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Books on the topic 'Write blocker'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Bryant, Roberta Jean. Anybody can write: A playful approach : ideas for the aspiring writer, the beginner, the blocked writer. Novato, Calif: New World Library, 1999.

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2

Rose, Mike. When a writer can't write: Studies in writer's block and other composing-process problems. New York: The GuildfordPress, 1985.

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3

Write: 10 days to overcoming writer's block : period. Avon, Mass: Adams Media, 2006.

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4

Bach, Richard. Writer ferrets: Chasing the muse. New York: Scribner, 2002.

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5

Sutton, Joseph. Write now: On the road to getting published or how I learned to sell my book. Berkeley, Calif: Mad dog publishing, 2008.

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6

The midnight disease: The drive to write, writer's block, and the creative brain. Boston: Houghton Mifflin, 2004.

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7

Keyes, Ralph. The courage to write: How writers transcend fear. New York: H. Holt, 2003.

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8

The courage to write: How writers transcend fear. New York: H. Holt, 1995.

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9

Writing from the inside out: Transforming your psychological blocks to release the writer within. New York: Wiley, 2000.

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10

When a Writer Can't Write: Studies in Writer's Block and Other Composing Problems. The Guilford Press, 1985.

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11

When a Writer Can't Write: Studies in Writer's Block and Other Composing Problems. The Guilford Press, 1985.

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12

Bryant, Roberta Jean. Anybody Can Write: A Playful Approach ( Ideas for the Aspiring, the Beginning, and the Blocked Writer ). Barnes & Noble, 2002.

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13

Peterson, Karen E. Write: 10 Days to Overcome Writer's Block. Period. Adams Media Corporation, 2006.

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14

Edwards, Andrew. Beat Your Writer′s Block. SAGE Publications, Limited, 2020.

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15

Flaherty, Alice Weaver. Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain. Houghton Mifflin Harcourt Trade & Reference Publishers, 2015.

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16

The Midnight Disease: The Drive to Write, Writer's Block, and the Creative Brain. Mariner Books, 2005.

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17

Drummond, Rob. Simple Story Selling: How To Eliminate Writer's Block, and Write Stories That Sell. CreateSpace Independent Publishing Platform, 2017.

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18

The Courage to Write: How Writers Transcend Fear. Owl Books, 1996.

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19

Bach, Richard. Writer Ferrets: Chansing the Muse (Bach, Richard. Ferret Chronicles, V. 3.). Audioworks, 2002.

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20

Gelbart, Larry, and Palumbo Dennis. Writing from the Inside Out: Transforming Your Psychological Blocks to Release the Writer Within. Wiley & Sons, Incorporated, John, 2000.

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21

Gelbart, Larry, and Dennis Palumbo. Writing from the Inside Out: Transforming Your Psychological Blocks to Release the Writer Within. Wiley & Sons, Incorporated, John, 2008.

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22

Fischer, Ronald. Human Essences and Cultural Embeddedness. Edited by Martijn van Zomeren and John F. Dovidio. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190247577.013.20.

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This chapter examines biology and culture as interactive influences in shaping the human essence, arguing that “culture is biological.” In particular, it considers the idea that cultural embeddedness might be a distinct human attribute from an evolutionary perspective. It then shows how biological processes shaped over millennia have culminated in a species that has the ability to read and write, play computer games, and fly airplanes. It also explores the genes-physiology-neuroscience side of human behavior and the social-cultural-economic environment in which the behavior takes place, along with the basic building blocks of values. Finally, it discusses some characteristics that make humans unique: their ability to build on previous innovations; their differentiation into social roles and the assignment of consensually agreed social status; and their belief in supernatural agents.

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23

McGuiness, C. L., R. K. Smith, M. E. Anderson, P. S. Weiss, and D. L. Allara. Nanolithography using molecular films and processing. Edited by A. V. Narlikar and Y. Y. Fu. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199533060.013.23.

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This article focuses on the use of molecular films as building blocks for nanolithography. More specifically, it reviews efforts aimed at utilizing organic molecular assemblies in overcoming the limitations of lithography, including self-patterning and directed patterning. It considers the methods of patterning self-assembled organic monolayer films through soft-lithographic methods such as microcontact printing and nanoimprint lithography, through direct ‘write’ or ‘machine’ processes with a nanometer-sized tip and through exposure to electron or photon beams. It also discusses efforts to pattern the organic assemblies via the physicochemical self-assembling interactions, including patterning via phase separation of chemically different molecules and insertion of guest adsorbates into host matrices. Furthermore, it examines the efforts that have been made to couple patterned molecular assemblies with inorganic thin-film growth methods to form spatially constrained, three-dimensional thin films. Finally, it describes a hybrid self-assembly/conventional lithography (i.e. molecular rulers) approach to forming nanostructures.

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24

Silberstein, Michael, W. M. Stuckey, and Timothy McDevitt. Relational Blockworld: Experience, Time, and Space Reintegrated. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807087.003.0009.

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Chapter 8 argues that the Relational Blockworld (RBW) account naturally admits a kind of neutral monism that simultaneously deflates the generation/hard problem and explains time as experienced. Thus, the claim that the block universe is incompatible with time as experienced is refuted. The first section sets the stage, the second focuses on the Passage of time, and the third focuses on the Direction of time. Section four argues that embodied, embedded, and extended cognitive science and phenomenology support the neutral monism of RBW. The fifth section focuses on freedom, spontaneity, and creativity in RBW. Objections to the block universe picture based on free will in human action and creativity and spontaneity in the universe writ large are refuted. It is shown that RBW has all the freedom, creativity, and spontaneity anyone could reasonably hope for. Section six characterizes Presence in detail, and its relation to time as experienced is discussed.

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25

Aspell, Luke. Shivers. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325970.001.0001.

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Shivers (1975) was David Cronenberg's first commercial feature and his first horror film. In a modern apartment block, a scientific project to unleash the id results in the equation of passion with contagion and predation. Because the writer-director's imaginative landscape arrived in the genre fully formed, the unique forms of this début have often been overlooked or mistaken for shortcomings. Cronenberg's most comedic film until Map to the Stars, Shivers is also his most spectacularly unnerving, throwing more images of extreme behavior at us than any of his subsequent films; it remains, with Crash, his most disquieting and transgressive film to date. This book's analysis addresses all channels of communication available to the 35mm sync-sound narrative feature, including shot composition, lighting, cinematographic texture, sound, the use of stock music, editing, costume, makeup, optical work, the screenplay, the casting, and the direction of the actors. This tour of Shivers as “cognitive territory” takes in architecture, cultural context, critical reception, and artistic legacy.

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26

Kadavy, David. How to Write a Book: An 11-Step Process to Build Habits, Stop Procrastinating, Fuel Self-Motivation, Quiet Your Inner Critic, Bust Through Writer's Block, & Let Your Creative Juices Flow. Independently Published, 2018.

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27

AUSTIN, Marvin. Notebook: Retro Building Blocks and Bricks Novelty Vintage Great Gift Best Just Birthday Gift Ideas Funny Cute Teenages Matching Composition College Notebook and Diary to Write in / 120 Pages of Ruled Lined and Blank Paper / 6 X 9. Independently Published, 2020.

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