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Journal articles on the topic 'Writer’s identity'

Author: Grafiati

Published: 4 June 2021

Last updated: 11 February 2022

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1

Yasmin, Tayyabba, and Muhammad Asim Mahmood. "A Comparative Analysis of Writer’s Identity in Pakistani Research Theses of English and Psychology." International Journal of English Linguistics 7, no. 6 (2017): 255. http://dx.doi.org/10.5539/ijel.v7n6p255.

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Authorial presence is the prominent feature of personal metadiscourse. The most significant representation of the writer’s visibility can be represented by using personal pronouns. It helps to establish a direct link between the writer and reader through text. Conversely, writer’s persona in research theses has not received much attention, especially in the field of English and Psychology in Pakistani context. Viewing academic discourse as an interaction, this paper investigates the use of writers’ visibility markers in Pakistani research theses of English and Psychology. Drawing on Karahan’s

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Kamecka, Małgorzata. "History and Identity according to Leïla Sebbar." Literatūra 61, no. 4 (2019): 54–66. http://dx.doi.org/10.15388/litera.2019.4.4.

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Leila Sebbar, since the beginning of her literary work, has been describing her identity experience connected with her mixed family origins: the writer’s father was Algerian and her mother French. This prevailing thread in her texts demonstrates the weight of the (re)construction of identity, frequently incoherent and delicate, in order to confirm her ethnic and cultural affinity.The author of this article is interested in problems, so close to the writer, of identity and history. The point of departure of the reflection on Sebbar’s attitude towards mother tongues of her parents is the analysi

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Baicoianu, Anca. "Exile and Identity Reconfiguration." Journal of World Literature 3, no. 1 (2018): 10–22. http://dx.doi.org/10.1163/24056480-00301002.

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Abstract This article tackles the experience of exile as described in Norman Manea’s fictional and non-fictional works. My analysis will focus on the relations between language and belonging, as well as on the role of history and memory in the process of identity reconfiguration. The main assumption of this essay is that the shift between reterritorialization and deterritorialization as conditions inflecting the writer’s sense of identity and belonging could provide useful suggestions for a broader investigation concerning the transformations having affected Romanian culture after 1989, while

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Litričin Dunić, Dragana. "LITERATURE AND IDENTITY." Journal Human Research in Rehabilitation 5, no. 1 (2015): 35–38. http://dx.doi.org/10.21554/hrr.041501.

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Literature can represent, on the one hand, the establishment of cultural and national identity, and, on the other hand, a constant indicator of the differences. Self-image and the image of the Other in literature is very important not only for understanding national character and preservation of cultural identity, but also for the release from ideological reading and stereotyping. Analyzing the image of the Other, research into the representation of the Balkans symbolically represents in the popular literature of the West, study of the cultural context and the processes that formed the writer’

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Ketterer, Stan, Ray Murray, and Jared Johnson. "Most readers in dark when bylines differ from staff writer; taglines do little to help." Newspaper Research Journal 41, no. 2 (2020): 218–30. http://dx.doi.org/10.1177/0739532920919821.

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An experiment was conducted to determine whether perceptions of the newspaper and story differed by byline type. The findings not only indicate few participants know a story is native advertising, they rarely know the writer except a staff writer. Thus, perceptions mainly differed little. Other bylines were not detailed enough for readers to fully know the writer’s identity, and few read to the tagline. Stronger measures were recommended to fully inform readers about the writer.

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Lammers, Jayne C., and Valerie L. Marsh. "“A Writer More Than . . . a Child”: A Longitudinal Study Examining Adolescent Writer Identity." Written Communication 35, no. 1 (2017): 89–114. http://dx.doi.org/10.1177/0741088317735835.

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This article reconsiders theoretical claims of identity fluidity, stability, and agency through a longitudinal case study investigating one adolescent’s writing over time and across spaces. Qualitative data spanning her four years of high school were collected and analyzed using a grounded theory approach with literacy-and-identity theory providing sensitizing concepts. Findings uncovered how she laminated identity positions of perfectionism, expertise, risk taking, and learning as she enacted her passionate writer identity in personal creative writing, English classrooms, an online fanfiction

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Kanwal, Nagina, Samina Amin Qadir, and Kamran Shaukat. "Writing Instructions at a University and Identity Issues: A Systemic Functional Linguistics Perspective." International Journal of Emerging Technologies in Learning (iJET) 16, no. 06 (2021): 275. http://dx.doi.org/10.3991/ijet.v16i06.19485.

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In this paper, we explore the discoursal identity in the academic writing of a postgraduate student from the University of Pakistan where English is the medium of instruction as well as taught as a foreign language. The study aims to find out the extent and the specific ways dominant conventions and practices enable and constrain meaning-making. It also helps to identify the role of social and institutional goals in shaping the discoursal identity of students. To achieve our objectives, we have conducted a linguistic analysis of the student’s academic texts by using Systemic Functional Linguis

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8

Wu, Lili. "A Corpus-based Study on the Writer’s Identity in German Academic Writing." Theory and Practice in Language Studies 5, no. 1 (2015): 147. http://dx.doi.org/10.17507/tpls.0501.20.

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9

Karp, Karol. "Viaggio e identità." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 49, no. 2 (2014): 318–32. http://dx.doi.org/10.1075/rro.49.2.06kar.

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The work of Carmine Abate is characterised by the presence of certain thematic structures. Among these the motif of a journey should be emphasised, which plays an important role in the writer’s novel, Scanderberg’s Motorcycle, analysed in the article. Apart from the journey, another key structure appears in the work — that of identity. The aim of the text is to demonstrate the relation between the past and the present. Abate sketches this issue in the light of the influence which a journey exerts on identity.

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Kuvač-Levačić, Kornelija. "Subject identity in the fiction writer’s autobiography and the “biography of a work of fiction”." Libri et Liberi 5, no. 1 (2016): 77–93. http://dx.doi.org/10.21066/carcl.libri.2016-05(01).0004.

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11

Zhang, Lu. "Cultural Unconscious And L2 Writer’s Identity Construction—A Case Study On Ha Jin." Comparative Literature: East & West 4, no. 2 (2020): 156–70. http://dx.doi.org/10.1080/25723618.2021.1882085.

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Martin, Patrick, and John Finnis. "The Identity of ‘Anthony Rivers’." Recusant History 26, no. 1 (2002): 39–74. http://dx.doi.org/10.1017/s0034193200030703.

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Since Henry Foley in 1877 published extensive extracts from a set of letters purporting to have been written from London to correspondents in Venice, between January 1601 and April 1603, ‘by Anthony Rivers S.J.’, a ‘socius of Fr. Henry Garnet S.J.’, historians have found these letters valuable evidence concerning Queen Elizabeth’s declining days, the government’s secret involvement in the Appellant controversy within the Catholic priesthood (1597–1602), the ‘inch thick’ paint reference in Hamlet, the possible originating circumstances of Twelfth Night, and other matters. But no Jesuit Anthony

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PRIYMAK, I. "STYLISTIC DOMINANTS OF OKSANA KERCH’S NOVEL «NARECHENY»." Current issues of linguistics and translation studies, no. 19 (October 30, 2020): 89–92. http://dx.doi.org/10.31891/2415-7929-2019-19-18.

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The article examines the work of Oksana Kerch – a representative of the literary process of the interwar period in Halychyna. Her work is considered in relation to the general artistic trends of the day, in particular in terms of stylistic features of the writer’s prose. For a long time, her work, removed from the cultural process, was on the margins of literary criticism. Although Oksana Kerch’s prose is unknown to the general public, her artistic heritage is original and distinctive. At one time, the writer’s works were published on the pages of well-known periodicals, such as “Women’s Fate”

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Subramony, Dr R. "Autobiography as a Quest for Identity." IJOHMN (International Journal online of Humanities) 4, no. 1 (2018): 6–14. http://dx.doi.org/10.24113/ijohmn.v4i1.109.

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What is the difference between biography and autobiography? The former is more revealing and hence is more in demand. According to Graham Greens autobiography is only ‘a sort of life’. It is more selective. He observed that ‘it begins later and ends prematurely. If one cannot close a book of memoirs on the death bed, any conclusion must be arbitrary’. The reader of an autobiography becomes an interested witness to the writer’s account of his life. He is a keen observer of an author’s obsession with his identity and the crises of his life. The reader can find lessons for his own life from the a

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Gilfanova, Gulnara Tavkilevna, Alfiia Revanerovna Valeeva, and Elena Alexandrovna Nikulina. "The German Novel of the 1960-70s: Artistic Conception of History." Revista Amazonia Investiga 9, no. 26 (2020): 554–57. http://dx.doi.org/10.34069/ai/2020.26.02.62.

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In the German-language literature of the 1960-70s, novelistic prose emerged, which not only narrated about the German identity but also appealed to international solidarity and the formation of historical worldview. The German novel of the second half of the 20th century, associated with the original artistic conception of the history of a yet divided Germany, was given new meaning in the works of such writers as Johannes Bobrowski, Erwin Strittmatter, Franz Fühmann, and Jurek Becker. Bobrowski’s artistic style laid the foundation for a generation of writers following his original creative leg

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Струкова, Татьяна Георгиевна. "R. GARY ON IDENTITY AND DIFFERENCE IN THE NOVEL «WHITE DOG»." Вестник Тверского государственного университета. Серия: Филология, no. 1(68) (April 9, 2021): 90–97. http://dx.doi.org/10.26456/vtfilol/2021.1.090.

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Статья посвящена исследованию проблемам национальной идентичности, реализации авто/гетеростереотипов в межличностной коммуникации в романе французского писателя Р. Гари «Белая собака». Автор анализирует писательское представление о тождестве и различии, об истоках конфликта, который в XXI веке получил название «расизм наоборот». The article is devoted to the investigation of problems of national identity, realization of auto and getero stereotypes in interpersonal communication in the novel by the French author R. Gary «White Dog». The author analyses the writer’s idea on identity and differen

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Corber, Robert J. "Queering I Am Not Your Negro: or Why We Need James Baldwin More Than Ever." James Baldwin Review 3, no. 1 (2017): 160–72. http://dx.doi.org/10.7227/jbr.3.10.

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The author reviews Raoul Peck’s 2016 film, I Am Not Your Negro, finding it a remarkable achievement as a documentary that breaks with cinematic conventions and emphasizes the importance of listening as much as looking. The director has singled out Baldwin as the writer whose work spoke most directly to his own identity and experience during his peripatetic childhood in Haiti and Africa, and in I Am Not Your Negro, Peck aims to ensure that Baldwin’s words will have a similar effect on audiences. However, even as it succeeds in reanimating Baldwin’s voice for a new political era, I Am Not Your N

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Phan Thi Huyen, Trang. "Symbol of Sheep in Haruki Murakami’s novels." Journal of Science Social Science 65, no. 8 (2020): 31–38. http://dx.doi.org/10.18173/2354-1067.2020-0046.

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Murakami is a writer who has a talent for using symbols. In addition to the Cat, the Well, the Wall,... the Sheep, which is a familiar object in his life, has become one of the unique symbols. In his novel, Murakami portrayed the sheep as the symbol of Japanese strength, of evil, of material and power desires... In particular, the sheep also participates in the process of magical narration and creates many unexpected meanings for readers. In summarize, the Sheep have contributed significantly to increase the ranks of meanings in the writer’s narration, and at the same time affirm Japanese cult

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Vasylenko, Vadym. "“Phenomenon of dual face”: Yurii Kosach at intersection of myth and ideology." Слово і Час, no. 5 (October 2, 2020): 96–113. http://dx.doi.org/10.33608/0236-1477.2020.05.96-113.

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The paper offers an analysis of Yurii Kosach’s literary heritage in the context of the Ukrainian literary process of the 20th century. The main subject is biographical, ideological, aesthetic, and ethical factors that influenced the formation of the writer’s self-identity. Special attention is paid to the ambivalence of Kosach’s worldview, the duality of his status, which was reflected in his literary self-representation. The views of Yurii Kosach on the historical role, cultural and social aims of the emigrants have been clarified. The paper discusses the history of the conflict between

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Prashcheruk, Natalia V. "Ivan Bunin’s Attraction: The Formation of a Creative Personality." Izvestia of the Ural federal university. Series 2. Humanities and Arts 22, no. 4 (202) (2020): 224–37. http://dx.doi.org/10.15826/izv2.2020.22.4.073.

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This article examines Ivan Bunin’s early work Attraction (1897), whose complete version was first published in 2019. The author demonstrates that the story features a number of attributes related to the portrayal of characters, plot organisation, chronotope, narration, and intertextuality, all of which help compare the young writer’s style with his later works, understand the patterns of his style’s evolution, and trace the genesis of Bunin’s original artistic philosophy and writing manner. The first chapter is a classical exposition and not only is it an example of well-learned lessons of Rus

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Fernandes, Ana Raquel. "Transgression and Empowerment in Sarah Hall’s Short Fiction." American, British and Canadian Studies 35, no. 1 (2020): 152–72. http://dx.doi.org/10.2478/abcsj-2020-0021.

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Abstract This essay delivers an analysis of the innovative short fiction of contemporary British writer Sarah Hall. It gives particular consideration to the first two collections of short stories published by the author, The Beautiful Indifference (2011) and Madame Zero (2017), as well as looking into the possibilities offered by her latest collection, Sudden Traveler (2019). Hall focuses attention on such varied contemporary preoccupations as identity, gender, violence and death. My goal is to discuss the way that identities are subverted or transgressed in her short stories and how the topic

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Williams, Tony. "The Writer Walking the Dog: Creative Writing Practice and Everyday Life." American, British and Canadian Studies Journal 20, no. 1 (2013): 224–38. http://dx.doi.org/10.2478/abcsj-2013-0016.

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Abstract Creative writing happens in and alongside the writer’s everyday life, but little attention has been paid to the relationship between the two and the contribution made by everyday activities in enabling and shaping creative practice. The work of the anthropologist Tim Ingold supports the argument that creative writing research must consider the bodily lived experience of the writer in order fully to understand and develop creative practice. Dog-walking is one activity which shapes my own creative practice, both by its influence on my social and cultural identity and by providing a time

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Larbaoui, Meissa. "Exploring the Theme of Cultural Identity in the Poem “Song of Lawino”: The Use of Halliday’s Transitivity in Revealing Ideologies." Advances in Language and Literary Studies 10, no. 6 (2019): 20. http://dx.doi.org/10.7575/aiac.alls.v.10n.6p.20.

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The individual’s identity is crucial in his/her life in countless fields, especially the social, political, and economic ones. It is constructed by different cultural elements: ethnicity, history, traditions, language, religion, literature, etc. In the colonial period, the elites tried to erase the cultural identity of the colonized nations and forced the assimilation of their own culture. This image was highly seen in Africa during colonialism. Consequently, in postcolonialism; different Africans were not aware of their real identity and chose to westernize their culture. Literature was one o

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Kelly, James E. "“To Evangelize the Poor”." Lumen et Vita 9, no. 2 (2019): 21–28. http://dx.doi.org/10.6017/lv.v9i2.11125.

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In this essay, I will examine the scriptural basis for Origen’s interpretation of Luke 4:18-19 as an allusion to Jesus’ identity as savior, not as a call to social justice. I argue that this interpretation is consistent with the intentions of the gospel writer. The essay begins with an analysis of the gospel writer’s redaction of Mark 1 in Luke 3-5. Based on that redaction, I hypothesize that Luke intends to emphasize Jesus’s identity with the anointed one mentioned in Isaiah 61:1-2. This excerpt from Isaiah not only gives Luke 4:18-19 its Christological significance but also clarifies Luke’s

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Ilina, Olena. "VOCABULARY OF THE COLLECTION OF NOVELS BY YU. M. MUSHKETIK «GREEN RYE»." Research Bulletin Series Philological Sciences 1, no. 193 (2021): 343–47. http://dx.doi.org/10.36550/2522-4077-2021-1-193-343-347.

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Ukrainian literature is famous for a lot of creative personalities who are the spiritual and moral leaders of the nation. Their work is designed to awake the highest values, national identity in each person. The article provides information about the vocabulary of a collection of short stories by the outstanding Ukrainian master of words Yu. M. Mushketyk. It is emphasized that the author uses the expression of colloquial vocabulary, as well as outdated vocabulary, introduces dialectisms and professionalisms into the text, mostly in order to create the appropriate color, give the character or t

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Klimková, Simona. "Reclaiming the Past: Restoration of Personal and Communal History in Petals of Blood." Prague Journal of English Studies 7, no. 1 (2018): 111–22. http://dx.doi.org/10.1515/pjes-2018-0007.

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Abstract The implications of the colonialist discourse, which suggested that the colonized is a person “whose historical, physical, and metaphysical geography begins with European memory” (Thiong’o, 2009), urged postcolonial writers to correct these views by addressing the issues from their own perspectives. The themes of history and communal/national past thus play a prominent role in postcolonial literature as they are inevitably interwoven with the concept of communal identity. In Petals of Blood (1977), the Kenyan writer Ngũgĩ wa Thiong’o explores the implications of social change as broug

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Chkhaidze, Elena K. "‘Russia is always ahead of time…’ Аndrey Bitov on himself, the empire, the Russian language and literature". Voprosy literatury, № 6 (20 грудня 2019): 117–32. http://dx.doi.org/10.31425/0042-8795-2019-6-117-132.

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One of the last interviews given by Andrey Bitov, often considered a founder of Russian Postmodernism, before his death. His books are a symbiosis of knowledge (of history, culture, and literature) and play, which is perceived as the driver of alternating meanings constantly undergoing a transformation. The idea behind the conversation was not only to clarify the questions left unanswered upon the reading of Bitov’s epic Empire in Four Dimensions [ Imperiya v chetyryokh izmereniyakh ] and other books, but also to identify the foundations of the writer’s views. In one of his last interviews, Bi

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Herlambang, Saifuddin, and Syamsul Kurniawan. "Hegemony of Involvement of Tafsir in Political Identity." ESENSIA: Jurnal Ilmu-Ilmu Ushuluddin 19, no. 1 (2018): 83. http://dx.doi.org/10.14421/esensia.v19i1.1489.

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Tafsir is a process of text transmission that is inseparable from the ideological and theoretical framework as well as the influence of socio-political conditions and intellectual traditions of interpreters in which the interests will always be present in all the transmission process. This research focuses on the clarity of interpretation in identity politics, which departs from the writer’s anxiety about the phenomena of dragging tafsir in identity politics, as well as the prevalent trends occurring today in Indonesian politics as in the context of the Jakarta Local Election where the QS al-M

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Larenta, Anna. "Metamorficzność postaci w twórczości Olgi Tokarczuk." Białostockie Studia Literaturoznawcze, no. 16 (2020): 83–113. http://dx.doi.org/10.15290/bsl.2020.16.05.

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The article discusses the functions of metamorphous characters in Olga Tokarczuk’s works. Drawing on the post-humanist criticism, the author of the article demonstrates how the Noble Prize winner uses the ambiguous ontic existence of hybrid characters in order to interrogate the well-established boundaries of species identity. The proposed reading of the metamorphous nature of Tokarczuk’s characters follows the writer’s own assertion that each being constitutes an indispensable part of the world’s entity.

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Jarząb-Napierała, Joanna. "“No Country for Old Men”? The Question of George Moore’s Place in the Early Twentieth-Century Literature of Ireland." Text Matters, no. 8 (October 24, 2018): 25–42. http://dx.doi.org/10.1515/texmat-2018-0002.

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The paper scrutinizes the literary output of George Moore with reference to the expectations of the new generation of Irish writers emerging at the beginning of the twentieth century. Although George Moore is considered to belong to the Anglo-Irish ascendancy writers, he began his writing career from dissociating himself from the literary achievements of his own social class. His infatuation with the ideals of the Gaelic League not only brought him back to Dublin, but also encouraged him to write short stories analogous to famous Ivan Turgenev’s The Sportsman’s Sketches. The idea of using a Ru

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Billany, Ruth. "Dog at My Feet: A Moment of Identity Construction within Dissertation Acknowledgements." Society & Animals 22, no. 3 (2014): 221–40. http://dx.doi.org/10.1163/15685306-12341325.

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Abstract Human-animal studies (has) is a legitimate and multidisciplinary academic endeavor. In the last three decades, there has been a proliferation of articles revealing multiple ways of knowing about the human-animal relationship. This paper, informed by social psychological theories, turns the mirror upon new researchers as they emerge as professional selves into academia. Post-graduate students engage multiple and sometimes contradicting identities throughout their candidatures. The unit of analysis is the dissertation acknowledgement (da) at both a structural and functional level. The d

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Ruzhitsky, Igor V. "‘Fear’ and ‘laughter’ of F.M. Dostoevsky." Neophilology, no. 27 (2021): 483–94. http://dx.doi.org/10.20310/2587-6953-2021-7-27-483-494.

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The work uses the materials of the Dostoevsky’s Language Dictionary argues the key function of idioglossas fear and laughter in F.M. Dostoevsky thesaurus. Thus, the main method of the research is the lexicographic parametrization of the author’s lingual identity. The relevance of the topic being developed is the need for further search of the methods for reconstructing the lingual identity, specifically – the lingual identity of Dostoevsky. These idioglossas are the centers of the corresponding textual semantic fields, which are undoubtedly interconnected with each other in the writer’s worldv

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Toldi, Éva. "Life Stories and Interculturality." Acta Universitatis Sapientiae, Philologica 6, no. 1 (2014): 87–104. http://dx.doi.org/10.1515/ausp-2015-0009.

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Abstract This article examines two short stories: Teréz Müller’s Igaz történet [A True Story] and József Bálint senior’s Imádkozzál és dolgozzál [Pray and Work]. The argument explores the way the texts reflect on shifts in power in the Hungarian region of Vojvodina, and the way power structures define the relationship between majority and minority in a society that undergoes constant and radical changes. Contemporary historical events of the twentieth century, changes, faultlines, traumatic life events and identity shifts emerge as the contexts for these narratives of the daily experiences of

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Dvoryashina, Nina A. "Semantic Space of Character’s Smile in Sholokhov’s Novel “The Quiet Don”." Proceedings of Southern Federal University. Philology 2021, no. 2 (2021): 39–53. http://dx.doi.org/10.18522/1995-0640-2021-2-39-53.

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The article is devoted to the study of the role of a smile in creating images of the characters of the novel of М. А. Sholokhov “The Quiet Don”, disclosing their psychological state. The study revealed that one of the important and distinctive techniques in characterizing this non-verbal gesture is its metaphorical description. Its analysis allowed the author of the article to come to the following results: 1) most often Sholokhov uses such varieties of this means of expressiveness as metaphors of light, temperature, movements reflecting not only the mental experiences of the characters, but a

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Aziz, Ahmed Saad. "A Woman’s Struggle for Identity and Existence: A Critical Study of Fadia Faqir’s My Name is Salma." لارك 4, no. 31 (2019): 1–12. http://dx.doi.org/10.31185/lark.vol4.iss31.201.

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Abstract This paper attempts to critically trace the Arab woman fugitive who flees from what the so-called backward world to the so-called modern and civilized world. It is a loss in a hypocrite world where in each part of it people assume humanity and coexistence. However, the real truth is that each person is a racist and ethnic against the other. The paper examines the postcolonial text that reveals the instill gap of racism and inferiority of East to the West. Gaining the Western identity by an Easterner is not an end of abusing and disdaining, it is also a new door for a new name of

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Glăvan, Gabriela. "Max Blecher’s Central European Affinities." Studia Universitatis Babeș-Bolyai Philologia 66, no. 2 (2021): 21–32. http://dx.doi.org/10.24193/subbphilo.2021.2.02.

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"Max Blecher’s Central European Affinities. Max Blecher’s connections with the Central European literary imaginary, which scholars have established through readings that place Blecher in the proximity of authors such as Bruno Schulz or Franz Kafka, could be revisited not only comparatively, but also by tackling some key issues in his work and biography that may confirm the writer’s belonging to this vast intellectual territory. Provincial spaces, marginality, uncertainties regarding identity, existential confusion, immaturity, the pervasiveness of objects and of the artificial, they all reveal

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SABOURIN, ROBERT, RÉJEAN PLAMONDON, and LOUIS BEAUMIER. "STRUCTURAL INTERPRETATION OF HANDWRITTEN SIGNATURE IMAGES." International Journal of Pattern Recognition and Artificial Intelligence 08, no. 03 (1994): 709–48. http://dx.doi.org/10.1142/s0218001494000383.

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The interpretation of handwritten signature images should be closely related to the writer’s identity. The representation and analysis of the handwritten signature is the major challenge in the field of automatic signature verification. A new concept of representation and interpretation of handwritten signature images is advocated. The segmentation process breaks up the signature into a collection of arbitrarily-shaped primitives. In the next step, a local interpretation process serves as a sophisticated template matching, permitting the labeling of all primitives from the test primitive set.

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Raissouni, Iman. "Authoritative Structures of British Feminist Colonial Discourse: Emily Keen’s Travel Narrative My Life Story as a Case Study." International Journal of Linguistics, Literature and Translation 4, no. 6 (2021): 20–27. http://dx.doi.org/10.32996/ijllt.2021.4.6.4.

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This paper analyses the representation of Morocco by a British female traveller during the late nineteenth and early twentieth century. Emily Keen’s My Life Story attempts to set out the conditions in which women travelled and translated the reception of their experiences into autobiographies in their native countries, breaking down the boundaries of space and time to discover and interpret the discourse that traverses the writer’s narrative. The endeavour is to show how what was imagined about the country, what was a fantastic legend about Morocco, what started as an innocent story and litera

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Žindžiuvienė, Ingrida Eglė. "Nostalgia for the Lost Homeland as Part of Identity in Alė Rūta’s Works." Jednak Książki. Gdańskie Czasopismo Humanistyczne, no. 9 (April 24, 2018): 97–108. http://dx.doi.org/10.26881/jk.2018.9.09.

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The article examines the representation of nostalgic memory of the lost homeland, Lithuania, in the Lithuanian diaspora writer’s, Alė Rūta’s (1915-2011), trilogy called “The Destiny of the Exiled”, which consists of the novels Pirmieji svetur (1984; Eng. - The First Abroad), Daigynas (1987; Eng. – The Seedling Plot), and Skamba tolumoj (1997; Eng. Echoes from Afar). These novels describe the multilayered problems of Lithuanian immigration into the U.S.A. and life of the immigrants there. Alė Rūta (Elena Nakaitė-Arbienė) is a well-known Lithuanian author, most of whose works (novels and collect

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KATYAYANI, M., and K. USHA RANI. "The Turmoil Of India In The Twilight Years Of British Empire – In Nayantara Sahgal’s Novel “Mistaken Identity”." Think India 22, no. 2 (2019): 204–8. http://dx.doi.org/10.26643/think-india.v22i2.8720.

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Nayantara Sahgal is the author of nine Novels, ten works of non-fiction and wide-ranging literary and political commentary. She has received the Sahitya Akademi Award, the Sinclair Prize and the Commonwealth Writer’s Prize. The Novel “Mistaken Identity” is an elegant, adroitly constructed, mordantly written story of the playboy Bhushan singh, son of the Raja of Vijaygarh. He is arrested and thrown into jail and charged with treason. The Novelist successfully depicts the British officers’ partial Judgements, tortures of Indian National Activists and the prison rules. As news o

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Nazir, Faisal. "POSTCOLONIAL AESTHETICS: AFFECT, AFFECTION OR AFFECTATION?" Journal of Social Sciences and Humanities 58, no. 1 (2019): 13–23. http://dx.doi.org/10.46568/jssh.v58i1.26.

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This article analyzes the concept of postcolonial aesthetics as developed and debated by such critics as Bill Ashcroft, Elleke Boehmer and Robert Young. In particular, it critiques Ashcroft’s theorization of the postcolonial aesthetics in his article ‘Towards a Postcolonial Aesthetics’ and recommends an alternative approach to the conceptualization of postcolonial aesthetics with reference to Muhammad Hasan Askari’s essay on Ahmed Ali’s novel Twilight in Delhi. It questions Ashcroft’s emphasis on the hybrid linguistic makeup of the postcolonial text as the source of the particular aesthetic ef

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Sieradzka-Baziur, Bożena. "Podmiotowość nadawcy w dawnym tekście naukowym... na podstawie analizy manifestu pedagogicznego Janusza Korczaka Jak kochać dziecko. Dziecko w rodzinie." ANNALES UNIVERSITATIS PAEDAGOGICAE CRACOVIENSIS. STUDIA LINGUISTICA, no. 14 (December 15, 2019): 203–17. http://dx.doi.org/10.24917/20831765.14.17.

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The article concerns the writer’s identity in the old scientific text in the light of Janusz Korczak’s work How to love a child. A child in the family. Attention was also paid to the roles which the author plays in the text. He is identical with the author of the work and he is a doctor, educator and philosopher. The article also discusses the emotional involvement of the author and his pedagogical passion. The history of the book creation was discussed, and then the language forms, through which the subject of the text was revealed, were shown.

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Crawford Camiciottoli, Belinda. "‘My almost-leggings-so-I’m-kind-of-cheating jeans’: Exploring hyphenated phrasal expressions in fashion discourse." Text & Talk 39, no. 1 (2018): 1–24. http://dx.doi.org/10.1515/text-2018-2016.

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Abstract The language of fashion was first investigated by Roland Barthes in his influential book Système de la Mode, but it has since received scant attention from linguists, perhaps due to perceptions of frivolousness associated with the fashion world. This study explores contemporary fashion discourse through a systematic analysis of hyphenated phrasal expressions as linguistic features that are analytically challenging, but with strong expressive potential. The Fashion Discourse Corpus consists of 396,125 words compiled from the traditional fashion press (Vogue, Women’s Wear Daily, Harper’

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Jativa, Tomasz. "Form and Power On the Disciplinary Coding of National Identity in “Pamiętnik Stefana Czarnieckiego” by Witold Gombrowicz." Czytanie Literatury. Łódzkie Studia Literaturoznawcze, no. 9 (April 1, 2021): 253–67. http://dx.doi.org/10.18778/2299-7458.09.13.

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The aim of this article is to analyse Witold Gombrowicz’s short story entitled “Pamiętnik Stefana Czarnieckiego” in the context of the convergence between the writer’s worldview and the philosophy of Michel Foucault. Nietzschean motifs inspired both authors to formulate a similar constructivist anthropology and a similar criticism of the concept of discipline. The themes of form and creating a human being by a human being – central to Gombrowicz’s writing – correspond to Foucault’s notion of the production of the subject. In such a perspective, “Pamiętnik Stefana Czarnieckiego” can be read as

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Kyzylova, Vitalina. "Ukraine by Ulas Samchuk: the synthesis of political and artistic worldviews." LITERARY PROCESS: methodology, names, trends, no. 15 (2020): 54–59. http://dx.doi.org/10.28925/2412-2475.2020.15.8.

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The article comprehends the ideological-political, historiosophical beliefs of Ulas Samchuk, the author’s vision and understanding of Ukraine, projections of national identity and the specifics of their translation into the writer’s artistic texts. It is noted that his literary works as spiritual and aesthetic organisms necessarily combine knowledge of geopolitics, internal attitudes and beliefs, the author’s will, translated within the chosen style of presentation. The priority for the writer is the initial foundations of artistic thinking, which depend on the success of the search for Ukrain

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Kovalets, L. M., M. B. Lanovyk, and Z. B. Lanovyk. "“I am a Rusin, I am a Hutsul…”: Ethnoimagological dominants of Yuriy Fedkovych’s vision." Rusin, no. 63 (2021): 223–40. http://dx.doi.org/10.17223/18572685/63/12.

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The article examines how images of other nations are formed in the artistic world of a writer – a representative of another nation. Employing the imagological approach with its tools for studying the ethnic structures of the text and drawing on E. Smith’s concept of the national identity and E. Levinas’s concept of the Other, the author analysies the problem of perception of the Other on the interpersonal and intercultural levels, using the artistic heritage of the Ukrainian Rusin writer Yu. Fedkovych as a case study. The article highlights the dominants in the representation of other ethnic g

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Shсhedrina, Nellya M. "Autobiography and Self-Reflection in Alexander Solzhenitsyn’s “The GULAG Archipelago”." Proceedings of Southern Federal University. Philology 2021, no. 1 (2021): 124–34. http://dx.doi.org/10.18522/1995-0640-2021-1-124-134.

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“The GULAG Archipelago” is based on historical and autobiographical material. Autobiography is a key feature of the works of Alexander Solzhenitsyn. This style trait manifests itself in the plot, composition, is expressed in the ways of self-reflection, methods of self-identification, in the functions and role of the author-narrator. The retrospective component, as well as the identity of the author and the narrator, the identity of the author and the character, are of fundamental importance. The type of narration chosen by Solzhenitsyn for “The Archipelago” opened up inexhaustible possibiliti

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Levy, Nurit. "Représentations de l’absence et du manque : de La Dispersion au Livre brisé de Serge Doubrovsky." Quêtes littéraires, no. 1 (December 30, 2011): 111–21. http://dx.doi.org/10.31743/ql.4651.

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Author and academic, Serge Doubrovsky is an important figure in contemporary French literature. His numerous publications foretell the emergence of a new literary concept, positioning him in the domain of post-modernism with the emergence of auto-fiction. From The Dispersion to The Broken Book, the auto-fiction unfolds in a jerky narrative while the genesis of the work revolves around a profound sense of lack and absence that the writer tries to fill through his writing. The experience of World War II left a life long indelible mark on the writer’s own identity and brings forth the creation of

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Lisak-Gębala, Dobrawa. "„Kicz, kiczyzm” Justyny Bargielskiej." Przestrzenie Teorii, no. 31 (December 6, 2019): 173–96. http://dx.doi.org/10.14746/pt.2019.31.9.

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The article develops the analysis of recurrent kitschy motifs in poetry and prose by Justyna Bargielska. This authoress consciously and intensively takes advantage of pop-cultural kitsch, kitsch connected to maternity and femininity, sacrokitsch and consolatory kitsch used in mourning practices. She derives many fetishized objects from these areas and transforms them into private talismans; she also borrows many established pop-cultural visions that serve her heroines to create their identity, but sometimes these patterns become a costume for individual fears and phantasies. The term ‘kitschis

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Shevtschenkо, Тetiana. "Типологія Одеси в Есеїстиці Б. Херсонського". Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 48, № 3 (2020): 255–68. http://dx.doi.org/10.36770/bp.529.

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The article analyzes the topological peculiarities of Odessa embodiment in B. Khersonsky’s essays from the perspective of the ”essay of place” as a peculiar variation of the writer’s literary platform in topological format, which is a continuation of verbal searches, established in other practices, the ones that are already traditional for the writer. Odessa is outlined through the important topographic accents made by the means of reflection, the author’s personal attachment to topological realities rooted in the past, and their experience, attraction to theorizing the phenomenon of space its

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