Relevant bibliographies by topics / Writer image

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Writer image'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Writer image"

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Zueva, Galina. "Media Image of a Contemporary Writer via Interpretation of Their Texts (by the Example of Inwerviews with Dina Rubina's)." Theoretical and Practical Issues of Journalism 9, no. 1 (2020): 192–203. http://dx.doi.org/10.17150/2308-6203.2020.9(1).192-203.

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This paper studies the media image of a modern Russian writer Dina Rubina basing on her portrait (face-to-face) interviews and subject-related portrait interviews in various contemporary Russian and pro-Russian media: newspapers, magazines, radio, TV, and the internet-media. Growing interest to modern writers in the media environment and to interaction between the writer and the reader via mass media determines the topicality of the research. The study object is a public figure from the literary community. In this relation, the author finds it necessary to distinguish between the notions "media image", "imagery", and "image". The interviews with Dina Rubina are analyzed in the context of the form and contents of her works, which helps to identify and fix some personal intentions of the writer. The author studies the writer's media image basing on the theory of archetypes, as well as their influence on Dina Rubina's and her interviewers' professional behavior. The specific character of the questions asked to the writer prove the importance of the archetype of the creator and its dominance among the contributory archetypes, namely, those of the Harlequin and the mother. Special attention is paid to the gender aspect of a modern writer's media image, which is quite significant for Dina Rubina and her readers.
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Николаев, Дмитрий. "Образ писателя в публицистике Ивана Бунина 1920 г." Acta Polono-Ruthenica 1, № XXIV (2019): 75–94. http://dx.doi.org/10.31648/apr.4401.

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The image of the writer plays an important role in the publicist works of Ivan Bunin in 1920. It is the image of the author struggling against the Bolsheviks, and the image of those writers who helped the Bolsheviks propaganda as well as “new Soviet writers”. In 1920 Bunin as the most signif-icant writer of the Russian Diaspora focuses on the most famous writer among those who, according to Bunin, supports the Bolsheviks – Maxim Gorky. Bunin also pays close attention to the contro-versy with H.G. Wells: this is due to the role that the English writer played in the context of Soviet Russia. Bunin’s works in 1920 are written as a reaction of the Russian writer to the various texts published in the press, and the discussion with the works of his main opponents – Gorky and Wells.
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Akysh, N., and G. Zhetekova. "ARTISTIC TRANSFORMATION OF A MATURE IMAGE OF A HISTORICAL PERSON." BULLETIN Series of Philological Sciences 74, no. 4 (2020): 208–13. http://dx.doi.org/10.51889/2020-4.1728-7804.43.

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The article considers the novel "AK Boz Atta Aru" by the warrior-writer Sauirbek Bakbergenov, who creates the image of moral personalities. According to this novel by the writer, the General public will be able to get acquainted with the last years of the life of the educator, ethnographer, and historian Shokan Ualikhanov. The novel reveals the image of Chokan Valikhanov from different sides, in addition to the main character, bright, convincing, historical images are created. A positive feature of the work is a more vivid expression of the richness of the literary language. The article reveals the features of each part of the novel, analyzes vivid expressions, such as a living example of oratory, which can serve as a model for the younger generation of writers, and provides specific examples where vivid figurative expressions worthy of the colors of the moral character of the national language. One of the essential features of the work is the problem of national independence.
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Qbilat, Nizar, and Awni El-Faouri. "The Other’s Image in Arabic Feminist Narrative." Journal of Arts and Social Sciences [JASS] 7, no. 2 (2016): 337. http://dx.doi.org/10.24200/jass.vol7iss2pp337-345.

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This study aims at shedding some light on the images of women in some feminist novels known as Feminist Literature. The research depicts a number of Arabic feminist writers concentrating on the structure of Feminist Literature generally, and Arabic women writers specifically. The study examines the characters, the narrative angle and the narrative sequence and its objective sensitivity at three levels: the woman as an author, a narrator, and the artistic character dealing with issues of justice, liberty and equality with man, considering the various humanitarian models: the striver, the lover and the educated within the borders of the forbidden, the fear, and the limitations. The popularity of Feminist Literature is one of the issues of modernity in the Arab world. The role of Jordanian women writers is apparent in literature. Their creative works compete with those of dominant men in terms of imagery and artistic presence. The inner persona of the woman writer is dominant even though her work represents a realistic view. The problematic issue of writing for women writers seems to be plunged in paradox and sharp in its novelistic representation. The novelistic modules studied indicate the success the Arab woman writer achieved in terms of the use of artistic tools, and the ability to confront and reveal the untold. Although the feminists’ novels seem to dwell in an anxious environment, they represent an arena of conflict representing the artistic and living realities.
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Samniar, Bintang Ayu. "IMAGE MANAGEMENT MODEL IN COMPANY CRISIS." Komuniti: Jurnal Komunikasi dan Teknologi Informasi 8, no. 1 (2017): 35. http://dx.doi.org/10.23917/komuniti.v8i1.2931.

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For the sustainability of the company in Indonesia, triple bottom line concept (people,planet, profit) have to be adding in every company, especially mining company. This concept usually be realized by Corporate Social Responsibility (CSR) department, just like in PT Pamapersada Nusantara (PAMA) District KPCS, East Kalimantan. This research type is descriptive qualitative, which give readers explanation of the situation in facing crisis in 2010 by CSR PAMA KPCS. For explain this, writer used Crisis Pre-Emptive: Image Management Model by Augustine Pang, because the CSR concept which explored by writer is based on crisis which happen there, in 2010. In this study, writer divided the phase into 4 phases as the theory by Pang. They are: Before organizational event: proactive phase; Before organizationalevent: strategic phase; During organizational event: reactive phase; and After organizational event: recovery phase. Writer also make a scheme based on 4 phase above.
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Labbé, Mathilde. "‘Nécessité de procéder obliquement’: Shaping Michel Butor's Image." Nottingham French Studies 58, no. 3 (2019): 315–31. http://dx.doi.org/10.3366/nfs.2019.0260.

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‘Difficile d'écrire sur soi ou sur ses écrits’ are the first words of a 2003 monograph that Michel Butor published about himself in Seghers's collection ‘Poètes d'aujourd'hui’. This series, like other collections of illustrated monographs, builds the writer's image through a combination of different types of discourse and several actors. Butor's volume on his own work tends to blur such distinctions and to challenge the collection's model, not only because of the intervention of the writer, but also because of Butor's interest in the processes through which his image is crafted. This paper examines a series of six monographs published on Michel Butor between 1964 and 2009, firstly, in order to shed light on the way the image of a high profile writer is carved in collections of illustrated monographs, and, secondly, to reach a better understanding of Michel Butor's relation to critical discourse and to his own image.
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Hayati, Yenni. "DUNIA PEREMPUAN DALAM KARYA SASTRA PEREMPUAN INDONESIA (Kajian Feminisme)." Humanus 11, no. 1 (2012): 85. http://dx.doi.org/10.24036/jh.v11i1.626.

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This article describes the world of and images of women depicted in women fiction writer, particularly in short story literature. In depicting women’s world, an Indonesian writer tends to focus on their domestic than public life. This is because domestic life is considered safer for women, and women are considered best settled in the domestic life. There are six images closely associated with women; a mother, a loyal woman, a successful woman, a second woman, an ideal woman, and a bad woman. Mother image is the most found, 14 of 15 fictions examined in this research. The description of domestic life associates with mother image, because the two are closely related with the life of Indonesian women. Key words: women’s world, women’s image, women’s literature
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Garris, M. D. "Design and Collection of a Handwriting Sample Image Database." Social Science Computer Review 10, no. 2 (1992): 196–214. http://dx.doi.org/10.1177/089443939201000205.

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NIST, under sponsorship from the Bureau of the Census, has collected a database consisting of 2,100 pages of binary image data of handprinted characters including numerals and text. NIST Special Database 1 contains handwriting samples from 2,100 writers geographically distributed across the United States, NIST is currently using this database to research field-isolation, box detection and removal, character segmentation, and writer-independent neural character recognition. In addition to advancing the design of algorithms, this database and its study can aid the social sciences. Observations can be compiled and used to improve form design and field layout strategies. Region-based studies and comparisons are also possible due to regionally distributed and referenced populations of writers in the database. In creating this large database, obstacles to the effective archiving of images have been dealt with and eliminated. This paper describes the database's content in terms of its collection, organization, and usefulness. The strategies and conventions used to develop NIST Special Database 1 can be applied to any discipline requiring the use of image archives.
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Vladimirovna Smyslova, Ekaterina, and Liliya Fuatovna Khabibullina. "THE ENDERBY NOVELS BY ANTHONY BURGESS: THE ARTIST’S CONCEPT." Humanities & Social Sciences Reviews 7, no. 6 (2019): 81–84. http://dx.doi.org/10.18510/hssr.2019.7617.

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Purpose of the study: Anthony Burgess (1917 – 1993) is an English writer, author of the intellectual novels and serious musical works. Being a talented and inventive person, he was very interested in art and its creative processes. Anthony Burgess’s artistic creativity concept can be traced in many of his works about fictional and non-fictional writers
 Methodology: The article uses the analysis of the fictional world created in the novels as a means of its consideration. The image of the artist is considered from the perspective of the writer's worldview reflected in the composition and the message of his works.
 Results: The conducted analysis shows that in Anthony Burgess’s opinion the artist is a craftsman whose artistic activity is closely connected with his sexual attraction. In addition, the writer is characterized by isolation as the main condition of the creative process and the total devotion to Art.
 Applications of this study: This research can be used for the universities, teachers, and students.
 Novelty/Originality of this study: Thus, the novelty of the paper consists in its first trial to present the artist’s image thoroughly studied in the mentioned above novels. It is worthwhile mentioning that the research is conducted according to Anthony Burgess’s creative concept.
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Tjong, Cendrawaty, Raina Ophelia Sunggiardi, and Vania Vania. "Similarities and Disparities of Ghosts in Eastern and Western Literature Based the Novels Liaozhai Zhiyi, Dracula, dan a Christamas Carol." Lingua Cultura 4, no. 2 (2010): 149. http://dx.doi.org/10.21512/lc.v4i2.363.

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Ghosts is one of life unexplained phenomena also interesting theme for entertainment and literature materials. Every nation have their own ghost literature that reflects the nation’s view on ghost itself. This article compares China’s Liaozhai Zhiyi, Western’s Dracula and A Christmas Carol as representations of both culture. The writer through desktop study method found that culture influenced and shaped ghost image in the mind of novel writer. This leads to different image of ghost in the two cultures. The results is: ghost in two cultures appear mostly in the night time, have different types and classifications, different physical images, different way of thinking and how to handle ghosts.
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Dissertations / Theses on the topic "Writer image"

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Bracey, Maggie. "Confidence, the Image of the Writer, and Digital Literacies: Exploring Writing Self-Efficacy in the College Classroom." TopSCHOLAR®, 2012. http://digitalcommons.wku.edu/theses/1154.

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Self-efficacy plays a major role in the way we perceive our abilities to complete challenging tasks and goals. With Albert Bandura’s theories of self-efficacy as its theoretical foundation, this thesis explores the ways Bandura’s theories apply to writing instruction and how specific cultural forces help shape the way students view their identities as writers. This study gives a focused and detailed explanation of the role writing self-efficacy occupies in education and composition theory, as well as the factors affecting a person’s perceived writing efficacy. Additionally, the relationship between self-efficacy and new literacy (Lankshear and Knobel), a term used for twenty-first century forms of digital composition that differ from traditional print literacy, is established and theoretical suggestions made regarding how teachers can incorporate new literacies into writing instruction to promote positive writing self-efficacy. The final chapter defines the image of the writer and the scene of writing (Brodkey), and the ways these beliefs and stereotypes affect the confidence and self-efficacy of student writers. With the image of the writer as inspiration, the study concludes by conducting a survey administered to 109 first-year composition students regarding their personal views on what attributes make a good writer and good writing. This study does not set out to establish concrete, overarching conclusions regarding self-efficacy, digital literacies, and the image of the writer; instead, it creates new points for further inquiry and encourages teachers to seek out different ways of fostering positive self-efficacy within writing instruction.
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Steggall, Stephany. "Colin Thiele : double vision : a biographical study of an Australian writer and educator / Stephany Evans Steggall." [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18600.pdf.

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Hall-Downs, Liz. "My arthritic heart : a collection of poetry; and, Making a writer : poetry, fiction, performance and illness /." [St. Lucia, Qld.], 2001. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16739.pdf.

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Wahlberg, Fredrik. "Interpreting the Script : Image Analysis and Machine Learning for Quantitative Studies of Pre-modern Manuscripts." Doctoral thesis, Uppsala universitet, Avdelningen för visuell information och interaktion, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-314211.

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The humanities have for a long time been a collection of fields that have not gained from the advancements in computational power, as predicted by Moore´s law.  Fields like medicine, biology, physics, chemistry, geology and economics have all developed quantitative tools that take advantage of the exponential increase of processing power over time.  Recent advances in computerized pattern recognition, in combination with a rapid digitization of historical document collections around the world, is about to change this. The first part of this dissertation focuses on constructing a full system for finding handwritten words in historical manuscripts. A novel segmentation algorithm is presented, capable of finding and separating text lines in pre-modern manuscripts.  Text recognition is performed by translating the image data of the text lines into sequences of numbers, called features. Commonly used features are analysed and evaluated on manuscript sources from the Uppsala University library Carolina Rediviva and the US Library of Congress.  Decoding the text in the vast number of photographed manuscripts from our libraries makes computational linguistics and social network analysis directly applicable to historical sources. Hence, text recognition is considered a key technology for the future of computerized research methods in the humanities. The second part of this thesis addresses digital palaeography, using a computers superior capacity for endlessly performing measurements on ink stroke shapes. Objective criteria of character shapes only partly catches what a palaeographer use for assessing similarity. The palaeographer often gets a feel for the scribe's style.  This is, however, hard to quantify.  A method for identifying the scribal hands of a pre-modern copy of the revelations of saint Bridget of Sweden, using semi-supervised learning, is presented.  Methods for production year estimation are presented and evaluated on a collection with close to 11000 medieval charters.  The production dates are estimated using a Gaussian process, where the uncertainty is inferred together with the most likely production year. In summary, this dissertation presents several novel methods related to image analysis and machine learning. In combination with recent advances of the field, they enable efficient computational analysis of very large collections of historical documents.<br>q2b
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Cronin, Maurice. "From the image of the reader to the figure of the writer : a Pragmatic Approach to the Question of Aesthetics and Ideology in the Work of Flannery O'Connor." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA128.

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Cette thèse a pour but principal de renouveler l’étude de la question du rapport entre l’esthétique et l’idéologique dans l’oeuvre de Flannery O’Connor. Contrairement aux études antérieures menées sur cette question, elle sera abordée ici dans le cadre d’une théorie du discours littéraire, c’est-à-dire d’une théorie qui prend en compte les dimensions à la fois performatives et réflexives propres aux textes littéraires. Ce postulat théorique a des conséquences importantes pour l’étude du rapport entre les textes littéraires et les contextes sociaux, politiques, historiques et littéraires de leur mise en circulation et de leur réception. Il implique, notamment, que les ouvrages littéraires inscrivent et négocient dans leur texture même les conditions de leur mise en circulation et de leur réception, et ainsi, que la question de leur contexte doit être abordée en premier par l’étude de cette inscription et de cette négociation textuelles. Pour autant qu’elle tient pleinement compte de la logique médiate de cette inscription et de cette négociation—et notamment des effets médiateurs des figures du lecteur et de l’auteur, ainsi que du genre et du champ littéraire—l’approche pragmatique adoptée dans cette thèse permet non seulement de mener à bien cette étude, mais également de montrer sous un nouveau jour la complexité et la singularité de la signature littéraire de Flannery O’Connor<br>The principal aim of this dissertation is to provide a fresh approach to the vexed question of the relationship between the aesthetic and the ideological in the work of Flannery O’Connor. Unlike existing studies of this question in the critical literature, the approach adopted in this dissertation is based on the premise that it can best be treated in the context of a theory of literary discourse, one, in particular, that takes full consideration of the reflexive and performative dimensions of literary works. This theoretical assumption has considerable consequences for the study of the relationship between literary texts and the social, political, historical and literary contexts of their reception and circulation. In particular, it suggests that literary texts inscribe and negotiate the social and historical conditions of their circulation and reception, and that the question of their context should be approached first and foremost through the study of this textual inscription and negotiation. Insofar as it takes full consideration of the mediatory logic that such textual negotiation entails—in particular the mediating presence and effect of the figures of the reader and the author, the genre of the work, and the literary field—literary pragmatics will be seen to provide an approach which not only enables this study, but also reveals in a new light both the complexity and the singularity of Flannery O’Connor’s literary signature
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Marino, Andrew. "Heroic image in three American writers." Thesis, University of Essex, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304661.

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Mayo, James Oliver 1984. "Images of Corsica in France : travel memoirs and 19th century writers /." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3041.pdf.

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Martins, Fayad Marilda. "L'idiot de la famille et ses leçons : Sartre, un penseur pour aujourd'hui." Thesis, Besançon, 2016. http://www.theses.fr/2016BESA1007/document.

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L’Idiot de la famille est complément de Questions de Méthode. Sartre demande dans Questions de Méthode un changement de langage. Il s’agira dans cette thèse de déchiffrer l’écriture sartrienne en ses nuances, détails et couleurs. En d’autres mots, il s’agira d’étudier les livres de Sartre pour trouver un sens qui nous parle, là où sa parole se contredit et s’affirme en même temps. Notre tâche de relecture dans L’Idiot de la famille est ainsi d’expliciter l’axe central de la psychanalyse existentielle et d’aller chercher le sens le plus caché de la philosophie de la vie. Dans la mesure où Sartre va montrer que nous devons décider du genre de vie que nous voulons avoir, cette étude vise à éclairer pourquoi Sartre est un penseur nécessaire pour l’homme d’aujourd’hui. Il s’agira ainsi de traiter L’Idiot de la famille comme une œuvre d’apprentissage. Dans ce sens, le sens et la signification de notre recherche ne sont pas fermés et continuent ouverts à des nouvelles relectures. Notre principal objectif est aussi bien d’expliciter quel a été le fil conducteur de Sartre pour écrire L’Idiot de la famille que de vérifier si l’essence de l’écrivain peut être définie par ses écritures. Autrement dit, est-ce que les écritures montrent qui est l’auteur en tant qu’homme, ou bien pouvons-nous plutôt voir son double, celui qui parle à sa place et qui devient parole écrite ?<br>The Fool of the family is complement to the book of philosophy Questions of Method. Sartre asks in Questions of Method a change of language. It will be in this thesis to decipher Sartre writing in its nuances, details and colors. In other words, it is designed to study books from Sartre in order to find a meaning that makes sense for us, where his words are full of statements and their contrary at the same time. Our task of re-reading in The Fool of the family is to clarify the central axis of the existential psychoanalysis and point the most hidden of the philosophy of life. Insofar as Sartre will show that we must decide on the kind of life we want to have, this study aims to illuminate why Sartre is an indispensable thinker for the man of today. Thus, it will be necessary to treatThe Fool of the family as a work for learning. In this sense, the meaning and significance of our research are not closed and still opened to new readings. Our main objective is to clarify what has been the main theme of Sartreto write The Fool of the family and to check if the essence of the writer can be defined by his writings. In other words, do the writings show us who is the author as a man, or else can we rather see his double, one who speaks at his place and then become written word?
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Mulala, Beatrice M. "African women writers and the struggle for emancipation : image and reality /." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488190109868517.

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Engar, Amy Kimball. "Mystery writers in foreign settings : the literary devices and methods used to portray foreign geographies /." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd727.pdf.

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Books on the topic "Writer image"

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Berger, Christian. Words to image: The writer as Hollywood actor. C. Berger, 1991.

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Berger, Christian. Words to image: The writer as Hollywood actor, 1930-1990 : a film reference book. Grey Eagle Books, 1991.

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engineer), Li Xin (Computer, ed. Ji suan ji bi ji jian bie yu yan zheng de li lun he fang fa: Computer Writer Identification and Verification Theory and Method. Qing hua da xue chu ban she, 2012.

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Images of the Southern writer. University of Georgia Press, 1985.

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In the flesh: Twenty writers explore the body. Brindle & Glass Pub., 2012.

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Ophira, Edut, ed. Body Outlaws: Young women write about body image and identity. Seal Press, 1998.

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An unweaving of rainbows: Images of Irish writers. Souveniar Press, 1998.

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Béguin-Verbrugge, Annette. Images en texte, images du texte: Dispositifs graphiques et communication écrite. Presses universitaires du Septentrion, 2006.

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Victorian writers and the image of empire: The rose-colored vision. Greenwood Press, 2001.

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Godfrey-June, Jean. Free gift with purchase: My improbable career in magazines and makeup. Harmony Books, 2006.

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Book chapters on the topic "Writer image"

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Bertolini, Diego, Luiz S. Oliveira, and Robert Sabourin. "Improving Writer Identification Through Writer Selection." In Progress in Pattern Recognition, Image Analysis, Computer Vision, and Applications. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-25751-8_21.

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Pandey, Shilpa, and Gaurav Harit. "Writer Identification for Handwritten Words." In Computer Vision, Graphics, and Image Processing. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-68124-5_23.

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Bertolini, Diego, Luiz S. Oliveira, Yandre M. G. Costa, and Lucas G. Helal. "Knowledge Transfer for Writer Identification." In Progress in Pattern Recognition, Image Analysis, Computer Vision, and Applications. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75193-1_13.

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Hannad, Yaâcoub, Imran Siddiqi, and Mohamed El Youssfi El Kettani. "Arabic Writer Identification Using Local Binary Patterns (LBP) of Handwritten Fragments." In Pattern Recognition and Image Analysis. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-19390-8_27.

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Amaral, Aline Maria M. M., Cinthia O. de Almendra Freitas, Flávio Bortolozzi, and Yandre Maldonado e Gomes da Costa. "Forensic Document Examination: Who Is the Writer?" In Progress in Pattern Recognition, Image Analysis, Computer Vision, and Applications. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75193-1_7.

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Shirdhonkar, M. S., and Manesh B. Kokare. "Writer Based Handwritten Document Image Retrieval Using Contourlet Transform." In Advances in Digital Image Processing and Information Technology. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24055-3_11.

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Lam, Chee Yuen, Voon Siew Soon, and Phaklen Ehkan. "Reconfigurable Tri-Colour RGB SD Card Bitmap Image File Writer." In Lecture Notes in Electrical Engineering. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-24584-3_105.

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Cilia, Nicole Dalia, Claudio De Stefano, Francesco Fontanella, Mario Molinara, and Alessandra Scotto di Freca. "Minimizing Training Data for Reliable Writer Identification in Medieval Manuscripts." In New Trends in Image Analysis and Processing – ICIAP 2019. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30754-7_20.

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Cilia, Nicole Dalia, Claudio De Stefano, Francesco Fontanella, Claudio Marrocco, Mario Molinara, and Alessandra Scotto di Freca. "A Page-Based Reject Option for Writer Identification in Medieval Books." In New Trends in Image Analysis and Processing – ICIAP 2019. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30754-7_19.

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Taghavi Sangdehi, Seyyed Ataollah, and Karim Faez. "Writer Identification Using Super Paramagnetic Clustering and Spatio Temporal Neural Network." In Progress in Pattern Recognition, Image Analysis, Computer Vision, and Applications. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-10268-4_79.

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Conference papers on the topic "Writer image"

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Awaida, Sameh M. "Text independent writer identification of Arabic manuscripts and the effects of writers increase." In 2015 International Conference on Computer Vision and Image Analysis Applications (ICCVIA). IEEE, 2015. http://dx.doi.org/10.1109/iccvia.2015.7351881.

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Kushida, Maria. "Образ писателя-художника как коммуникативный феномен". У Пражская Русистика 2020 – Prague Russian Studies 2020. Charles University, Faculty of Education, 2020. http://dx.doi.org/10.14712/9788076032088.16.

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The article analyzes the illustrative work of Russian writers of the first quarter of the 19th century. Special attention is paid to the definition of the term "writer-artist", as well as to techniques for creating the image of a writer-Illustrator in a work of fiction. In conclusion, we draw a conclusion about the relationship between literature and painting (on the example of interpreting the creativity of word masters who create illustrations for their works), as well as about the unique communicative nature of the image of the writer-artist.
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Robichaud, Joseph, John P. Hogan, and Robert Gonsalves. "Pc-Based Image Analysis Of Laser Writer Copy." In OE/LASE '89, edited by Kennard S. Cloud. SPIE, 1989. http://dx.doi.org/10.1117/12.952561.

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Helal, Lucas G., Diego Bertolini, Yandre M. G. Costa, George D. C. Cavalcanti, Alceu S. Britto, and Luiz E. S. Oliveira. "Representation Learning and Dissimilarity for Writer Identification." In 2019 International Conference on Systems, Signals and Image Processing (IWSSIP). IEEE, 2019. http://dx.doi.org/10.1109/iwssip.2019.8787293.

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Islam, Ammad Ul, Muhammad Jaleed Khan, Khurram Khurshid, and Faisal Shafait. "Hyperspectral Image Analysis for Writer Identification using Deep Learning." In 2019 Digital Image Computing: Techniques and Applications (DICTA). IEEE, 2019. http://dx.doi.org/10.1109/dicta47822.2019.8945886.

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Steinke, Karl-Heinz, Martin Gehrke, and Robert Dzido. "Writer Recognition by Combining Local and Global Methods." In 2009 2nd International Congress on Image and Signal Processing (CISP). IEEE, 2009. http://dx.doi.org/10.1109/cisp.2009.5304397.

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Paufler, Joerg, Stefan Brunn, and Tim Koerner. "Continuous image writer with improved image quality for high-accuracy optical patterning." In 17th European Conference on Mask Technology for Integrated Circuits and Microcomponents. SPIE, 2001. http://dx.doi.org/10.1117/12.425103.

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Zhu, Zhicheng, Chunying Zhang, and Fengchun Liu. "Research on Text-Independent Writer Recognition with Background Image." In 2019 IEEE 14th International Conference on Intelligent Systems and Knowledge Engineering (ISKE). IEEE, 2019. http://dx.doi.org/10.1109/iske47853.2019.9170414.

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Longjam, Teressa, Dakshina R. Kisku, and Phalguni Gupta. "Improving reliability of manipuri offline signature verification using writer independent paradigms." In Thirteenth International Conference on Digital Image Processing, edited by Xudong Jiang and Hiroshi Fujita. SPIE, 2021. http://dx.doi.org/10.1117/12.2599572.

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Hiremath, P. S., S. Shivashankar, Jagadeesh D. Pujari, and R. K. Kartik. "Writer identification in a handwritten document image using texture features." In 2010 International Conference on Signal and Image Processing (ICSIP). IEEE, 2010. http://dx.doi.org/10.1109/icsip.2010.5697457.

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Reports on the topic "Writer image"

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Krushelnytska, Sofiia. UKRAINE’S IMAGE IN THE FRENCH MEDIA DURING THE EVENTS OF 2004. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11065.

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The article examines the formation of the image of Ukraine by the French media during the Orange Revolution. The main factors influencing the tone of publications and difficulties in creating a positive external image of Ukraine in the French media are identified. The article is aimed at the analysis of scientific research on the influence of the French media on the formation of the image of Ukraine and its role in international socio-political processes. The study analyzes the materials of French journalists in the media, written during the events in 2004. The main factors influencing the formation of positive features of the Ukrainian state are identified. The main changes in perceptions of Ukraine in the French media are systematized. The influence of the media on the formation of the image and security of the state is determined. The main peaks of interest in Ukraine from foreign mass media are analyzed. Stereotypes and myths in the image of Ukraine that should be destroyed have been identified. The article also analyzes the role of the Orange Revolution in forming a positive image of Ukraine for foreign recipients. It is also investigated what factors influence the information space of the state and its role in image formation. Examples of Russian influence on the French media in order to undermine Ukraine’s image at the international level are given. Articles, radio and TV materials are offered as an example of interest and attention to the events of 2004. At the same time, the need to control the information that enters the information space outside Ukraine has been demonstrated. However, the positive effects of the image on the support of Ukraine by foreign partners have been identified.
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