an evangelical church that incorporates Christendom and Jewish traditions into its worship and repurposes an unconventional/commercial space—a former movie theater. Forward started as subsidiary ministry of a larger evangelical church community before becoming its own independent church community separated from its mother church. In this article, I argue that Forward has developed a new vision of how church can take place through its founding members’ shared past and experiences at their mother church—their cultural memory. The conventional–unconventional form of church they developed is manifested through a new form of church space.

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Ibude, Isaac Osakpamwan. "African Art Music and the Drama of Christian Worship among Baptists in Nigeria." East African Journal of Traditions, Culture and Religion 2, no. 1 (2020): 72–82. http://dx.doi.org/10.37284/eajtcr.2.1.226.

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Church music is purpose-driven and functional art. The search for authentic African experience in Christian worship among Nigerian Baptists brought about the introduction of art music compositions into the drama of worship. The paper discusses the development and contextualisation of Baptist worship by the inclusion of new music(s) written, composed and performed by Africans for the purpose of the liturgy, serving as a voice within the culture. The research adopted an ethnographic research design. Data were collected from published works and recorded art music compositions, content analysis of worship bulletins, personal interviews with art music composers, choirmasters and pastors within the denomination. Textual analysis of art music compositions reveals that there are four different modes of communication in the drama of worship: Kerigmatic, Leitourgic, Koinonia, and Reflexive. The emergence and performance of art music compositions in the drama of worship have facilitated communication, indigenisation and acculturation of Christian worship among Baptists in Nigeria.

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Körösvölgyi, Zoltán. "The Sustainable Church: A New Way to Look at the Place of Worship." Periodica Polytechnica Architecture 48, no. 2 (2018): 93–100. http://dx.doi.org/10.3311/ppar.11574.

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    For centuries, the notions of sacred and development were closely related in European culture, both in the field of architecture, and, more broadly, in the arts. Sustainability, in this respect, mostly appeared in non-architectural terms. (The word “sustain” appears multiple times in the Bible, but mostly in relation to humans: me, you, him, them.) Beginning with the Enlightenment, a gap has developed between the two, which is still experienced, and which results in a general distrust, misinformation, and, accordingly, a fundamental misunderstanding between artists, architects and the church. Is the gap too wide to reconnect these two notions? The changes of the 20th and 21st Centuries, having affected and continuing to affect Europe, represent a valid need for the different congregations to rethink their role, and the role of their places of worship. This paper highlights some positive examples of modern and contemporary sacred architecture, designed to reflect an awareness of today’s issues — sustainability, attention to environmental and social issues.   

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Luchenko, Xenia. "The Digitalization of Worship Practices during the Coronavirus Pandemic in the Context of the Mediatization of Orthodoxy." State Religion and Church in Russia and Worldwide 39, no. 1 (2021): 39–57. http://dx.doi.org/10.22394/2073-7203-2021-39-1-39-57.

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The article describes how the closure of churches during the Easter period due to the COVID‑19 pandemic and the quarantine measures led to the shift of everyday liturgical and communication practices to online forms. The experience of distance church life” in April‑June 2020 has shown that both the mediatization of Orthodoxy and the development of Orthodox segment of the internet reached a fundamentally new stage. The author examines this stage using the concept of participatory culture introduced by Henry Jenkins and the cultural studies approaches based on the categories of interactivity and immersion. The shared experience of online worship over a span of several months and the degree of participants’ co‑presence and emotional involvement point to a new level of mediatization that entailed the production and consumption of textual, audio and video content in the course of vertical and horizontal communication. This experience also showed the active development of participatory practices, including the strengthening of interactivity of worship, the unprecedented intensity of immersion, and the prospects of substantial changes in the liturgical life driven by digitalization.

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Bolton, Brenda. "Message, Celebration, Offering: the Place of Twelfth- and Early Thirteenth-Century Liturgical Drama as ‘Missionary Theatre’." Studies in Church History 35 (1999): 89–103. http://dx.doi.org/10.1017/s0424208400013978.

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The Church of Christ, whether congregation, building, or organization, demands at all times continuity in the expression of its message to reinforce the faith of believers and in its purpose to spread the Word among non-believers. In the twelfth and early thirteenth centuries, the growth and development of liturgical drama assisted in the expression of a corporate faith, not only that of well-established communities of monks and cathedral clergy, but also that of the laity for whom dramatic presentations could provide the necessary stimuli to worship. On the frontiers of Christendom too, where missionary endeavour was crucial, the dramatization both of the liturgy and of biblical events helped to lay the foundations for a projected continuity of worship amongst neophytes and those whose faith was not yet secure. Problems inevitably arose as new situations provoked liturgical changes. It thus became essential to ensure that neither the central faith nor the purpose of worship were weakened, diminished, or lost in the face of such change.

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Mpofu, Sifiso. "The significance and impact of African theological renaissance to orthodox Christianity." African Journal of Religion, Philosophy and Culture 1, no. 2 (2020): 21–37. http://dx.doi.org/10.31920/2634-7644/2020/1n2a2.

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The trending African theological discourses in the context of the varied realities which have become the face of Christianity in Africa present a significant theological impact to the nature of orthodox Christianity. The pragmatic nature of the emerging trends in African Christianity cannot go unnoticed in the context of community formation and social development today. The intensity and spontaneity of African Christianity is a clear testimony of theological renaissance at work in the African Church scene. As African Christianity becomes more vibrant and believers become more determined to express their faith; the art of worship has become more and more innovative to the extent that theological discourse has clearly become influenced by pragmatic African values and spirituality thereby resulting in a clear manifestation of a defining paradigm shift in theology. This paper is a qualitative research study in which the theological discourses of the African pragmatic faith expressions are engaged premised on the grounded theoretical framework. This paper, therefore, explores the new conceptual theological thought patterns evolving around the life and work of the Church in Africa by ways and means of analysis to produce explanations and potentially new interpretations. The research concludes by pointing out that the revolutionary wave manifest in the worship life of the Church in Africa has grave political, cultural, and social implications for ‘traditional’ theology since it has the potential to radically change the face of orthodox Christianity for generations to come. Finally, this paper provides a fundamental synopsis of the nature, context and content of African Christianity in an environment where religion has tended to be a pivotal centre for social development and community formation.

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NICGHABHANN, NIAMH. "‘A development of practical Catholic Emancipation’: laying the foundations for the Roman Catholic urban landscape, 1850–1900." Urban History 46, no. 1 (2018): 44–61. http://dx.doi.org/10.1017/s0963926818000226.

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ABSTRACT:The infrastructures of devotion and religious worship in Ireland changed dramatically during the course of the nineteenth century. This article examines the foundation stone ceremonies that marked the beginning of several large-scale building Roman Catholic church building projects between 1850 and 1900, and in particular considers the extent to which these highly visible and ceremonial events prefigured the more permanent occupation of public space by the new buildings. These foundation stone ceremonies were complex events that reflected contemporary political issues such as land rights as much as they engaged with the spiritual concerns of the Roman Catholic congregations in Ireland during this period.

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Shimanskaya, Olga. "Freedom of Religion and Beliefs and Security under the Attack of COVID-19 pandemic." Scientific and Analytical Herald of IE RAS, no. 18 (December 1, 2020): 87–93. http://dx.doi.org/10.15211/vestnikieran620208793.

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The COVID-19 pandemic threatening both to humans’ lives and society gave a start to a row of extreme political measures taken in the EU countries as well as all over the world. But how reasonable are all those protective policies adopted in large numbers by national governments and international institutions? That is the point at issue for today’s scientists, politicians and religious leaders. The measures taken were primarily based on numerous prohibitions including the ban on public worship. It became even more of a nuisance in April 2020 when it came to celebrating Easter, the most important Christian festival. The public worship ban got a mixed reception from European church leaders, clergy and laity. During the first stage of the pandemic both the church and the churchgoers took it for granted and showed no signs of dissatisfaction. Moreover, religious organizations became deeply involved into social and charitable activities. But after the first consequences of the pandemic were thought over the situation took a new turn. Now the church representatives declare the right to religious freedom being violated and criticize national governments for overall discrimination towards the believers. These events are the reason to improve European legislation where it goes to respecting the right to freedom of religion and belief together with maintaining security as the basis for sustainable economic, political and cultural development in Europe.

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Dissertations / Theses on the topic "Worship Church development, New"

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Zander, Dieter. "Developing worship and worship leaders in newly planted churches." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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2

Frankland, Dinelle. "A strategy for leaders who plan worship for new church plants in the Christian Church, non-denominational, to be taught to students at Lincoln Christian Seminary." Online full text .pdf document, available to Fuller patrons only, 2003.

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3

Buckles, Gregory L. "Characteristics of worship in the New Testament church." Theological Research Exchange Network (TREN), 1985. http://www.tren.com.

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Heichler, Kate. "More than a new song new approaches to worship for the age-old church /." Theological Research Exchange Network (TREN) Access this title online. Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

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Karsten, Wilfred L. "New pericopal-based hymnody for Lutheran corporate worship." Theological Research Exchange Network (TREN), 1996. http://www.tren.com.

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Mickelsen, Paul. "The structure and content of New Testament church meetings." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.

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Thielenhaus, John F. "The development and implementation of creative worship for a large North American Baptist church." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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Jarrell, Jane Ellen. "Young children and the worship of the church." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.

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Whited, Rebecca. "A new discipleship curriculum to enhance worship at Tallmadge Lutheran Church, Ohio." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.

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Moutoux, Steven Merrill. "The discovery and development of motivational means and methods for the stimulation of proper worship in the congregation of Trinity Bible Church." Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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Books on the topic "Worship Church development, New"

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Emerging worship: Creating worship gatherings for new generations. EmergentYS, 2004.

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Church planting: The next generation : introducing the Century 21 Church Planting System. Light and Life Press, 1994.

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Grosbach, Theodore D. Church planting. Word Aflame Press, 2012.

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Jasper, Ronald C. D. The development of the Anglican liturgy, 1662-1980. SPCK, 1989.

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Schaller, Lyle E. 44 questions for church planters. Abingdon Press, 1991.

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Christoph, Schalk, ed. Natural Church Development Implementation Manual. British Church Growth Association, 1998.

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Burcaw, Robert T. Discovering the new Moravian book of worship. Interprovincial Women's Board of the Moravian Church, 1995.

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Christoph, Schalk, ed. Implementation guide to natural church development. ChurchSmart Resources, 1998.

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Logan, Robert E. Church planter's checklist. Charles E. Fuller Institute, 1987.

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Logan, Robert E. Church planting workbook. Charles E. Fuller Institute, 1985.

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Book chapters on the topic "Worship Church development, New"

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Ousterhout, Robert G. "New Church Architecture and the Rise of Monasticism." In Eastern Medieval Architecture. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190272739.003.0014.

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By the end of the ninth century, Byzantium emerged from the Transitional Period as a smaller entity, limited for the most part to Turkey, Greece, and the southern Balkans. Society was also transformed, from open to closed, from public to private. A new type of church architecture emerged—small, centralized, and domed (the “cross-in-square” church type)—perfectly suited to the private worship of the family or the small congregation. The church’s spatial organization was matched by the development of a standardized decorative program (in mosaic or fresco) that reflected the hierarchy of Orthodox belief. Monasticism emerged as a major social force, although in contrast to Western Europe, Byzantine monasteries remained relative small, with an organization that resembled that of the household (oikos).

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Gribben, Crawford. "The Experience of Dissent." In Church Life. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198753193.003.0007.

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This chapter examines developments in John Owen’s thinking about church government, church membership, and the observation of the sacraments. It will outline his experiments in ecclesiology in the 1640s, when the Independent party emerged as a movement for reform within the national church. It will suggest reasons for his apparent lack of interest in ecclesiology in the 1650s: a period in which his principal writings make little reference to the benefits of church membership, and in which Owen’s own ecclesiastical affiliation cannot be traced. It will discuss the renewal of his interest in church life in the 1660s and beyond, particularly as his Restoration works on the principles of public worship, together with a very complete set of auditor’s notes covering almost twenty years of his preaching, offer new ways of understanding the challenge he faced in turning local church principles into local church practice.

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"The Dis/Embodied Church: Worship, New Media and the Body." In Christianity in the Modern World. Routledge, 2016. http://dx.doi.org/10.4324/9781315571935-6.

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"CONCLUSION: ESTABLISHING A NEW FUNDAMENTAL CONCEPT ON SOCIAL AND ECONOMIC DEVELOPMENT." In Farewell to China's GDP Worship. WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813220249_0007.

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Amaladass, Anand. "Worship and Spirituality." In Christianity in South and Central Asia. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439824.003.0028.

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Christians in South Asia can be classified into three groups: the intellectual Christian elites, uneducated clerics, and the faithful ‘folk’ of the villages. After Vatican II came renewal in liturgy, church activities and social awareness. The word ‘Christian’ may be used as adjective of Christendom (a civilisation), or of Christianity (a religion among others) or of Christianness (a personal – but not individualistic – spirituality). The new trend is one of ‘Christic consciousness’. Aloysius Pieris speaks of an inter-textual encounter between the Hebrew-Christian Bible and the Pali Buddhist Tripitakas, paying regard to divergent cultural matrices and underlying socio-political histories. The most significant achievement of Christian spirituality came in changing the attitude of Hindus to people with low social status. The Retreat movement, started on a large scale in Potta, Kerala, still attracts thousands of people. The collapse of Soviet rule provided opportunity not only for the Orthodox Church to revive but also for new evangelical movements to establish their presence. Today, one talks of a ‘Christophany’ where the Spirit is at work beyond the rational or doctrinal approach; not mere exegesis of the ‘inspired’ texts, but it penetrates into every manifestation of the human spirit.

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"Factors Leading to the Selection and Closure of the New Testament Canon." In The Early Church at Work and Worship, Vol I. The Lutterworth Press, 2014. http://dx.doi.org/10.2307/j.ctt1cgf18p.23.

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Ward, Pete. "Celebrity Worship as Parareligion." In Religion and Popular Culture in America, Third Edition. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520291447.003.0016.

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This chapter presents a study of celebrity worship in an attempt to clarify how popular culture can be like religion, although both remain categorically different. Most approaches to religion involve at least one of the following ideas: a belief in a supernatural power, the significance of religion to generate community life or some kind of church, or a divine power's influence on people's lives. Celebrity culture in almost all of these respects falls significantly short of what is required of a formal religion. Yet rather than dismissing celebrity worship as not religiously significant, it might be possible to cast new light on how, through the action of the media, and through the agency of audiences and fans, something like (and not like) religion is starting to emerge. The term for this is “parareligion.” Parareligion is based on the premise that celebrity worship is not a religion but has religious parallels. Parareligion suggests that religious elements are present but that they are presented ambiguously. These religious elements are often contradictory and open to a variety of different understandings.

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"III. Christian Theology in Arabic: A New Development in Church Life." In The Church in the Shadow of the Mosque. Princeton University Press, 2007. http://dx.doi.org/10.1515/9781400834020-006.

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Spinks, Bryan D. "The Liturgical Revolution." In The History of Scottish Theology, Volume II. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198759348.003.0023.

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The nineteenth-century Scottish Presbyterian Churches witnessed a ‘Liturgical Revolution’. In part an expression of the wider Romantic movement, some ministers became concerned with the aesthetics of prayer and worship. Some began to publish ‘specimens’ of good practice. A major development was made by Robert Lee of Greyfriars, who published a liturgy that he used as a set form in Greyfriars. The Church Service Society was founded in 1865 to publish liturgies of the past, and drawing on the whole Christian liturgical heritage, compiled forms for the guidance of ministers. The century also witnessed the adoption of hymns in worship in addition to psalms and paraphrases, and the reintroduction of stained glass to adorn church buildings. A theology for this was developed by the Scoto-Catholics of the Scottish Church Society.

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Gomes, Catherine, and Jonathan Tan. "Christianity as the Sixth Aspirational ‘C’." In Money and Moralities in Contemporary Asia. Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463723107_ch09.

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Singapore is one of the richest countries in the world, whose citizens have an insatiable appetite for economic mobility. Many Singaporeans have become highly attracted to emerging Christian groups which marry basic Christian beliefs, such as the worship of Christ, with wealth accumulation. Known as megachurches, these groups preach a liturgy known as ‘prosperity gospel’ which equates wealth with worship. Though digital ethnography and content analysis of webpages and social media platforms, this chapter investigates two prominent megachurches in Singapore and their founding pastors: New Creation Church with Pastor Joseph Prince and City Harvest Church with Pastor Kong Hee. The results of such analyses reveal that wealth and material accumulation have become the foundations of Singaporean Christianity.

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Conference papers on the topic "Worship Church development, New"

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Udvardy, P., T. Jancso, and B. Beszedes. "3D modelling by UAV survey in a church." In 2019 New Trends in Aviation Development (NTAD). IEEE, 2019. http://dx.doi.org/10.1109/ntad.2019.8875580.

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