Academic literature on the topic 'Writer Houses'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Writer Houses.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Writer Houses"
1
Isnaeni, Iin, and Diah Intan Kusumo Dewi. "What Are the Changes in the Use of Space in The Residential Neighborhood of Residence as A Place of Business?" Jurnal Teknik Sipil dan Perencanaan 20, no. 1 (2018): 30–40. http://dx.doi.org/10.15294/jtsp.v20i1.12390.
Full textAbstract:
Kampung Batik Kauman is the first batik village in Pekalongan where located in the center of Pekalongan.Location and development of Kampung Kauman as batik tourism village has an impact on the physical development, oneof which is marked by the changes of residential house function into a business house. Based on the phenomenon, thepurpose of this paper is to identification space use of business houses in Kampung Batik Kauman. The writer appliedquantitative descriptive method. From the research results can be seen that there are five types of business houses in theKampung Batik Kauman, namely residential houses and batik production; residential houses and batik showrooms;residential houses, production and showroom of batik; residential and boarding houses; and residential houses and tradingand services (except batik). Space utilization of home business in Kampung Kauman consists of the type of utilization ofmixed and separate business house space.
2
Talaskivi, Katri. "Ammattitaiteilijuus ja kirjailijana olemisen ehdot muunkielisten kirjailijoiden näkökulmasta." Kulttuuripolitiikan tutkimuksen vuosikirja 5, no. 1 (2020): 6–25. http://dx.doi.org/10.17409/kpt.92259.
Full textAbstract:
In this article I describe the results of a questionnaire survey done on non-dominant language writers in Finland, and reflect this on the criteria by which a professional artist has been traditionally defined in Finland. The background data consists of reports and studies on artists' social standing conducted by Arts Promotion Center Finland, Cupore and the Finnish Writers' Union.
 There were 31 responses to the study from non-dominant language residents of Finland who identify themselves as writers. Among these writers, the most often mentioned factor to define a professional writer were published works. Published works have also been central when a professional artist / writer has been defined in the Finnish art support system since its beginning in the late 1960's and early 1970's, and indirectly they are important also when professionalism is defined through memberships of trade unions, grants, main income source etc. as in all these evaluation in based on work that has been approved as part of the art world, i. e published by a publishing house. 
 According to this reflection, the Finnish way of defining a professional writer to a great extent excludes writers who are unable to publish their work on paper through commercial publishing houses, let alone in Finnish or Swedish. This is the case with most writers with refugee, assylum seeker or voluntary exile background, or writers who come from countries with a different publishing industry from the Finnish model, or whose audiences are spread in all parts of the globe; instead, they publish online for political, financial, or practical reasons.
 My article strengthens the argument that the Finnish institutionalist way of defining a professional artist needs to be modified, especially on the level of institutional practises, to meet the reality of a quickly multilingualized society.
3
Driessen, J. M. "Earthquake-Resistant Construction and the Wrath of the "Earth-Shaker"." Journal of the Society of Architectural Historians 46, no. 2 (1987): 171–78. http://dx.doi.org/10.2307/990185.
Full textAbstract:
The writer investigates possible anti-seismic construction techniques used in Minoan architecture on Bronze Age Crete. The frequency of earthquakes in the Aegean seems to imply the presence of such techniques. Starting by noting the methods still in use in Turkey and other dangerous areas, the writer looks at the practice of projections and setbacks, the near absence of windows, room dimensions, roof and floor construction, the presence of partition walls, the size and number of stories, town planning, the presence of cornices and ring beams, and other construction details which helped to improve the anti-seismic capability of Minoan houses. Attention is given to the location of houses and to the question of whether or not the Minoans used these methods consciously. The writer believes they did, not only because of the frequency of these earthquakes but also because of the religious connotations and the existence of an architectural koiné in earthquake-stricken areas in the ancient Mediterranean and Near East, in contrast with Egypt.
4
Liman ; Hartanto Budiyuwono, Craven Arden. "ANALYSIS OF CYCLE 8 PERIOD FLYING STAR FENG SHUI ON CYCLE 7 PERIOD RESIDENTIAL SPACE LAYOUT." Riset Arsitektur (RISA) 3, no. 02 (2019): 188–204. http://dx.doi.org/10.26593/risa.v3i02.3279.188-204.
Full textAbstract:
Abstract- Flying Star Feng Shui is one of many Feng Shui forms using the compass method. Flying Star Feng Shuiuses Lo Shu Square with constantly changing number on each palace for every period, unlike traditional LoShu Square which has been used for thousands of years. The concept of Flying Star Feng Shui lies on the dynamicprinciple of time which changes the luck of a person. The objects on this study is a few houses in Bandung Citywhich are built in cycle 7 period (1984 – 2003).The methods used to analyze this study is qualitative descriptive, which the writer observe each of theobjects directly and analyze them using 2 reference books. David Twicken’s Flying Star - Feng Shui Made Easyand Vincent Koh’s Basic Science of Feng Shui.At the end of this study, the conclusion is Flying Star Feng Shui surely can influence the life of the peopleliving in the house. Some events in their life in cycle 8 can be foreseen by Flying Star Feng Shui, such asrobbery, lawsuits, and illness.Key Words: Flying Star Feng Shui, Houses, Events in the life of house users.
5
Karlina, Nina, Budiman Rusli, Suryanto ., and Candradewini . "AN ANALYSIS OF SOCIAL CAPITAL IN EMPOWERMENT COMMUNITY AT UNINHABITABLE HOUSE’S RENOVATION FUND ONWEST BANDUNG REGENCY." Humanities & Social Sciences Reviews 7, no. 3 (2019): 74–79. http://dx.doi.org/10.18510/hssr.2019.7311.
Full textAbstract:
Purpose of Study: Cihampelas village, Cihampelas sub-district, West Bandung Regency is the most village that gets the social fund for the renovation of the house which is uninhabitable “Rumah Tidak Layak Huni” (RTLH). This village could inventory the uninhabitable houses properly so that in this village, there are around 334 renovations of uninhabitable houses. These RTLH renovations program is the program that aims to improve the economic life of the society by prioritizing the society self-reliance through build mutual cooperation and togetherness. By this empowerment then, the community empowerment organization “Kelompok Swadaya Masyarakat” (KSM) became the coordinator of the program. The apparatus and companion consultant saw that KSM Cihampelas village, growth slowly unlike another village, but for the uninhabitable renovation they were effective and on target. Meanwhile, another village has so many problems in that community empowerment organization (KSM). In this analysis, the writer uses the qualitative method with study cases approach. The writer uses social capital theory, they are; trust, social norm and social networking. This community empowerment organization (KSM) who became the bearer in this program, has a leader or a chairman that collective collegial, so that all of the decisions can be taken from consensus. Although, from West Bandung’s apparatus and companion con- the sultant point of view, Cihampelas tend to be slow, and slow progress, but the Cihampelas’ KSM very strong and trusted highly by the society towards this KSM.Although, from West Bandung’s apparatus and companion consultant point of view, Cihampelas tend to be slow, and slow progress, the Cihampelas’ KSM very strong and trusted highly by the society towards this KSM.
 Methodology: In the data collecting technique, the writer uses an observation technique, deep interview, focus group discussion (FGD), interpretation approach, and library research. In data validation testing, the writer uses the triangulation technique by check, re-check and crosscheck for data that get from the theory, methodology, and writer perception. The resulting analysis shows that from three variables of social capital that analyzed by study cases at Cihampelas village for the fund of the uninhabitable program (RTLH), indicate that this village was succeeded in managing this program because they could explore the local wisdom which exists in these villages.
 Results: This case proves that kinship culture which builds from this fund program at the society in this analysis, shows the culture of helping each other, trusting and knowing also caring, especially in facing the house renovation problems.
 Implications/Applications: KSM highly respected by the society, since they know that the management does not get the incentive from anywhere, but because of their good intention to make the village and the environment more comfortable. Even the network is good enough because of the togetherness.
6
Pardoe, James. "The Impact of Post-Writer Histories on the Significance of UK Literary Houses." International Journal of Literary Humanities 11, no. 1 (2014): 27–40. http://dx.doi.org/10.18848/2327-7912/cgp/v11i01/43886.
Full text
7
Knútsdóttir, Vera. "SPECTRAL MEMORIES: AESTHETIC RESPONSES TO THE FINANCIAL CRASH IN ICELAND 2008." Nordic Journal of Aesthetics 29, no. 60 (2020): 116–39. http://dx.doi.org/10.7146/nja.v29i60.122844.
Full textAbstract:
In October 2008, one of the largest bank crashes in history struck Iceland, a country of three hundred and thirty five thousand inhab-itants. The aim of the article is to examine two cultural responses to the crash and the crisis that followed. More precisely, the aim is to analyse how the creation of the haunted house in I Remember You, a crash-horror story by crime writer Yrsa Sigurðardóttir, as well as the spectral half-built houses portrayed by visual artist Guðjón Ketilsson refer quite directly, yet spectrally, to the period. The spec-tral themes of the two works give the opportunity to discuss the moment following the crash as a moment of haunting—but who is haunted and by whom?
8
Sitompul, Erwin, and Khoerrudin Syirli. "Prepaid RFID-based Electricity Payment System for Rooming Houses." Jurnal ELTIKOM 4, no. 2 (2020): 105–20. http://dx.doi.org/10.31961/eltikom.v4i2.205.
Full textAbstract:
A prepaid RFID-based electricity payment system is proposed in this paper. The system is intended for rooming houses where residents’ electricity overconsumption and outstanding payment are to be avoided by the house owner. An RFID-card is used as the payment instrument. The system consists of two units, the card balance top-up unit (CTU) and the energy credit top-up unit (ETU). The balance of the RFID-card is topped up by using the CTU. With the balance stored in it, the RFID-card is to be used to top-up the energy credit at the ETU. Each of the CTU and the ETU is equipped with a microcontroller, an RFID reader/writer and a user interface in the form of keypad and liquid crystal display (LCD). Furthermore, the ETU utilizes a relay to control the flow of electricity. If the energy credit of a room is exhausted, then the supply of electricity to the room is cut off by the relay. The electricity consumption is calculated based on the number of pulses of the calibration LED of a standardized electronic energy meter. The pulse is transmitted to the microcontroller by using an optocoupler. The RFID-card records the current card balance, the card’s top-up history, and the card’s usage history. The energy credit is stored in the EEPROM of the ETU’s microcontroller. The energy meter is tested to measure the energy consumption of two loads based on the pulses of its calibration LED. The actual power of the two loads are 87.25 % and 94.23 % of the corresponding power rating. The card balance top-up process at the CTU and the energy credit top-up process at the ETU are successfully checked. After every balance top-up and credit top-up, the current card balance is calculated and stored correctly. During the electricity usage, the LCD of the ETU shows the remaining energy credit in IDR and kWh. These are accumulatively reduced every time the pulse count reaches a certain reset number, which corresponds to the electrical energy’s unit price applied. The proposed electricity payment system can be a solution for owners of rooming houses to secure electricity payments from the residents. The installation cost of the system is low and without the need to change the existing electricity purchase method of the house. The house owner also can individually adjust the maximum power limit for each room.
9
Orlova, Olga Iu. "FOLKLORE MOTIVES AND THEIR REINTERPRETATION IN THE WORK OF AMERICAN WRITER L.F. BAUM." Volga Region Pedagogical Search 34, no. 4 (2020): 30–35. http://dx.doi.org/10.33065/2307-1052-2020-4-34-30-35.
Full textAbstract:
. It is generally considered that the genre of the literary fairy tale in Europe expressed itself amply in the age of romanticism and used folklore imagery and motifs, as many other literary genres. But the folklore of Native Americans is also known to be ignored by authors in the USA. At the beginning the European folk tales served as the basis for the literary fairytale in the United States. Nonetheless, by the 20th century the authors had decided to create their own national fairy tale tradition. The article deals with the problem of folklore motifs reshaping in the collection entitled “American Fairy Tales” by L.F. Baum. There are some recurrent folklore motifs in the fairy tales: the motif of the forbidden door, the magical object, etc. At the same time, imagery of natural objects typical of North America (corn fields, huge cities with apartment houses) add some new traits to the national variant of the fairytale.
10
Sukayasa, I. Made, I. Nyoman Putu Budiartha, and Luh Putu Suryani. "Tanggung Jawab Hukum terhadap Adanya Wanprestasi dalam Perjanjian Sewa Menyewa Rumah Toko (Ruko)." Jurnal Konstruksi Hukum 2, no. 1 (2021): 97–101. http://dx.doi.org/10.22225/jkh.2.1.2976.97-101.
Full textAbstract:
In various regional areas and cities have done a lot of renewal of buildings with the construction of shophouses. An increasingly developed economic system, the shop houses that have been built can be used as a means of buying and selling. Shophouse is often known as a shop house or residence that is used as a place of business and usually this shophouse is built parallel to other shop houses. The formulation of the problem in this case 1) How is the certainty of the rental agreement to rent a Rumah Toko (Ruko) ?. 2) What is the legal responsibility if one of the parties defaults on the implementation of the lease agreement for a Shophouse? The livelihood of information in a normative study is the method of recording and assessment based on legal sources. In writing this essay the writer examines and collects information through legal science books without deviating from positive law in order to conclude a conclusion. An agreement between the lessee and the owner of the building can bring up the rights and obligations between the parties written in an agreement. Where the renting party has an obligation to claim the rights of the building being rented out to the lessee, and has the right to get paid from the lessee for the rental building. The lessee may not transfer the rights to the building he leases, and if there is a dispute in the future between the parties then it must be resolved because of default.
Dissertations / Theses on the topic "Writer Houses"
1
Valle, Ana Luiza Rocha do. "Literatura e Museu: estudo dos museus literários Casa Guilherme de Almeida (SP) e Museu Casa Guimarães Rosa (MG)." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/103/103131/tde-07112016-123416/.
Full textAbstract:
Este trabalho apresenta alguns dos desafios e possibilidades em torno da musealização da literatura, dando ênfase à via expositiva. Buscamos referências nas discussões nacionais e internacionais sobre o tema, além de uma pesquisa de campo que compreendeu instituições brasileiras, húngaras, francesas, georgiana e sueca. Além do debate teórico em si, traçamos históricos breves de duas organizações: o Comitê Internacional de Museus Literários e Casas de Compositores do Conselho Internacional de Museus, e a Federação Nacional das Casas de Escritores e Patrimônios Literários da França. Dentre as problemáticas abordadas, tratamos das formações de identidades nacionais e da necessidade de que museus - literários ou não - lidem com os conflitos. Com base nesses parâmetros e por meio do estudo da Casa Guilherme de Almeida (SP) e do Museu Casa Guimarães Rosa (MG), discutimos estratégias expográficas e questões curatoriais ligadas à literatura. A ênfase recaiu sobre as exposições de longa duração vigentes nos dois museus: uma sem título, de 2010, no museu paulistano e Rosa dos Tempos, Rosa dos Ventos, de 2012, no mineiro. Ademais, foram estudados os históricos dessas duas instituições, para que pudéssemos compreender a relação delas com o universo literário e com a concepção de museu - nem sempre presente ou mesmo bem aceita nas casas de escritores. A premissa estabelecida para análise dos dados à luz da discussão bibliográfica foi a de que tanto museus quanto literaturas possuem uma função social. Ela se compõe, entre outros elementos de um potencial humanizador ou transformador. Para fundamentar esse conceito, trouxemos as ideias de Mário Chagas, Marília Cury, Mirela Araújo, Waldisa Rússio, Antoine Compagnon, Antônio Cândido e Tzvetan Todorov. Compreendemos que, apesar das posições antagônicas normalmente atribuídas aos dois últimos, há pontos de convergência importantes em ambos os trabalhos no que tange ao potencial humanizador da literatura.<br>This research presents some of the challenges and possibilities concerning the musealization of literature, emphasizing the exhibitional path. We searched for references in the national and international discussions on the theme, besides a research field which included brazilian, hungarian, french, georgian and sweedish institutions. In addition to the bibliographic debate itself, we briefly present the histories of two organizations: the International Comittee for Literary Museums and Composer Houses of ICOM and the National Federation of Writers Houses and Literary Heritage of France. Among the discussed issues, we approached the building of national identities and also the fact that museums - literary or not - should deal with conflicts. Based on these parameters and through the study of House Guilherme de Almeida (SP) and House Museum Guimarães Rosa (MG), we discussed expographic strategies and curatorial issues related to literature. The emphasis was put on the long term exhibitions now presented at the museums: one with no title, from 2010, at the museum from São Paulo (SP), and Rosa dos Tempos, Rosa dos Ventos, from 2012, at the one from Minas Gerais (MG). Plus, the histories of those institutions were studied so we could understand their connexion with the literary universe and the very conception of museum - not always present or even well accepted among writers houses. What we assumed to analyze the data under the light of the bibliographic discussion was that both museums and literatures have a social function. This role is composed, among other elements, by a humanizing or transforming potential. To support this concept, we brought the ideas of Mário Chagas, Marília Cury, Mirela Araújo, Waldisa Rússio, Antoine Compagnon, Antônio Cândido and Tzvetan Todorov. We understand that in spite of the antagonic positions these two are usually considered to have, there are important convergent points of view among their works considering literature\'s humanizing potential.
2
Régnier, Marie-Clémence. "Vies encloses, demeures écloses. Le grand écrivain français en sa maison-musée (1879-1937)." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040140.
Full textAbstract:
La réflexion engagée dans la thèse propose une archéologie des représentations collectives se rapportant à l’espace domestique de l’écrivain et à son œuvre au moyen d’une socio-critique des textes où elles prennent corps. À partir de la notion de « maison-musée », la maison-musée de l’écrivain est considérée comme un lieu réel et comme une structure mentale et matérielle où s’inventent, s’organisent, s’exposent et sont conservées des « images d’écrivain » qui, quoique variées, voire hétérogènes, définissent un imaginaire et une imagerie cohérents de la figure de l’écrivain. Dans la thèse, la dimension discursive de la « paratopie » du lieu d’écriture est mise en perspective avec les approches posturales et scénographiques centrées sur la figure de l’écrivain. Pour ce faire, l’étude postule que l’agencement des objets dans les maisons-musées s’appuie sur ces « scéno-mythographies ». Des dispositifs d’exposition divers les transposeraient par la suite dans l’espace muséal. Partant, la thèse montre que les mises en scène de l’écrivain à demeure constituent un levier essentiel des appropriations mémorielles collectives des écrivains et de leurs œuvres parce qu’elles cristallisent des représentations mythiques à succès qui s’actualisent dans l’esprit du temps. Plus largement, elles participent à l’écriture de l’histoire littéraire qui s’institutionnalise au XIXe siècle : elles mettent l’accent sur certains écrivains, sur une mythologie de la création littéraire et sur des œuvres qui ont vu le jour dans de « hauts-lieux littéraires ». Enfin, il s’agit de comprendre les enjeux de poétique et de réception qui lient les maisons des écrivains à leur œuvre littéraire<br>The reflection undertaken in the thesis offers an archaeology of the collective representations relating to the writer’s domestic space and work, by means of a socio-criticism of the texts in which they materialise. From the notion of “house-museum”, the writer’s house-museum is considered a real place, as well as a mental and material structure where « images of the writer » are invented, organised and displayed. Albeit varied, even heterogonous, these images define a coherent imagination and imagery of the writer’s figure. In the thesis, the discursive dimension of the writing place′s “paratopia” is put into perspective with scenographic and postural approaches that are centred on the figure of the writer. To that end, the study predicates that the arrangement of objects in house-museums is based on these ‘‘sceno-mythographies,’’ which are then transposed into the museum space thanks to various display devices. Right from the start, the thesis shows that the writer’s stagings perpetually constitute an essential lever of the writers’ collective memorial appropriations and their works because they crystallise successful mythical representations, which are actualized in the spirit of the age. More broadly, they take part in writing the literary history that is institutionalised in the 19th century: they put the emphasis on certain writers, on a mythology of the literary creation, and on works that came to life in “high literary places.” Finally, the thesis tackles the issues of poetics and reception that link the writers’ houses to their literary work
3
Pallej��-L��pez, Clara. "Houses and horror: a sociocultural study of Spanish and American women writers." Thesis, University of Auckland, 2010. http://hdl.handle.net/2292/5937.
Full textAbstract:
This thesis is a comparative study of haunted house fiction written by women in Spain and the United States from around 1900 onwards. It focuses on the aspect of sentience in buildings, establishing a connection between women's sociocultural history and transformations in the trope of the haunted house. This study highlights the vague presence of the haunted house in Spanish fiction when compared to American literature, and presents two reasons that might account for this circumstance. The first seems to be an overall discouragement of horror and fantasy in Spain that can be traced back at least to the times of the Spanish Empire. The second, which stands as the more important, is the particular situation of women in Spain, where a confluence of sociocultural factors upheld the values of domesticity for longer than in the United States, notably the repression enforced by the Franco dictatorship until 1975. I posit that the presence of the house in horror fiction grows in relation to women's envisioning of the home as the source of their oppression, and that this process is further nourished by underlying inherited anxieties resulting from women's legacy of domesticity. In particular, this study maintains that the sentient house is consolidated in literature the moment that women's primeval need for home enters into conflict with a rejection of domesticity. In order to illustrate this theory, I review work by American writers such as Charlotte Perkins Gilman, Elia W. Peattie, Shirley Jackson and Anne Rivers Siddons, and compare their narratives to those of Emilia Pardo Baza��n, Carmen de Burgos, Merce�� Rodoreda, Carmen Marti��n Gaite, Pilar Pedraza and Cristina Ferna��ndez Cubas in Spain. This thesis contends that Spanish horror literature presents belated but parallel transformations in the trope of the sentient house, which confirm the intertwining of this trope with women's culture across time and space.
4
Grossbier, Stephany. "The effectiveness of training and written sanitation standard operating procedures on overall sanitation in a meat processing plant." Online version, 1998. http://www.uwstout.edu/lib/thesis/1998/1998grossbiers.pdf.
Full text
5
Hunter, Aislinn Paige. "Evocative objects : a reading of resonant things and material encounters in Victorian writers' houses/museums." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/21021.
Full textAbstract:
This thesis is a study of resonant things in Victorian writers’ houses/museums – a reading of those material objects that seem especially fit to presence the writer to whom they once belonged. Through the study of a selection of autographic objects in the houses/museums of Victorian writers, this thesis considers the following questions: What is resonance? How do things presence the absent individual with whom they are associated? Why do some categories of things – objects seemingly ‘imbued with a lasting sediment of their owners’ (Pascoe 3) – seem especially fit for the task of presencing, and how have we described or understood this phenomenon through narrative? Through a reading of things, categories of things, images, novels, life writing, cultural and critical theory and the house/museum space, this thesis will examine the relationship between presencing things, material metonymy, and remembrance. It will suggest that certain categories of things have qualities that allow them to serve as remembrancers, standing-in-for and eliciting a sense of the absent individual with whom they were once connected. Chapter one lays the ground for this reading of resonant things by contextualizing writers’ houses/museums as sites of literary pilgrimage and introducing and defining some of the key concepts and terms employed in this study such as autographic object, authenticity, contiguity and resonance. Chapter two moves inside the writer’s house/museum in order to demonstrate how things can ‘world’ via a reading of Marion Harland’s late nineteenth-century description of a tour of the Carlyle’s House alongside Martin Heidegger’s concept of worlding. Chapters three, four, five, and six look at different types of museum things, beginning with hair – the object most closely associated with the writer’s body – and then moving on to clothing, writerly tools such as desks and chairs, and ending with handwriting. Through assessing the particular qualities of each categorical thing alongside the concepts we meet these things with and the way that encounters with these things have been described in a variety of narratives, a number of the dynamics contributing to affective encounters with writerly things are uncovered. These dynamics or factors include: autographic ascription, authenticity, contiguity, metonymical fitness, equipmentality, and stasis/conspicuousness. Ultimately this thesis argues that certain things have a particular fitness for the task of evoking or presencing the absent individual for whom they stand, and that in doing so everyday objects undergo a metamorphosis: ceasing to be everyday tools fit for a specific task (for wearing, for sitting, for writing with) and becoming instead tools for remembrance – evocative things that presence both the absent individual with whom they are associated and the world they inhabited in their lifetime.
6
Holmgren, Troy Maria. "In the first person and in the house : the house cronotope [i.e. chronotope] in four works by American women writers /." Uppsala : [Uppsala universitet], 1999. http://catalogue.bnf.fr/ark:/12148/cb390531281.
Full text
7
Bertelsen, Olga. "Spatial dimensions of Soviet repressions in the 1930s : the House of Writers (Kharkiv, Ukraine)." Thesis, University of Nottingham, 2013. http://eprints.nottingham.ac.uk/13390/.
Full textAbstract:
This study examines spatial dimensions of state violence against the Ukrainian intelligentsia in the 1930s, and the creation of a place of surveillance, the famous House of Writers (Budynok Slovo), an apartment building that was conceived by an association of writers “Slovo” in Kharkiv. This building fashioned an important identity for Ukrainian intellectuals, which was altered under state pressure and the fear of being exterminated. Their creative art was gradually transformed into the art of living and surviving under the terror, a feature of a regimented society. The study explores the writers’ behavior during arrests and interrogation, and examines the Soviet secret police’s tactics employed in interrogation rooms. The narrative considers the space of politics that brought the perpetrators of terror and their victims closer to each other, eventually forcing them to share the same place. Within this space and place they became interchangeable and interchanged, and ultimately were physically eliminated. Importantly, the research illuminates the multiethnic composition of the building’s residents: among them were cultural figures of Ukrainian, Russian and Jewish origins. Their individual histories and contributions to Ukrainian culture demonstrate the vector of Stalin’s terror which targeted not Ukrainian ethnicity as such but instead was directed against the development of Ukrainian national identity and Ukrainian statehood that were perceived as a challenge to the center’s control and as harbingers of separatism. The study also reveals that the state launched the course of counter-Ukrainization in 1926 and disintegrated the Ukrainian intellectual community through mass repressive operations which the secret police began to apply from 1929. The study also demonstrates that, together with people, the state purposefully exterminated national cultural artifacts—journals, books, art and sculpture, burying human ideas which have never been and will never be consummated. The purpose was to explain how the elimination of most prominent Ukrainian intellectuals was organized, rationalized and politicized. During the period of one decade, the terror tore a hole in the fabric of Ukrainian culture that may never be mended.
8
Hill, Jobie. "Humanizing HABS: Rethinking the Historic American Buildings Survey's Role in Interpreting Antebellum Slave Houses." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13303.
Full textAbstract:
The Historic American Buildings Survey (HABS) and the Federal Writers' Project were two government survey programs from the 1930s that, in part, documented slavery in America. Historically stakeholders utilized these resources in isolation of one another. Coordination between the two programs in this study has identified five documented slave houses from the HABS collection that are directly linked to a slave narrative recorded by the Writers' Project. The slave narrative brings to life the spatial density, degree of accommodations, nature of the facilities, and attitudes of those who inhabited the slave house. The relationship between the historical record and the stories of the inhabitants is crucial to our understanding and interpretation of the lifeways and settings of enslaved African Americans in the Antebellum South. Historic preservationists now have five personal accounts of the historic plantation landscape upon which to build future interdisciplinary appreciation and research.
9
ALQutami, Mais Yusuf. "Feminist resistance in contemporary American women writers of color unsettling images of the veil and the house in Western culture /." Open access to IUP's electronic theses and dissertations, 2009. http://hdl.handle.net/2069/177.
Full text
10
Graves, Margaret Susanna. "Worlds writ small : four studies on miniature architectural forms in the medieval Middle East." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5489.
Full textAbstract:
While academic discussion of ornament within medieval Islamic art has laboured much over the codification and meaning of certain forms, there has been relatively little research to date on the visual and iconographic function of architecture as ornament in this context. Those few authors that have dealt with this issue have focused overwhelmingly on two-dimensional architectural representations, largely ignoring the considerable body of portable objects from the medieval Middle East that imitate architecture through three-dimensional forms, whether in a mimetically coherent fashion or in a more elliptical or reconfigured manner. This thesis proposes, first and foremost, that there is significant cultural meaning inherent in the use of architecture as an inspiration for the non-essential formal qualities of portable objects from the medieval Islamic world. Through iconographic analysis of the relationships that such objects form with architecture, an understanding of both full-size architecture and its miniature incarnations in the medieval urban context is advanced within the thesis. To maximise the intellectual scope of the study whilst still enabling an in-depth treatment of the material, four discrete studies of different object groups are presented. All of these are thought to date from approximately 1000 to 1350 CE, and to come from the core Middle Eastern territories of Persia, Syria and Egypt. The first chapter examines the glazed ceramic ‘house models’ believed to originate in late or post-Seljuq Persia. The second discusses six-sided ceramic tables from the same milieu, and more numerous related tables produced in Syria during the same period. In the third chapter carved marble jar stands from Cairo, apparently produced from the twelfth century onwards, are analysed. The final chapter, on metalwork, broadens its approach to encompass two very different strains of production: inkwells from Khurasan and incense burners from the breadth of the Middle East. Because much of the thesis focuses on material that has been dramatically understudied, it performs the primary action of compiling examples of each of the object types under study. Though this information is presented as a catalogue vi sommaire, this component of the thesis is not regarded as an end in itself. The major tasks of the thesis are the identification of the architectural tropes that are being evoked within each object group, analysis of the manner in which those forms have been modified to suit the miniature context of the objects, and the location of meaning within such diminutive evocations of architectural form. Through comparisons with other objects, full-size architecture, two-dimensional representations of architecture and historical texts, the thesis moves discourse on this type of motif in Islamic art beyond the traditional and sometimes superficial discussion of ‘ornament’, re-setting architectural iconography within larger contexts of urbanisation and city culture of the medieval Islamic world.
Books on the topic "Writer Houses"
6
Hendrix, Harald. Writers' Houses and the Making of Memory. Edited by Harald Hendrix. Routledge, 2007.
Find full text
7
The writer in Petrograd and the House of Arts. Northwestern University Press, 2009.
Find full textBook chapters on the topic "Writer Houses"
1
Shatto, Susan. "The Law-Writer." In The Companion to ‘Bleak House’. Routledge, 2021. http://dx.doi.org/10.4324/9781003196051-10.
Full text
2
Bradbury, Malcolm. "The Spouse in the House." In Living with a Writer. Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1007/978-1-137-07998-5_1.
Full text
3
Bernbaum, Matthew. "Fun House Reflection." In Reflect & Write. Routledge, 2021. http://dx.doi.org/10.4324/9781003237686-125.
Full text
4
Worthington, Heather. "Minette Walters (b. 1949), 1992: The Ice House." In 100 British Crime Writers. Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-31902-9_82.
Full text
5
Powell, Steven. "Susanna Gregory (Pseudonym of Elizabeth Cruwys, b. 1958), 1996: A Plague on Both Your Houses." In 100 British Crime Writers. Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-31902-9_88.
Full text
6
D’hoker, Elke. "Houses and Homes in the Short Stories of Elizabeth Bowen and Maeve Brennan." In Irish Women Writers and the Modern Short Story. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30288-1_3.
Full text
7
Siedina, Giovanna. "Humanism and the Renaissance in Recent Histories of Ukrainian Literature." In Biblioteca di Studi Slavistici. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-198-3.08.
Full textAbstract:
In this article, the author analyzes how the broad theme of the reception of Humanism and Renaissance is treated in two important histories of Ukrainian literature, respectively Muza Roksolans’ka. Ukrajins’ka literatura XVI-XVIII stolit’ by Valerij Ševčuk (Kyiv, “Lybid'”, 2004-2005), in two volumes, and Istorija ukrajins’koji literatury in twelve volumes (2014-) published by the publishing house of the Academy of Sciences of Ukraine Naukova Dumka. The disappearance of Soviet ideological constraints has brought about the emergence of various aspects of this theme: the multilingualism (especially as regards literature written in Latin), the multiple identity of writers of the so-called Pohranyččja, the literature written in Latin, are just a few. However, some aspects still need to be addressed: among then the supranational approach should be adequately considered when dealing with the spread of Humanism-Renaissance.
8
Berndt, Bruce C., and George E. Andrews. "Two Letters on Eisenstein Series Written from Matlock House." In Ramanujan's Lost Notebook. Springer New York, 2009. http://dx.doi.org/10.1007/b13290_13.
Full text
9
Haschemi Yekani, Elahe. "Resistances: Austen and Wedderburn." In Familial Feeling. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58641-6_4.
Full textAbstract:
AbstractIn this chapter the most famous writer of (female) affective individualism, Jane Austen, and her canonical third published novel Mansfield Park featuring her supposedly most unpopular heroine Fanny Price is juxtaposed with orator Robert Wedderburn’s much more obscure pamphlet The Horrors of Slavery. The chapter also revisits Edward Said’s famous theory of counterpoint in his reading of Austen and proposes instead a focus on entanglement. By contrasting the two texts and their relation to the abolition of the slave trade in 1807, readers get a better understanding of how writers used the affective means of prose writing to introduce more resistant entangled tonalities of familial feeling. Austen presents wilful female subjectivity in a family that invested in slavery and Wedderburn, the unruly planter son, claims familiarity with both his enslaved mother and his slave-owning father, challenging the formula of the “horrors of slavery”. Via internal focalization and incendiary rhetoric respectively both texts tonally also create a more intimate familiarity with their readers. They thus aesthetically resist writing conventions and introduce more ambivalent nuance: pushing the limits of the genre of the country-house novel in Austen and refuting the demure tone of abolitionist writing in Wedderburn.
10
Ojaide, Tanure. "Inviting the World into the House of Words: The Writer, His Place, People, and Audience." In Indigeneity, Globalization, and African Literature. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137560032_15.
Full textConference papers on the topic "Writer Houses"
1
Shapira, Yuval P., and Moshe Horowitz. "Similaritons in fiber Bragg gratings written in fiber amplifiers." In Access Networks and In-house Communications. OSA, 2012. http://dx.doi.org/10.1364/anic.2012.jtu5a.58.
Full text
2
Silva, S., L. Coelho, J. L. Santos, et al. "Hydrogen pressure sensor based on a tapered-FBG written by DUV femtosecond laser technique." In Access Networks and In-house Communications. OSA, 2012. http://dx.doi.org/10.1364/anic.2012.jm5a.56.
Full text
3
Chen, Hongfan. "The Legal Practice and Solutions in Dispute of Non-written House Tenancy." In 3rd International Symposium on Social Science (ISSS 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/isss-17.2017.31.
Full text
4
Denton, John D. "Multall: An Open Source, CFD Based, Turbomachinery Design System." In ASME Turbo Expo 2017: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/gt2017-63993.
Full textAbstract:
Turbomachinery design systems are usually the jealously guarded property of large companies, the author is not aware of any for which the source code is freely available. The present paper is aimed providing a freely available system that can be used by individuals or small companies who do not have access to an in-house system. The design system is based on the 3D CFD solver Multall, which has been developed over many years. Multall can obtain solutions for individual blade rows or for multi-stage machines, it can also perform quasi-3D blade-to-blade calculations on a prescribed stream surface and axisymmetric throughflow calculations. Multall is combined with a one-dimensional mean-line program, Meangen, which predicts the blading parameters on a mean stream surface and writes an input file for Stagen. Stagen is a blade geometry generation and manipulation program which generates and stacks the blading, combines it into stages, and writes an input file for Multall. The system can be used to design the main blade path of all types of turbomachines. Although it cannot design complex features such as shroud seals and individual cooling holes these features can be modeled and their effect on overall performance predicted. The system is intended to be as simple and easy to use as possible and the solver is also very fast compared to most CFD codes. A great deal of user experience ensures that the overall performance is reasonably well predicted for a wide variety of machines. This paper describes the system in outline and gives an example of its use. The source codes are written in FORTRAN77 and are freely available for other users to try.
5
Baranova, E., and V. Vereshchagin. "Virtual reconstruction of Immanuel Kant's house in Konigsberg of the 18th century." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1833.978-5-317-06529-4/361-365.
Full textAbstract:
The article is devoted to the possibilities of virtual reconstruction of historical objects on the example of the house of I. Kant in Konigsberg. Using the method of 3D modeling, based on written sources, engravings, paintings, rare photo sources, memories, it was possible to recreate a realistic model of the house of I. Kant, its exterior and interior. Our work as part of the large project “Virtual Kant” allowed us to reconstruct one of the most significant objects in the life of I. Kant
6
Becker, Dulceneia, Joa˜o Roberto Barbosa, and Jesuino Takachi Tomita. "An Object-Oriented Parallel Finite-Volume CFD Code." In ASME Turbo Expo 2008: Power for Land, Sea, and Air. ASMEDC, 2008. http://dx.doi.org/10.1115/gt2008-51187.
Full textAbstract:
This paper concerns the parallelization and optimization of an in-house three-dimensional unstructured finite-volume computational fluid dynamics (CFD) code. It aims to highlight the use of programming techniques in order to speedup computation and minimize memory usage. The motivation for developing an in-house solver is that commercial codes are general and sometimes simulations are not in agreement with actual phenomena. Moreover, in-house models can be developed and easily integrated to the solver. The original code was initially written in Fortran 77 though the most recent added subroutines include Fortran 90 features. Due to language restrictions and the initial project objectives, issues such as memory usage minimization were not considered. The new code uses an object-oriented paradigm aiming to enhance code reuse and increase efficiency during application development. The parallel code is fully written in Fortran 90 using MPI and hence portable to different architectures. Numerical experiments of typical 3D cases, such as flat plate with uniform incoming flow and a converging-diverging supersonic nozzle, were carried out showing good parallel efficiency. The serial version of the ported code has shown a considerable reduction on the execution time compared to the original code. Convergent solutions agree with the solution of the original code.
7
Viola, Jairo, Sina Dehghan, and YangQuan Chen. "Embedded RIOTS: Model Predictive Control Towards Edge." In ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-97046.
Full textAbstract:
Abstract RIOTS is a general purpose optimal problem solver written as a MATLAB toolbox with mixed-language programming (C, Fortran, Matlab, Simulink). This first paper introduces how to make RIOTS run under an embedded platform RP3B (Raspberry Pi 3 B) with Windows 10. We presented the system architecture and a complete demo on running RIOTS as the inner kernel for MPC, using a house made thermal control system based on Peltier modules.
8
Hegvold, L. W. "Urban Design Directions for Austrailia." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.36.
Full textAbstract:
Australia is an island continent with an essentially linear distribution of population. Approximately 90% of its people are located in 12 main urban centres spread along 30,000 km of coastline. In a recently published book entitles “The Coast Dwellers” by Australian architect and writer Philip Drew (1994), Drew sees Australians as quintessential “verandah people” sitting on the edge of our continent. He feels that those who see Australians in the “Crocodile Dundee” image are missing the point; that nearly all ofus live on the edge communing with the lifegiving sea rather than with the dead heart of the country. He puts forward evidence that seven out of ten Australians live in the narrow corridor of land on the eastern coast between the mountain range and the ocean, one in fifteen Australians lives within fifteen minutes drive of the beach, and most of the rest of the population live within one hour’s drive of the water.
9
Yarberry, Victor R. "Meeting the MEMS “Design-to-Analysis” Challenge: The SUMMiT® V Design Tool Environment." In ASME 2002 International Mechanical Engineering Congress and Exposition. ASMEDC, 2002. http://dx.doi.org/10.1115/imece2002-39205.
Full textAbstract:
This paper describes the SUMMiT® V Design Tools, a suite of CAD tools that enable a SUMMiT® (Sandia Ultra-Planar Multilevel MEMS Technology) MEMS designer to meet the ‘Design-To-Analysis’ challenge. Sandia has developed a MEMS design tool suite integrated with a commercial 3D mechanical CAD tool, AutoCAD®. Designed for use with the SUMMiT® process, it includes in-house written design tools: a 2D Process Visualizer [2], a fast 3D Visualizer, a detailed 3D Model Generator [3], a finite element mesh generator [4], a library of standard components [5], and a Design Rule Check system [6].
10
Calhoun, Sean A., Bhumil Diwanji, Philip K. Panicker, and Frank K. Lu. "Acquiring Torque and Rotational Speed Data From a Stationary Bicycle for Undergraduate Teaching." In ASME 2007 International Mechanical Engineering Congress and Exposition. ASMEDC, 2007. http://dx.doi.org/10.1115/imece2007-43429.
Full textAbstract:
A laboratory module was recently developed for an introductory experimental course for sophomore mechanical and aerospace engineering students. The goal of this laboratory is to provide the students with an understanding of digital data acquisition systems for measuring torque and angular velocity in real time. The laboratory comprises of a stationary exercise bicycle, adapted to house a torquemeter on its front axle, an optical tachometer, the data acquisition system and software which converts a computer into a virtual instrument. A group of two or three students is rotated through the laboratory as part of a larger number of laboratory modules. The students access the experiment via the virtual instrument. The experiment requires a student to ride the bicycle. The data acquired are then subsequently analyzed by the students who are required to write individual laboratory reports.
Reports on the topic "Writer Houses"
1
Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.
Full textAbstract:
In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were published in the Salzburg publishing house of Peter Volyniak «New Days». The purpose of the publication is to trace the path of Petro Volyniak from a writer to a literary critic, journalist and publisher. This trend is reproduced in chronological order. Peter Volyniak as a writer is informed in the article «Literary Evening of P. Volyniak» (author – M. Ch-ka). O. Satsyuk’s literary-critical article is devoted to the coverage of ideological and artistic aspects of Petro Volyniak’s collection «The Earth Calls» (Salzburg, 1947). Petro Volyniak as a literary critic is presented in an article devoted to a collection of literary tales by A. Kolomiyets (Salzburg, 1946), which was published by «New Days». Petro Volyniak as a journalist presents the essay «This is our song…». With the help of content analysis it was observed that the text is divided into two parts: the first contains the author’s reflections on the Ukrainian song, its role in the life of the Ukrainian people; in the second, main, Peter Okopny’s activity abroad is presented. The publisher Petro Volyniak in 1947 in a separate publication of the February issue of the weekly summarizes the third year of activity, providing statistics on the publication of periodicals, books, postcards, calendars, various small format materials. The analyzed material demonstrated the experience of combining creative work and commercial activity.