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Journal articles on the topic 'Writer image'
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1
Zueva, Galina. "Media Image of a Contemporary Writer via Interpretation of Their Texts (by the Example of Inwerviews with Dina Rubina's)." Theoretical and Practical Issues of Journalism 9, no. 1 (2020): 192–203. http://dx.doi.org/10.17150/2308-6203.2020.9(1).192-203.
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This paper studies the media image of a modern Russian writer Dina Rubina basing on her portrait (face-to-face) interviews and subject-related portrait interviews in various contemporary Russian and pro-Russian media: newspapers, magazines, radio, TV, and the internet-media. Growing interest to modern writers in the media environment and to interaction between the writer and the reader via mass media determines the topicality of the research. The study object is a public figure from the literary community. In this relation, the author finds it necessary to distinguish between the notions "media image", "imagery", and "image". The interviews with Dina Rubina are analyzed in the context of the form and contents of her works, which helps to identify and fix some personal intentions of the writer. The author studies the writer's media image basing on the theory of archetypes, as well as their influence on Dina Rubina's and her interviewers' professional behavior. The specific character of the questions asked to the writer prove the importance of the archetype of the creator and its dominance among the contributory archetypes, namely, those of the Harlequin and the mother. Special attention is paid to the gender aspect of a modern writer's media image, which is quite significant for Dina Rubina and her readers.
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Николаев, Дмитрий. "Образ писателя в публицистике Ивана Бунина 1920 г." Acta Polono-Ruthenica 1, № XXIV (2019): 75–94. http://dx.doi.org/10.31648/apr.4401.
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The image of the writer plays an important role in the publicist works of Ivan Bunin in 1920. It is the image of the author struggling against the Bolsheviks, and the image of those writers who helped the Bolsheviks propaganda as well as “new Soviet writers”. In 1920 Bunin as the most signif-icant writer of the Russian Diaspora focuses on the most famous writer among those who, according to Bunin, supports the Bolsheviks – Maxim Gorky. Bunin also pays close attention to the contro-versy with H.G. Wells: this is due to the role that the English writer played in the context of Soviet Russia. Bunin’s works in 1920 are written as a reaction of the Russian writer to the various texts published in the press, and the discussion with the works of his main opponents – Gorky and Wells.
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Akysh, N., and G. Zhetekova. "ARTISTIC TRANSFORMATION OF A MATURE IMAGE OF A HISTORICAL PERSON." BULLETIN Series of Philological Sciences 74, no. 4 (2020): 208–13. http://dx.doi.org/10.51889/2020-4.1728-7804.43.
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The article considers the novel "AK Boz Atta Aru" by the warrior-writer Sauirbek Bakbergenov, who creates the image of moral personalities. According to this novel by the writer, the General public will be able to get acquainted with the last years of the life of the educator, ethnographer, and historian Shokan Ualikhanov. The novel reveals the image of Chokan Valikhanov from different sides, in addition to the main character, bright, convincing, historical images are created. A positive feature of the work is a more vivid expression of the richness of the literary language. The article reveals the features of each part of the novel, analyzes vivid expressions, such as a living example of oratory, which can serve as a model for the younger generation of writers, and provides specific examples where vivid figurative expressions worthy of the colors of the moral character of the national language. One of the essential features of the work is the problem of national independence.
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Qbilat, Nizar, and Awni El-Faouri. "The Other’s Image in Arabic Feminist Narrative." Journal of Arts and Social Sciences [JASS] 7, no. 2 (2016): 337. http://dx.doi.org/10.24200/jass.vol7iss2pp337-345.
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This study aims at shedding some light on the images of women in some feminist novels known as Feminist Literature. The research depicts a number of Arabic feminist writers concentrating on the structure of Feminist Literature generally, and Arabic women writers specifically. The study examines the characters, the narrative angle and the narrative sequence and its objective sensitivity at three levels: the woman as an author, a narrator, and the artistic character dealing with issues of justice, liberty and equality with man, considering the various humanitarian models: the striver, the lover and the educated within the borders of the forbidden, the fear, and the limitations. The popularity of Feminist Literature is one of the issues of modernity in the Arab world. The role of Jordanian women writers is apparent in literature. Their creative works compete with those of dominant men in terms of imagery and artistic presence. The inner persona of the woman writer is dominant even though her work represents a realistic view. The problematic issue of writing for women writers seems to be plunged in paradox and sharp in its novelistic representation. The novelistic modules studied indicate the success the Arab woman writer achieved in terms of the use of artistic tools, and the ability to confront and reveal the untold. Although the feminists’ novels seem to dwell in an anxious environment, they represent an arena of conflict representing the artistic and living realities.
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Samniar, Bintang Ayu. "IMAGE MANAGEMENT MODEL IN COMPANY CRISIS." Komuniti: Jurnal Komunikasi dan Teknologi Informasi 8, no. 1 (2017): 35. http://dx.doi.org/10.23917/komuniti.v8i1.2931.
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For the sustainability of the company in Indonesia, triple bottom line concept (people,planet, profit) have to be adding in every company, especially mining company. This concept usually be realized by Corporate Social Responsibility (CSR) department, just like in PT Pamapersada Nusantara (PAMA) District KPCS, East Kalimantan. This research type is descriptive qualitative, which give readers explanation of the situation in facing crisis in 2010 by CSR PAMA KPCS. For explain this, writer used Crisis Pre-Emptive: Image Management Model by Augustine Pang, because the CSR concept which explored by writer is based on crisis which happen there, in 2010. In this study, writer divided the phase into 4 phases as the theory by Pang. They are: Before organizational event: proactive phase; Before organizationalevent: strategic phase; During organizational event: reactive phase; and After organizational event: recovery phase. Writer also make a scheme based on 4 phase above.
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Labbé, Mathilde. "‘Nécessité de procéder obliquement’: Shaping Michel Butor's Image." Nottingham French Studies 58, no. 3 (2019): 315–31. http://dx.doi.org/10.3366/nfs.2019.0260.
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‘Difficile d'écrire sur soi ou sur ses écrits’ are the first words of a 2003 monograph that Michel Butor published about himself in Seghers's collection ‘Poètes d'aujourd'hui’. This series, like other collections of illustrated monographs, builds the writer's image through a combination of different types of discourse and several actors. Butor's volume on his own work tends to blur such distinctions and to challenge the collection's model, not only because of the intervention of the writer, but also because of Butor's interest in the processes through which his image is crafted. This paper examines a series of six monographs published on Michel Butor between 1964 and 2009, firstly, in order to shed light on the way the image of a high profile writer is carved in collections of illustrated monographs, and, secondly, to reach a better understanding of Michel Butor's relation to critical discourse and to his own image.
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Hayati, Yenni. "DUNIA PEREMPUAN DALAM KARYA SASTRA PEREMPUAN INDONESIA (Kajian Feminisme)." Humanus 11, no. 1 (2012): 85. http://dx.doi.org/10.24036/jh.v11i1.626.
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This article describes the world of and images of women depicted in women fiction writer, particularly in short story literature. In depicting women’s world, an Indonesian writer tends to focus on their domestic than public life. This is because domestic life is considered safer for women, and women are considered best settled in the domestic life. There are six images closely associated with women; a mother, a loyal woman, a successful woman, a second woman, an ideal woman, and a bad woman. Mother image is the most found, 14 of 15 fictions examined in this research. The description of domestic life associates with mother image, because the two are closely related with the life of Indonesian women. Key words: women’s world, women’s image, women’s literature
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Garris, M. D. "Design and Collection of a Handwriting Sample Image Database." Social Science Computer Review 10, no. 2 (1992): 196–214. http://dx.doi.org/10.1177/089443939201000205.
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NIST, under sponsorship from the Bureau of the Census, has collected a database consisting of 2,100 pages of binary image data of handprinted characters including numerals and text. NIST Special Database 1 contains handwriting samples from 2,100 writers geographically distributed across the United States, NIST is currently using this database to research field-isolation, box detection and removal, character segmentation, and writer-independent neural character recognition. In addition to advancing the design of algorithms, this database and its study can aid the social sciences. Observations can be compiled and used to improve form design and field layout strategies. Region-based studies and comparisons are also possible due to regionally distributed and referenced populations of writers in the database. In creating this large database, obstacles to the effective archiving of images have been dealt with and eliminated. This paper describes the database's content in terms of its collection, organization, and usefulness. The strategies and conventions used to develop NIST Special Database 1 can be applied to any discipline requiring the use of image archives.
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Vladimirovna Smyslova, Ekaterina, and Liliya Fuatovna Khabibullina. "THE ENDERBY NOVELS BY ANTHONY BURGESS: THE ARTIST’S CONCEPT." Humanities & Social Sciences Reviews 7, no. 6 (2019): 81–84. http://dx.doi.org/10.18510/hssr.2019.7617.
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Purpose of the study: Anthony Burgess (1917 – 1993) is an English writer, author of the intellectual novels and serious musical works. Being a talented and inventive person, he was very interested in art and its creative processes. Anthony Burgess’s artistic creativity concept can be traced in many of his works about fictional and non-fictional writers
 Methodology: The article uses the analysis of the fictional world created in the novels as a means of its consideration. The image of the artist is considered from the perspective of the writer's worldview reflected in the composition and the message of his works.
 Results: The conducted analysis shows that in Anthony Burgess’s opinion the artist is a craftsman whose artistic activity is closely connected with his sexual attraction. In addition, the writer is characterized by isolation as the main condition of the creative process and the total devotion to Art.
 Applications of this study: This research can be used for the universities, teachers, and students.
 Novelty/Originality of this study: Thus, the novelty of the paper consists in its first trial to present the artist’s image thoroughly studied in the mentioned above novels. It is worthwhile mentioning that the research is conducted according to Anthony Burgess’s creative concept.
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Tjong, Cendrawaty, Raina Ophelia Sunggiardi, and Vania Vania. "Similarities and Disparities of Ghosts in Eastern and Western Literature Based the Novels Liaozhai Zhiyi, Dracula, dan a Christamas Carol." Lingua Cultura 4, no. 2 (2010): 149. http://dx.doi.org/10.21512/lc.v4i2.363.
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Ghosts is one of life unexplained phenomena also interesting theme for entertainment and literature materials. Every nation have their own ghost literature that reflects the nation’s view on ghost itself. This article compares China’s Liaozhai Zhiyi, Western’s Dracula and A Christmas Carol as representations of both culture. The writer through desktop study method found that culture influenced and shaped ghost image in the mind of novel writer. This leads to different image of ghost in the two cultures. The results is: ghost in two cultures appear mostly in the night time, have different types and classifications, different physical images, different way of thinking and how to handle ghosts.
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Sokolova, E. V. "OSCILLATION OF THE IMAGE: IMAGES OF “WRITER” (BY) PETER HANDKE IN MASS MEDIA AND IN W.G. SEBALD’S ESSAYS." Human Being: Image and Essence. Humanitarian Aspects, no. 3 (2020): 119–43. http://dx.doi.org/10.31249/chel/2020.03.08.
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This article investigates reception of the figure of Austrian writer Peter Handke (b. 1942), the Nobel Prize winner in Literature in 2019, within discourses of actual German culture (in «literary» and «mass media» contexts) in parallel with his own understanding of the Writer’s Mission, its aims, ideals, and complications. Being a Writer as a way to get through the totality of «invalid communication» («verhinderte Kommunikation») in the real world is the most important topic of Handke’s own literary creation: beginning with «The Goalie’s Anxiety at the Penalty Kick» (1970), «Slow Homecoming» (1979), «Repetition» (1986), «The afternoon of a writer» (1987) and ending in his later texts. Besides the above mentioned works of Peter Handke, the present paper analyzes three essays on his work written by a world famous German writer and literary scholar W.G. Sebald (1944-2001), who took close to his heart the described topic as well (especially the tradition of Linguistic Scepticism going back to the ideas of Ludwig Wittgenstein). The paper also considers a number of publications in the German press in October 2019 dealing with Peter Handke being awarded the Nobel Prize and the heated debate that followed.
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Khalikova, N. V. "The role of a stylistic device in creating the image of the author." Literature at School, no. 4, 2020 (2020): 81–91. http://dx.doi.org/10.31862/0130-3414-2020-4-81-91.
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The purpose of the article is to compare the definitions of a stylistic device with modern philological ideas about the text and the image of the author as the main subject of cognition of reality in a feature. The methods of structural poetics make it possible to separate the stylistic means and methods as functionally different units of the artistic speech and the language of the writer. There is a steady connection between the worldview of the writer, their “image of the author” and their style. Autological and metalogical stylistic means are equally important for creating both an artistic and a non-artistic image (journalistic, scientific, everyday). Artistic means and techniques perform fundamentally different functions. Artistic means of image expressiveness contribute to the aesthetization of speech. Stylistic techniques organize the processes of meaning generation, preservation and transmission of meanings. The text records and reproduces artistic thinking, typical for this very writer, a set of ideas about a human, landscape, interior, ways of action and other classes of images. The artistic style is the same as the style of thinking, a level speech style of reflecting the perception of reality. The style can be adopted, it can be imitated and, thus, one can understand how the author thinks, what their manner of the aesthetic transformation of reality, forms of perception, is. The stylistic forms of the same author are reproduced from work to work, regardless of the plot and ideological content. To explain how the technique works is to identify the ways of the artistic thinking about the world (images). The stylistic device is closely connected with the intellectual book culture of society.
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Mineralova, Irina G., and Petimat Sh Tsurueva. "Experiment in the prose of Boris Rakhmanin: forms of depiction, synthesis of genres." Vestnik of Kostroma State University 27, no. 2 (2021): 143–49. http://dx.doi.org/10.34216/1998-0817-2021-27-2-143-149.
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The article examines the creative experience of Boris Rakhmanin as a prose writer who developed new forms of synthesis in Russian prose of the 1960s - 1980s. The distinctive techniques that he experimented with contributed to the lyricisation of prose. The originality in the author's definition of the genre indicated the author's special line of thought, Boris Rakhmanin's techniques originate in prose experiments at the turn of the 19th and 20th centuries (Andrei Bely, Evgeny Zamyatin, etc.) and dialogue with contemporaries (Eduardas Mieželaitis, Justinas Marcinkevičius). Analysis of the resource of synthesis methods used by Boris Rakhmanin in his prose allows us to point out their functionality in creating an image of the life and an image of the thought process of the writer's contemporaries. This analysis also gives an idea of the individual style of the writer.
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Golikova, Guzel, and Irina Khairova. "The “little man” in Tatyana Tolstayas prose." Przegląd Wschodnioeuropejski 8, no. 1 (2017): 289–99. http://dx.doi.org/10.31648/pw.3620.
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The aim of the article is to reveal peculiarities of implementation of the theme and the image of the “little” person in the stories by Tatyana Tolstaya, show artistic form of interaction with Gogol and Gogol’s images according to the particular aesthetics of the writer. Playing with Gogol’s characters – Bashmachkin, old-world landowners, using Gogol’s chronotope, the composition, the writer translates the classic theme in ironic-parody plan. Neo-romantic orientation of Tolstaya’s texts leads to the existence of a particular philosophical component. Postmodern dominant determines the game with “word”: citations, intertextuality. Special aesthetic game with the classics allows the writer to convey the nature of the modern era, the cynicism and absurdity.
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Kolesnyk, Alla. "Stylistic features of naturalism in the works of Stefan Kovaliv." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 22 (2020): 25–30. http://dx.doi.org/10.34079/2226-3055-2020-13-22-25-30.
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In the paper the results of the study of naturalism in the works of Stefan Kovaliv are presented. The problem of naturalism in the works of Ukrainian writers of the late nineteenth and early twentieth centuries remains poorly studied. Among them is Stefan Kovaliv, a Ukrainian writer and teacher who worked for more than forty years as the head of a large public school in Boryslav and left a creative legacy – stories about life in Boryslav. S. Kovaliv's work took place during the intensive development of the city of Boryslav – a major oil center of Galicia and the entire Austro-Hungarian Empire, whose colony was this Ukrainian territory. S. Kovaliv wrote under the influence of Ivan Franko – the founder of naturalism in the Ukrainian literature. Therefore, it was necessary to study the features of the works of S. Kovaliv in the context of compliance with the stylistic features of naturalism. In his works, the writer portrayed Ukrainians who became victims of the capitalists, who deceitfully took away their peasants' land for oil production. These shocking cases of injustice, as well as the situation of the peasants in Boryslav, became the object of the writer's image. The manifestation of signs of naturalism in the stories «Deserter», «Roit's hole», «Five», «Consequences of feebleness» is analyzed. It is determined that the depicted events are motivated by a social factor, for which the writer used such naturalistic techniques as factography of the image, logging of events with detailed reproduction of their course in time, recording small details, using contrasting scenes to achieve feedback from the reader. These techniques achieve objectivity, close to scientific accuracy, and high plausibility of the image. The figures depicted in the stories have their own individual characteristics due to their origin: gullibility, ignorance, helplessness – inherent mainly in Ukrainian peasants, cunning, use of any situation to their advantage, criminal actions – capitalist entrepreneurs, irresponsibility, indifference – to local officials, whose origin is not defined. Racial characteristics of the heroes of the works are revealed, motivated and intensified mainly in the negative direction under the influence of the social environment at a particular historical moment in Boryslav, at the time of development of the oil industry. On the basis of the conducted analysis the belonging of the writer to naturalists who formed a basis of existence of this literary direction in Ukraine is defined.
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Grigorovskaya, Anastasiya V. "Specificity of the National Character in the Description of Entrepreneurs in Cameron Hawley’s and Ayn Rand’s Novels." Imagologiya i komparativistika, no. 14 (2020): 122–42. http://dx.doi.org/10.17223/24099554/14/6.
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The novels of the American writer Cameron Hawley (Cash McCall, Executive Suit) and the American writer and philosopher from Russia Ayn Rand (Fountainhead, Atlas Shrugged) are analyzed in the article. The entrepreneur image that has a brightly expressed national specificity is the key image for the comparison. In the first part of the research, a review of the genealogy of the national image of the entrepreneur as a character is done, and the evolution of this image in Russian and American cultures is traced. The conclusion here is that the image of a businessman in American literature was positive until the middle of the 20th century, the time of the crisis of the American dream, while the image of an entrepreneur in Russian literature was always primarily negative because of the gap between two types of rationality—practical and axiological (N. Zarubina). In the second part of the research, the roots of entrepreneur images of both authors are identified. The conclusion here is that, the basis of Rand’s latest characters is the image of a Russian revolutionist à la Kerensky (Leo Kovalensky in her first novel We The Living), which is expressed in their adventurism, irreconcilable individualism, and love of freedom. The genetic basis of Hawley’s characters is the image of the American superman limited in his ambitions (U. Eco), which is different from the Russian hero who always focuses on global achievements. In the third part of the research, the author distinguishes four types of entrepreneurs as characters in the both authors’ novels: a lucky businessman who runs a business behind the scenes, an authoritarian leader, a pragmatic fantasist, a symbiosis of a talented scholar and an entrepreneur. Despite the external resemblance of the two writers’ characters, the research shows that Rand’s character does not have the dichotomy of that of Hawley: Rand formulates the ideal of a “new intellectual” (For The New Intellectual) aiming to overcome Russian culture’s being torn between the two rationality types. Rand’s character, unlike Hawley’s, is an ideologist, and he has messianic features. Hawley’s attempt to combine the thinker and the businessman in the image of MacDonald Walling was unconvincing: Walling thinks only about his personal success and the company’s interests (the topics of American literature) while John Galts’s efforts focus on the improvement of the life of the country and humankind as a whole (the topics of Russian literature). In the conclusion, the author states that, despite the external similarity of the writers’ entrepreneur characters, Ayn Rand endows the entrepreneur image with features inherent in Russian literature, and Cameron Hawley depicts characters typical for American literature.
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Olyunina, Margarita V. "Techniques of Yuri Annenkov’s verbal painting (on the example of the literary portrait “Boris Pasternak”)." Science and School, no. 5, 2020 (2020): 31–36. http://dx.doi.org/10.31862/1819-463x-2020-5-31-36.
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The article analyzes the ways of creating a verbal portrait in the memoirs of Yu. Annenkov’s „Boris Pasternak” with the substantiation of genre and style features of the considered verbal image which allows to take a fresh look at the already textbook image of the writer. Capturing the image of the poet and prose writer B. Pasternak, the painter creates both a self-portrait and the portrait of the era. Thus, Yuri Annenkov’s literary heritage turns out to be the second portrait gallery, for which the artist once again paints his relatives and dear people, who remained on his canvases. The purpose of this work is an attempt to show the features of verbal image in Yuri Annenkov’s book of memoirs “Diary of my meetings”, “Cycle of tragedies” on the example of the essay “Boris Pasternak”, to enrich the image of the writer through the prism of perception of his contemporary artist. This study is based on comparative historical and functional methods and is based on the works of contemporary literary scholars engaged in the theory and history of prose portrait.
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Rahimov Zokir Azimovich. "Chronotope image in the novel "Ulugbek treasure" by Odil Yakubov." International Journal on Integrated Education 3, no. 11 (2020): 183–86. http://dx.doi.org/10.31149/ijie.v3i11.882.
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In the novel "The Treasure of Ulugbek" by the talented writer Odil Yakubov is based on the formation of the world of artistic images in the dialectical unity of social environment, historical time, space through artistic time and time, ie chronotope. In the depiction of reality in the work, the character of the historical image and the expression of mental anguish in space and time are logically analyzed and certain conclusions are made.
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Bakashova, Jyldyz K. "Problems of the interaction of reality and fiction in Russian literature in the 20s of the XX century." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2021): 119–24. http://dx.doi.org/10.20339/phs.1-21.119.
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The article is devoted to one of the important problems of literature at the end of the nineteenth and the first half of the twentieth century — documentary artistic creation. Writers, and later filmmakers, introduce real materials into their works that create a historical narration. Writers of different creative orientations are united in their attitude to the documentary trend. The article examines the actual problem of using prototypes by Russian writers when they create works of art. The views of Russian writers on the problem of interaction between reality and fiction in their work are considered on the example of the statements of L.N. Tolstoy, N.K. Hudzia, F.M. Dostoevsky, N.V. Gogol, V.G. Belinsky, A. Serafimovich, A. Todorsky, A. Blok. Russian writers believed that artistic truth is inseparable from the truth of life, real reality is the basis that feeds art. But no less significant is the creative understanding of the facts of life. The path from the prototype to the artistic image created by the writer in the work is closely connected with the figurative vision of the world, with generalization and individualization, with the aesthetic comprehension of real facts, there is a dialectical connection between art and life. Adequate reconstruction of events presupposes their aesthetic comprehension by the writer.
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Burlakova, I. I. "Familiarity of Italians with the works of Dostoevsky." Язык и текст 5, no. 4 (2018): 3–8. http://dx.doi.org/10.17759/langt.2018050401.
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Russian-Italian cultural ties have a long history of formation and development. Italy has always attracted Russian poets and writers with its cultural heritage. F. Dostoevsky was no exception, and he had been there three times, leaving many written testimonies. However, the theme "Dostoevsky and Italy" continues to be relevant in terms of not only the image of Italy on the works pages of the writer and his three travels, but also the acquaintance of the Italians with the work of the writer and the reception of his books in the works of Italian literature and theater representatives. The problem posed has many aspects of consideration. We are interested in the beginning and continuation of a long winning way of love and appreciation of the Italians through acquaintance with the work of F. Dostoevsky, because it is the translation of any work often becomes the starting point for acquaintance with readers. Most often, translators turn to the works of the writer, as evidenced by the presence of almost thirty translations of the novel "Crime and punishment" in Italian. But the works of the writer continue to be translated to the present time, which confirms the relevance of their content and the presence of the reader's request.
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Okawa, Manabu, and Kenichi Yoshida. "Offline writer verification using pen pressure information from infrared image." IET Biometrics 2, no. 4 (2013): 199–207. http://dx.doi.org/10.1049/iet-bmt.2012.0068.
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Eroshevskaya, M. V. "The Image of I. A. Bunin in the Memoir Prose of Irina Odoevtseva (Based on the Memoir “Na beregakh Seny”)." Studies in Theory of Literary Plot and Narratology 15, no. 2 (2020): 385–92. http://dx.doi.org/10.25205/2410-7883-2020-2-385-392.
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Irina Odoevtseva’s emigration began in 1922, permanently deleting the poet from Russian literature. In emigration, she stopped writing poems and turned to prose. Mainly, her memoir work brought her fame. The memoirs “Na beregakh Seny” are dedicated to the memories writers and poets of the Russian emigration, but a special place among them is occupied by I. A. Bunin. It was his criticism that Odoevtseva considered the most valuable and it was from him that she received approval as a prose writer. Thanks in large part to his comments and observations, she improved her writing skills. Moreover, the author-memoirist managed to get the location of Bunin. He repeatedly noted Odoevtseva’s ability to listen to him with genuine attention and interest. This impressed the writer and made him want to share his thoughts. Irina Odoevtseva’s femininity, diplomacy and sincerity allowed her to maintain good relations with Bunin throughout her life. So, the most significant event of emigration for Odoevtseva becomes acquaintance with Bunin. The memoirist does not tell about each meeting in chronological order: it captures the most striking key moments. The poet admired the extraordinary and rare talent of the writer. Behind the mask of arrogance and arrogance, Odoevtseva was able to discern the best human qualities in him. She saw her task as bringing her contemporaries and descendants at least a little closer to Bunin’s greatness. According to the memoirist, he was such a multiaceted personality that no one could give an exhaustive description of his image. Being a poet and prose writer, she learned Bunin mainly as an author-Creator. But the main thing in Irina Odoevtseva’s observations is that this image extended to Bunin’s life as a whole. This was expressed in the way he saw the world, how he spoke and reminisced about his childhood and youth. Even the most mundane story told by Bunin became a small work of art. The writer did not just tell, but showed what he was talking about. He, like no one else, felt and understood nature subtly and sensitively, and his presence always created a special atmosphere. This, according to Odoevtseva, made him an extraordinary and unique person, and that is why it was so important for her to get to know the real Ivan Bunin and capture his multi-faceted image.
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Kobulova, Nodira Bakhodirovna. "THE ROLE OF THE BIOGRAPHICAL METHOD IN CHARACTERIZING THE CH TERIZING THE CHARACTER OF THE HERO." Scientific Reports of Bukhara State University 3, no. 2 (2019): 159–64. http://dx.doi.org/10.52297/2181-1466/2019/3/2/9.
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The article deals with the role of biographical method in the lighting and analysis of the nature and creativity of the writer. It is safe to say that the inner human desire for freedom, courage, fear of evil and lies, the confusion of the paths of destiny, is an image that reflects the modern image. The characters in a work of art have a legal basis, not a random one, in which the writer's point of view is an important factor. This is evidenced by the analysis of the works of Erkin Azam, which we have seen above.
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Tüskés, Gábor. "Autobiographische Ungarnbilder aus dem Exil im Vergleich." Daphnis 48, no. 4 (2020): 556–99. http://dx.doi.org/10.1163/18796583-04804002.
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Abstract In this article, the author examines three autobiographical texts. These represent three different languages, three subgenres and two writers. The leading question is which patterns, motives and figures of thought determine the image of a country for the examined writer, and which of these become symbols of the fatherland in hindsight. The author’s main goal is therefore not to test the texts’ factual truth. Instead, three variants of emotional fictionalisation of patriotism are compared. By doing so, the author seeks to answer the question how factual truth is used, how autofiction and fictionality are created, and by which means and for what goal these images of the abandoned fatherland have become fictionalised. This question is treated in the context of the Habsburg dynasty’s imperial ambitions and of national resistance to it.
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Usachev, Alexander. "F. M. Dostoevsky – a writer or a thinker?" Культура и искусство, no. 10 (October 2020): 29–35. http://dx.doi.org/10.7256/2454-0625.2020.10.32501.
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The object of this research is the works of the prominent Russian writer F. M. Dostoevsky. The subject of this research is the opinion whether F. M. Dostoevsky first and foremost is the Russian philosopher and thinker, and only then a writer. The author examines the peculiarities of such roles in culture as philosopher, thinker and writer, which gives grounds to question unambiguous reference of the works of prominent Russian writer as activity of the thinker. The peculiarity consists in the fact that F. M. Dostoevsky’s literary texts is so rich in images and themes, that shifting the specificity of his artistic image into the background is not quite justified. Special attention is given to clarification of the essence of activity of the philosopher and the writer. The key research method is the comparative analysis of the facts of such types of social practice as the profession of writer, philosopher and thinker in their relation to the fundamental concepts of time, space, text and nature of its perception from the outside perspective .The main conclusion consists in the statement that the philosophical text maintains neutrality in relation to time, as is being written from the standpoint of eternity. Literary text, in turn, is “submerged” in time and space of the events taking place within it, and relies on recognizability of the characters and their existential characteristics. F. M. Dostoevsky appears to the audience as the creator of storylines and images, rather than a person who sets the trends and concepts of social movements.
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Abdul Hassan, Alia Karim, Bashar Saadoon Mahdi, and Asmaa Abdullah Mohammed. "Writer Identification Based on Arabic Handwriting Recognition by using Speed Up Robust Feature and K- Nearest Neighbor Classification." JOURNAL OF UNIVERSITY OF BABYLON for Pure and Applied Sciences 27, no. 1 (2019): 1–10. http://dx.doi.org/10.29196/jubpas.v27i1.2060.
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In a writer recognition system, the system performs a “one-to-many” search in a large database with handwriting samples of known authors and returns a possible candidate list. This paper proposes method for writer identification handwritten Arabic word without segmentation to sub letters based on feature extraction speed up robust feature transform (SURF) and K nearest neighbor classification (KNN) to enhance the writer's identification accuracy. After feature extraction, it can be cluster by K-means algorithm to standardize the number of features. The feature extraction and feature clustering called to gather Bag of Word (BOW); it converts arbitrary number of image feature to uniform length feature vector. The proposed method experimented using (IFN/ENIT) database. The recognition rate of experiment result is (96.666).
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Ochilov, Ulugbek Sayfulloevich. "NATURALISTIC IM TURALISTIC IMAGES IN THE NO GES IN THE NOVEL “SISTER CARRIE” B VEL “SISTER CARRIE” BY THE AMERICAN WRITER THEODORE DREISER." Scientific Reports of Bukhara State University 4, no. 3 (2020): 179–83. http://dx.doi.org/10.52297/2181-1466/2020/4/3/3.
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The article is dedicated to the problem of study of naturalistic images in the novel “Sister Carrie” by the American writer Theodore Dreiser. In the world literature there is no common approach to the naturalistic literary works. The author of the article tries to consider this problem on the basis of his own research. In his opinion, not only Hurstwood, but Carrie, who had a great success in life, also a naturalistic image because of her moral degradation
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Andreeva, E. A. "LITERARY PORTRAITS OF VILLAGE PROSE WRITERS IN THE CRITICISM OF THE MAGAZINE SIBIRSKIYE OGNI." Siberian Philological Forum 11, no. 3 (2020): 15–25. http://dx.doi.org/10.25146/2587-7844-2020-11-3-49.
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The prose of the “village prose” writers occupies a special place in the literary and critical discourse of the Sibirskiye Ogni. Most of the articles devoted to V. Astafiev, V. Shukshin, V. Abramov are literary portraits, which present the critic’s view of the life and personality of the author in question. The literary and critical discourse on contemporary traditionalist prose became the object of attention by E. Dobrenko, I. Chekannikova, L. Sokolova, but the question of its reception in “thick” regional publications remains unexplored. The purpose of this article is to analyze the literary portraits presented on the pages of the Sibirskiye Ogni, to reveal a stable complex of motives or image elements embedded in the plot about the writer. The material included articles published in the period from 1986 to 2010. The methodological base is formed by the works of Yu. Govorukhina, M. Berg, representing literary and critical discourse as imperious, in which one of the key tasks of the critic is to convince the reader of the truth of his judgments and to form a certain picture of the world in the addressee. Research results. The main values of the Sibirskiye Ogni discourse are realized in the works of the “village prose” writers: preservation of national and cultural traditions, proclamation of moral principles, interest in the “natural” man, the sacralization of the image of Siberia and the province. The main task of the magazine’s critics is to form a positive attitude towards the perception of traditionalist writers of the second half of the 20th century. The basis of literary portraits, as a rule, are the memoirs of contemporaries or the critic himself, as well as letters. In the description of the life path or image of the “village prose” writer, stable dominant elements can be distinguished. This is the motive for overcoming life’s difficulties, the predestination of the writer’s path, the inextricable connection with the small homeland; the key elements of the image are fortitude, heroism, hard work, exclusivity, and closeness to the people. Village writers often appear as saviors in a situation of global cultural crisis, while their prose is assigned the function of the keeper of national myths and the sacred space of the Russian countryside.
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Ross, Dolores. "“My language has an immense potential”." Transnational Image Building 10, no. 1 (2021): 70–93. http://dx.doi.org/10.1075/ts.20025.ros.
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Abstract This article sets out to chart the success of the Dutch novelist, poet and travel writer Cees Nooteboom, who has achieved literary fame in several countries of the world while recognition in his home country lagged behind. To analyse the reasons for the conflicting images attributed to this cosmopolitan author, I will look behind the curtains of the transnational production and reception of his writings, investigating his success in five central or semi-central languages (Heilbron 2010). The study of how this writer has succeeded in transcending the peripheral position of the Dutch language in the world literary system will be carried out by combining the sociology of translation with reception studies and imagological considerations. Nooteboom appears to be a peculiar case of image building: he is internationally represented as a Dutch and a European writer, but his lack of Dutchness appears to have hindered his recognition in the Netherlands.
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Prylipko, Iryna. "Image of the Other in O. Honchar’s Fictional and Journalistic Discourse." Академічний журнал "Слово і Час", no. 1 (January 20, 2019): 38–51. http://dx.doi.org/10.33608/0236-1477.2019.01.38-51.
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The paper deals with the representation of other nations in fiction and journalism by O. Honchar. The specificity of reception and representation of the ethnic characters and other-culture realities is considered in the context of the paradigms “Me – Other”, “Own – Alien”. The paper surveys creative transformation of O. Honchar’s impressions from his trips in different countries, resulted in literary embodiment of perceptive peculiarities noticed by the writer in Hungarians, Slovaks, Czechs, Japanese, Chinese, Indians, Portuguese, Americans, Germans, Gypsies and others. The representation of the Other’s ethnic mentality in fiction and journalistic publications by O. Honchar helps in understanding the range of the writer’s literary paradigms, reveals his ideological and creative accents and contributes to considering the author as a writer of European tradition. Different imagological aspects in the texts by O. Honchar were interpreted using the markers of ethnic identification: mental values, history, culture, science, economy, nature. In the context of the war theme O. Honchar depicted ethnic peculiarities of Hungarians (“Spring behind Morava”, “Foothold”) and Slovaks (“Modry Stone”). The other-culture realities in Czechoslovakia, China, Japan, and America were described in the genres of essay and sketch. In essays “On the Land of Camões” and “The Shore of His Childhood” the reception of the Other is given in the characters of glorious writers representing their nations. Based on the analysis of text it may be stated that fictional and journalistic discourse of O. Honchar has such special features as distinctive author’s voice, stereotype-free reception and interpretation of the ethnic images and other-culture realities, destructed opposition in representation of the paradigms “Me – Other”, “Own – Alien”, emphasis on the main human values.
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Torres, Ilana, Kathryn Slusarczyk, Malihe Alikhani, and Matthew Stone. "Intention and Attention in Image-Text Presentations: A Coherence Approach." Experiments in Linguistic Meaning 1 (July 30, 2021): 273. http://dx.doi.org/10.3765/elm.1.4873.
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In image-text presentations from online discourse, pronouns can refer to entities depicted in images, even if these entities are not otherwise referred to in a text caption. While visual salience may be enough to allow a writer to use a pronoun to refer to a prominent entity in the image, coherence theory suggests that pronoun use is more restricted. Specifically, language users may need an appropriate coherence relation between text and imagery to license and resolve pronouns. To explore this hypothesis and better understand the relationship between image context and text interpretation, we annotated an image-text data set with coherence relations and pronoun information. We find that pronoun use reflects a complex interaction between the content of the pronoun, the grammar of the text, and the relation of text and image.
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Novodvorchuk, Olha. "Lexical and stylistic features of Olesya Mamchych’ poetry for children." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 21 (2019): 63–67. http://dx.doi.org/10.34079/2226-3055-2019-12-21-63-67.
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The article deals with the consideration of lexical and stylistic features of poems for children of the modern writer O. Mamchych. The study contains a selective analysis of the poetry of the writer, which reveals the peculiarities of modeling the poetry of different genres (in the form of small folklore genres and contemporary lyrics), the use of a mix of traditional and contemporary images, allusions to the works of oral folk art and works of classical literature for children. The article covers the plot, thematic and ideological content of poetry. The author analyzes the peculiarities of the sound organization of poetic speech by O. Mamchych, the linguistic and stylistic instruments of the artist. The writer finds the right rhymes, builds the original soundtrack of the poem using the play of sounds. Most of the writer's works are full of alliteration, sensations, anaphors and epiphora. Such verbal music fascinates the reader. The lexical means of expressing the poetry language of O. Mamchych reflect the moods of the modern world, modern Ukraine and the child of the future. The writer uses colloquial vocabulary, novelties and historicisms in her composition. The poem «Kozak» perfectly illustrates O. Mamchych's ability to use historicism and colloquial vocabulary. The author basing on the traditions and history of the Ukrainian people builds a lively story about a little boy, a Cossack, who fights with foreigners. The linguistic features of the poetry of the writer reveal her artistic skill. Bright epithets, metaphors, comparisons convey all the beauty of the poetic word of Olesya Mamchych to the reader. The artistic word of the writer is to move the reader, to influence on his feelings, to encourage him to be kinder, to study the history and culture of the Ukrainian people, and to keep up with the times. The work of O. Mamchych is constantly in harmony with the past and the present. It relies on traditional artistic images to create new ones. The writer opens familiar images in a new way in many compositions. The master of the poetic word builds an invisible bridge of understanding between the reader and the author by the allusions to the works of oral folk art and works of classical literature for children. The article gives the confirmation that O. Mamchych's poetry is not only aesthetic, but also linguo-didactic, because it contributes to the linguistic formation (lexical, phonetic and grammatical) and speech competences (artistic speech, cognitive speech, emotional) of a child. The research gives an opportunity to understand the model of the O. Mamchych world, to find out the basic mechanisms of the 21st century poetry image formation for preschool children.
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Ryzhenko, Katerina. "Constructing of the author's image in the diary of Panteleimon Kulish." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 23 (2020): 106–14. http://dx.doi.org/10.34079/2226-3055-2020-13-23-106-114.
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P. Kulish as a person is most fully revealed in the autobiographical texts, as they project a real picture of the author's views on the world, its conceptualization and categorization. Throughout his life, the writer turned to autobiographical work. The literary works in which the author reconstructs his “self” on the basis of his own memories of his real life events, create a kind of autobiographical paradigm, a special place in which belongs to a personal diary. The article proves that P. Kulish's diary allows to understand the historical and cultural conditions that influenced the development of his personality and creative intentions. This is facilitated by the analysis of the author's communication with the Ukrainian and Russian creative intelligentsia, in particular with the rector of St. Petersburg University P. Pletnyov, and the described love stories of the writer with Olga Pletnyova, daughter of his patron, and Alexandra Bilozerska, the writer's future wife. The autobiographical narrative is created by the following techniques: retrospective vision of events, chronological principle of presentation of material, psychological disclosure of the author's personality. P. Kulish's diary testifies to a kind of self-creation of the writer, because the author relied on its publication, so he was not always sincere in expressing his own thoughts or describing situations. Among the objective reasons for self-mythologizing were P. Kulish's plans to occupy a high place in the St. Petersburg circle of intellectuals. On the other hand, the reasons for self-idealization in the diary were the psychological features of P. Kulish's personality: painful selfishness, vulnerability, ambition, passion. The image of “self” by P. Kulish is interesting from the point of view of self-objectification and self-expression of the author, because his own private life is only a proto-plot, and the author himself is a prototype of the main character: artistic image and real personality are close but not identical. Analysis of the autobiographical image of P. Kulish proves that the author sought to emphasize the importance of his scientific and cultural activities. So, the writer built an autobiographical image as a literary portrait of an active and at the same time unique representative of the era, which claims to be a leader in the national and cultural space of Ukraine. P. Kulish's personal myth is transmitted through several microimages: on the one hand, the image of an intellectual, truth-teller, high moral person, who has authority among famous figures of the time, and on the other – a romantic image of the hero of a love novel, sensual and at the same time ironic refers to the object of their sympathies. Self-analysis, self-reflection are the key ways of self-disclosure of the writer in the diary, which allow to view P. Kulish as a person with an inflammatory character, decisive, principled, self-sufficient, purposeful, and at the same time sensual and vulnerable. Thus, the diary of P. Kulish represents a subjective portrait of the author, created by him in the context of a particular historical time. The author of the diary symbolizes and mythologizes his “self”, and the basis of these processes is the identification world which correlates with the one of mental, national, aesthetic and ethical values and meanings of P. Kulish as a Ukrainian patriot and humanist.
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Kaplychna, L. O. "Genre and style, thematic specifics of Oleksa-Нai-Нolovko's prose". Science and Education a New Dimension IX(253), № 45 (2021): 30–33. http://dx.doi.org/10.31174/send-hs2021-253ix45-07.
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The article analyzes the genre and style features of the artistic practice of the Ukrainian diaspora writer Oleksa Hai-Holovko (1910–2006), who lived in Canada. In the process of the analysis it was found that in his literary practice the writer used the main stylistic features of genre and thematic varieties of works following the principles of image, image system, plot and plot construction, composition, construction of space and time. The notion of genre and style is defined, the typological features of traditional prose in the context of the writer 's work are analyzed. It is proved that the genre is classified as a formal unit that expresses a certain meaning, based on specific criteria: issues, themes of prose, the author's position, trend, pathos, conflict of work, ideology, plot-compositional features, narrative form.
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Casa Nova, Vera. "Fricções." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 72–76. http://dx.doi.org/10.17851/2317-2096.8..72-76.
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Resumo: Este ensaio tenta aproximar em termos escriturais o cineasta e o escritor, a partir da noção de graphos (texto/imagem) enquanto inscrição de signos.Palavras-chave: leitura-escritura; literatura e cinema; afinidades.Abstract: This paper tries to approach, in writting terms, the moviedirector and the writer, through the notion of graphos (text/image) as inscription of signs.Keywords: reading-writting; litterature and movie; affinities.
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Orlov, Oleksii. "The image of the scientist in the works of V. Korolenko." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 23 (2020): 84–90. http://dx.doi.org/10.34079/2226-3055-2020-13-23-84-90.
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The article considers the connection of the works of V. G. Korolenko with the literary Western European tradition of depicting prominent people, labelled by the stamp of genius, who left a noticeable mark in science. The concept of genius is considered in the interpretation of philosophers I. Kant, A. Schopenhauer and F. Nietzsche, who saw it as consistent with their theories: contemplation and self-denial, will, energy of all previous generations. According to philosophical concepts, the following main trends in the literature of the nineteenth century were formed: the image of fanatical thieves from the works of M. Shelley, G. Wells, or infantile observers, as the heroes of the works of J. Verne – eccentrics detached from the real life. The realistic tradition in the depiction of images of scientists is considered on the example of the work of A. Chekhov «Boring Story». The image of a scientist created by a writer reflects the main contradiction in the life of a creative person – the discrepancy between life in science and real existence. There wasn’t any difference between creative and real life for V. Korolenko. He «lived as he wrote, and wrote as he lived». The great righteous man of everyday life, a missionary of spiritual deeds, the writer Korolenko created an image of the scientist Izborsky similar to his own life principles. The narrative structure of the work enabled the author to reflect on his student's past and think about his own unrealized future. It is hypothesized that Korolenko could be new Timiryazev or Mendeleev; however he chose the way forward active citizenship and revolutionary mood. The paper examines how the writer transformed the image of the scientist, which developed in European literature, into a new type of hero, due to socio-historical conditions and the spiritual search for time. The images of scientists created in the story «On both sides» and partly in the novel «The Story of My Contemporary» are analyzed from two points of view – the narrator-student and professor-teacher. A young man, who is also in a difficult mind condition, perceives personality, oratory, moral principles of the scientist Izborsky. The analysis of the narrator's structure helps to determine the conceptual features of the image of an ascetic scientist, among which is paid attention to the presence in the works of historical context, the strength of moral influence on students, admiration for the prospects of scientific discoveries.
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Kovalets, L. M., M. B. Lanovyk, and Z. B. Lanovyk. "“I am a Rusin, I am a Hutsul…”: Ethnoimagological dominants of Yuriy Fedkovych’s vision." Rusin, no. 63 (2021): 223–40. http://dx.doi.org/10.17223/18572685/63/12.
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The article examines how images of other nations are formed in the artistic world of a writer – a representative of another nation. Employing the imagological approach with its tools for studying the ethnic structures of the text and drawing on E. Smith’s concept of the national identity and E. Levinas’s concept of the Other, the author analysies the problem of perception of the Other on the interpersonal and intercultural levels, using the artistic heritage of the Ukrainian Rusin writer Yu. Fedkovych as a case study. The article highlights the dominants in the representation of other ethnic groups in the context of the writer’s identity, taking into consideration the cultural and historical discourses of the literature of a particular nation. Born into an interethnic family in Bukovynian Hutsulia, which was part of multicultural Austria, working and doing military service in various territories of Europe, communicating with representatives of various ethnic groups, Y. Fedkovich recorded the main stereotypes in perception of other nations’ representatives, which reveal the specificity of European interethnic relations. The main attention is drawn to the analysis of the Hutsul image of the world and the dominant images of the Other (Italian, Austrian, German, Moldavian / Romanian, Serbian, Polish, Jewish, Gypsy Imago). According to Levinas, the factors that determine the image of the Other are situations of freedom / enslavement, reinforced by the experience of war. Theoretical considerations are confirmed by examples from creative works. In this perspective, the literature represents intercultural dialogue in the European space to become a source of ethnoimagological studies.
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Et al., Raima Shirinova. "“SYSTEM OF IMAGE IN CREATIVITY OF CHINGIZ AYTMATOV”." Psychology and Education Journal 58, no. 1 (2021): 5558–69. http://dx.doi.org/10.17762/pae.v58i1.1953.
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Background: this article is devoted to the work of the Kyrgyz Soviet writer ChingizAytmatov. In the vast world of fiction, Aytmatov's works amaze us with their figurative system. Against the background of everything and everyone, admires us with the simplicity, beauty, the variety of images created by the writer, whether it is the image of a person, politician, journalist, village shepherd, tree, horse, whale, ocean, etc.The Sarozek steppes, the vastness of space, Issyk-Kul, the Kremlin, Red Square in Moscow, a yurt in a Kyrgyz village, a church choir, Shostakovich's music, Georgian singing, Baikonur, legends about mankurt and many other concepts and phenomena of humanity make up the figurative system of ChingizAytmatov. The created artistic images cover huge layers of the life of peoples, an individual person, accompanying a person with his constant anxieties, experiences, joy, gains, losses and much of what we call life.
 Results: Reading Aytmatov, getting imbued with his images, we are more and more convinced that literature in a number of other arts is closer and more understandable to a person, because the main means of artistic expression is the word, this is a natural need for communication between people. We love to speak out, hear someone's confession; we simply cannot do without speech. And then we ask ourselves the question, what is this - the art of the word, how the word turns into an artistic image and makes us compassionate, laugh and cry, think, agree and argue, and most importantly receive aesthetic pleasure, because literature is an art.
 Conclusions: All ingenious is simple. Characters, descriptive elements of the plot, used by the author to create certain images, are in a certain system, filled with aesthetic, philosophical, realistic meaning.
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Cheng, Liang. "The Image of the Volga in Skitalets’s (S. G. Petrov) Early Works." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 20, no. 4 (2020): 448–53. http://dx.doi.org/10.18500/1817-7115-2020-20-4-448-453.
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This article describes the creation of the image of the Volga in the early works of Skitalets (S. G. Petrov, 1869–1941). The artistic world of the writer is filled with natural images, which are drawn mainly in a romantic way. The landscapes of Skitalets are mostly bright and colorful, although there are accurate realistic sketches. Also, the Volga can play the role of a psychological ‘accompaniment’, and can become the ideal embodiment of the proper state of the world.
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HE, ZHENYU, XINGE YOU, YUAN YAN TANG, BIN FANG, and JIANWEI DU. "HANDWRITING-BASED PERSONAL IDENTIFICATION." International Journal of Pattern Recognition and Artificial Intelligence 20, no. 02 (2006): 209–25. http://dx.doi.org/10.1142/s0218001406004612.
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Handwriting-based personal identification, which is also called handwriting-based writer identification, is an active research topic in pattern recognition. Despite continuous effort, offline handwriting-based writer identification still remains as a challenging problem because writing features can only be extracted from the handwriting image. As a result, plenty of dynamic writing information, which is very valuable for writer identification, is unavailable for offline writer identification. In this paper, we present a novel wavelet-based Generalized Gaussian Density (GGD) method for offline writer identification. Compared with the 2-D Gabor model, which is currently widely acknowledged as a good method for offline handwriting identification, GGD method not only achieves a better identification accuracy but also greatly reduces the elapsed time on calculation in our experiments.
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Ibadova, Narmina E. "The artistic time of the Moscow text by Yuri Polyakov." RUDN Journal of Studies in Literature and Journalism 25, no. 3 (2020): 458–67. http://dx.doi.org/10.22363/2312-9220-2020-25-3-458-467.
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The article explores the poetics of the image of Moscow in the prose of the outstanding Russian writer of modern times, Yuri Mikhailovich Polyakov. The Moscow text of the Muscovite writer is analyzed in the context of the study of artistic time. Present in all the works of Yu. Polyakovs image of Moscow is multi-valued, complex, presented in various aspects and correlated with specific epochs. The characteristic features of creating the Moscow text of Polyakov are descriptive reflection based on small details and details, the use of horizontal and vertical communication lines. Special attention is paid to the study of artistic techniques by which the writer, a master of grotesque realism, satirically depicts urban realities. The dynamics of changes in the appearance of the capital from Soviet Moscow through perestroika to a modern metropolis that is losing its national identity is traced.
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Anam, Choerul. "CITRA PEREMPUAN DALAM NOVEL CERITA TENTANG RANI KARYA HERRY SANTOSO; TINJAUAN KRITIK SASTRA FEMINIS* (The Image of Women in the Novel Entitled Cerita Tentang Rani by Herry Santosa: A Feminist Literary Criticism)." ALAYASASTRA 15, no. 2 (2019): 71. http://dx.doi.org/10.36567/aly.v15i2.303.
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This study aims to describe the image of women in Herry Santoso's novel: Cerita Tentang Rani in the perspective of feminist literary criticism. The method applied in the research is a qualitative one. The purpose of the qualitative method leads the writer being able to get to know the in-depth history of the research environment by applying descriptive research types. Feminist criticism theory of Rosemarie Putnam Tong and gender theory of Judith P. Butler were applied in this research. The results of this study prove that the image of the main character, Maharani, is a strong and tough woman. The images of the woman cover 1) the image of women in her relation with Allah Swt (God); 2) the image of women in her relation with herself; and 3) the image of women in her relationship with others. Keywords: female image, feminist literary criticism, Novel Cerita Tentang Rani.
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Newell, Andrew J., and Lewis D. Griffin. "Writer identification using oriented Basic Image Features and the Delta encoding." Pattern Recognition 47, no. 6 (2014): 2255–65. http://dx.doi.org/10.1016/j.patcog.2013.11.029.
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Al-Awawdeh, Dr Nabil. "Translation Between Creativity and Reproducing An Equivalent Original Text." Psychology and Education Journal 58, no. 1 (2021): 2559–64. http://dx.doi.org/10.17762/pae.v58i1.1131.
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It isn't easy to find a comprehensive definition of translation; it is described as science, art and creativity at the same time. In this sense, literary translation, especially poetry, may be considered an art and creative work as opposed to scientific or political translation, where the words can be controlled according to the translator's linguistic skills and grammatical rules. The current research discusses how translation is an art and creative work. It is what many critics and scholars have reached for the "literary genre". It is also noted how the literal translation does not give the translated text its right, artistic colour, elevation, and influence in its original language unless it’s based on translators' creativity. In this paper, our methodology is to look at literary translation as one of the most challenging types of translations, as it depends significantly on taste and the entry of the writer's imagination in the translation, whether he was a writer such as a poet, storyteller or novelist, and this in itself requires a creative spirit to be the image of translation and literary material creative artistic non-literal. Here the two-translator a writer or intellectual and professional translator differ. The latter depends on what he studied and read and what he researched in language study stages. Still, if he is also a writer or intellectual, many images and meanings will change. Yet, without prejudice to the essence of the translated text, and here even between a translator writer and another, the degree of creativity in translation varies and maybe at the same degree of different literary imagination. Finally, it is stressed that the essential in the art of translation is choosing the appropriate term so that it is easy, smooth, and light on the recipient here is a skill. The translator chooses the proper word for each material to be translated.
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Diaconița, Alexandra Ana-Maria. "Tatăl Ei, Lucian Blaga. Reconstituiri Biografice." Lucian Blaga Yearbook 20, no. 1 (2019): 171–81. http://dx.doi.org/10.2478/clb-2019-0018.
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AbstractThe volume Tatăl meu, Lucian Blaga has a double meaning: first of all, Dorli Blaga intends to shape the writer's portrait and, above all, the man Lucian Blaga himself, for whom the act of creation becomes a refuge. Secondly, it creates an autobiographical work, appealing to her own memories and exposing her own opinion regarding the writers and political unions of the 20th century. This volume clearly shows the daughter's duty to defend her father's name. This essay Tatăl ei, Lucian Blaga. Reconstituiri biografice presents the impediments ecountered by Lucian Blaga in his literary and political career, but also his image in the intimate position as a parent and husband. The sacrifices accomplished on behalf of his family, the fear of having his work plagiarised and the strength to bear the injustices of the Romanian state are just some details from Lucian Blaga's life, presented by his daughter or revealed by the writer himself in his correspondence.
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KAVALLIERATOU, E., N. DROMAZOU, N. FAKOTAKIS, and G. KOKKINAKIS. "AN INTEGRATED SYSTEM FOR HANDWRITTEN DOCUMENT IMAGE PROCESSING." International Journal of Pattern Recognition and Artificial Intelligence 17, no. 04 (2003): 617–36. http://dx.doi.org/10.1142/s0218001403002538.
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In this paper we attempt to face common problems of handwritten documents such as nonparallel text lines in a page, hill and dale writing, slanted and connected characters. Towards this end an integrated system for document image preprocessing is presented. This system consists of the following modules: skew angle estimation and correction, line and word segmentation, slope and slant correction. The skew angle correction, slope correction and slant removing algorithms are based on a novel method that is a combination of the projection profile technique and the Wigner–Ville distribution. Furthermore, the skew angle correction algorithm can cope with pages whose text line skew angles vary, and handle them by areas. Our system can be used as a preprocessing stage to any handwriting character recognition or segmentation system as well as to any writer identification system. It was tested in a wide variety of handwritten document images of unconstrained English and Modern Greek text from about 100 writers. Additionally, combinations of the above algorithms have been used in the framework of the ACCeSS system (European project LE-1 1802, aiming at the automatic processing of application forms of insurance companies) as well as in the processing of GRUHD and IAM-B databases for automating the procedure of extracting data.
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Kumari, Kamlesh, and Sanjeev Rana. "Offline Signature Verification using Intelligent Algorithm." International Journal of Engineering & Technology 7, no. 4.12 (2018): 69. http://dx.doi.org/10.14419/ijet.v7i4.12.20995.
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Signature verification is important in banking, legal, financial transactions for security purpose. Offline signature verification is a complex task because active information i.e. temporal information is missing in static image. There is no standard feature extraction method for offline signature identification as in case of other behavior modalities e.g. in automatic speech recognition like LPCC (Linear Predictive Ceptral Coefficients).Our research presents an intelligent algorithm for feature extraction based on image difference of genuine signature image and questioned signature image. Six features i.e. average object area, entropy, standard deviation, mean, Euler no., and area are analyzed. Best results are reported using combination of Average Object Area, Mean, Euler No. and Area. CEDAR (Center of Excellence for Document Analysis) database is used for offline signature verification. The database consists of static signature samples taken from 55 users. The Proposed algorithm is quite efficient as it is less computationally. Experiments are performed with both models i.e. Writer-Independent (WI) system and Writer-Dependent.
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Morgunova, Olga. "The role of the image of «threatening father» in the novels by Jean Christophe Grange." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 22 (2020): 52–57. http://dx.doi.org/10.34079/2226-3055-2020-13-22-52-57.
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The article is devoted to the analysis of the specific expression of the parental image in the novels written by Jean Christoph Grangé. The relevance of the study is due to the fact that this topic is relatively poorly covered in literary studies. Although, in his interviews Grangé has repeatedly stated that virtually every his work has an image of a father. And this image is always associated with the concepts of «threat», «evil», «crime». The writer himself did not expand this thesis. Therefore, the questions remain indeterminate: is the image of the father in the text related to the theme of evil and threat, or is the image of the father has the same expression in different novels of the writer? So the purpose of the paper is to investigate the specific of the father image, the features of its implementation in the novels by J. K. Grange, to determine the main types of parental images and their functional load for the artistic text. Even a cursory review of Grangé's writings suggests that the writer's literary works are indeed dominated by the type of «threatening», even criminal father. And especially often it is realized in the system of father–son relations, where maternal image, as a necessary element of the Oedipus complex, is missing. The formation of such an image is created by the fact that their action in the novels explicitly or indirectly revolves around the parental figure. In addition, he is portrayed as extremely dangerous person. A similar impression is created both by the appearance of the character, the indication of his role in society, and the description of his past. The divine traits in the pagan understanding of this concept are traced in the depiction of this type of parent. It shows itself at the plot level, when the actions and life of heroes are closely intertwined with pagan cultures. However, in the perception of children, such images of the father always retain their ambivalence, and it is illustrated in the reflections of the characters and in their actions. In the Grangé novels we can also observe the type of «absent father», which has its own specificity too. The «absent father» here becomes the invariant of the «threatening father», but without ambivalence. Created by the imagination of the hero, the concept of his father quickly turns into a complete image in his mind, which, in turn, becomes an absolute manifestation of the inevitable evil. Thus, the image of the «threatening father» in the works of Jean Christoph Grangé is not homogeneous. If the father acts as a character in the novel, his image becomes ambivalent. But if it is only a figment of the imagination of the hero, it becomes the embodiment of absolute evil. Such serial use of various versions of the «threatening father» type can be interpreted as an effective means of creating a tense atmosphere of uncertainty and fear in the works.
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Ramadani, Suci. "Hybird Cryptosystem Algoritma Hill Cipher Dan Algoritma ElGamal Pada Keamanan Citra." METHOMIKA: Jurnal Manajemen Informatika dan Komputerisasi Akuntansi 4, no. 1 (2020): 1–9. http://dx.doi.org/10.46880/jmika.v4i1.138.
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The development of technology at this time allows everyone to exchange information without any limitation of time and distance. The possibility that data leakage will occur during the process of exchanging information is carried out, therefore in sending data especially images, security aspects, confidentiality and efficiency of data storage is very necessary. If the important information falls into the wrong hands, it will cause unwanted things, for example manipulation of images with negative shapes and can harm the owner of the image. One method used to maintain data security is cryptography using one of the techniques, Elgamal. The strength of this algorithm lies in the difficulty of calculating discrete algorithms on prime integers in which multiplication operations are performed. In this research, the writer combines Hill Cipher to do image encryption and Elgamal Algorithm to decrypt the key of Hill Cipher. The image is first encrypted using the Hill Cipher, then the Hill Cipher key is encrypted using the Elgamal Algorithm. The implementation of the system uses the programming language Visual Basic Net 2010. The results of the implementation with the initial encrypted image has 4282.85 milliseconds with random images, while the encrypted image will be re-described as having 20442.84 milliseconds with the image returned to the beginning.
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Ageeva, Galina M. "About Bibliocentrism of M. Yelizarov’s Novel “Librarian”." Bibliotekovedenie [Russian Journal of Library Science], no. 1 (February 10, 2010): 50–54. http://dx.doi.org/10.25281/0869-608x-2010-0-1-50-54.
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Article continues a scale and inexhaustible theme “Image of the book and libraryin fiction”. This time the attention of researchers was centred on M.Yelizarov’s postmodernist novel with the symbolic title “Librarian”. The meanings which were put by the writer in mystic and fantastic treatment of the book and library are reconstructed.The attempt of explanation of “key values” of the work from the positions of modern socio-cultural situation and development of literary and creative process was made. The author of the article comes to a conclusion that the perception of a phenomenon of book and an essence of library profession reflects outlook of several generations and is not beyond tradition, however doubtless interest is caused exactly by conceptual and style interpretation of ideas and images undertaken by the writer.