Log in

Relevant bibliographies by topics / Writer Houses / Books

To see the other types of publications on this topic, follow the link: Writer Houses.

Books on the topic 'Writer Houses'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Writer Houses.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Erica, Lennard, ed. Writers' houses. Cassell, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Premoli-Droulers, Francesca. Writers' houses. Cassell, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Francesca, Premoli-Droulers, ed. Writers' houses. Vendome Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Jeffrey, Cardenas, ed. Key West writers and their houses. Pineapple Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

name, No. Open house: Writers redefine home. Graywolf, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Hendrix, Harald. Writers' Houses and the Making of Memory. Edited by Harald Hendrix. Routledge, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

The writer in Petrograd and the House of Arts. Northwestern University Press, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

The Random House practice book for writers. Random House, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

A writer's house in Wales. National Geographic, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Brooks, Paul. The house of life: Rachel Carson at work. G.K. Hall, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Fisher, M. F. K. Last house: Reflections, dreams, and observations 1943-1991. Pantheon Books, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Milton, Marcus. Haunted House (Write Your Own Program: Computer Animation). Franklin Watts Ltd, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Rucker, Allen. The Best Seat in the House. HarperCollins, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

The Caliph's house. Bantam Books, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Brooks, Paul. The house of life: Rachel Carson at work : with selections from her writings, published and unpublished. Houghton Mifflin Co., 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

PennSound, ed. (Ode) On Jazz, Live at the Writers House on mp3 on PennSound. 3rd ed. PennSound, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Troy, Maria Holmgren. In the first person and in the house: The house chronotope in four works by American women writers. Ubsaliensis S. Academiae, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Shah, Tahir. The Caliph's house: A year in Casablanca. Doubleday, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Photojournalism and the origins of the French writer house museum (1881-1914): Privacy, publicity, and personality. Ashgate, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Hart, Kathryn. Letters to Millie: A concerned human being writes to the White House dog. Fithian Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Lurie, Peter. Seeing in the Dark Houses. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199797318.003.0002.

Full text

Abstract:

This chapter uses historicist criticism of William Faulkner to suggest a limit to even the best approaches to this deeply historical writer. Attending to what his novels cannot say—or—see about history and racial understanding, I draw on Maurice Blanchot’s philosophy of language to show the category error that scholars make when assuming that Faulkner’s texts yield the historical secret lodged in the imagined structures and complicated texts Absalom, Absalom! and Light and August, each of which bore the title “Dark House” in manuscript form. The chapter shows the more meaningful aporias and lacunae surrounding race and racial meaning in each novel and the U.S. south—problems attendant on language and the effort to name. It offers a model for historical knowledge drawn from Blanchot and from film theory of fascination, a spellbound, rapt sense of wonder before traumatic events, one that elements of Absalom evoke in readers and posits in Quentin Compson.

APA, Harvard, Vancouver, ISO, and other styles

22

Premoli-Droulens, Francesca. Writers' Houses. Vendome Press, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

WRITERS\' HOUSES. CASSELL ILLUSTRATED, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Premoli-Drouleurs, Francesca. Writers' Houses. Cassell Illustrated, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Watson, Nicola J. The Author's Effects. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198847571.001.0001.

Full text

Abstract:

The Author’s Effects: On Writer’s House Museums is the first book to describe how the writer’s house museum came into being as a widespread cultural phenomenon across Britain, Europe, and North America. Exploring the ways that authorship has been mythologized and materialized through the conventions of the writer’s house museum, The Author’s Effects anatomizes the how and why of the emergence, establishment, and endurance of popular notions of authorship in relation to creativity. It traces how and why the writer’s bodily remains, possessions, and spaces came to be treasured in the late eighteenth and nineteenth centuries, as a prelude to the appearance of formal writer’s house museums. It ransacks more than 100 museums and archives to tell the stories of celebrated and paradigmatic relics—Burns’ skull, Keats’ hair, Petrarch’s cat, Poe’s raven, Brontë’s bonnet, Dickinson’s dress, Shakespeare’s chair, Austen’s desk, Woolf’s spectacles, Hawthorne’s window, Freud’s mirror, Johnson’s coffee-pot, and Bulgakov’s stove, amongst many others. It investigates houses within which nineteenth-century writers mythologized themselves and their work—Thoreau’s cabin and Dumas’ tower, Scott’s Abbotsford and Irving’s Sunnyside. And it tracks literary tourists of the past to such long-celebrated literary homes as Petrarch’s Arquà, Rousseau’s Île St Pierre, and Shakespeare’s Stratford to find out what they thought and felt and did there, discovering deep continuities with the redevelopment of Shakespeare’s New Place for 2016

APA, Harvard, Vancouver, ISO, and other styles

26

Edible houses: New Dublin writers. Dublin Writers Workshop, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Edible houses: New Dublin writers. Dublin Writers Workshop, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

The Write House. Outskirts Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Romero, Mercy. Toward Camden. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022008.

Full text

Abstract:

In Toward Camden, Mercy Romero writes about the relationships that make and sustain the largely African American and Puerto Rican Cramer Hill neighborhood in New Jersey where she grew up. She walks the city and writes outdoors to think about the collapse and transformation of property. She revisits lost and empty houses—her family's house, the Walt Whitman House, and the landscape of a vacant lot. Throughout, Romero engages with the aesthetics of fragment and ruin; her writing juts against idioms of redevelopment. She resists narratives of the city that are inextricable from crime and decline and witnesses everyday lives lived at the intersection of spatial and Puerto Rican diasporic memory. Toward Camden travels between what official reports say and what the city's vacant lots withhold. Duke University Press Scholars of Color First Book Award recipient

APA, Harvard, Vancouver, ISO, and other styles

30

Marsh, Kate, and Harland Walshaw. Writers and Their Houses: A Guide to the Writers' Houses of England, Scotland, Ireland. Hamish Hamilton, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

A Skeptics Guide To Writers Houses. University of Pennsylvania Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Kate, Marsh, ed. Writers and their houses: A guide to the writers' houses of England, Scotland, Wales, and Ireland : essays by modern writers. H. Hamilton, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Trade Secrets: Moneymaking and Timesaving Tips and Advice for Writers (Paragon House Writer's). Paragon House Publishers, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Gatta, John. Houses of the Spirit. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190646547.003.0002.

Full text

Abstract:

Domiciles ordinarily represent the first space that humans occupy, structures through which they begin to realize their own being and relation to the larger world. It is also in and through houses that humans may first experience themselves as souls, gaining sacramental intimations of a spirituality mediated through yet also beyond the materiality of their primal shelter. This chapter reflects on the diverse ways in which house structures, even as they are stationed in space, play a critical role in the spiritual journeying of writers such as Henry Thoreau, Nathaniel Hawthorne, and Harriet Beecher Stowe. With reference to fictional works by Willa Cather, Marilynne Robinson, and Ernest Gaines, this chapter also reflects on the problematic complications of humankind’s relation to home places—that is, on what it means to be displaced and the existential consequence of encountering former houses that are no longer homes.

APA, Harvard, Vancouver, ISO, and other styles

35

Mark, Doty, ed. Open house: Writers redefine home. Graywolf Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Hendrix, Harald. Writers' Houses and the Making of Memory. Taylor & Francis Group, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Hendrix, Harald. Writers' Houses and the Making of Memory. Routledge, 2012. http://dx.doi.org/10.4324/9780203939680.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Writers' Houses and the Making of Memory. Routledge, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Harald, Hendrix, ed. Writers' houses and the making of memory. Routledge, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

School House Books Advanced Placement English (AP) WRITER. School House Books, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Ifeoma. Chika's House (Junior African Writers S.). Heinemann International Literature & Textbooks, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

House, Random. Random House Writer's Reference. Random House Reference, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Song, Weijie. A Warped Hometown. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190200671.003.0002.

Full text

Abstract:

This chapter explores how Lao She performs an affective mapping of his warped native city’s streets, courtyard houses, ditch, and teahouse: everyday tyranny and despair in the phantasmal and entrapping avenues and streets; wartime atlas of emotions including nostalgia, mourning, shame, anger, and hatred; socialist sentiment and citizenship born in the ideological/ecological representation of Dragon Beard Ditch as a metamorphic space; and self-mourning in a warped and wounded teahouse as a distorted space-time continuum, a shrinking and pessimistic miniature of old Beijing misery and a sign of unfathomable urban darkness. Confronting the advent, expansion, and menace of modernity as well as the whirlwind and whirlpool of political and historical change, Manchu writer Lao She envisions modern Beijing as the locus of pain and pleasure, dystopia and dreamland, moral decline and physical performance, material deformations and emotional vicissitudes.

APA, Harvard, Vancouver, ISO, and other styles

44

Welch, Don. Never Write in a Glass House. Sandhills Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Timmermann, Marybeth, trans. Preface to Through Women’s Eyes. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039003.003.0035.

Full text

Abstract:

When I started to write, many women writers [auteurs féminins] specifically refused to be classified in that category. Critics were happy to review our books in columns entitled “Works by Ladies,” and that irritated us. They wanted to confine us within the narrow limits of a world reserved for our sex: house, home, children, with a few escapes to nature and the cult of Love. We rejected the notion of women’s literature [...

APA, Harvard, Vancouver, ISO, and other styles

46

(Firm), Random House, ed. Random House Webster's student notebook writers' guide. Random House, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

(Translator), Dennis Keene, ed. The House of Nire (Japan's Modern Writers). Kodansha International (JPN), 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Greene, Dana. “A Cataract Filming Over My Inner Eyes”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037108.003.0005.

Full text

Abstract:

This chapter details the life and career of Denise Levertov from 1962 to 1967. The 1960s was an auspicious time to be a poet. Poetry magazines, publishing houses, poetry readings, and writer-in-residence programs at colleges and universities proliferated, allowing for greater exposure for poets, especially for women, who previously had little opportunity for recognition of their talent. Levertov benefited from these circumstances. She was in demand as a poet, and in 1962, was granted a coveted Gugenheim Fellowship. In addition to its prestige, the accompanying monetary award allowed her some luxuries: a new washing machine, dryer, and dishwasher. Each made domestic life simpler. In 1963, with Gugenheim support ended, Levertov contributed to the family's finances through her poetry readings by working as poetry editor for the Nation, staying until early 1965, and by serving as a consultant first for Wesleyan University Press and a year later for W. W. Norton. Levertov also engaged in antiwar activities.

APA, Harvard, Vancouver, ISO, and other styles

49

Brooks, Paul. House of Life: Rachel Carson at Work. Houghton Mifflin (P), 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Innes, Jocasta. Around the House: In Your Own Write. Random House Australia, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!