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Journal articles on the topic 'Writer Houses'
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1
Isnaeni, Iin, and Diah Intan Kusumo Dewi. "What Are the Changes in the Use of Space in The Residential Neighborhood of Residence as A Place of Business?" Jurnal Teknik Sipil dan Perencanaan 20, no. 1 (2018): 30–40. http://dx.doi.org/10.15294/jtsp.v20i1.12390.
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Kampung Batik Kauman is the first batik village in Pekalongan where located in the center of Pekalongan.Location and development of Kampung Kauman as batik tourism village has an impact on the physical development, oneof which is marked by the changes of residential house function into a business house. Based on the phenomenon, thepurpose of this paper is to identification space use of business houses in Kampung Batik Kauman. The writer appliedquantitative descriptive method. From the research results can be seen that there are five types of business houses in theKampung Batik Kauman, namely residential houses and batik production; residential houses and batik showrooms;residential houses, production and showroom of batik; residential and boarding houses; and residential houses and tradingand services (except batik). Space utilization of home business in Kampung Kauman consists of the type of utilization ofmixed and separate business house space.
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Talaskivi, Katri. "Ammattitaiteilijuus ja kirjailijana olemisen ehdot muunkielisten kirjailijoiden näkökulmasta." Kulttuuripolitiikan tutkimuksen vuosikirja 5, no. 1 (2020): 6–25. http://dx.doi.org/10.17409/kpt.92259.
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In this article I describe the results of a questionnaire survey done on non-dominant language writers in Finland, and reflect this on the criteria by which a professional artist has been traditionally defined in Finland. The background data consists of reports and studies on artists' social standing conducted by Arts Promotion Center Finland, Cupore and the Finnish Writers' Union.
 There were 31 responses to the study from non-dominant language residents of Finland who identify themselves as writers. Among these writers, the most often mentioned factor to define a professional writer were published works. Published works have also been central when a professional artist / writer has been defined in the Finnish art support system since its beginning in the late 1960's and early 1970's, and indirectly they are important also when professionalism is defined through memberships of trade unions, grants, main income source etc. as in all these evaluation in based on work that has been approved as part of the art world, i. e published by a publishing house. 
 According to this reflection, the Finnish way of defining a professional writer to a great extent excludes writers who are unable to publish their work on paper through commercial publishing houses, let alone in Finnish or Swedish. This is the case with most writers with refugee, assylum seeker or voluntary exile background, or writers who come from countries with a different publishing industry from the Finnish model, or whose audiences are spread in all parts of the globe; instead, they publish online for political, financial, or practical reasons.
 My article strengthens the argument that the Finnish institutionalist way of defining a professional artist needs to be modified, especially on the level of institutional practises, to meet the reality of a quickly multilingualized society.
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Driessen, J. M. "Earthquake-Resistant Construction and the Wrath of the "Earth-Shaker"." Journal of the Society of Architectural Historians 46, no. 2 (1987): 171–78. http://dx.doi.org/10.2307/990185.
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The writer investigates possible anti-seismic construction techniques used in Minoan architecture on Bronze Age Crete. The frequency of earthquakes in the Aegean seems to imply the presence of such techniques. Starting by noting the methods still in use in Turkey and other dangerous areas, the writer looks at the practice of projections and setbacks, the near absence of windows, room dimensions, roof and floor construction, the presence of partition walls, the size and number of stories, town planning, the presence of cornices and ring beams, and other construction details which helped to improve the anti-seismic capability of Minoan houses. Attention is given to the location of houses and to the question of whether or not the Minoans used these methods consciously. The writer believes they did, not only because of the frequency of these earthquakes but also because of the religious connotations and the existence of an architectural koiné in earthquake-stricken areas in the ancient Mediterranean and Near East, in contrast with Egypt.
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Liman ; Hartanto Budiyuwono, Craven Arden. "ANALYSIS OF CYCLE 8 PERIOD FLYING STAR FENG SHUI ON CYCLE 7 PERIOD RESIDENTIAL SPACE LAYOUT." Riset Arsitektur (RISA) 3, no. 02 (2019): 188–204. http://dx.doi.org/10.26593/risa.v3i02.3279.188-204.
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Abstract- Flying Star Feng Shui is one of many Feng Shui forms using the compass method. Flying Star Feng Shuiuses Lo Shu Square with constantly changing number on each palace for every period, unlike traditional LoShu Square which has been used for thousands of years. The concept of Flying Star Feng Shui lies on the dynamicprinciple of time which changes the luck of a person. The objects on this study is a few houses in Bandung Citywhich are built in cycle 7 period (1984 – 2003).The methods used to analyze this study is qualitative descriptive, which the writer observe each of theobjects directly and analyze them using 2 reference books. David Twicken’s Flying Star - Feng Shui Made Easyand Vincent Koh’s Basic Science of Feng Shui.At the end of this study, the conclusion is Flying Star Feng Shui surely can influence the life of the peopleliving in the house. Some events in their life in cycle 8 can be foreseen by Flying Star Feng Shui, such asrobbery, lawsuits, and illness.Key Words: Flying Star Feng Shui, Houses, Events in the life of house users.
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Karlina, Nina, Budiman Rusli, Suryanto ., and Candradewini . "AN ANALYSIS OF SOCIAL CAPITAL IN EMPOWERMENT COMMUNITY AT UNINHABITABLE HOUSE’S RENOVATION FUND ONWEST BANDUNG REGENCY." Humanities & Social Sciences Reviews 7, no. 3 (2019): 74–79. http://dx.doi.org/10.18510/hssr.2019.7311.
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Purpose of Study: Cihampelas village, Cihampelas sub-district, West Bandung Regency is the most village that gets the social fund for the renovation of the house which is uninhabitable “Rumah Tidak Layak Huni” (RTLH). This village could inventory the uninhabitable houses properly so that in this village, there are around 334 renovations of uninhabitable houses. These RTLH renovations program is the program that aims to improve the economic life of the society by prioritizing the society self-reliance through build mutual cooperation and togetherness. By this empowerment then, the community empowerment organization “Kelompok Swadaya Masyarakat” (KSM) became the coordinator of the program. The apparatus and companion consultant saw that KSM Cihampelas village, growth slowly unlike another village, but for the uninhabitable renovation they were effective and on target. Meanwhile, another village has so many problems in that community empowerment organization (KSM). In this analysis, the writer uses the qualitative method with study cases approach. The writer uses social capital theory, they are; trust, social norm and social networking. This community empowerment organization (KSM) who became the bearer in this program, has a leader or a chairman that collective collegial, so that all of the decisions can be taken from consensus. Although, from West Bandung’s apparatus and companion con- the sultant point of view, Cihampelas tend to be slow, and slow progress, but the Cihampelas’ KSM very strong and trusted highly by the society towards this KSM.Although, from West Bandung’s apparatus and companion consultant point of view, Cihampelas tend to be slow, and slow progress, the Cihampelas’ KSM very strong and trusted highly by the society towards this KSM.
 Methodology: In the data collecting technique, the writer uses an observation technique, deep interview, focus group discussion (FGD), interpretation approach, and library research. In data validation testing, the writer uses the triangulation technique by check, re-check and crosscheck for data that get from the theory, methodology, and writer perception. The resulting analysis shows that from three variables of social capital that analyzed by study cases at Cihampelas village for the fund of the uninhabitable program (RTLH), indicate that this village was succeeded in managing this program because they could explore the local wisdom which exists in these villages.
 Results: This case proves that kinship culture which builds from this fund program at the society in this analysis, shows the culture of helping each other, trusting and knowing also caring, especially in facing the house renovation problems.
 Implications/Applications: KSM highly respected by the society, since they know that the management does not get the incentive from anywhere, but because of their good intention to make the village and the environment more comfortable. Even the network is good enough because of the togetherness.
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Pardoe, James. "The Impact of Post-Writer Histories on the Significance of UK Literary Houses." International Journal of Literary Humanities 11, no. 1 (2014): 27–40. http://dx.doi.org/10.18848/2327-7912/cgp/v11i01/43886.
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Knútsdóttir, Vera. "SPECTRAL MEMORIES: AESTHETIC RESPONSES TO THE FINANCIAL CRASH IN ICELAND 2008." Nordic Journal of Aesthetics 29, no. 60 (2020): 116–39. http://dx.doi.org/10.7146/nja.v29i60.122844.
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In October 2008, one of the largest bank crashes in history struck Iceland, a country of three hundred and thirty five thousand inhab-itants. The aim of the article is to examine two cultural responses to the crash and the crisis that followed. More precisely, the aim is to analyse how the creation of the haunted house in I Remember You, a crash-horror story by crime writer Yrsa Sigurðardóttir, as well as the spectral half-built houses portrayed by visual artist Guðjón Ketilsson refer quite directly, yet spectrally, to the period. The spec-tral themes of the two works give the opportunity to discuss the moment following the crash as a moment of haunting—but who is haunted and by whom?
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Sitompul, Erwin, and Khoerrudin Syirli. "Prepaid RFID-based Electricity Payment System for Rooming Houses." Jurnal ELTIKOM 4, no. 2 (2020): 105–20. http://dx.doi.org/10.31961/eltikom.v4i2.205.
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A prepaid RFID-based electricity payment system is proposed in this paper. The system is intended for rooming houses where residents’ electricity overconsumption and outstanding payment are to be avoided by the house owner. An RFID-card is used as the payment instrument. The system consists of two units, the card balance top-up unit (CTU) and the energy credit top-up unit (ETU). The balance of the RFID-card is topped up by using the CTU. With the balance stored in it, the RFID-card is to be used to top-up the energy credit at the ETU. Each of the CTU and the ETU is equipped with a microcontroller, an RFID reader/writer and a user interface in the form of keypad and liquid crystal display (LCD). Furthermore, the ETU utilizes a relay to control the flow of electricity. If the energy credit of a room is exhausted, then the supply of electricity to the room is cut off by the relay. The electricity consumption is calculated based on the number of pulses of the calibration LED of a standardized electronic energy meter. The pulse is transmitted to the microcontroller by using an optocoupler. The RFID-card records the current card balance, the card’s top-up history, and the card’s usage history. The energy credit is stored in the EEPROM of the ETU’s microcontroller. The energy meter is tested to measure the energy consumption of two loads based on the pulses of its calibration LED. The actual power of the two loads are 87.25 % and 94.23 % of the corresponding power rating. The card balance top-up process at the CTU and the energy credit top-up process at the ETU are successfully checked. After every balance top-up and credit top-up, the current card balance is calculated and stored correctly. During the electricity usage, the LCD of the ETU shows the remaining energy credit in IDR and kWh. These are accumulatively reduced every time the pulse count reaches a certain reset number, which corresponds to the electrical energy’s unit price applied. The proposed electricity payment system can be a solution for owners of rooming houses to secure electricity payments from the residents. The installation cost of the system is low and without the need to change the existing electricity purchase method of the house. The house owner also can individually adjust the maximum power limit for each room.
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Orlova, Olga Iu. "FOLKLORE MOTIVES AND THEIR REINTERPRETATION IN THE WORK OF AMERICAN WRITER L.F. BAUM." Volga Region Pedagogical Search 34, no. 4 (2020): 30–35. http://dx.doi.org/10.33065/2307-1052-2020-4-34-30-35.
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. It is generally considered that the genre of the literary fairy tale in Europe expressed itself amply in the age of romanticism and used folklore imagery and motifs, as many other literary genres. But the folklore of Native Americans is also known to be ignored by authors in the USA. At the beginning the European folk tales served as the basis for the literary fairytale in the United States. Nonetheless, by the 20th century the authors had decided to create their own national fairy tale tradition. The article deals with the problem of folklore motifs reshaping in the collection entitled “American Fairy Tales” by L.F. Baum. There are some recurrent folklore motifs in the fairy tales: the motif of the forbidden door, the magical object, etc. At the same time, imagery of natural objects typical of North America (corn fields, huge cities with apartment houses) add some new traits to the national variant of the fairytale.
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Sukayasa, I. Made, I. Nyoman Putu Budiartha, and Luh Putu Suryani. "Tanggung Jawab Hukum terhadap Adanya Wanprestasi dalam Perjanjian Sewa Menyewa Rumah Toko (Ruko)." Jurnal Konstruksi Hukum 2, no. 1 (2021): 97–101. http://dx.doi.org/10.22225/jkh.2.1.2976.97-101.
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In various regional areas and cities have done a lot of renewal of buildings with the construction of shophouses. An increasingly developed economic system, the shop houses that have been built can be used as a means of buying and selling. Shophouse is often known as a shop house or residence that is used as a place of business and usually this shophouse is built parallel to other shop houses. The formulation of the problem in this case 1) How is the certainty of the rental agreement to rent a Rumah Toko (Ruko) ?. 2) What is the legal responsibility if one of the parties defaults on the implementation of the lease agreement for a Shophouse? The livelihood of information in a normative study is the method of recording and assessment based on legal sources. In writing this essay the writer examines and collects information through legal science books without deviating from positive law in order to conclude a conclusion. An agreement between the lessee and the owner of the building can bring up the rights and obligations between the parties written in an agreement. Where the renting party has an obligation to claim the rights of the building being rented out to the lessee, and has the right to get paid from the lessee for the rental building. The lessee may not transfer the rights to the building he leases, and if there is a dispute in the future between the parties then it must be resolved because of default.
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Phillipps-López, Dolores. "Narradoras mexicanas del modernismo: las tribulaciones editoriales de Betanzo, Méndez y Camarillo." (an)ecdótica 4, no. 1 (2020): 53–70. http://dx.doi.org/10.19130/iifl.anec.2020.4.1.0003.
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With rare and brief echos of her published work (three novels and three short novels) in the press of her time, few books scattered today in a couple of libraries and present critical reception reduced to two or three minor incursions of her work, Francisca Betanzo (Chanteclair), born in Tehuacan, is a revealing —although extreme— case among those Mexican women devoted to literature during the Modernist fin de siècle of the Porfirian regime. More than anything else, hers is a story of “uncertainty and perplexity” (Romero Chumacero, 2015). Due to the fact that the works of Francisca Betanzo were published simultaneously with those of Mexican writers Laura Méndez and Ma Enriqueta Camarillo in identical publishing houses in Paris (Paul Ollendorff and Vda. De Ch. Bouret), particular attention will be given to the different circumstances that led to the inclusion, at the beginning of the xx century, of their respective works in the catalogs of these well-known Parisian publishers of the time. The approach of the forgotten texts of Francisca Betanzo from the perspective of publishing, distribution and reception of her work is an attempt to provide arguments in favor of rescuing the works of this forgotten Tehuacan writer.
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Fergusson, Peter, and Stuart Harrison. "The Rievaulx Abbey Chapter House." Antiquaries Journal 74 (March 1994): 211–55. http://dx.doi.org/10.1017/s0003581500024434.
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The chapter house (figs, i, 2) is the most puzzling of the buildings that survive at Rievaulx Abbey, North Yorkshire — the Cistercians's first foundation in the north of England. A reconstruction based on the ruined remains shows a two storey interior supported on cylindrical columns, lower flanking aisles, and an apsed termination with a hemicycle and surrounding ambulatory (figs. 3, 4). No other chapter house in England or France shares these features. As a consequence the building has been ignored in the literature for the most part, or drawn criticism on account of its divergence from Cistercian norms. Gardner (1976, 106 n. 103), for example, in his wide-ranging study of English chapter houses categorized it as ‘bizarre’ and Gilyard-Beer (1978, 34) judged it a ‘remarkable lapse’ from Cistercian austerity. Yet the building merits greater attention. It survives as the oldest example in England of a Cistercian chapter house, a building type which, except for the conventual church, ranked as the most important in the entire monastic complex. Moreover, the visible remains can be dated to the brilliant rule of Rievaulx's third abbot, Ælred (1146–67), the pre-eminent pastoral master and spiritual writer of the High Middle Ages in Britain, under whom the community grew to the largest in the country with 640 men. Ælred's role as patron raises important questions, therefore, about the building's sources and meaning.
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Hontong, Sefnat. "Menyoal Fakta Pusara Korban, Membangun Budaya Damai Di Halmahera." DISKURSUS - JURNAL FILSAFAT DAN TEOLOGI STF DRIYARKARA 11, no. 2 (2012): 202–32. http://dx.doi.org/10.36383/diskursus.v11i2.142.
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Abstract: Among the interesting phenomena in Halmahera’s post conflict era are the permanently built tombs of victims in the courtyards of houses of worship (churches and mosques). An important question which arises from this phenomenon is: why were the tombs of victims built in the courtyards of the houses of worship? What is the meaning of this reality for promoting reconciliation and peace in Halmahera? According to the writer, an analysis on the way the Halmaherans comprehend this practice is important. By understanding the way the Halmahera people view and live out the meaning of the tombs of the victims, we can understand and anticipate any further impact of this practice. Through this article, the writer offers a sociological and theological study so that a road to promote peace building in Halmahera can be paved.
 Keywords: Tomb of victims, martyr, syuhada, conflict, violence, reconciliation, peace, Halmahera.
 Abstrak: Salah satu fenomena menarik dalam masyarakat Halmahera di era pasca konflik adalah adanya pusara korban yang dibangun secara permanen di halaman rumah ibadah (gereja dan masjid). Pertanyaan penting yang perlu dikemukakan melihat fenomena ini adalah: mengapa pusara korban dibangun di halaman rumah ibadah? Apa arti realita itu bagi upaya rekonsiliasi dan pembangunan budaya damai di Halmahera? Menurut penulis, kajian dan analisis terhadap penghayatan dan pemahaman masyarakat Halmahera terhadap realita pusara korban menjadi hal yang penting untuk dilakukan. Dengan memahami penghayatan dan pemahaman masyarakat Halmahera terhadap realita pusara korban, maka dampak yang ditimbulkan olehnya dapat dipahami, dimengerti, dan diantisipasi. Melalui artikel ini penulis hendak menampilkan sebuah kajian sosiologis-teologis dalam rangka menemukan sebuah “jalan raya” bagi upaya membangun perdamaian yang sejati di era pasca konflik di Halmahera.
 Kata-kata kunci: Pusara korban, martir, syuhada, konflik, kekerasan, rekonsiliasi, perdamaian, Halmahera.
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Rajch, Marek. "Henryk Sienkiewicz’s output and literary censorship in the DDR." Acta Universitatis Lodziensis. Folia Litteraria Polonica 58, no. 3 (2020): 421–34. http://dx.doi.org/10.18778/1505-9057.58.22.
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Works by Henryk Sienkiewicz, a Polish writer and the winner of the 1905 Nobel Prize for Literature, were subjected to verification by the DDR’s censorship apparatus several times. Censors considered his novellas which discussed 19th-century social issues as desirable and worth promoting among East German readers. His novel Krzyżacy, which was set in the Middle Ages, was accepted eagerly both by publishing houses and the censorship office as it enabled national socialism in Germany to be viewed in critical terms, as the DDR distanced itself from the system. Reviewers did, however, find a major ideological threat for young readers in East Germany in a young adult novel entitled W pustyni i w puszczy, and for that reason it was withdrawn from the publishing procedure.
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Ashaf, Didit Herdiawan, Sutikno Wahyu Hidayat, and Ahmadi Ahmadi. "DECISION SUPPORT SYSTEM DETERMINES THE PURCHASE OF HOUSE RIGHT USING ANALYTICAL HIERARCHY PROCESS (AHP) AND BORDA METHODS." JOURNAL ASRO 10, no. 1 (2019): 1. http://dx.doi.org/10.37875/asro.v10i1.85.
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Increasing population growth also contributes to the increasing need for homes or dwellings as basic human needs. Many ways people do to meet these needs, among others, by buying from someone else, building it yourself or by buying a house in a housing developer. Houses besides being a basic human need, it is also used as an indicator of one's success and as an asset for business development and an increase in the economic value of the owner. Prospective home buyers certainly have criteria that are considered in choosing a house. Many of the existing criteria are often followed by the availability of more than one choice of the house to be able to meet these criteria. Therefore, the writer tries to try to make a Decision Support System in a Home Purchase that will later help prospective home buyers in deciding which house to buy. The decision-making method used in this system is an analytical hierarchy process (AHP) as a form of decision-making model that is suitable for multi-criteria and multi-alternative problems with the main input being human perception. Combined with the Borda method which is one method of group decision making that can combine the results of perceptual analysis (the results of AHP analysis) from several decision makers. it is necessary to have a group decision-making technique (group decision support system). So that the resulting home purchase decision can be accepted by all decision makers (family). From the results of the calculation and voting process, House X was chosen with 9 votes.
 
 Keywords: Home Purchase, Analytical Hierarchy Process, Borda
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SYKES, KATHARINE. "‘Canonici Albi et Moniales’: Perceptions of the Twelfth-Century Double House." Journal of Ecclesiastical History 60, no. 2 (2009): 233–45. http://dx.doi.org/10.1017/s0022046908006970.
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In contrast with recent assertions that the term ‘double house’ is both anachronistic and dysfunctional when used with reference to mixed communities of the twelfth century, this paper demonstrates that contemporary writers did in fact perceive a difference between religious houses that housed both men and women, and a small group of ‘houses of canons and nuns’. The absence of a more specific term was in itself an indication of the perceived novelty of such houses, which were seen as diverging both from earlier Anglo-Saxon mixed communities, and from other twelfth-century houses for men and women.
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Sholihin, Riadhus, та Oktavi Maulizar. "MEDIATION SYSTEM IN DISPUTES OF OWNERSHIP PERSFECTIVE ACADEMIC ISLĀḤ (A Research in Aceh Besar)". Dusturiyah: Jurnal Hukum Islam, Perundang-undangan dan Pranata Sosial 10, № 2 (2020): 208. http://dx.doi.org/10.22373/dusturiyah.v10i2.8129.
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This article will explain how the authority of village officials in resolving disputes over ownership of aid houses is mediated? To answer the problem above, the writer uses the descriptive analysis research method, where the data obtained is sourced from observations, interviews, photoshoots, document analysis, and field notes compiled by the writer at the research location which is not set forth in the form of figures. From the results of the study it can be seen that based on Aceh Qanun Number 9 of 2008 concerning the Development of Customary Life and Customs where village officials have the authority to reconcile disputes that occur within the community by deliberation / mediation and one of the village apparatuses that mediates the parties who disputes to end their disputes peacefully. The consequence of the mediation decision is the termination of the dispute that occurred and the parties agreed to make peace by making a peace agreement and carrying out the agreement accordingly. The concept of mediation in positive law is no different from the concept of iṣlāḥ in Islamic law which involves a third party to reconcile the disputing parties. The content of the agreement of the mediation that has been carried out by the parties, is allowed in Islamic law because the purpose of iṣlāḥ or mediation is to end the dispute.
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Kelly, Jessica. "Vulgar Modernism: J. M. Richards, Modernism and the Vernacular in British Architecture." Architectural History 58 (2015): 229–59. http://dx.doi.org/10.1017/s0066622x00002641.
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In 1946 J. M. Richards, editor of theArchitectural Review (AR)and self-proclaimed champion of modernism, published a book entitledThe Castles on the Ground(Fig. 1). This book, written while working for the Ministry of Information (Mol) in Cairo during the war, was a study of British suburban architecture and contained long, romantic descriptions of the suburban house and garden. Richards described the suburb as a place in which ‘everything is in its place’ and where ‘the abruptness, the barbarities of the world are far away’. For this reasonThe Castles on the Groundis most often remembered as a retreat from pre-war modernism, into nostalgia for mock-Tudor houses and privet hedges. The writer and critic Reyner Banham, who worked with Richards at the AR in the 1950s, described the book as a ‘blank betrayal of everything that Modern Architecture was supposed to stand for’. More recently, however, it has been rediscovered and reassessed for its contribution to mid-twentieth-century debates about the relationship between modern architects and the British public. These reassessments get closer to Richards’s original aim for the book. He was not concerned with the style of suburban architecture for its own sake, but with the question of why the style was so popular and what it meant for the role of modern architects in Britain and their relationship to the ‘man in the street’.
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Engelbrecht, Wilken. "The Projected Past: Why Were Translated Certain Historical Novels?" Werkwinkel 14, no. 1-2 (2019): 69–89. http://dx.doi.org/10.2478/werk-2019-0004.
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AbstractThe 140 years between 1850 and 1990 cover an important period from the beginning of modern literature and modern publishing houses in the second half of the nineteenth century till the end of the Communist regime. Over this period some 450 Dutch and Flemish literary works were translated into Czech and some 75 into Slovak. Historical novels and novellas make up a good part of them.As Connor (2015) has clearly shown, historical novels were a popular genre in Communist times for ideological reasons. They were considered “excellent educational instruments for people not yet apt to understand heavier work like the Communist Manifesto” as the young translator Olga Krijtová wrote to the Communist Dutch writer Theun de Vries in the early 1950s. Reviews, editor’s reports and editorial statements indicate, however, that historical novels had a similar function already before Communism, from the beginnings of Czech and Slovak translation of Dutch written literature.In this paper, we will discuss several historical novels in Czech translation by Hendrik Conscience, Louis Couperus, Madelon Székely-Lulofs, Theun de Vries, and Harry Mulisch – to illustrate changing ideological views.
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Anisa, Nur, and Eni Heldayani. "The Transformation of Kampung Arab Al-Munawarah Becomes a Tourism Object." Sumatra Journal of Disaster, Geography and Geography Education 1, no. 2 (2017): 155. http://dx.doi.org/10.24036/sjdgge.v1i2.103.
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The objective of this research is to identify the impact of transformation of Kampung Arab Al-Munawar Palembang into a tourism object. The writer uses the qualitative and descriptive method in this research. The data collected through survey method is by interviewing samples selected randomly to observe the effects of transformation and development experienced by development of Kampung Al-Munawar both socio-cultural and economic aspect of the community. The results of this research shows that the transformation of Kampung Al-Munawar has a positive effect on physical form of dwelling, economic, and social cultural aspects of the community. The forms of residental houses are going to be more beautiful and well maintained. The economy seems to be more always, with the appearance of several new ventures of community. Community became more consistent to maintain the customs and habits of Kampung Al-Munawarin in order not to be contaminated with the habits of visitors. Culture of the community is growing and preserved so that it can be known by the domesticpublic and overseas.
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Eysteinsson, Ástráður. "Jakobínuvegir." Ritið 18, no. 3 (2018): 217–36. http://dx.doi.org/10.33112/ritid.18.3.11.
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This article surveys the ouevre of the Icelandic writer Jakobína Sigurðardóttir (1918-1994) on the occasion of her centenary. Various aspects of her novels, short stories, poetry and memoirs are examined, including the ways in which she presents time in her texts – time as it pertains to individual life spans and the interaction of different generations, as well as time in the life of a nation which could be said to have switched abodes in the course of the 20th Century, moving from rural to urban settings, and during this time the island nation attained sovereignty and independence. narrative is a key element in treating time and historical shifts, and attention is paid to the ways in which Sigurðardóttir both renews realist traditions and resorts to more radical narrative forms, pulling the reader into an active dialogue on gender and generational issues, on social justice and equality, as well on the routes and conditions which connect and mould places of dwelling – individual houses as well as the abode of the nation.
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Satbai, T. Y., and K. M. Ilyassova. "The financial situation of creative unions of Kazakhstan in the post-war years." BULLETIN of L.N. Gumilyov Eurasian National University. HISTORICAL SCIENCES. PHILOSOPHY. RELIGION Series 130, no. 1 (2020): 64–74. http://dx.doi.org/10.32523/2616-7255-2020-130-1-64-74.
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The article discusses the socio-material situation of the artistic intelligentsia and creative unions of Kazakhstan in the post-war years. The most active of the creative unions was the Union of Writers of the country, which did not have their own premises, not to mention the rest of the creative associations. The building of the Writers ‘Union, consisting of five or six small rooms, housed five blocks: two magazines, a literary fund, a copyright office, and all departments of the Writers’ Union. Even in the fiftieth, this issue was acute on the agenda. And the Union of Composers did not even have such premises. The house of composers was built only in 1969. This circumstance was also characteristic of the Union of Architects, Filmmakers, Journalists and Artists. The difficult social and material situation of the artistic intelligentsia of Kazakhstan was due to the lack of independent publishing houses, their own printing houses and a fair assessment of the work of the artistic intelligentsia. And also, it is shown the role of other factors affecting the socio-material status of the artistic intelligentsia.
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Etényi, Nóra G. "Broadsheets with Engravings in a Manuscript Chronicle from Ulm: Visual Representations of the Hungarian Kingdom on German Political Leaflets during the War of Reconquest (1683–1699)." Radovi Instituta za povijest umjetnosti, no. 43 (December 31, 2019): 91–102. http://dx.doi.org/10.31664/ripu.2019.43.07.
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The news about the war of expulsion against the Ottoman Empire was presented by a multi-central propaganda. A manuscript chronicle written in Ulm demonstrates the literacy of the broadsheets’ readership. The writer, Eberhard Gockel (1636–1703), a physician from Ulm, wrote a diary on the most important occurrences and affairs of the Turkish war from 1678 to 1703. He attached to his chronicle broadsheets and engravings on the recaptured Hungarian fortresses and the great victories against the Turks. Gockel had good sense for high quality engravings, and he chose the works of publishing houses with excellent reputations, for example Jakob Koppmayer from Augsburg, Johann Jonathan Felsecker and Johann Hoffmann from Nürnberg and Michael Wening from München. As a citizen of Ulm, he respected the interests of the House of Habsburg, but he mainly focused on the role of the imperial and troops from the region of Swabia. His manuscript illustrated with engravings gives a detailed description of the Hungarian Kingdom’s fight against the Turks. Gockel focuses on the news of the anti-Ottoman war of 1683–1688 and he recorded the victories against the Turks even after the French invasion of the Rhineland in 1688. Gockel was critical of the quantity of military news and tried to remain unbiased on political and religious questions. Gockels’ chronicle proves that the readers of the broadsheets had all the tools to use the media of that time critically, and that sensibility and curiosity for the news of the world was a significant part of the identity of a citizen in a city like Ulm.
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Jannah, Miftahul. "Tradisi Mendarahi Rumah di Solok Selatan." Islam Transformatif : Journal of Islamic Studies 4, no. 1 (2020): 25. http://dx.doi.org/10.30983/it.v4i1.2623.
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<p><em>Living Hadith is a new theme that was popularized since the early 2000s. So far, the study of hadith only revolves around the research of the books and their meanings, this situation causes anxiety among the Muhaddisin because it is feared that there will be no renewal produced in the hadith studies. It is on this basis that the hadith experts find a solution so that the hadith research is able to give a new nuance in the realm of study. With the living hadith research model, it is expected to be able to see the symptoms that live in the community, in the form of patterns and structure of behavior that is based on an understanding of the hadith of the Prophet Muhammad. In the order of life the Prophet's figure became a central figure followed by Muslims until the end of time. This is where various problems related to the needs and development of society are increasingly complex and accompanied by a strong desire to apply the teachings of Islam brought by the Prophet Muhammad in different contexts of space and time. Efforts to apply hadith in the socio-cultural context can be said to be a tradition that lives in the midst of society. Like the tradition of bloody houses, this tradition is the application of the hadith of the Prophet about symbolic prayer. Symbolic prayer is permissible in Islam, as long as it is intended only for Allah. This tradition is carried out by slaughtering animals (roosters), the blood of the chicken is circulated around the house to be built with the hope that the house is strong and crowing like a rooster, and the family that occupies it is avoided from bad. This field-based research focuses on the practice of traditional house-bred tradition in Nagari Pulakek, West Sumatra, in this study the writer uses descriptive analytical methods.</em></p>
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Keršytė, Nastazija. "Museum Commemoration Paradigms of Soviet and Soviet Times’ Writers." Bibliotheca Lituana 2 (October 25, 2012): 237–54. http://dx.doi.org/10.15388/bibllita.2012.2.15588.
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Paper evaluates museum commemoration narratives and paradigms of memory of Soviet Lithuanian writers and writers who lived in Soviet times. Evaluated historical role discourses of these writers suppose museum visualization character and leads to the establishment of or failure to set up writers’ memorial and literature museum. Activation museum visualization, communication is motivated objective writers activity and they creative assessment, prominence of international relations and contexts, and real or seeming relevance of writers at present. The Memorial Museum of writer Antanas Venclova in Vilnius transforming to the Venclovų House-Museum illustrates concepts of discourses about the writer as a Soviet and Soviet times and valuation an artist as beyond Soviet times, Soviet times, and post-soviet times.
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Adina, Syafiah Rifa, and Suparmin Suparmin. "Deskripsi Sanitasi Sarana PembuanganTinja Di Desa Jebeng palmitan Kecamatan Sukoharjo Kabupaten Wonosobo Tahun 2017." Buletin Keslingmas 37, no. 2 (2018): 151–57. http://dx.doi.org/10.31983/keslingmas.v37i2.3838.
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AbstractDescription Sanitation of Excreta Disposal Facility in Jebengplampitan Village, sub district of Sukoharjo,WonosoboRegency 2017.Excreta disposal facility is the important part of environment health. To preventFaecal Borne Diseases disruption and spreading, feces need to handle sanitarily. Depend on the previousstudy found out that the sanitation of excreta disposal facility in Jebengplampitan Village, sub district ofSukoharjo, WonosoboRegency still low, from 228 KK (100%) there are 20 KK (8,8%) has up to standardtoilet, there is water seal latrine. Whereas 208 KK (91,2%) has below standard toilet. The purpose of thisresearch is to know the sanitation of excreta disposal facility in Jebengplampitan Village, sub district ofSukoharjo, WonosoboRegency in the year 2017.The kind of this research is descriptive research. Samplingtaken by random sampling. The collecting data methods are observation and interview by using checklist andquestioner. The subject of this research is excreta disposal facility that used by society in JebengplampitanVillage, sub district of Sukoharjo, WonosoboRegency.The result of this research point out that the sanitationcondition of excreta disposal facilityin Jebengplampitan Village, sub district of Sukoharjo, WonosoboRegencyfrom 47, there are 42 (89,4%) fulfill standard, 5 (10,26%) below of standard. By this result toilets there are45 (95,7%) without septictank, whereas 2 (4,3%) toilet with septictank.This research can be conclude that thesanitation condition of excreta disposal facilityin Jebengplampitan Village, sub district of Sukoharjo, WonosoboRegency are below of standard from 47 houses, only 2 houses that have fulfill standard toilet, andthe other dumping into the fish pool or river. The writer propose in order to the family that has no septictank,should be built quickly, health society center (Puskesmas) preferable to doing Health promotion in everyfamily and the society make it joint budgeting into building excreta disposal facility.
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Xu, Lingling. "An Analysis of The Falls from the Perspective of Gothic." Theory and Practice in Language Studies 6, no. 8 (2016): 1602. http://dx.doi.org/10.17507/tpls.0608.12.
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This research studied the Gothic traditions in The Falls from its themes, languages and mysterious setting. Though Joyce Carol Oates may refuse to be characterized as a Gothic writer, more often than not she is regarded as such for the all-encompassing violence and deaths in her works. She treats the Gothic traditions as an appropriate way to obtain her writing objectives. Instead of sticking to the old Gothic conventions rigidly, she revises it in creative and ingenious ways. This research also focuses on its mysterious setting. In traditional Gothic fictions, the scenes are often set in gloomy places like the dark subterranean castles, the outlandish and desolate houses, and the confined decaying abbey. However, the Gothic novels develop with times and acquire new features. In The Falls, Oates places her story against the modern scenic spot Niagara Falls, which is the symbol of supernatural power and seduces people to do many unimaginably queer things. To conclude, The Falls has a kinship with the Gothic traditions in terms of its themes, languages and settings. With this Gothic tradition in The Falls, Oates successfully arouses readers’ interest and exposes the darkness of the society.
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Mester, Béla. "Authorial Self and Modernity as Reflected in Diaries and Memoirs. Three 19th-Century Hungarian Case Studies." Acta Universitatis Sapientiae, Social Analysis 9, no. 1 (2019): 85–97. http://dx.doi.org/10.2478/aussoc-2019-0006.
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Abstract The role of the diaries and memoirs in the process of the conscious self-reflection and their contribution to the emergence of modern individual personalities are well-known facts of the intellectual history. The present paper intends to analyze a special form of the creation of modern individual character; it is the self-creation of the writer as a conscious personality, often with a clearly formulated opinion about her/his own social role. There will be offered several examples from the 19th-century history of the Hungarian intelligentsia. This period is more or less identical with the modernization of the “cultural industry” in Hungary, dominated by the periodicals with their deadlines, fixed lengths of the articles, and professional editing houses on the one hand and the cultural nation building on the other. Concerning the possible social and cultural role of the intelligentsia, it is the moment of the birth of a new type, so-called public intellectual. I will focus on three written sources, a diary of a Calvinist student of theology, Péter (Litkei) Tóth, the memoirs of an influential public intellectual, Gusztáv Szontagh, and a belletristic printed diary of a young intellectual, János Asbóth.
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Moyes, Lianne. "From one colonial language to another: Translating Natasha Kanapé Fontaine’s “Mes lames de tannage”." TranscUlturAl: A Journal of Translation and Cultural Studies 10, no. 1 (2018): 64–82. http://dx.doi.org/10.21992/tc29378.
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Signed and posted to the internet on July 6, 2012 in the months following the “Printemps érable” and leading up to Idle No More, “Mes lames de tannage” is one of Natasha Kanapé Fontaine’s most important slams. In analysing my English translation of this slam, published in Canadian Literature in 2016, this essay speaks to the relationship between Indigenous literatures and European languages. It participates in a conversation about what it means to translate French-language Indigenous literature from Quebec into English. Such translation enables Indigenous writers across North America to make links with each other and foster a broader interpretive community for their writing. Given the flow of Indigenous literature and critical thought from English into French over the past decades, thanks to publishing houses in France, the recent wave of translations from French into English and the sharing of French-language work mark a significant shift in the field. At the same time, the gesture of translating into English a writer who works primarily in French but is in the process of relearning her maternal language, Innu-aimun, brings to the fore all the pitfalls of moving from one colonial language to another. The challenge for translation is not to lose sight of Kanapé Fontaine’s relationship to French and especially, the way she lends it her voice. In the slam, French is a language of contestation but also of collaboration. Drawing on what she calls a “poetics of relation to the land,” Kanapé Fontaine works toward a respectful cohabitation of the territory. In this context, my strategies of including the French alongside the English and leaving words un-translated aim to disrupt the English version, expose the mediating work of the settler-translator and turn attention to Kanapé Fontaine’s mobilization of French for a writing of decolonization.
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Shrivastava, Dr Ku Richa. "Defeat Depression in Adherence to Spiritual Pathway in Bhagvad Gita." SMART MOVES JOURNAL IJELLH 8, no. 4 (2020): 182. http://dx.doi.org/10.24113/ijellh.v8i4.10535.
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Dhritrashtra desires to know about the battlefield of Kurushetra. Dhritrashtra is inquisitive in relation to the combat zone. He denotes his sons as Kauravas and his brother’s son as Pandavas. He enquires Sanjay, “What my sons Kauravas and my brother’s sons Pandavas are doing in the war arena. He is concerned about his sons and calls them “Mine”. He is not worried about his brother’s sons and calls them “Others”. The way Dhritrashtra’s is characterized, it represents one thing that is his psychology, it’s critically analyzed his personality by his words. When he speaks something about war frontline his emphasis is on the words, “My sons”. When a person defines himself as “Me” and “Myself” and describes the others as “You” and “Yourselves”. Here the quarrel begins. Duryodhan is Dhritrastra’s son, whatsoever is the nature of Dhritrashtra, and broadly the son also has the same behavior. He said, “What my lads and Pandava’s lads are doing in the war - front”, from now, excess of love and affection towards his sons is revealed. He cogitates that, “Either, I ought to reign the country, or my sons might sovereign the nation, and no one else should be the supreme ruler. I would survive and my sons should subsist. My all possessions are supposed to stay secured and others should be empty handed. This is the language of self -centeredness. Dhritrastra had the mean mentality. Great writers have printed their writings, about those who notify these clothes are mine, these houses are mine, these jewels are mine, these are my eatables, these are my resting places, those whom speak everything is mine, the persons whom emphasize themselves by the words, “Me” and “Mine”, the evil deaths are sure for those persons, they will die badly. A writer has very beautifully depicted in a few lines, the way it is written that has been told. This is not the sayings of a saint. It’s just like a meaningful sequence, some lines have been written in verses. Let’s visualize;
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Denzer, Anthony. "The Halliburton House and its Architect, William Alexander." Southern California Quarterly 91, no. 3 (2009): 319–41. http://dx.doi.org/10.2307/41172482.
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The 1938 Laguna Beach house designed by William Alexander for adventure writer Richard Halliburton is a landmark of modern architecture. This article explores the relationships between the client's goals, the architect's vision and sources of inspiration, and the construction chal lenges. It also links the house to the current discourse on "queer space" and evaluates the house's influence on contemporary literature.
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WHARTON, ANNABEL. "Doll's House/Dollhouse: Models and Agency." Journal of American Studies 53, no. 1 (2017): 28–56. http://dx.doi.org/10.1017/s0021875817000895.
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Models – economic, mathematical, toys, manikins – are ubiquitous. This article probes one model, the Stettheimer doll's house, in order to understand all models better. The Stettheimers, three wealthy unmarried sisters living in New York in the early the twentieth century, attracted a remarkable melange of Camp artists and writers, identified by Arthur Danto as “the American Bloomsbury.” The Stettheimers were involved in many of New York's happenings, including the Harlem Renaissance and the innovative stage productions of Gertrude Stein. Androgyny, excess, racial mixing and theatricality flourished in the Stettheimer milieu. Carrie Stettheimer's doll's house, now housed in the Museum of the City of New York, captured this life. I consider this model for two related purposes. First, and more narrowly, I document the various effects this eccentric doll's house had on the artistic production of those in its vicinity, most notably on the novels of her sister Ettie and on the paintings both of her sister Florine and Marcel Duchamp. Second, I use the evidence of the doll's house's affect to discuss the agency of models in general.
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Endres, Fredric F. "Editorial Writers and the Research Process." Newspaper Research Journal 8, no. 3 (1987): 11–20. http://dx.doi.org/10.1177/073953298700800302.
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A national survey of editorial writers shows that, across three circulation categories, there are differences in the research process, availability and use of resources and how writers rate usefulness of sources. Research problems for all groups centered on the in-house library and lack of sufficient time to research and write. Most editorial writers make wide use of news makers, local leaders and attendance at meetings for ideas and background material. Some writers disagree about how much research is needed to make editorials effective.
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Siahaan, Uras. "RUMAH ADAT BATAK TOBA DAN ORNAMENNYA DESA JANGGA DOLOK, KABUPATEN TOBA – SAMOSIR." Jurnal SCALE 6, no. 2 (2019): 24. http://dx.doi.org/10.33541/scale.v6i2.45.
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In Indonesia there are various ethnic groups with very diverse and rich customs.On average each ethnic group has their own Traditional House, which is different fromeach other. This attracted the attention of writers, to examine the types and types ofToba Batak Traditional Houses and their ornaments. The first opportunity to examineBatak Traditional Houses was obtained in 1985, where I could enjoy the beauty of thetraditional Toba Batak houses and record them, as material for further research later.The development of Batak Traditional Houses and Settlements shows that theattention of the Batak people and their Regional Governments to the rich culturalheritage of the Batak people through their traditional houses has not received seriousattention. In 2016 there was an opportunity to review the condition of tourism in Tapanuli,along with the existence of traditional houses. The opportunity occurred through thedisaster in the village of Jangga Dolok, where 5 traditional houses once burned on NewYear's Eve 2015 to 2016This paper is intended to provide an overview of settlements and traditional TobaBatak houses, rebuilding a traditional house and the types of ornaments in theirtraditional houses. In addition, there are also ways to prevent and prevent fire hazardsfor types of houses such as Batak Traditional Houses.Keywords: Traditional Houses, Toba Bataks and Ornaments.
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Osetrova, M. E. "The Situation with South Korean Literature in Russia as a Marker of the Current State of Intercultural Communication." Concept: philosophy, religion, culture 4, no. 4 (2020): 178–80. http://dx.doi.org/10.24833/2541-8831-2020-4-16-178-180.
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Modern literature – both as book industry and as an art – is a sphere that reflects general cultural and intercultural trends. Mutual interest and understanding between Moscow and Seoul, the Russians and the Koreans manifests itself in such cultural derivatives – in works of art, in translated books in particular. The Yasnaya Polyana literary prize awarded November 23, 2020, in Moscow once again brought into light the novel of a South Korean writer Han Kang, The Vegetarian, that, at the same time, received less attention than other foreign works. What is therefore observed is that, in the wider milieu of foreign literatures, the South Korean achieves modest success in Russia and vice versa. With many prominent authors and their works translated, market success and wide publicity of Korean authors and books is what is lacking at the current stage of cultural interactions. This could be caused by the genre specificities of contemporary South Korean literature, as dramatism and realism of everyday problems feature prominently in novels and other works. Historical tragedies and the difficult life of Korean society are unlikely to be the details inciting wide public interest in Russia. What also imperils the cultural dialogue in this field is the unsystematic choice of texts to be published abroad and translated, which can be attributed to Russian editorial houses. This concern is the major obstacle to promoting both Russian and Korean cultures. Consequently, the development of intercultural bonds between Russia and South Korea is to a certain degree hindered by mutual stereotypes and standard patterns.
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Walton, Chris. "Composer in Interview: Edward Rushton – an Englishman in Switzerland." Tempo, no. 218 (October 2001): 7–10. http://dx.doi.org/10.1017/s0040298200008639.
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A time there was when it was de rigueur for the self-respecting English composer to sample the life and art of our Germanic neighbours. A little time in the Land der Musik, it seemed, might help them make their own a little less ohne. Elgar supped at the springs in the Bavarian Highlands; Sullivan, Stanford and others in the Leipzig low-lands. It remains perplexing to the German mind that a reference to the ‘Frankfurt School’ in conversation with an Englishman can elicit praise for Percy Grainger, Roger Quilter and Co., but not a word about Adorno. Even Britten would have studied with Alban Berg, had the RCM not declared him ‘immoral’, thus forcing Ben to seek out immorality closer to home. To be sure, the rise of National Socialism reversed the tide for a while (the present writer is typical of his generation in that he owes the quality of his musical education to German-Jewish émigrés). But Gemiania proves today as seductive as ever to the English. Thanks to better pay and employment prospects, our finest graduates are regularly lured across the water to join their countrymen in maintaining the high standards of provincial German opera houses and orchestras. Our composers might on the whole be not as popular; but mentioning the name of Brian Ferneyhough still elicits the same mixture of awe, reverence and enthusiasm in German conservatories and radio studios as would a reference to the Pope in Cracow or to David Beckham at Old Trafford.
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Osetrova, M. E. "The Situation with South Korean Literature in Russia as a Marker of the Current State of Intercultural Communication." Concept: philosophy, religion, culture 4, no. 4 (2020): 178–80. http://dx.doi.org/10.24833/2541-8831-2020-4-16-178-180.
Full textAbstract:
Modern literature – both as book industry and as an art – is a sphere that reflects general cultural and intercultural trends. Mutual interest and understanding between Moscow and Seoul, the Russians and the Koreans manifests itself in such cultural derivatives – in works of art, in translated books in particular. The Yasnaya Polyana literary prize awarded November 23, 2020, in Moscow once again brought into light the novel of a South Korean writer Han Kang, The Vegetarian, that, at the same time, received less attention than other foreign works. What is therefore observed is that, in the wider milieu of foreign literatures, the South Korean achieves modest success in Russia and vice versa. With many prominent authors and their works translated, market success and wide publicity of Korean authors and books is what is lacking at the current stage of cultural interactions. This could be caused by the genre specificities of contemporary South Korean literature, as dramatism and realism of everyday problems feature prominently in novels and other works. Historical tragedies and the difficult life of Korean society are unlikely to be the details inciting wide public interest in Russia. What also imperils the cultural dialogue in this field is the unsystematic choice of texts to be published abroad and translated, which can be attributed to Russian editorial houses. This concern is the major obstacle to promoting both Russian and Korean cultures. Consequently, the development of intercultural bonds between Russia and South Korea is to a certain degree hindered by mutual stereotypes and standard patterns.
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Turek, Andrew. "The Irish Peerage: A Modest Proposal." Cambridge Law Journal 50, no. 2 (1991): 347–53. http://dx.doi.org/10.1017/s0008197300080533.
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In a previous article, the present writer considered the process whereby ladies were admitted into the House of Lords and concluded that the draftsman of the Life Peerages Act 1958 had, intentionally or otherwise, made a hereditary peeress of every life peeress who has taken her seat. In that article a cursory mention was made of the Irish peers and their unsuccessful attempt to revive their representation in the House of Lords; but more careful consideration of their position has suggested that their exclusion may not be as final as some writers on the subject have hitherto assumed.
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Reula Baquero, Pedro. "Casa encantada, tramoyas y tropelías. Don Juan de Espina y Segundo de Chomón." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 23 (December 13, 2014): 407. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201523753.
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En 1908, el cineasta Segundo de Chomón estrenó La maison ensorcelée y Electric hôtel. Pertenecen a un género que hacía furor en esos momentos, el de los trucajes misteriosos en la escena de una casa encantada y cuyo origen está en la tradición de las comedias de magia. Coincidiendo con ese gusto de la época por las casas encantadas, Cotarelo y Mori publicó en 1907 la novela Casos prodigiosos y cueva encantada de un autor del siglo XVII, Juan de Piña. Contiene un pasaje que se desarrolla en una casa hechizada y no resulta difícil establecer un paralelismo con las películas de Segundo de Chomón. El habitante de esta casa se asemeja a un extraño personaje del siglo XVII, Juan de Espina, famoso ya en su época por mago y por sus extravagantes colecciones y cuya fama llegaría hasta el siglo XIX. La primera década del siglo XX vivió el apogeo de la magia y de la electricidad, en un momento de sublime apoteosis del progreso tecnológico y, al mismo tiempo, del ocultismo más furibundo. Fue una época de contradicciones, igual que el primer tercio del siglo XVII, en la que se desarrollaban simultáneamente la revolución tecnológica y metodológica del estudio de la naturaleza y las supersticiones más demenciales. In 1908, the filmmaker Segundo de Chomón, released La maison ensorcelée and Electric Hôtel both of which belong to an extremely popular and successful genre of the times, that which showed mysterious tricks at the scene of a haunted house, and whose origin lies in the tradition of the magical comedies. Coinciding with this taste for haunted houses, Cotarelo y Mori published the novel Casos prodigiosos y cueva encantada written by Juan de Piña, a seventeenth century writer. This novel contains a passage that is set in a mysterious house and which is not difficult to link to Chomón’s films. Its inhabitant reminds us of a bizarre character of the seventeenth century named Juan de Espina, famous in his time for his magic tricks and his extravagant collections and whose fame would continue into the nineteenth century. The first decade of the twentieth century saw the climax of magic and electricity, at a time of sublime exaltation of technological progress combined with the most raging occultism. It was an era full of contradictions, like the first third of the seventeenth century, in which a technological revolution and a new method for the study of nature unfolded simultaneously alongside the most lunatic superstitions.
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Syah, Firman. "MODEL BISNIS KAWASAN STRATEGIS PARIWISATA KOTA PALU SULAWESI TENGAH." Transparansi Jurnal Ilmiah Ilmu Administrasi 9, no. 2 (2018): 209–22. http://dx.doi.org/10.31334/trans.v9i2.25.
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Palu city is the capital city of Central Sulawesi province bordering with Gorontalo Province. Indigenous people who inhabit the city of Palu is a community of Kaili tribe. Palu City was selected as a Special Economic Zone (KEK) for eastern Indonesia and consists of industrial zone, logistics zone and export processing zone. When viewed from the tourism business, there are several famous destinations such as Sibili Lake, Banua Mbaso, Hanging Bridge, Mosque 'Apung' Argam Bab Al Rahman, and Sis Al Jufrie.The method used by writer is qualitative with inductive data analysis. The results found that the city of Palu has shown passion in the field of tourism. Palu City presents a variety of new tourist destinations including natural attractions, culinary tours, and cultural tourism. For example Cars Tusuk Satay, Palu Bay, Four Palu Bridge, Solar Eclipse Monument, Nusantara Pavilion, and Palu Nomori Inscription. Then the tourists need to be given free space to satisfy the needs during a vacation. The business model implemented is that local people can entrepreneurship, gain profit, and create new jobs. Meanwhile, for the government through the Office of Culture and Tourism of Palu City is able to generate Pendapatan Asli Daerah (PAD) in addition to taxes from culinary executed by local communities. To support, the Office of Culture and Tourism of Palu City can hold and coordinate with all the agencies in accordance with their respective work programs. As the development and development of houses to become homestay homes and home industry, the integration of public transportation fleet, and build the concept of Information Management System (SIM) Tourism via online to package the tourism potential of Palu City.
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Kabanova, I., K. Kasovich, and E. Poznyakova. "KONSTANTIN FEDIN. A PORTRAIT OF A PUBLISHER." Voprosy literatury, no. 2 (September 30, 2018): 92–126. http://dx.doi.org/10.31425/0042-8795-2018-2-92-126.
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The paper deals with the little-known aspects of the famous writer K. Fedin’s publishing activities. In the years from 1927 until 1934 he held an uninterrupted record as chairman of the editorial board at the Publishing House of Writers in Leningrad [Izdatelstvo pisateley v Leningrade, IPL], a cooperative that printed works of contemporary authors. Despite dramatic turns in history, the press enjoyed a steady growth in output, expanding its range of authors and genres; the story of the covert struggle between literature and politics is examined by the team of research fellows of the Saratov-based state museum of K. Fedin. With the help of their open archives, particularly letters and journals, they meticulously reconstruct Fedin’s activities as publisher: from the creation of the new publishing house, which united the poputchiks (satellites, fellow-travellers): authors who advocated preservation of the Russian literary tradition, free of ideological pressure, until the moment when Fedin’s much-cherished project was cannibalized by the mammoth publishing institution called The Soviet Writer [Sovetskiy Pisatel].
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Hendrix, Harald. "The early musealization of writers’ and artists’ houses through guidebooks." Nordisk Museologi 28, no. 1 (2020): 8. http://dx.doi.org/10.5617/nm.7962.
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Writers’ and artists’ residences developed into museums only at the end of the eighteenth and beginning of the nineteenth centuries, when houses inhabited by Walpole, Rousseau and Petrarch as well as Canova’s birthplace were turned into tourist destinations. This shift is apparent in the guidebooks to these mansions published in the decades between 1780 and 1840. In examining such booklets, this article highlights the long-term transformations of the phenomenon of the writers’ and artists’ house, and particularly the changing interaction of curators and visitors these texts allow to identify. In order to investigate this evolution in museological communication, this essay discusses the guidebooks to Horace Walpole’s Twickenham villa (1784), Petrarch’s country house in Arquà close to Padua (1797 and 1830), the villa and gardens designed by Melchiorre Cesarotti in Selvazzano also close to Padua (1810), Jean-Jacques Rousseau’s “Les Charmettes” near Chambéry (1811) and Canova’s studio/residence/museum in Possagno (1837).
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Harrison, Robert. "From Biracial Democracy to Direct Rule: The End of Self-Government in the Nation's Capital, 1865–1878." Journal of Policy History 18, no. 2 (2006): 241–69. http://dx.doi.org/10.1353/jph.2006.0004.
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There has always been something problematic, if not anomalous, about the political status of the District of Columbia. In theory, the federal government reigns supreme. Article I, Section 8 of the Constitution allows Congress to “exercise exclusive legislation in all cases whatsoever” in the territory that houses the seat of government, but it is not clear whether that rules out some measure of popular representation in local government. For Congress to exercise exclusive authority over the capital of the Republic, in denial of the inhabitants' right to govern their own affairs, might seem a stark contradiction of the founding principles of American government. “This, happening at the seat of a nation which boasts of its democratic government,” observed a writer in theAtlantic Monthlyin 1909, during a period when the District was subject to direct federal control, “constitutes a solecism of the first magnitude.” Over the 204 years of its residence there, Congress has both allowed and disallowed local representation. For most of its first seventy years, Washington was governed by an elected mayor and councils. (The city of Georgetown and the rural sections of the District, known as Washington County, had their own separate governing arrangements.) The conduct of municipal government in the antebellum period was not dissimilar to that in other cities of comparable size, with the important distinction that Washington, like the rest of the District, was subject to the supreme authority of Congress. That authority, however, was exercised fitfully by a national legislature whose preferred stance toward the District was one of benign neglect. Whatever practical inconvenience might result from this arrangement was not judged sufficient to warrant a serious reconsideration, that is, until the Civil War and its aftermath drastically raised the stakes and altered the significance of governing the District.
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Rodigina, N. N. "How to write for children about “our land”: a version of the writers of Western Siberia in the late 1920s and early 1930s." Sibirskiy filologicheskiy zhurnal, no. 4 (2020): 119–32. http://dx.doi.org/10.17223/18137083/73/8.
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The study analyses the publications in “Siberian lights” and “Siberian pedagogical magazine” of the 1920s – early 1930s and the reports of the First Congress of writers of Western Siberia (1934). The opinions of writers, teachers, publishers, and representatives of the party bureau-cracy about the tasks and thematic priorities of regional children’s literature and future chil-dren's writer qualities are studied. The activities of the children’s section of the West Siberian Committee of the Union of Writers are considered. The Committee meetings focused on the tasks, thematic priorities of Siberian children’s literature, and working methods of children’s writers with the members organizing literary evenings for schoolchildren, competitions for the best works for children, promoting children’s books about the region. Encouraging moti-vations for addressing the Siberian children’s literature issue were the party resolutions “On the publishing house “Molodaya Gvardiya” (1931), “On the perestroika of literary and artistic organizations” (1932), “On the establishment of the publishing house “Children’s literature” (1933), preparation for the First Writers’ Congress of Western Siberia, the First Congress of Soviet writers. Also, the lack of works about the region for children, the growth and differen-tiation of the professional community of local writers were vital. The author concludes that for Siberian children’s literature, the 1920s were a period of the active search for themes, im-ages, literary forms, calls for party mobilization in the “workshop of children’s writers and poets.” It was not until 1933–1934 when the socialist-realist canon of children’s books was established, with the main requirements for children’s artistic works being ideological con-formity, pedagogical potential, and fascinating content.
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Reichmann, Brunilda Tempel. "“Tá dificil competir": Adaptação da trilogia de Michael Dobbs, House of Cards, pela BBC e pela Netflix." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 1 (2019): 213–34. http://dx.doi.org/10.5007/2175-8026.2019v72n1p213.
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This paper presents a reading of the political trilogy House of Cards, To Play the King e The Final Cut, by Michael Dobbs, an English writer; and their adaptation by the BBC and Netflix series. I try to demonstrate how novelists, script writers and directors of series celebrate the unparalleled art of Shakespeare by reworking themes, updating contexts and rebuilding personality traits of his unforgettable characters. In short, this text aims to analyze the series and to recover some of the genetic characteristics of Shakespeare’s plays in contemporary artistic/mediatic production.
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S, Zalfa Robby Rodiyan. "ESENSI RUMAH SEBAGAI INSPIRASI PENCIPTAAN KARYA SENI RUPA." IKONIK : Jurnal Seni dan Desain 3, no. 1 (2021): 38. http://dx.doi.org/10.51804/ijsd.v3i1.867.
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Rumah selain sebagai tempat tinggal juga merupakan tempat terbentuknya psikologis seseorang. Rumah sebagai asal mula pertumbuhan psikologis menjadi latar belakang penulis dalam penciptaan karya serta penulisan tersebut. Esensi rumah menjadi sumber inspirasi penulis dalam konteks penciptaan karya seni rupa. Penulis merangkai konsep penciptaan melalui fragmen peristiwa yang pernah penulis alami. Secara khusus ialah mengenai berbagai gejolak emosi terkait peristiwa tentang rumah dan dinamikanya. Dalam proses penciptaan tersebut penulis menggunakan metode penelitian berbasis praktik yaitu penciptaan berdasarkan penelitian berbasis riset. Esensi rumah merupakan identitas yang melekat pada karakter seseorang, hal tersebut tercermin oleh perilaku tindak tanduknya; baik dalam berelasi. Oleh karena itu setiap manusia selalu akan membangun ruang teritori kenyamanannya.Apart from being a place to live, a house is also a place for a person's psychological formation. The house as the origin of psychological growth is the background for the writer in the creation of this work and writing. The essence of the house is a source of inspiration for writers in the context of creating works of art. The writer arranges the concept of creation through a fragment of events that the author has experienced. In particular, it concerns various emotional upheavals related to events about the house and its dynamics. In the process of creation, the authors use practice based research methods, namely creation based on research. The essence of the house is an identity attached to a person's character, this is reflected in the behavior of his actions; good in relationship. Therefore, every human being will always build his comfort territory.
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Žagar, Monika. "Oyono in Slovene: Toundi's Visit to Yugoslavia." PMLA/Publications of the Modern Language Association of America 128, no. 1 (2013): 185–92. http://dx.doi.org/10.1632/pmla.2013.128.1.185.
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In 1979 the publishing house mladinska knjiga released the slovene translation of ferdinand oyono's une vie de boy (1956) as Življenje hišnega služabnika. The book appeared largely as a result of an order “from above” in what was then Yugoslavia, mandating publication of texts by writers from Nonaligned Movement (NAM) countries. Marjana Samide, the translator, had previously translated From a Crooked Rib (1970), by the Somali writer Nuruddin Farah (Upognjeno rebro [1978]), and she was given Une vie de boy by a Mladinska knjiga series editor because both authors, Farah and Oyono, were from Africa, seen evidently as a unitary place.
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Tucan, Gabriela. "Homes on Borders in Chicano Literature." Romanian Journal of English Studies 16, no. 1 (2019): 65–70. http://dx.doi.org/10.1515/rjes-2019-0008.
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AbstractIn “Borderlands/La Frontera” (1987), Gloria Anzaldúa writes about the “tradition of long walks” (11) across physical and imaginary borders, which defines her Mexican-American people. The borderland is both a space of transit and a state of transition from where the Chicanos venture into unknown territories. Their identity is constructed around and across space(s). In this paper, I seek to examine the Chicanos’ fluid spatial identity in their searches for a real home, in Pat Mora’s “House of Houses”, Sandra Cisneros’ “The House on Mango Street”, Gloria Anzaldúa’s “Borderlands/La Frontera”. I argue that in these literary and autobiographical works, the cosy domestic home is impossible to find because of constant displacement and imposed mobility.
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Kolchanov, Vladimir V. "On the origins of the crowd scenes in the novel “The Master and Margarita” by Mikhail Bulgakov." Vestnik of Kostroma State University 27, no. 2 (2021): 137–42. http://dx.doi.org/10.34216/1998-0817-2021-27-2-137-142.
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The article deals with the roots of the crowd scenes in “The Master and Margarita” by Mikhail Bulgakov, focusing on such motifs of the novel as death's head hawkmoth and theatrical motifs. The origins of the crowd scenes in Mikhail Bulgakov’s literary work are all connected with the mentioned three motifs. The researcher uses information from the little-known literary, historical, and cultural sources. These include, firstly, the occult works of the Fin de siècle writers, such as novels “The Gloomy House Mystery” and “The New Power” written by the “Criminal Novel Master” Aleksandr Tsehanovich (1862-1896); the play “The Fair God” by David Aizman (who has been justly called “Chekhov of the Jews”) (1860-1922); the story “The Succubus” written by the Belgian writer Antoine Louis Camille Lemonnier. “A House in a Delirium” by a German prose writer W.Hollander. Second, these include literary work by a Soviet writer: story “The Condemned” by Mikhail Kozakov. Third, an important role belongs to sketches from the “The Red Panorama” journal: “The Footsteps Leading Westward” by Jānis Larri, “Travelling from Resort to Resort: Yalta” by D. Gorodinskiy. The plots and details of the named works had a great influence on Mikhail Bulgakov and inspired him while writing such chapters of the novel as “Never Talk with Strangers”, “The Seventh Proof”, “The Chase”, “Praise Be to the Rooster”, “News from Yalta”, “Black Magic and Its Exposure”, “Nikanor Ivanovich’s Dream”, “The Great Ball at Satan's” and some fragments of the auxiliary plot connected with the figure of Pontius Pilate.
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Gillespie, Marie. "Writers at Bush House." Wasafiri 26, no. 4 (2011): 1–3. http://dx.doi.org/10.1080/02690055.2011.607620.
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