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1

Ippolito, Emilia. Caribbean women writers: Identity and gender. Camden House, 2000.

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2

John, Simmons. Telling stories: A writers approach to identity. Interbrand Newell and Sorrell, 1998.

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3

Alaks, Jorj Ke. Reinventing identity: An anthology of Dalit writers, Kerala. Vikas Adhyayan Kendra, 2008.

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4

Women writers and national identity: Bachmann, Duden, Özdamar. Cambridge University Press, 2003.

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5

Alaks, Jorj Ke. Reinventing identity: An anthology of Dalit writers, Kerala. Vikas Adhyayan Kendra, 2008.

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6

name, No. Lives in translation: Bilingual writers on identity and creativity. Palgrave Macmillan, 2003.

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7

Potboiler. G.P. Putnam's Sons, 2012.

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8

Charalambous, Zoe. Writing Fantasy and the Identity of the Writer. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20263-7.

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9

The letter Q: Queer writers' notes to their younger selves. Arthur A. Levine Books, 2012.

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10

Forging Shoah memories: Italian women writers, Jewish identity, and the Holocaust. Palgrave Macmillan, 2014.

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11

Straight, Susan. Take one candle light a room. Pantheon Books, 2010.

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12

Taylor, Myra. Friendships, peer socialization, and social identity among adolescent skateboarders and graffiti writers. Nova Science Publisher's, 2010.

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13

British travel writers in Europe, 1750-1800: Authorship, gender, and national identity. Ashgate, 2001.

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14

American writers and the picturesque tour: The search for national identity, 1790-1860. Garland Pub., 1997.

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15

Reiner, Carl. NNNNN: A novel. Simon & Schuster, 2006.

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16

Hilary, Davidson. The damage done. Forge, 2010.

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17

Hilary, Davidson. The damage done. Forge, 2012.

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18

Licking the spoon: A memoir of food, family, and identity. Seal Press, 2012.

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19

Who's yer daddy?: Gay writers celebrate their mentors and forerunners. Terrace Books, 2012.

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20

Perspectives & identities: The Elizabethan writer's search to know his world. Rubicon Press, 1989.

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21

Reading contemporary Indonesian Muslim women writers: Representation, identity and religion of Muslim women in Indonesian fiction. Amsterdam University Press, 2009.

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22

Writerly identities in Beur fiction and beyond. Lexington Books, 2011.

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23

McKegney, Sam. Magic weapons: Aboriginal writers remaking community after residential school. University of Manitoba Press, 2007.

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24

The shadows within: Essays on modern Jewish writers. Jewish Publication Society, 1987.

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25

Charalambous, Zoe. Writing Fantasy and the Identity of the Writer: A Psychosocial Writer’s Workbook. Palgrave Macmillan, 2019.

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26

Wong, Hertha D. Sweet. Picturing Identity. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469640709.001.0001.

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In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works p
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27

Hiddleston, Jane. Assia Djebar. Liverpool University Press, 2006. http://dx.doi.org/10.5949/liverpool/9781846310317.001.0001.

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Assia Djebar: Out of Algeria is a book about expatriation, and the constant, necessary revisiting that follows. In the book, Hiddleston seeks to conceptualise Djebar’s progressive struggle and dissatisfaction with the notion of Algerian identity by referring to a number of contemporary theoretical concepts. Hiddleston’s analysis of the Djebar’s gradual and partial ‘expatriation’ is shaped heavily by the writer’s participation in crossroads between French philosophy, multiple Algerian traditions, and Anglo-American postcolonial theory. The study also situates Djebar’s thinking in recent French
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28

Identity: A Reader for Writers. Oxford University Press, 2013.

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29

Pabón-Colón, Jessica Nydia. Graffiti Grrlz. NYU Press, 2018. http://dx.doi.org/10.18574/nyu/9781479806157.001.0001.

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Since the dawn of Hip Hop graffiti writing in the late ‘60s, graffiti writers have inscribed their tag names on cityscapes across the globe to claim public space and mark their presence. In the absence of knowing the writer’s identity, the onlooker’s imagination defaults to the gendered, classed, and racialized conventions framing a public act that requires bodily strength and a willingness to take legal, social, and physical risks. Graffiti subculture is thus imagined as a “boys club” and consequently the graffiti grrlz fade from the social imagination. Utilizing a queer feminist perspective,
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30

Sain, Sucha, ed. Search for identity: Writers workshop 89. Vudya Kitaban Forlag, 1991.

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31

Walker, Wendy, and Megan Titus. Gender: A Reader for Writers. Oxford University Press, 2016.

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32

(Editor), Valerie Harris, ed. Identity: Poems and writing from Teen Writers Academy. BPT Media, 2007.

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33

Reinventing identity: An anthology of Dalit writers, Kerala. Vikas Adhyayan Kendra, 2008.

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34

Isabelle, De Courtivron, ed. Lives in translation: Bilingual writers on identity and creativity. Palgrave Macmillan, 2003.

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35

1972-, Taylor Claire, ed. Identity, nation, discourse: Latin American women writers and artists. Cambridge Scholars Pub., 2009.

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36

Identity, nation, discourse: Latin American women writers and artists. Cambridge Scholars Pub., 2009.

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37

Courtivron, Isabelle De. Lives in Translation: Bilingual Writers on Identity and Creativity. Palgrave Macmillan, 2003.

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38

British Travel Writers in Europe 1750-1800 : Authorship, Gender, and National Identity: Authorship, Gender, and National Identity. Taylor & Francis Group, 2017.

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39

Identity Memory And Diaspora Voices Of Cubanamerican Artists Writers And Philosophers. State University of New York Press, 2009.

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40

Any, Carol. Soviet Writers' Union and Its Leaders: Identity and Authority under Stalin. Northwestern University Press, 2020.

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41

Any, Carol. Soviet Writers' Union and Its Leaders: Identity and Authority under Stalin. Northwestern University Press, 2020.

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42

Headcase: LGBTQ Writers and Artists on Mental Health and Wellness. Oxford University Press, Incorporated, 2019.

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43

Cremin, Teresa, and Terry Locke. Writer Identity and the Teaching and Learning of Writing. Taylor & Francis Group, 2016.

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44

Writer Identity and the Teaching and Learning of Writing. Taylor & Francis Group, 2016.

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45

Cremin, Teresa, and Terry Locke, eds. Writer Identity and the Teaching and Learning of Writing. Routledge, 2016. http://dx.doi.org/10.4324/9781315669373.

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46

Take One Candle Light a Room. Pantheon, 2010.

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47

Flings: Stories. 2014.

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48

Coolwell, Wayne. My Kind of People: Achievement, Identity and Aboriginality (Uqp Black Australian Writers). University of Queensland Pr (Australia), 1994.

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49

Homans, Margaret. Women Writers and Poetic Identity: Dorothy Wordsworth, Emily Bronte and Emily Dickinson. Princeton University Press, 2014.

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50

Homans, Margaret. Women Writers and Poetic Identity: Dorothy Wordsworth, Emily Bronte and Emily Dickinson. Princeton University Press, 2014.

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