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Journal articles on the topic 'Writer'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Petti, Matthew. "The Writer's Writer Writes." American Book Review 41, no. 1 (2019): 16–29. http://dx.doi.org/10.1353/abr.2019.0132.

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2

Rymenants, Koen. "Publieksauteur en writer’s writer." Tijdschrift voor Nederlandse Taal- en Letterkunde 138, no. 2 (2022): 185–87. http://dx.doi.org/10.5117/tntl2022.2.006.ryme.

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Souissi, Rim. "The Emergent Writes Back: Emergent Ethnic Self-History Recasting Dominant Ethnohistory in Khaled Hosseini’s Fiction." International Journal of English and Comparative Literary Studies 4, no. 3 (2023): 13–28. http://dx.doi.org/10.47631/ijecls.v4i3.644.

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“Anglophone,” “Postcolonial,” Diasporic,” “Transnational,” “Ethnic,” “Multicultural,” “Cosmopolitan,” and “Emergent” are all umbrella terms that are used to lump together writers who write from the fringes of the Western center. Such writers, however various and different their literary productions are, create worlds in their stories and populate them with characters that defy and counteract many Western essentialist misconceptions about their homelands. In this context, and resonating with Salman Rushdie’s seminal statement— “the empire writes back to the center”—and Smaro Kamboureli’s “the d

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Souissi, Rim. "The Emergent Writes Back: Emergent Ethnic Self-History Recasting Dominant Ethnohistory in Khaled Hosseini’s Fiction." International Journal of English and Comparative Literary Studies 4, no. 3 (2023): 13–28. http://dx.doi.org/10.47631/ijecls.v4i3.644.

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“Anglophone,” “Postcolonial,” Diasporic,” “Transnational,” “Ethnic,” “Multicultural,” “Cosmopolitan,” and “Emergent” are all umbrella terms that are used to lump together writers who write from the fringes of the Western center. Such writers, however various and different their literary productions are, create worlds in their stories and populate them with characters that defy and counteract many Western essentialist misconceptions about their homelands. In this context, and resonating with Salman Rushdie’s seminal statement— “the empire writes back to the center”—and Smaro Kamboureli’s “the d

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Susanti, Yunik, Fabiola D. Kurnia, and Suharsono Suharsono. "Interactional Metadiscourse Markers in Introduction Section of Dissertation: Differences Across English Proficiency Level." Celt: A Journal of Culture, English Language Teaching & Literature 17, no. 2 (2017): 271. http://dx.doi.org/10.24167/celt.v17i2.1111.

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Following the concept of Interpersonal model of Metadiscourse markers proposed by Hayland and Tse (2004) then developed by Hayland (2005), this content analysis aims to find the use of interactional metadiscourse markers in the introduction sections of two dissertations written by good and poor writers of doctorate students State University of Surabaya. The interactional metadiscourse markers were categorized into Booster, Hedges, Attitude Markers, Engagement Markers, and Self Mention.The good writer used more in number and variations of interactional metadiscourse markers than those of the po

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Saldaña, René. "Bookended: A Writer Writes: Three Lessons." English Journal 109, no. 2 (2019): 113–15. http://dx.doi.org/10.58680/ej201930364.

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Johnson, Kristine, and Kate Dehaan. "Real Writers: Perceptions of Writer Identity." English Journal 110, no. 5 (2021): 82–88. http://dx.doi.org/10.58680/ej202131232.

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Luce-Kapler, Rebecca. "Fragments to Fractals: The Subjunctive Spaces of E-Literature." E-Learning and Digital Media 4, no. 3 (2007): 256–65. http://dx.doi.org/10.2304/elea.2007.4.3.256.

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This article chronicles the experience of two writers working in digital technologies to write fiction. One writer, the author of the article, describes how her experience writing with the software Storyspace influenced her writing of print fiction, changing her processes and challenging her notions of genre. The other writer, a 16-year-old secondary student, also wrote with Storyspace. While she did not find the form as challenging as the first writer, she followed similar processes of creation. The author compares the possibilities of digital and print text writing and suggests that there ar

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Kashyap, Aruni. "Northeast Indian or Assamese." Comparative Literature 74, no. 3 (2022): 289–92. http://dx.doi.org/10.1215/00104124-9722337.

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Abstract What does it mean to be a writer from Northeast India? What does it mean to write from the margins of India? What are the limitations of Indian English writing when it comes to depicting marginal, radical literary traditions that question the idea of India? The author of The House with a Thousand Stories and There Is No Good Time for Bad News, Aruni Kashyap, shares his formative experiences as a writer, including the influences of Indian writers such as Amitav Ghosh, Assamese literary culture, and Indigenous oral storytelling traditions.

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Gunnars, Kristjana, and Abdulrazak Gurnah. "A Writer's Writer: Two Perspectives." World Literature Today 78, no. 1 (2004): 11. http://dx.doi.org/10.2307/40158349.

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Janaki Devi M and Baiju Krishnan. "Amit Chaudhuri: The Writer’s Writer." International Journal of Applied and Scientific Research 3, no. 5 (2025): 341–54. https://doi.org/10.59890/ijasr.v3i5.28.

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This study aims to examine Amit Chaudhuri’s dual identity as both a writer and a trained Hindustani classical musician, exploring how his musical sensibilities shape his literary style, thematic preoccupations, and narrative rhythm. Amit Chaudhuri is an acclaimed Indian novelist and essayist whose work often resists conventional narrative structures. His literary output—marked by lyrical prose, digressive form, and an acute attention to the everyday—is influenced by his background as a vocalist trained in Indian classical music. Understanding the intersection of these two artistic identities r

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Dr. Mamuna Subhani, Dr. Sadaf Naqvi, and Munaza Younas. "A Comparative Analysis of Village Characters in the Fictions of Ahmed Nadeem Qasmi and Mansha Yaad." GUMAN 7, no. 1 (2024): 325–31. https://doi.org/10.63075/guman.v7i1.742.

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The portrayal of village characters in literature is a common theme explored by numerous authors. In this paper, a comparative analysis is conducted on the village characters represented in the fiction of Ahmed Nadeem Qasmi and Mansha Yad, two prominent writers. This analysis aims to examine the similarities and differences in the portrayal of village characters in their respective works. Through a close reading and content analysis of selected stories. Ahmad Nadeed Qasmi is a well-known poet, columnist and fiction writer, on other hand Mansha Yad was a well-known fiction writer. Both writers

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Kittle, Penny. "Writing Giants, Columbine, and the Queen of Route 16 (Vol. 9, No. 1, Sept. 2001)." Voices from the Middle 25, no. 1 (2017): 39–42. http://dx.doi.org/10.58680/vm201729273.

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“I was a writing teacher who didn’t write,” confesses Kittle, as she reflects on her evolution from writing teacher to a teacher who writes. Tragedy inspired her to write, and writing mentors gave her the courage to share her writing with her class. The end of the story is just a beginning: by becoming a writer, by experiencing the process with her students, her teaching was renewed.

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Kittle, Penny. "Writing Giants, Columbine, and the Queen of Route 16." Voices from the Middle 9, no. 1 (2001): 8–11. http://dx.doi.org/10.58680/vm20012365.

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I was a writing teacher who didn’t write, confesses Kittle, as she reflects on her evolvement from writing teacher to a teacher who writes. Tragedy inspired her to write, and writing mentors gave her the courage to share her writing with her class. The end of the story is just a beginning: by becoming a writer, by experiencing the process with her students, her teaching was renewed.

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Jimmy Weiskopf. "A writer writes on Amazonian plant medicines." Mundo Amazónico 12, no. 2 (2021): 123–35. http://dx.doi.org/10.15446/ma.v12n2.91777.

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The use certain writers make of “substances”, like coffee, tobacco, or alcohol, to inspire themselves is an intriguing subject. Does dependence on such stimulants necessarily harm a writer´s judgment and ruin him in the end? Is it valid to condemn it as “addiction” when it is he or she who writes the book, not the bourbon or marijuana and what counts is its quality, not the writer´s character? Jimmy Weiskopf extends these concerns to three indigenous plant medicines of the Amazon with which he has tried to unleash his creativity –ayahuasca, mambe and ambil. Also basing himself on academic and

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16

Traweek, Alison C. "Integrating Writing in the Classics Classroom." Journal of Classics Teaching 18, no. 35 (2017): 26–30. http://dx.doi.org/10.1017/s2058631017000034.

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In a 2015 interview with the Chronicle for Higher Education, prolific scholar Anthony Grafton showed a reluctance to call himself a writer that surprised many readers: “I've never felt I could claim to be a writer in that full sense” he confessed (Toor, 2015). I have heard similar admissions from many of my friends and colleagues in classics; we see ourselves as teachers and researchers, not as writers. When we stop to consider our work, though, it is obvious that writing makes up an enormous part of our workload: we write not just articles, abstracts, books, and book reviews, but also course

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Gautam, Shreedhar. "Political Consciousness in the Select Works of Chinua Achebe, Ngugi Wa Thiong’o and Richard Wright." Harvest 2, no. 1 (2023): 87–92. http://dx.doi.org/10.3126/harvest.v2i1.54410.

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This paper introduces three writers Chinua Achebe, Ngugi Wa Thiong’o and Richard Wright to explore the socio political consciousness reflected in their select works. The first two writers come from African countries which have gone through the experience of colonialism and neo-colonialism that resulted in common social, political and economic problems. As a result, the literature that emerged from these countries has a unifying theme despite diverse sociological contexts. Richard Wright, with an African origin, is a prominent black writer from America. It is evident from wright’s writings that

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H, Annapurna, Manjunatha K S, and Guru D S. "Writer Dependent Offline Signature Verification Based on Cluster-Specific Classifier." International Journal of Computer Science and Mobile Computing 12, no. 11 (2023): 53–68. http://dx.doi.org/10.47760/ijcsmc.2023.v12i11.005.

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In this paper, we propose a writer dependent approach for offline signature verification based on writer-specific features and cluster-specific classifiers. In this work, writer-dependency is exploited at three levels: features, classifiers, and clusters. Initially, a template signature is selected for each writer from the training samples of that writer. This template signature serves as a representative signature of the respective writer. The relevant features for each writer are chosen using a filter-based feature selection method. The writers are then clustered based on their similar chara

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Turdiyeva, Oydin. "The Color Palette in the Work of the Iranian Writer Rаziye Tujjar". International Journal of Multicultural and Multireligious Understanding 8, № 8 (2021): 317. http://dx.doi.org/10.18415/ijmmu.v8i8.2973.

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The article analyzes the symbolic expressions reflected in colors in the stories of Razia Tujjar, one of the greatest representatives of modern Iranian literature. In modern Iranian literature, the famous writer Raziye Tujjar has a great ability to fully understand a woman's heart, reach the depths of a woman's heart, revealing all its secrets. Raziye Tujjar writes in a unique style that distinguishes her works from other writers for the richness of philosophical observations, the beauty of language and style, and the presentation of social problems. Most of the characters in her stories are w

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20

Trotta, Wayne L. "Book Review: When a Writer Can't Write." Transactional Analysis Journal 16, no. 4 (1986): 250–51. http://dx.doi.org/10.1177/036215378601600408.

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Lehman, Iga Maria, and Robin Anderson. "Inviting individual voice to second language academic writing." International Review of Pragmatics 13, no. 1 (2021): 61–85. http://dx.doi.org/10.1163/18773109-01301002.

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Abstract Our purpose in this paper is to present the findings of a study aimed at investigating how second language (L2) student-writers construct their identities as academic authors in tertiary education. We consider the restraints institutionalized text production can place on the constitution of writer identity, and call for pedagogical approaches to writing to take on board our findings to better help students in the process of finding their unique authorial voice. While the specific socio-cultural and institutional contexts within which people write limit possibilities for their self-rep

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22

Ayesha Dar. "ON THE RELATIONSHIP BETWEEN LITERATURE AND PSYCHOLOGY." International Journal of Applied Research in Social Sciences 4, no. 8 (2022): 284–92. http://dx.doi.org/10.51594/ijarss.v4i8.382.

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This research paper analyzes the relationship between Literature and Psychology and how they are connected with each other in order to portray the characters more beautifully. Psychology plays a very important role in the literature whether we talk about the one who writes the story or the one who reads it. It makes a strong connection between a writer and a reader. The author is not just influenced by society, he influences society. This study explores the significant role psychology plays in literature, the relationship between these two subjects, and how psychology helps an author to write

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He, Fangzhi. "Identity Construction in Academic Writing of Student Writers Who Use English as an Additional Language: A Literature Review1." Chinese Journal of Applied Linguistics 43, no. 4 (2020): 506–24. http://dx.doi.org/10.1515/cjal-2020-0033.

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Abstract Academic writing is social interaction between writer and reader, during which writers can employ discursive and non-discursive features to construct their identities. However, many student writers who are users of English as an additional language (EAL) may find it challenging to construct their identities in academic writing. Properly constructed identity in academic writing can help EAL student writers develop a stronger sense of self, exercise their agency, and negotiate the academic discourse. Therefore, this paper reviews empirical studies on EAL student writers’ identity constr

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Buck, Eva, Alyson Haslam, Jordan Tuia, and Vinay Prasad. "Frequency and Characteristics of Trials Using Medical Writer Support in High-Impact Oncology Journals." JAMA Network Open 6, no. 2 (2023): e2254405. http://dx.doi.org/10.1001/jamanetworkopen.2022.54405.

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ImportanceThe practice of using medical writers to communicate scientific information has gained popularity, but it may affect how and what information is communicated.ObjectiveTo assess characteristics of oncology trials that use medical writers and whether there is an association between the use of medical writers and trial success or the primary outcome evaluated.Design, Setting, and ParticipantsThis cross-sectional study included oncology trials testing a tumor-targeting intervention that were published in The Lancet, The Lancet Oncology, JAMA, JAMA Oncology, Journal of Clinical Oncology,

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Park, Jeong-in, and Hyeon Jeong. "Legal research on disputes over webtoon copyrighted works." Korea Copyright Commission 147 (September 30, 2024): 69–100. http://dx.doi.org/10.30582/kdps.2024.37.3.69.

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The webtoon industry is one of the representative digital content fields that started in Korea and is spreading worldwide. Webtoons are a digital comic format that can be easily accessed through the Internet, and have experienced explosive growth, especially with the popularization of smartphones. Naver Webtoon and Kakao Webtoon have established themselves as representative platforms in Korea, and Naver Webtoon’s global services, such as ‘LINE Webtoon’ and ‘WebComics’, have secured an international fan base by providing webtoons translated into various languages. These platforms provide new co

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Matthews, Michael. "An Interview with Robert Wylie." Teaching English in the Two-Year College 28, no. 3 (2001): 277–83. http://dx.doi.org/10.58680/tetyc20011954.

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Offers an interview with Robert Wylie, a distinguished two-year college English teacher for almost 50 years. Discusses how important it is for an English teacher to write, important issues in the profession, his views on the best ways to help students improve as writers, his observations about writing assignments, liking students, teaching standards, and his observations as a writer.

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Harville, Molly, and Misha Franks. "Postmodern Picture Books: “The Best Thing I’ve Ever Done in English Class”." Voices from the Middle 23, no. 2 (2015): 62–68. http://dx.doi.org/10.58680/vm201527620.

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Inquiry into postmodern picture books allows students to develop as writers and problem-solvers. This article describes how a classroom teacher and her mentor teach a postmodern picture book unit with sixth graders. Students examine mentor texts, analyze text structure, write, revise, edit, and perform various postmodern pieces as they learn the characteristics of the genre and the skills of a writer.

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Eshmurzayeva, Barno. "IMAGE OF HUMAN PSYCHE IN MODERN UZBEK STORYTELLING." American Journal of Social Science and Education Innovations 05, no. 06 (2023): 30–32. http://dx.doi.org/10.37547/tajssei/volume05issue06-07.

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In modern storytelling, we can see that writers have deviated from the rules of some genres. The stories are written in a somewhat free manner, so that the writer writes what he wants. This requires that the theory of literature should be reviewed from another point of view. The relevance of this article is determined by the need to study genre changes in modern stories.

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Al-Maadeed, Somaya. "Text-Dependent Writer Identification for Arabic Handwriting." Journal of Electrical and Computer Engineering 2012 (2012): 1–8. http://dx.doi.org/10.1155/2012/794106.

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This paper proposes a system for text-dependent writer identification based on Arabic handwriting. First, a database of words was assembled and used as a test base. Next, features vectors were extracted from writers' word images. Prior to the feature extraction process, normalization operations were applied to the word or text line under analysis. In this work, we studied the feature extraction and recognition operations of Arabic text on the identification rate of writers. Because there is no well-known database containing Arabic handwritten words for researchers to test, we have built a new

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Anonymous. "Artist-Writers, Writer-Artists: An Anonymous Vox Pop." Circa, no. 122 (2007): 28. http://dx.doi.org/10.2307/25564856.

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31

Lane, Richard J. "Passing the Province, or, the Tyrannical Prehension: Theoretical Readings of BC Theatre." Canadian Theatre Review 101 (January 2000): 7–10. http://dx.doi.org/10.3138/ctr.101.001.

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In The Space of Literature Blanchot writes, “sometimes, when a man is holding a pencil, his hand won’t release it no matter how badly he wants to let go” (25). The hand is under an imperious command, an order: to seize. The writer, whether he is writer of fiction, drama or criticism, seems to be in control of the pen – but this is an illusion. As Blanchot notes, “mastery always characterizes the other hand, the one that doesn’t write and is capable of intervening at the right moment to seize the pencil and put it aside. Thus mastery consists in the power to stop writing, to interrupt what is b

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Wu, Daping, and Adcharawan Buripakdi. "Writer Identity Construction in EFL Doctoral Thesis Writing." GEMA Online® Journal of Language Studies 21, no. 3 (2021): 16–36. http://dx.doi.org/10.17576/gema-2021-2103-02.

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Research on EFL doctoral thesis writing is booming. The literature indicates a link between doctoral thesis writing and identity formation. Despite the call for scholarly attention on doctoral thesis writers, writers of doctoral theses in English as a Foreign language (EFL) settings have not been well represented in the previous studies. Moreover, although writer identity has been proposed as consisting of four aspects, most of the research has mainly adopted a corpus approach to discuss the discoursal self or authorial identity. To bridge these gaps, this study explored how multicultural writ

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Mohammad A. Quayum. "A Writer of Hope, Humour, and Resistance: An Interview with Saad Z. Hossain." Asiatic: IIUM Journal of English Language and Literature 17, no. 2 (2023): 180–91. http://dx.doi.org/10.31436/asiatic.v17i2.3004.

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In this interview, Bangladeshi Anglophone writer Saad Z. Hossain (1979–) addresses several important issues involving his works, worldview, and writing career. First, he explains when he began writing, what inspired him to write, why he chose to write in English, and whom he writes for. He also discusses his writing and reading habits, his favourite authors, how he negotiates between his seemingly opposite interests as a businessman and a writer, and his view of the present state of English writing in Bangladesh. Moreover, Hossain talks about his narrative techniques, how his fiction has evolv

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Clegg, Frances. "When a writer can't write: Studies in writer's block and other composing-process problems." Behaviour Research and Therapy 25, no. 2 (1987): 170. http://dx.doi.org/10.1016/0005-7967(87)90097-0.

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Puteri, Dinike Agustin. "PENERAPAN METODE QUANTUM WRITER UNTUK MENINGKATKAN KEMAMPUAN MENULIS PUISI PADA SISWA SMK TELEKOMUNIKASI DARUL’ULUM." sarasvati 1, no. 2 (2019): 91. http://dx.doi.org/10.30742/sv.v1i2.744.

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Quantum Writer method is good way to help student more easy and attractive to write. Quantum Writer method is contains four steps teaching learning writing ang can be easy to with PAK ! namely: concentrate (P), arrange (A), composing (K), the best (!). This method used to finished that problem appear (1) How to proces learning poerty at begining with Quantum Writer method, (2) How to proces learning poerty when student is writing poerty with Quantum Writer method, (3) How to proces learning poerty at the finishing or after writer poerty with Quantum Writer method, in this case every statement

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Roorda, Randall. "Sites and Senses of Writing in Nature." College English 59, no. 4 (1997): 385–407. http://dx.doi.org/10.58680/ce19973629.

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Reviews Linda Brodkey’s prominent critique of the image of the solitary writer, and uses it as a means to examine the identity and behavior of the writer in nature. Uses various nature writers as exhibits, and speculates as to why Wendell Berry makes a distinction between “writer” and “creature.”

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Николаев, Дмитрий. "Образ писателя в публицистике Ивана Бунина 1920 г." Acta Polono-Ruthenica 1, № XXIV (2019): 75–94. http://dx.doi.org/10.31648/apr.4401.

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The image of the writer plays an important role in the publicist works of Ivan Bunin in 1920. It is the image of the author struggling against the Bolsheviks, and the image of those writers who helped the Bolsheviks propaganda as well as “new Soviet writers”. In 1920 Bunin as the most signif-icant writer of the Russian Diaspora focuses on the most famous writer among those who, according to Bunin, supports the Bolsheviks – Maxim Gorky. Bunin also pays close attention to the contro-versy with H.G. Wells: this is due to the role that the English writer played in the context of Soviet Russia. Bun

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Susanti, Santi, and Kokom Komariah. "PENGALAMAN BERLITERASI PENULIS DI KOTA BANDUNG DALAM PEMERTAHANAN BUDAYA LOKAL SUNDA." JURNAL SIGNAL 8, no. 1 (2020): 49. http://dx.doi.org/10.33603/signal.v8i1.3029.

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Penelitian ini bertujuan untuk menggambarkan pengalaman berliterasi penulis di Kota Bandung dalam menjalani perannya sebagai penulis Sunda.Pokok bahasan yang digali meliputi aspek pendorong menjadi penulis Sunda, pilihan jenis dan tema tulisan untuk menyampaikan perasaan dan pikiran penulis, serta aspek harapan dalam menjalani peran sebagai penulis Sunda.Metode kualitatif dengan pendekatan fenomenologi digunakan untuk menguraikan pengalaman pada penulis Sunda dalam berliterasi. Wawancara mendalam dan penelusuran literatur digunakan untuk memperoleh data dari 8 penulis yang menjadi informan pen

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Yadav, Prabhu Ray. "The Role of a Writer: Reflections of a Novelist." Tribhuvan University Journal 31, no. 1-2 (2017): 153–58. http://dx.doi.org/10.3126/tuj.v31i1-2.25349.

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 Chinua Achebe is an iconic name in Africa as well as world literature. He is a writer committed to the social uplift of marginalized and downtrodden people. He believes that serious writer should have a sense of responsibility to enhance the quality of humanity by way of exposing all manmade suppression and oppression in society. Achebe is a crusader against colonialism that enslaved the African countries and their people. He is opposed to the injustice and atrocities perpetrated by colonial rulers, and he wants to awaken the African people to rise up against the onslaught of colonialis

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Levinson, Daniel. "Addison, The Unexpected Hero." Teaching History: A Journal of Methods 31, no. 2 (2006): 97–98. http://dx.doi.org/10.33043/th.31.2.97-98.

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It now seems that as much has been written about Winston Churchill as any figure in history. One writer recently observed that the Churchill field was getting so overcrowded that writers needed a very good reason for adding more paper to the total. Not surprisingly, authors have been finding their reasons to write on in specialization or, as the case with David Addison, with a slight twist in focus.

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Hu, Jingjing, Sihang Yuan, and Xuesong (Andy) Gao. "Students’ Writer Identities and Writing Practice in Tertiary English-Medium Instruction in China." Sustainability 14, no. 22 (2022): 14890. http://dx.doi.org/10.3390/su142214890.

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This study adopts a case study approach to examine how students write in English-medium instruction contexts. It also explores why they write in this way from the perspective of writer identity. Four Chinese university students’ EMI course essays, as well as their interview and stimulated recall responses were collected. The analysis results presented three patterns of writer identity: (1) a member, as an EMI writer, of the academic community as the dominant self; (2) a student writer meeting the course requirements as the dominant self; (3) struggling between the two selves. Having different

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Widiawati, Yogi. "Hedges in Scientific EFL Writing." Lingual: Journal of Language and Culture 5, no. 1 (2018): 12. http://dx.doi.org/10.24843/ljlc.2018.v05.i01.p02.

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The main purpose of the academic writing is to inform other researchers about writers’ findings in certain research. In this case, writer will propose claims. For non-native English speaker like Indonesian, this is the tough work to do. L2 learners find difficulty to write for academic purposes or make claims. One of the strategies that L2 learners do is by using hedging devices. Hedges are used to present findings cautiously with leaving room for readers to have their own interpretation. This argument is also supported by Ken Hyland (1996) stated that academic writing is full of hedges. This

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Rahardian, Ema, and Deli Nirmala. "The Force Scheme in Javanese Emotion Metaphors." PAROLE: Journal of Linguistics and Education 8, no. 1 (2018): 12. http://dx.doi.org/10.14710/parole.v8i1.12-18.

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People with their creativity can use language for different purposes with different attitudes. They use metaphors in daily communication. In this paper, the writer tried to analyze them from force schemas to show the cognitive patterns of the users’ mind. . This paper aims at discussing the use of force schema in Javanese EMOTION metaphor. To collect the data, the writer used non-participant observation supported by note-taking technique. To choose the samples, the writers used purposive sampling technique. This means that the writers only took the metaphorical expressions containing a concept

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Anderson, Jeff. "Leading the Call: There Is Always Time to Write Together." Voices from the Middle 25, no. 2 (2017): 14–17. http://dx.doi.org/10.58680/vm201729399.

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Do you share your struggles as a writer or just your successes? Reflect on how honestly sharing your doubts and struggles will normalize them for writers in their own processes. Share how you overcome doubt throughout the process well into becoming a professional writer. Doubt is real, but pushing through it transforms the writing and the writer.

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Peñaloza Rallón, Anna Carolina. "Writer and Process: A Success Story Waiting to Happen." Enletawa Journal 12, no. 1 (2019): 90–93. http://dx.doi.org/10.19053/2011835x.10385.

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It is time to face the facts. Every day we are asked to write more and more in English. Our academic existence is dependent on whether we can publish in English or perish (Mauranen, Pérez-Llantada, & Swales, 2010). English has become the lingua franca of science and knowledge, but what happens when the structures and rules of standard Academic Writing seem to be against us? Well, writers learn to adapt. We use translators, copy model structures, look for outside help, hire proofreaders, and talk to teachers. Despite our efforts, only a few writers become successful. What if we could find a

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Ogoke, Chinedu. "Import of family and peers in a writer’s life." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 7, no. 1-2 (2020): 362–73. http://dx.doi.org/10.4314/ejotmas.v7i1-2.24.

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A writer anywhere must have roots and familial relationships. In a general sense, it is the energy derived from friends, family or society that drives the human spirit. A major role the family has in the life of a writer is giving him or her space. What this means is that a literaryfriendly family will not come between the writer and his/her writing. When he/she is engaged with writing, the writer’s family excuses him/ her from domestic and other duties. It is also beneficial when the writer is surrounded by a wife/husband and children who are wonderful readers. It is the relevance of the fami

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D., Selva Abirami, and Vinothkumar G. "Unveiling Situation of Women Fornicator in the Society: A Revisitation of Nalini Jameela's "An Autobiography of a Sex Worker"." Shanlax International Journal of English 8, S1 (2019): 27–28. https://doi.org/10.5281/zenodo.3599848.

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Autobiography is a genrethat gives the feelings of a writer.  Women writers are taught to be obedient to write about her body, sexuality and her inner self is an achievement in itself.  THE AUTOBIOGRAPHY OF A SEX WORKER (2007) written by Nalini Jameela is an outspoken and controversial autobiography that portrays how the female body uses as a weapon against the patriarchy on which the family’s honor depends.

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Aldisa, Rima Tamara. "Sistem Pendukung Keputusan Dengan Menerapkan Metode Multi-Attribute Utility Theory Pada Pemilihan Content Writer." Journal of Computer System and Informatics (JoSYC) 4, no. 2 (2023): 380–87. http://dx.doi.org/10.47065/josyc.v4i2.2877.

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Content Writer is an important profession in the process of creating interesting content. The definition of Content Writer is a professional writer whose job is to write concepts of interesting content which will eventually be produced in online media. The income that is large enough for this profession results in many people being interested in working in that field. Therefore it will be difficult for those who open jobs in the field of Content Writers to choose who should be chosen. To select Content Writer candidates, it is better to use a system so that with this system it can help interes

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Brodal, Jan. "“Poėt v Rossii — Bol’še čem Poėt” or the Poet as Superman." Poljarnyj vestnik 7 (February 1, 2004): 49. http://dx.doi.org/10.7557/6.1337.

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What is the moral responsibility of a writer? Do writers have a stronger moral responsibility than other people? This article discusses the relationship between writer and society with reference to Russian and Norwegian literature.

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CHIU, Kuei-fen. "The Making of Small Literature as World Literature: Taiwanese Writer Wu Ming-Yi." Modern Chinese Literature and Culture 34, no. 2 (2022): 291–312. http://dx.doi.org/10.3366/mclc.2022.0015.

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This paper investigates how the transformation of the Taiwanese writer Wu Ming-Yi, from a peripheral writer to a world literature writer, takes place. It first defines the status of Wu as a world literature writer with a discussion of the international reception of Wu’s translated works. It then studies how Wu overcomes the four obstacles for small literature writers: literary destitution, backwardness, remoteness, and invisibility. While Wu appropriates foreign patrimonies to deal with the obstacle of literary destitution, he establishes a modern profile of himself as a writer on a par with i

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