Academic literature on the topic 'Writer-Critics'
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Journal articles on the topic "Writer-Critics"
Alther, Lisa, Claire Sprague, Carey Kaplan, and Ellen Cronan Rose. "The Writer and Her Critics." Women's Review of Books 6, no. 1 (October 1988): 11. http://dx.doi.org/10.2307/4020312.
Full textMasykur, Hasan Basri, Halimi Zuhdy, Ifi Erwhintiana, and Muhammad Majed Al-Dakhiel. "NAQD AL-TAHDÎTS FÎ RIWÂYAH LAYÂLÎ TURKISTAN LI NAJIB AL-KAELANI BINÂ’ ‘ALÂ WIJHAH NADZHAR THEODOR WIESENGRUND ADORNO." Arabi : Journal of Arabic Studies 7, no. 1 (June 30, 2022): 125–40. http://dx.doi.org/10.24865/ajas.v7i1.278.
Full textRejmak, Barbara. "Note sulla prefazione autoriale alla Cognizione del dolore di Carlo Emilio Gadda." Acta Philologica, no. 59 (2022) (December 30, 2022): 85–94. http://dx.doi.org/10.7311/acta.59.2022.8.
Full textModina, Galina I. "History of Publishing of G. Flaubert’s Philosophical Drama “The Temptation of St. Anthony”." Bibliotekovedenie [Russian Journal of Library Science], no. 3 (May 25, 2009): 50–55. http://dx.doi.org/10.25281/0869-608x-2009-0-3-50-55.
Full textÅgerup, Karl. "Competing Images. The Posthumous Reception of Jean Genet." Moderna Språk 111, no. 2 (December 19, 2017): 1–14. http://dx.doi.org/10.58221/mosp.v111i2.7729.
Full textAlexandrova, Elmira K. "International scientific conference “Writer versus critic: Social roles, genre preferences, language”." Philological Sciences. Scientific Essays of Higher Education, no. 2 (March 2022): 153–58. http://dx.doi.org/10.20339/phs.2-22.153.
Full textRamšak, Polona. "Ishiguro’s Japanese-English Identity and His Reception Internationally and in Slovenia." Acta Neophilologica 54, no. 1-2 (December 7, 2021): 99–114. http://dx.doi.org/10.4312/an.54.1-2.99-114.
Full textJastrzębska, Katarzyna. "Rosyjska i polska recepcja twórczości Romana Sienczina w latach 2001-2021." Acta Neophilologica 1, no. XXIV (May 15, 2022): 163–80. http://dx.doi.org/10.31648/an.7436.
Full textGurenkova, Julia V. "Perception of absurdistic texts of Achille Campanile in criticism." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2022): 164–70. http://dx.doi.org/10.20339/phs.5-22.164.
Full textFrancis, Conseula. "Reading and Theorizing James Baldwin: A Bibliographic Essay." James Baldwin Review 1, no. 1 (September 29, 2015): 179–98. http://dx.doi.org/10.7227/jbr.1.11.
Full textDissertations / Theses on the topic "Writer-Critics"
Kensky, Eitan Lev. "Facing the Limits of Fiction: Self-Consciousness in Jewish American Literature." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10716.
Full textNear Eastern Languages and Civilizations
Goulart, Clarice de Mattos. "A quem cabe a última palavra? O lugar social do escritor e do crítico em Rubens Figueiredo." Niterói, 2017. https://app.uff.br/riuff/handle/1/3605.
Full textApproved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-05-16T17:31:39Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação - Clarice Goulart - final.pdf: 681792 bytes, checksum: c405eb14f771b9a868e3146d5b87c11a (MD5)
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Fundação Carlos Chagas Filho de Amparo à Pesquisa do Estado do Rio de Janeiro
Este trabalho tem o objetivo de analisar a representação do escritor e do crítico de arte tematizada por Rubens Figueiredo nos contos “A última palavra” (Contos de Pedro, 2006) e “Os biógrafos de Albernaz” (O livro dos lobos, 1994, 1ª ed.), bem como no romance Barco a seco (2001). Ao apresentar a trajetória desses personagens e sua relação com as diversas esferas de consagração do campo literário ou artístico, as narrativas possibilitam uma rica discussão sobre a inserção e a manutenção do escritor no mercado editorial brasileiro contemporâneo, na medida em que o reconhecimento desses personagens passa pela chancela do editor e da crítica. A partir dessa investigação, é possível ampliar a discussão para temas como autoridade do escritor e distinção social. Além disso, uma vez que a atividade profissional dos personagens analisados está ligada a um sistema de visibilidade e de garantia de privilégios, desenvolve-se uma discussão sobre a ética do escritor, sobre sistemas de valoração, e, também, sobre o lugar social não só do crítico, do escritor e do editor, mas do livro e do leitor – sobretudo no que se refere ao valor do livro. A orientação teórica deste trabalho articula-se com as ideias apresentadas por Eneida Maria de Souza, Néstor Garcia Canclini, Pierre Bourdieu, Regina Dalcastagnè e Beatriz Sarlo
This work aims to analyse the representation of writers and the art critic presented by Rubens Figueiredo in the short stories “A última palavra” (Contos de Pedro, 2006), and “Os biógrafos de Albernaz” (O livro dos lobos, 1994, 1ª ed.), as well as in the novel Barco a seco (2001). Presenting characters in their relation with the possibilities of consecration in the literary field, the three narratives provide varied themes of discussion concerning contemporary insertion and maintenance of writers into Brazilian literary field, considering the fact that their appreciation is directly connected to editors’ and critics’ approval. The examination includes a wide discussion about writers’ authority and social distinction. Furthermore, regarding the characters professional activities and their association with a system which guarantees visibility and privileges, this work develops a discussion about ethics, value systems, and, also, about the place which critics and writers, readers and, mainly, books, occupy in Brazilian contemporary society. This work’s theoretical orientation articulated with ideas presented by Eneida Maria de Souza, Néstor Garcia Canclini, Pierre Bourdieu, Regina Dalcastagnè, and Beatriz Sarlo
Lorandini, Francesca. "Au-delà du formalisme : la critique des écrivains en France et en Italie pendant la seconde moitié du XXe siècle." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100044.
Full textMy dissertation covers the field of what Albert Thibaudet called “the critique of artists” in order to show that, throughout the second half of the twentieth century, this form of criticism has given readers a different perspective on literature in comparison to that of the formalists and the neo-avant-garde. In the first part of my study, I examine the evolution of formalist criticism in the twentieth century, considering the linguistic turn of the 1960s as the natural outcome of a cultural revolution which took place at the end of the nineteenth century. By conducting a comparative study between France and Italy, I attempt to outline a transnational model which shows that the two formalist critiques share the same understanding of the literature postulated by the neo-avant-garde. The second part of my thesis is devoted to the study of one of the main tendencies in the critique of the writers since the Second World War, a tendency that called into question a purely intrinsic study of the work of art. Here, I propose a comparative study of the literary critique of Georges Perec, Michel Tournier, Philippe Muray, Tommaso Landolfi, Pier Paolo Pasolini and Pier Vittorio Tondelli, in order to underline that their critical practice has not limited itself to a personal declaration of their poetic views, but it has truly opened up an alternative approach to formalist theoretical positions. They refused to speak of literature as a secluded world, and by doing so they anticipated one of the most important features of the literature of the end of the twentieth century, both in France and in Italy
Lorandini, Francesca. "Au-delà du formalisme. La critique des écrivains en France et en Italie pendant la seconde moitié du XXe siècle." Doctoral thesis, Università degli studi di Trento, 2014. https://hdl.handle.net/11572/367942.
Full textBooks on the topic "Writer-Critics"
K, Stead C. Book self: The reader as writer and the writer as critic. Auckland, N.Z: Auckland University Press, 2008.
Find full textThe story of a New Zealand writer: Jane Mander. Dunedin, N.Z: University of Otago Press, 1998.
Find full textAuchterlonie, Dorothy. The writer, the reader and the critic in a monoculture. [Townsville, Queensland]: Foundation for Australian Literary Studies, James Cook University of North Queensland, 1986.
Find full textUhlmann, Anthony, ed. Gerald Murnane. Sydney University Press, 2020. http://dx.doi.org/10.30722/sup.9781743326404.
Full textWest, John. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816409.003.0001.
Full textBook Self: The Reader as Writer and the Writer as Critic. Auckland University Press, 2008.
Find full textGoodman, Susan, and Carl Dawson. William Dean Howells: A Writer S Life. University of California Press, 2005.
Find full textBodroghkozy, Aniko. Is This What You Mean by Color TV? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036682.003.0008.
Full textBook chapters on the topic "Writer-Critics"
McKay, Claude. "A Negro Writer to His Critics (1932)." In The New Negro, 390–93. Princeton University Press, 2008. http://dx.doi.org/10.1515/9781400827879-073.
Full textMcKAY, CLAUDE. "A Negro Writer to His Critics (1932)." In The New Negro, 390–93. Princeton University Press, 2021. http://dx.doi.org/10.2307/j.ctv1j6675s.75.
Full text"The Writer Seeking Vengeance: Blognovelism and Its Relationship with Literary Critics." In Best Served Cold: Studies on Revenge, 125–35. BRILL, 2010. http://dx.doi.org/10.1163/9781848880436_015.
Full textPolonsky, Vadim V. "Dostoevsky through Western Optics: the Case of Knut Hamsun and not only." In F.M. Dostoevsky in Literary and Archival Sources of the Late 19th — the First Third of the 20th Century, 195–209. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0662-8-195-209.
Full textBax, Sander. "‘The Most Successful Writer of the Netherlands’." In Branding Books Across the Ages. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723916_ch09.
Full textHoefle, Arnhilt Johanna. "The Antibourgeois Bourgeois Writer." In China's Stefan Zweig. University of Hawai'i Press, 2017. http://dx.doi.org/10.21313/hawaii/9780824872083.003.0004.
Full textAilwood, Sarah. "Katherine Mansfield, Nettie Palmer and Critical Influence." In Katherine Mansfield and Literary Influence. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748694419.003.0012.
Full textLee, Anthony W. "Introduction: Modernity Johnson?" In Samuel Johnson Among the Modernists, 1–20. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781942954668.003.0001.
Full textRubin, Andrew N. "Transnational Literary Spaces at War." In Archives of Authority. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691154152.003.0004.
Full textPavelieva, Yulia Е. "Literary Critics of ‛Grani’ on the Works of Ivan Bunin." In I.A. Bunin and his time: Context of Life — History of Work, 357–64. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/ab-978-5-9208-0675-8-357-364.
Full textConference papers on the topic "Writer-Critics"
Matveeva, I. I. "Two Yushki: Andrey Platonov in search of a positive hero." In SCIENCE OF RUSSIA: GOALS AND OBJECTIVES. L-Journal, 2020. http://dx.doi.org/10.18411/sr-10-12-2020-22.
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