Relevant bibliographies by topics / Writer-producer

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Writer-producer'

Author: Grafiati
Published: 11 December 2022
Last updated: 26 January 2023

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Journal articles on the topic "Writer-producer"

1

Perren, Alisa, and Thomas Schatz. "Theorizing Television’s Writer–Producer." Television & New Media 16, no. 1 (2014): 86–93. http://dx.doi.org/10.1177/1527476414552907.

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Randles. "Music Teacher as Writer and Producer." Journal of Aesthetic Education 46, no. 3 (2012): 36. http://dx.doi.org/10.5406/jaesteduc.46.3.0036.

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Wyver, John. "‘Filming the invisible’: Barrie Gavin in conversation with John Wyver." Journal of Popular Television 9, no. 1 (2021): 15–28. http://dx.doi.org/10.1386/jptv_00039_7.

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Barrie Gavin (b. 1935) is a celebrated producer, director and writer who is best known for numerous programmes about music and musicians made primarily for BBC Television from 1964 onwards. He worked on numerous occasions with the conductors Pierre Boulez and Simon Rattle, and with them and other collaborators he has directed more than 90 films. In this conversation recorded in Leeds in June 2018 Gavin discusses with the writer and producer John Wyver his ideas about making music television, his innovative approaches to filmmaking, his profiles of composers including Luigi Nono, Karlheinz Stockhausen and Toru Takemitsu, and his working relationships with Boulez and Rattle.
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Elton, Serona. "Susan Steinberg, writer/director/co-producer. Atlantic Records: The House That Ahmet Built." Journal of the Music and Entertainment Industry Educators Association 9, no. 1 (2009): 195–97. http://dx.doi.org/10.25101/9.9.

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Heuman, Josh. "Who's Running the Show? Negotiating Authority in Post-Fin-Syn Writer-Producer Deals." Velvet Light Trap 80 (September 2017): 32–47. http://dx.doi.org/10.7560/vlt8004.

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Hood, Lee. "Film Review: The Sun Never Sets, by Ben Daitz, Writer, Producer, and Director." Journalism & Mass Communication Educator 69, no. 1 (2014): 103–5. http://dx.doi.org/10.1177/1077695813512207.

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Mo'e'hahne, Ho'esta, and Alex Trimble Young. "Indigenous Mobility and Settler State Transfer." Transfers 5, no. 3 (2015): 146–50. http://dx.doi.org/10.3167/trans.2015.050313.

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The Exiles, United States, 1961, Kent Mackenzie (producer, director, and writer), starring Yvonne Williams, Homer Nish, Tommy Reynolds, Rico Rodriguez, Clifford Ray Sam, Clydean Parker, and Mary Donahue. 2008 DVD release by Milestone Films.
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Gradwohl, David M. "Review: In Search of Freedom: Nebraskans from Latvia director/co-producer by Alexandru Moscu and writer/co-producer by Joel Geyer." Explorations in Ethnic Studies ESS-8, no. 1 (1988): 62–63. http://dx.doi.org/10.1525/ess.1988.8.1.62.

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Carr. "“To Be Actually Honest”: An Interview with Reginald Hudlin, Writer, Producer, Director, and Executive." Black Camera 7, no. 2 (2016): 45. http://dx.doi.org/10.2979/blackcamera.7.2.45.

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Wongso, Esther Natasia, and Annita Annita. "Producer's Role in Music Licensing For Short Movies." ULTIMART Jurnal Komunikasi Visual 7, no. 1 (2016): 13–24. http://dx.doi.org/10.31937/ultimart.v7i1.376.

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The licensing process of copyrighted materials, especially songs and music for a film, is one of the responsibilities that a producer should fulfill, aside from other responsibilities like financing the film and managing all the needs of the cast and crew. However, the knowledge and awareness about copyright and music licensing are still very low in Indonesia. In this research, the writer will find out about the process of music licensing for a short movie. Through this research, we will look into the music licensing process for film, and national and international film festivals.
 Keywords: Producer, Music Licensing, Short Movie
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Dissertations / Theses on the topic "Writer-producer"

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Healy, Guy Hamilton. "Fast and furious film-making: Emerging hybrid online-TV production practices in Australia." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/203318/3/Guy_Healy_Thesis.pdf.

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This study reveals distinctive new forms of screen industry convergence with deep implications for creators themselves and the screen industry in general. It is the first longitudinal study of veteran YouTubers and established TV producers making highly popular serial narrative web-series together, and it shows the professional outcomes from this rapprochement. Fourteen teams from the Google/Screen Australia initiative Skip Ahead and three teams of professional writer-producers were tracked as they launched web-series on YouTube. This study showed the majority of teams parlayed highly viewed web-series into license deals with digital broadcasters and online streamers, and thus potentially sustainable careers.
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Watson, Robert Stewart. "Richard Rorty, innovation strategies & movie inspiration." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41465/1/Robert_Watson_Thesis.pdf.

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Movie innovation is a conversation between screenwriters and producers in our mixed economy – a concept of innovation supported by Richard Rorty and Aristole's Poetics. During innovation conversations, inspired writers describe fresh movie actions to empathetic producers. Some inspired actions may confuse. Writers and producers use strategies to inquire about confusing actions. This Australian study redescribes 25 writer-producer strategies in the one place for the first time. It adds a new strategy. And, with more evidence than the current literature, it investigates writer inspiration, which drives film innovation. It reports inspiration in pioneering, verifiable detail.
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Uddenberg, Molly. "Metafor - en metod att göra det privata personligt." Thesis, Linnéuniversitetet, Institutionen för fysik och elektroteknik (IFE), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-28051.

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In this study I have met three authors in a dialogue seminar on their literary work. The discussion, starting from texts by Lacan and Socrates, revolved around the dichotomy of personal and private, and how to benefit from personal material in one’s literary work. The three authors reflected on the writer Karl Ove Knausgård and the photographer Sally Mann, who both are working with their own immediate family as a motif. In Knausgård, you can find a strong and self-dissecting writer persona as a medium of creating recognition in the readers mind. In Sally Mann the metaphorical dimensions of this family motifs transforms them to images of much more general relevance than their private settings. On the subject of truth and story I also reflect on the different approaches that the authors Primo Levi, Viktor Frankl and Imre Kertész have on their experiences of the Holocaust. Finally the importance and relevance of metaphors as a way of getting a touch of one’s own private material is starting to be investigated.<br>I det här arbetet har jag samlat tre författare i olika genrer till ett dialogseminarium om sin arbetsprocess. Samtalet, som utgick från texter av Lacan och Sokrates, kretsade mycket kring författarens arbetsvillkor och de olika metoder som författarna använder sig av för att hitta sin frihet i förhållande till dem. I samtalet blev det uppenbart hur beroende alla författarna är av en förstående medarbetare. Okunskap och felläsning från en dramaturg eller redaktör kan bokstavligt talat bli förödande.    Dialogmötet kom att kretsa kring frågeställningar om hur man skiljer privat och personligt. Vi diskuterade författaren Karl Ove Knausgård och fotografen Sally Mann, som båda jobbar med sin egen familj som motiv. Genom att Knausgård använder sig själv som en roll visar han på en möjlighet att närma sig ett eget material. Hos Sally Mann är det istället de metaforiska dimensionerna i de vardagliga motiven som gör sig tydliga.    Också i Imre Kertész skildring av förintelsen förvandlas den till något större: en metafor för hur ödet och slumpen kan påverka våra liv. Hans berättelse blir på det sättet mindre beroende av vad som är sant, än skildringarna av två andra överlevare från Auschwitz: Primo Levi och Viktor Frankl. Vilket inte betyder att de andras texter saknar metaforisk styrka.    Avslutningsvis går uppsatsen in på författarnas sätt att använda metaforen som ett verktyg för att berätta. Metaforen är alltid en bild av någonting annat, den skapar en fördjupning och oförväntad igenkänning hos läsaren. Den ger också möjligheter för konstnären/författaren att berätta saker som hen inte kan säga på andra sätt.  Metaforen uppstår genom igenkänning i skapandet. Man kan välja att gå med den, eller aktivt gå emot den för att fördjupa textens eller filmens metaforiska dimension.    En viktig aspekt för yrkeskunnande inom konsten och författarskap är att aldrig ligga före i sitt arbete genom att oroa sig för vad omgivningen ska tycka och tänka. Då finns det en risk att man blir en feg konstnär, vilket är förödande för ens skapande.
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Books on the topic "Writer-producer"

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Writer, producer, engineer: A handbook for creating contemporary commercial music. Berklee Press, 2006.

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Froug, William. How I escaped from Gilligan's Island: And other misadventures of a Hollywood writer-producer. University of Wisconsin Press/Popular Press, 2006.

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Froug, William. How I escaped from Gilligan's Island: And other misadventures of a Hollywood writer-producer. University of Wisconsin Press/Popular Press, 2005.

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Charles, Schwartz, ed. The law of motion pictures: Including the law of theatre treating of the various rights of the author, actor, professional scenario writer, director, producer, distributor, exhibitor and the public, with chapters on unfair competition, and copyright protection in the United States, Great Britain and her colonial possessions / by Louis D. Frohlich & Charles Schwartz. Lawbook Exchange, 2007.

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KANE, Arnold. Brilliant Tv/writer Producer. BookBaby, 2020.

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KANE, Arnold. Brilliant Tv/writer Producer. BookBaby, 2020.

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Luhr, William, and Peter Lehman. Blake Edwards: Writer/Producer/Director. Wiley & Sons, Incorporated, John, 2023.

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Luhr, William, and Peter Lehman. Blake Edwards: Writer/Producer/Director. Wiley & Sons, Incorporated, John, 2023.

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Luhr, William, and Peter Lehman. Blake Edwards: Writer/Producer/Director. Wiley & Sons, Incorporated, John, 2023.

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Kauffman, Susan. Kevin Hart: Comedian, Actor, Writer, and Producer. Enslow Publishing, LLC, 2017.

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Book chapters on the topic "Writer-producer"

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"Felicia D. Henderson, Writer- Producer." In Distribution Revolution. University of California Press, 2019. http://dx.doi.org/10.1525/9780520959088-020.

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Clarke, James. "Cameron as Writer and Producer." In The Cinema of James Cameron. Columbia University Press, 2014. http://dx.doi.org/10.7312/columbia/9780231169776.003.0010.

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"10. Cameron as Writer and Producer." In The Cinema of James Cameron. Columbia University Press, 2014. http://dx.doi.org/10.7312/clar16976-011.

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Pearson, Roberta. "The Writer/Producer in American Television." In The Contemporary Television Series. Edinburgh University Press, 2005. http://dx.doi.org/10.3366/edinburgh/9780748619009.003.0002.

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Gorelov, Denis. "Script writer, Executive Producer, and Film Critic." In Russian TV Series in the Era of Transition. Academic Studies Press, 2021. http://dx.doi.org/10.2307/j.ctv249sgpk.16.

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Fuller, Graham. "5. Michael Mann: Hollywood Writer–Director–Producer." In Michael Mann - Cinema and Television. Edinburgh University Press, 2014. http://dx.doi.org/10.1515/9780748693559-008.

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Pearson, Roberta. "1. The Writer/Producer in American Television." In The Contemporary Television Series. Edinburgh University Press, 2005. http://dx.doi.org/10.1515/9780748679645-005.

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Grafe, Frieda. "The Ambition to be a Producer/Writer/Director." In The Ghost and Mrs Muir. British Film Institute, 1995. http://dx.doi.org/10.5040/9781838712174.ch-008.

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Szalay, Michael. "The Writer as Producer; or, The Hip Figure after HBO." In Mad Men, Mad World. Duke University Press, 2013. http://dx.doi.org/10.1215/9780822399063-007.

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SZALAY, MICHAEL. "THE WRITER AS PRODUCER; OR THE HIP FIGURE AFTER HBO." In Mad Men, Mad World. Duke University Press, 2013. http://dx.doi.org/10.2307/j.ctv120qtws.9.

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Conference papers on the topic "Writer-producer"

1

Whately, Lauro, Raquel Pinto, Muralidharan Rangarajan, Liviu Lftode, Ricardo Bianchini, and Claudio L. Amorim. "Adaptive Techniques for Home-based Software DSMs." In Simpósio de Arquitetura de Computadores e Processamento de Alto Desempenho. Sociedade Brasileira de Computação, 2001. http://dx.doi.org/10.5753/sbac-pad.2001.22205.

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This paper proposes and evaluates Home-based Adaptive Protocol (HAP), a software distributed shared-memory system. HAP performs two key functions that distinguish it from most other distributed shared-memory systems: detection of sharing patterns and behavior adaptation based on these patterns. Detection consists of identifying any change in the sharing pattern of a shared page. Adaptation consists of using a strategy that is specific to the sharing pattern detected to optimize the performance of the system. More specifically, HAP uses updates to maintain the coherence of single-writer pages, which fall under the migratory and producer-consumer sharing patterns. Invalidations are used to maintain the coherence of multiple-writer pages, which can potentially be falsely shared. As part of HAP's adaptation strategy, we dynamically assign homes to pages based on their sharing patterns. We performed preliminary experiments on an 8-node cluster of PCs. Our results show that the current implementation of HAP substantially improves the performance of single-writer applications in which shared pages are modified in critical sections protected by locks. The results also indicate potential improvement in the performance of applications exhibiting other sharing patterns such as producer-consumer, single-writer between barriers. However, the detection and adaptation techniques for these patterns have to be redesigned to exploit the real performance gains that can be achieved with the adaptive system.
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