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Books on the topic 'Writer image'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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1

Berger, Christian. Words to image: The writer as Hollywood actor. C. Berger, 1991.

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2

Berger, Christian. Words to image: The writer as Hollywood actor, 1930-1990 : a film reference book. Grey Eagle Books, 1991.

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3

engineer), Li Xin (Computer, ed. Ji suan ji bi ji jian bie yu yan zheng de li lun he fang fa: Computer Writer Identification and Verification Theory and Method. Qing hua da xue chu ban she, 2012.

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4

Images of the Southern writer. University of Georgia Press, 1985.

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5

In the flesh: Twenty writers explore the body. Brindle & Glass Pub., 2012.

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6

Ophira, Edut, ed. Body Outlaws: Young women write about body image and identity. Seal Press, 1998.

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7

An unweaving of rainbows: Images of Irish writers. Souveniar Press, 1998.

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8

Béguin-Verbrugge, Annette. Images en texte, images du texte: Dispositifs graphiques et communication écrite. Presses universitaires du Septentrion, 2006.

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9

Victorian writers and the image of empire: The rose-colored vision. Greenwood Press, 2001.

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10

Godfrey-June, Jean. Free gift with purchase: My improbable career in magazines and makeup. Harmony Books, 2006.

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11

Thought-images: Frankfurt School writers' reflections from damaged life. Stanford University Press, 2007.

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12

Images of Asian American women by Asian American women writers. P. Lang, 1995.

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13

Jackson, Edward Mercia. Images of Black men in Black women writers, 1950-1990. Wyndham Hall Press, 1992.

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14

Snyder, Leonora. Writers at a remove: Geographic images of homeland in fiction. s.n., 1999.

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15

Words and images: A French rendez-vous. University of Calgary Press, 2010.

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16

Dellmann, Sarah. Images of Dutchness. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462983007.

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Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Images of Dutchness investigates the roots of this visual repertoire from diverse sources, ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema. This richly illustrated book provides an in-depth study of the fascinating corpus of popular visual media and their written comments that are studied for the first time. Through the combined analysis of words and images, the author identifies not only what has been considered Ÿtypically DutchŒ in the long nineteenth century, but also provides new insights into the logic and emergence of national clichés in the Western world.
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17

Betz, Paul F. Romantic archaeologies: Comprising Some images of the age and Selected women writers. Albin O. Kuhn Library & Gallery, The University of Maryland Baltimore County, 1995.

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18

India, myth and reality: Images of India in the fiction by English writers. Ajanta Publications, 1985.

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19

Scott, Renée Sum. What is eating Latin American women writers: Food, weight, and eating disorders. Cambria Press, 2009.

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20

Shlain, Leonard. The alphabet versus the goddess: The conflict between word and image. Allen Lane, 1999.

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21

The alphabet versus the goddess: The conflict between word and image. Viking, 1998.

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22

The alphabet versus the goddess: The conflict between word and image. Penguin/Compass, 1999.

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23

Ophelia speaks: Adolescent girls write about their search for self. HarperPerennial, 1999.

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24

Shandler, Sara. Ophelia speaks: Adolescent girls write about their search for self. HarperPerennial, 1999.

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25

Ophelia speaks: Adolescent girls write about their search for self. Thorndike Press, 2000.

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26

Batchelor, Joy. Moving Image: Artist, Writer and Animator. Southbank Publishing, 2014.

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27

Apple Computer Inc. Image Writer II Technical Reference Manual. Addison Wesley Longman Publishing Co, 1986.

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28

Inc, Apple Computer, ed. Apple image writer II technical reference manual. Addison-Wesley, 1986.

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29

Bhattacharya, Bhabani. Gandhi the Writer : The Image as it Grew. National Book Trust (NBT), 2002.

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30

Berger, Christian K. Words to Image: The Writer As Hollywood Actor 1930-1990. Grey Eagle Books, 1993.

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31

Belsey, Alex. Image of a Man. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620290.001.0001.

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The post-war British artist Keith Vaughan (1912-77) painted male figures, whether alone or in groups, as a life-long enquiry into identity, sensuality, and the sanctity of the body. Yet Vaughan was not only a supremely accomplished painter; he was an impassioned, eloquent writer. Commenced in the summer of 1939 as war across Europe seemed inevitable, Vaughan’s journal was a space in which he could articulate ideas about politics, art, love and sex during a period of great political and personal upheaval. Image of a Man is the first book to provide a comprehensive critical reading of Vaughan’s extraordinary journal, which spans thirty-eight years and sixty-one volumes to form a major literary work and a fascinating document of changing times. From close textual analysis of the original manuscripts, this book uncovers the attitudes and arguments that shaped and reshaped Vaughan’s identity as a man and as an artist. It reveals a continual process of self-construction through journal-writing, undertaken to navigate the difficulties of conscientious objection, the complications of desire as a gay man, and the challenges of making meaningful art. By focussing on Vaughan’s journal-writing in the context of its many influences and its centrality to his art practice, Image of a Man offers not only a compelling new critical biography of a significant yet underappreciated artist, but also a sustained argument on the constructed nature of the ‘artist’ persona in early and mid-twentieth-century culture – and the opportunities afforded by life-writing, specifically journal and diary forms, to make such constructions possible.
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32

gac, Di. Literature Do Not Annoy the Writer Creative Funny Image Quote Notebook and Journal - Diary Size 6x9 Inch 120 Pages... ... ... ... ... ... ... ... ... ... ... ... ... ... ... .: Creative Funny Image Quote Notebook and Journal - Diary Size 6x9 Inch 120 Pages... ... ... ... ... ... ... ... ... ... ... ... ... ... ... . Independently Published, 2020.

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33

Wong, Hertha D. Sweet. Picturing Identity. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469640709.001.0001.

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In this book, Hertha D. Sweet Wong examines the intersection of writing and visual art in the autobiographical work of twentieth- and twenty-first-century American writers and artists who employ a mix of written and visual forms of self-narration. Combining approaches from autobiography studies and visual studies, Wong argues that, in grappling with the breakdown of stable definitions of identity and unmediated representation, these writers-artists experiment with hybrid autobiography in image and text to break free of inherited visual-verbal regimes and revise painful histories. These works provide an interart focus for examining the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text. Wong considers eight writers-artists, including comic-book author Art Spiegelman; Faith Ringgold, known for her story quilts; and celebrated Indigenous writer Leslie Marmon Silko. Wong shows how her subjects formulate webs of intersubjectivity shaped by historical trauma, geography, race, and gender as they envision new possibilities of selfhood and fresh modes of self-narration in word and image.
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34

Hess, Karin. Image and Write: Poetry. Trillium Press, 1988.

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35

Whitmire, Ethelene. Harlem Renaissance Women and 580 St. Nicholas Avenue. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038501.003.0004.

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This chapter looks at how Regina became part of the Harlem Renaissance upon her arrival in New York City. Events collided to put Regina at the forefront of the Harlem Renaissance, a cultural movement marked by increased literary, musical, and artistic creativity by African American artists who wanted to challenge the prevailing stereotypical representation of their image. Writers and artists came from all over the United States to participate. In Los Angeles, writer Wallace Thurman encouraged fellow post-office worker Arna Bontemps to go to Harlem. Opportunity editor Charles S. Johnson encouraged Zora Neale Hurston to move to New York City. All of these great thinkers, writers, and artists would pass through the 135th Street Branch, where Regina was assigned.
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36

Cox, Fiona. Yoko Tawada. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779889.003.0004.

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Yoko Tawada is a Japanese writer who made her home in Germany at the age of nineteen. She has written powerfully about her status as an immigrant, about the challenges of operating in a foreign language, and about the privileges and perils of being an outsider. Her book Opium für Ovid combines her response to Ovidian myth with a reworking of the Japanese pillow books. The result is a book in which East meets West, and where the characters from Ovidian myth, such as Daphne, Salmacis, and Leto, have metamorphosed into a hybrid of the original myth and into girls who walk the streets of contemporary Hamburg. Through their stories Tawada probes issues such as racism, homelessness, body image, and educational constraints.
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37

Images: Thirty Stories by Favorite Writers. NC Press, 1988.

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38

Image and Imagination: Ideas and Inspiration for Teen Writers. Capstone, 2016.

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39

Thomas, Sophie. Word and Image. Edited by David Duff. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199660896.013.40.

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This chapter examines the numerous places where words and images combine or collide in Romantic literature and culture, such as in book production and illustration; in poetry, painting, and theories of the two as ‘sister arts’; in ekphrastic literary texts; in prints and annuals; and in exhibitions and galleries. The chapter explores the historical and artistic context for a range of dynamic experiments that raise conceptual questions about visual and verbal representation, and the nature of the connections between them. At the same time, it unsettles the apparently dual nature of a relationship that in fact often includes objects and places, or extends into other media and forms. Writers and artists discussed include Blake, Wordsworth, Beaumont, Gillray, and Turner.
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40

Communication, Youth. Mirror, Mirror: Teens Write About Girls and Body Image. Youth Communication, 2005.

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41

Song, Weijie. A Comparative Imperial Capital. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190200671.003.0005.

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This chapter considers how Lin Yutang, Princess Der Ling, and Victor Segalen envision their indigenous and exoticist urbanscape of Beijing, viewed from near and afar—a universalist construction, an Orientalist self-exhibition, and an “aesthetics of diversity.” By presenting pleasant rather than painful, harmonious rather than contradictory images of an everyday and imperial capital, Lin Yutang describes Beijing as an ideal, mythical, metaphorical, and semiotic city, a cultural code surviving barbarism, looting, conquest, and turbulence in modern times. Princess Der Ling, First Lady-in-Waiting to the Empress Dowager Cixi, articulates the inner voices in “the Great Within,” and the fierce confrontations and subtle negotiations between Manchu imperial politics and Western thought/technology inside the Forbidden City. Obsessed with pure difference and disparity, Victor Segalen, a French writer and ethnographer, creates a fictional, mythical, and treacherous city underneath the Imperial Forbidden City, to incarnate his exoticist ideal in the twilight of the Manchu Empire. A comparative and transcultural image of Beijing showcases the pleasures and pitfalls of collecting local knowledge and presenting Orientalist and Cosmopolitan visions of an ancient captial.
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42

McDonald, Rónán. Global Beckett. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.37.

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Beckett, arguably the most important playwright of the twentieth century, has achieved an international reputation that goes well beyond his achievement as a writer. There is in effect a ‘Beckett brand’, a marketable image of the man and his works. The abstraction of his theatre work, its lack of definite geographical or specific referents, has led to a tenacious discourse of universalism. His global fame developed from the first production ofWaiting for Godot, seen as the epitome of modernist experiment, delivering a profound image of the human condition free of historical specificity and thus available to any number of different interpretive schemes. The production history of Beckett’s work in recent times, however, has shown that it is at its most effective in its trans-historical capacity, represented most tellingly in instances such as the productions ofGodotin Sarajevo or New Orleans. Beckett is ‘glocal’ rather than global.
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43

Lange, Barbara Rose. Autobiography, Sexuality, and Ethnicity in the Music of Bea Palya. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190245368.003.0004.

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Chapter 3 discusses how the singer and writer Bea Palya explored dimensions of women’s experience in Hungary that had been kept private before the 2000s. The chapter describes one of Palya’s first solo projects with composer Samu Gryllus, a setting of Sandor Weöres’s Psyché; Weöres’s postmodernist poetry collection explores sexuality, violence, and other facts of life for its female protagonist. The chapter describes how this project enabled Palya to connect autobiography and art, and details how Palya balanced a modern sexual image with other performances dramatizing Christian spirituality. Although Palya fused local folk sounds with Asian music, West Europeans wanted to emphasize the Romani part of Palya’s multiethnic background with a ragged Gypsy image. The chapter details how Palya was able to reject this pressure, since Hungarian audiences accepted her treatment of race as an everyday matter within a larger frame of modern feminine experience.
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44

Body outlaws: Young women write about body image and identity. Seal Press, 2000.

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45

(Foreword), Rebecca Walker, and Ophira Edut (Editor), eds. Body Outlaws: Young Women Write About Body Image and Identity. Seal Press (WA), 2000.

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46

Zeek, Robert A. Digital Document Image Automation: A Corporate Planning Guide to Write. Mecklermedia, 1988.

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47

1958-, Brown Harriet, ed. Feed me!: Writers dish about food, eating, weight, and body image. Ballantine Books, 2008.

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48

Feed me!: Writers dish about food, eating, weight, and body image. Ballantine Books, 2008.

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49

Feed Me!: Writers Dish About Food, Eating, Weight, and Body Image. Ballantine Books, 2009.

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50

1972-, Walsh Marissa, ed. Does this book make me look fat?: 14 writers weigh in. Clarion Books, 2008.

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