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Journal articles on the topic 'Writing of female authorship'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Gómez-Bravo, Ana M. "«Female (co)authorship in Cancionero Poetry»." Revista de Literatura Medieval 30 (December 31, 2018): 153–72. http://dx.doi.org/10.37536/rpm.2018.30.0.74048.

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Resumen: La autoría femenina era una cuestión polémica en la Iberia del siglo XV y principios del XVI. Gran parte de la producción poética de este período estaba asociada con la interacción social, lo que permitía una compleja negociación de la autoría y los papeles de género. Si bien el discurso femenino era fundamental para la escritura poética y las prácticas culturales relacionadas con el mismo, estaban en funcionamiento prácticas editoriales que suprimían las contribuciones de las mujeres a la escritura. El estudio apunta a una imbricación textual del discurso femenino y masculino en vari

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Henderson, Desirée. "Windows on Writing: Susanna Rowson and the Scene of Female Authorship." Studies in the Novel 49, no. 2 (2017): 149–69. http://dx.doi.org/10.1353/sdn.2017.0014.

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3

Hauser, Emily. "Erica Jong’s Sappho’s Leap:(Re-)constructing Gender and Authorship through Sappho." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 12 (November 8, 2020): 55. http://dx.doi.org/10.12681/syn.25258.

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For contemporary female authors, Sappho is a literary forebear who is both a model for women’s writing and a reminder of the ways in which women have been excluded from the literary canon. Poet and novelist Erica Jong takes up the challenge to gender and authorship posed by Sappho in her 2003 novel, Sappho’s Leap. Jong weaves Sappho’s poetry into her fiction to both complement the Sapphic tradition and to supplant it, proving that female poetry —and authorship— is alive and well, with Sappho continually mediated by and validating each subsequent writer in the female tradition. In addition, Jon

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Birgisdóttir, Soffía Auður. "„Tilfinningar eru eldsneyti fyrir hugmyndir“. Um skáldskaparheim Elísabetar Kristínar Jökulsdóttur." Kynbundið ofbeldi II 19, no. 1 (2019): 223–54. http://dx.doi.org/10.33112/ritid.19.1.13.

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This article deals with the authorship of Elísabet Kristín Jökulsdóttir, with special emphasis on the autofictional novel Heilræði lásasmiðsins (The locksmith’s advice), as well as other works that are based on autobiographical material. Elísabet writes a lot about the female body, its desires and erotic longings, as well as how helpless and weak it can be in particular situations. Her writing on the self, body and sexuality centres on the opposition between love and rejection. The desire for love is the driving force behind her writing and a deep and ruthless self-examination is at work in he

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Welch, Rosanne. "Honey, You Know I Can’t Hear You When You Aren’t in the Room." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 10, no. 2 (2017): 69–78. http://dx.doi.org/10.31165/nk.2017.102.509.

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The need for more diversity in Hollywood films and television is currently being debated by scholars and content makers alike, but where is the proof that more diverse writers will create more diverse material? Since all forms of art are subjective, there is no perfect way to prove the importance of having female writers in the room except through samples of qualitative case studies of various female writers across the history of film. By studying the writing of several female screenwriters – personal correspondence, interviews and their writing for the screen – this paper will begin to prove

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Foley, Stephen Merriam. "Scenes of Speaking and Technologies of Writing in More’s Tower Letters." Moreana 35 (Number 135-, no. 3-4 (1998): 7–23. http://dx.doi.org/10.3366/more.1998.35.3-4.4.

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The claim that More wrote several letters from the Tower with a coal may be taken literally, or as an image of powerlessness, or as a reference to Isaiah’s lips touched with a coal by an angel. The coal is an index of how technologies of writing and reports of speaking inform the Tower letters and those surrounding them. The letter to Frith plays upon the difference between heretical textuality and the simple truth of a Christian woman at prayer, as does the letter to Cromwell concerning More’s knowledge of Elizabeth Barton and the exploration of the difference between evidence and hearsay. Th

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Gill, Clare. "Olive Schreiner, Marie Corelli and the Anxieties of Female Authorship." Journal of Victorian Culture 25, no. 4 (2020): 574–92. http://dx.doi.org/10.1093/jvcult/vcaa026.

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Abstract This article explores the competing models of gendered authorship emerging from Marie Corelli’s multiple print encounters with Olive Schreiner. Where Schreiner is cast by Corelli as the modish darling of a snobbish literary intelligentsia, who is beloved by critics and ignored by readers, Corelli herself emerges from her writings about Schreiner as the democratic author par excellence, a writer for the people rather than the press. In spite of the clear common ground that bridged their experience as celebrity authors, Corelli, in her writings about Schreiner, sought only to elucidate

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Kundi, Dr Minu. "Representation of Marginalization in the Life Writing of African American Women Writers." SMART MOVES JOURNAL IJELLH 9, no. 1 (2021): 172–91. http://dx.doi.org/10.24113/ijellh.v9i1.10890.

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The process of imperialism and colonialism was established on the covert idea of economic and political exploitation of the underdeveloped eastern cultures by the dominant west. With the process of decolonization, the marginalized and the poor have been given a centre space alongwith the reversal of the order where those who were the object for centuries, suddenly refuse to be subjected to misrepresentation and domination, and begin to constitute their own discourses. Literature serves as a medium of honest self expression and platform to express the true self for women. American society has t

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9

Muric, Goran, Kristina Lerman, and Emilio Ferrara. "Gender Disparity in the Authorship of Biomedical Research Publications During the COVID-19 Pandemic: Retrospective Observational Study." Journal of Medical Internet Research 23, no. 4 (2021): e25379. http://dx.doi.org/10.2196/25379.

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Background Gender imbalances in academia have been evident historically and persist today. For the past 60 years, we have witnessed the increase of participation of women in biomedical disciplines, showing that the gender gap is shrinking. However, preliminary evidence suggests that women, including female researchers, are disproportionately affected by the COVID-19 pandemic in terms of unequal distribution of childcare, elderly care, and other kinds of domestic and emotional labor. Sudden lockdowns and abrupt shifts in daily routines have had disproportionate consequences on their productivit

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Rebecchini, Guido. "Icons of Beauty: A Suite of Three Women with Ancient Vases from the Workshop of Marcantonio Raimondi." Bulletin of the John Rylands Library 92, no. 2 (2016): 129–44. http://dx.doi.org/10.7227/bjrl.92.2.8.

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Working in collaboration with others, Agostino Veneziano produced three remarkable prints representing nude women seated or standing beside spectacular allantica vases and set before ruinous landscapes. This article investigates the authorship and origin of these unusual images. It suggests that the vases are presented as a metaphor for female beauty, and relates the visual rhetoric of these three prints to the writings of contemporary writers, including Agnolo Firenzuola (1493–1543), who described the beauty of women in relation to the elegant proportions of such vases.

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Poor, Sara S. "Cloaking the Body in Text: The Question of Female Authorship in the Writings of Mechthild von Magdeburg." Exemplaria 12, no. 2 (2000): 417–53. http://dx.doi.org/10.1179/exm.2000.12.2.417.

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12

Trevisan, Gabriela Simonetti. "A mulher e a arte: a criação feminina nas palavras de Júlia Lopes de Almeida." Revista PHILIA | Filosofia, Literatura & Arte 2, no. 2 (2020): 189–215. http://dx.doi.org/10.22456/2596-0911.103861.

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Este artigo tem como foco uma análise do texto “A mulher e a arte” (sem data), da escritora carioca Júlia Lopes de Almeida (1862-1934). Este escrito, recém-publicado na íntegra pela primeira vez, em revista acadêmica, constitui uma conferência da autora na qual ela expõe suas opiniões sobre o tema da arte de autoria feminina, tecendo uma série de críticas de cunho feminista à desigualdade entre os gêneros no espaço da criação artística. Em seu texto, a literata cita diversos nomes de artistas e intelectuais mulheres, de modo a sustentar seu argumento em defesa da potência criativa feminina e a

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Siber, Mouloud. "Female Colonial Travel Writing as a Critique of Victorian Gender Stereotypes and Roles: A Case Study of F.D. Bridges’s Journal of a Lady’s Travels Round the World (1883)." Anglica. An International Journal of English Studies, no. 28/1 (September 20, 2019): 63–76. http://dx.doi.org/10.7311/0860-5734.28.1.05.

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Making recourse to Virginia Woolf’s “Professions for Women” (1931), I have studied the manner in which F.D. Bridges criticizes the patriarchal representations of Victorian women in her Journal of a Lady’s Travels Round the World (1883). In her text, she not only accounts for her experiences of travel in foreign countries but also inserts a discourse that lies counter to male definitions of women’s roles as “household angels,” confined in the domestic space and deprived of power. With the strength she demonstrates through her experiences of travel, she criticizes the fact that women are conside

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Reinhard, Nadja. "Privatpolitik und Aufklärung: Johann Christoph Gottscheds Veröffentlichungsstrategie." Sprache und Literatur 49, no. 1 (2020): 15–43. http://dx.doi.org/10.30965/25890859-04901002.

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Abstract According to Jürgen Habermas, equality amongst those of unequal social standing in 18th-century society was limited to the private sphere. Though Gottsched shows how to use this sphere strategically for private policy and cooperation, he knows how to modify his publication strategies wisely in order to achieve the greatest and best possible effectiveness in his attempt to popularise Enlightenment. By his Moralische Wochenschriften as well as by his more popular way of academic writing for students he spreads controversial ideas such as theoretical and practical reason’s primacy over t

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15

Hodson, Jane. "Women write the rights of woman: the sexual politics of the personal pronoun in the 1790s." Language and Literature: International Journal of Stylistics 16, no. 3 (2007): 281–304. http://dx.doi.org/10.1177/0963947007079113.

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This article investigates patterns of personal pronoun usage in four texts written by women about women's rights during the 1790s: Mary Wollstonecraft's A Vindication of the Rights of Woman (1792), Mary Hays' An Appeal to the Men of Great Britain (1798), Mary Robinson's Letter to the Women of England (1799) and Mary Anne Radcliffe's The Female Advocate (1799). I begin by showing that at the time these texts were written there was a widespread assumption that both writers and readers of political pamphlets were, by default, male. As such, I argue, writing to women as a woman was distinctly prob

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Looser, Devoney. "Old Q in the Corner: Jane West, Late Life, and the Nineteenth-Century Novel." Romanticism 25, no. 3 (2019): 281–90. http://dx.doi.org/10.3366/rom.2019.0433.

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Jane West's late life and writings show a self-consciousness about authorship and a strong perspective on literary value and fame in old age. This essay shows how such a consciousness is revealed in a private letter, her last novel, Ringrove (1827), and her detail-filled will. West's late-life self-conception in a private letter as an ‘old Q in the corner’ deserves to be examined as a metaphor for the ageing female author. Taken together, these three texts demonstrate how West tries to shape readers' responses to old women as writers, using self-deprecating humour as a response to perceived ne

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17

Rimell, Vicky. "Epistolary Fictions: Authorial identity in Heroides 15." Proceedings of the Cambridge Philological Society 45 (2000): 109–35. http://dx.doi.org/10.1017/s0068673500002364.

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Heroides 15, Sappho's letter to Phaon, is an enigma in its present context for many different reasons. What is Sappho doing, heterosexualised, at the end of a string of elegiac epistles written by women plucked straight from myth and each given their fifteen minutes of fame? Despite the mythology that grew up around her, of which Phaon was a part, Sappho was a real woman and a real writer, the Greek love poet par excellence; not only that, she was and is a figure who, in her poetic persona at least, is famous for communicating her love for women, not for the local ferryman. This Sappho looks v

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18

Park, Hyun-Hee. "Teaching Methods for Strengthening Authorship in College Academic Writing －A Case Study of a Social Science Writing Class." Korean Association of General Education 15, no. 4 (2021): 71–83. http://dx.doi.org/10.46392/kjge.2021.15.4.71.

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College academic writing education must focus on reinforcing authorship. Authorship means that one's identity as an author is reflected throughout the text. Authorship also refers to the identity of a subject who produces knowledge through a dynamic process. However, this process requires the author to actively participate in academic dialogues with other scholars, rather than simply act as a passive recipient of knowledge and discourse in the academic community. This is particularly true when it comes to academic writing. This study presents educational guidelines on how to strengthen authors

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Cavell, Janice. "Writing Arctic Disaster: Authorship and Exploration." Journal of Historical Geography 57 (July 2017): 108–9. http://dx.doi.org/10.1016/j.jhg.2016.08.013.

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20

Riquet, Johannes. "Writing Arctic disaster: authorship and exploration." Prose Studies 40, no. 3 (2018): 154–57. http://dx.doi.org/10.1080/01440357.2019.1577055.

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Djalante, Riyanti. "Review article: A systematic literature review of research trends and authorships on natural hazards, disasters, risk reduction and climate change in Indonesia." Natural Hazards and Earth System Sciences 18, no. 6 (2018): 1785–810. http://dx.doi.org/10.5194/nhess-18-1785-2018.

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Abstract. Indonesia is one of the most vulnerable countries to disasters and climate change. While there has been a proliferation of academic publications on natural hazards, risks and disasters on Indonesia, there has not yet been a systematic literature review (SLR) to determine the progress, key topics and authorships. SLR is important so researchers can build upon existing works, avoid bias, determine major research topics and the need for further research, and strengthen research capacity in the future. The author conducts a SLR of publications indexed within the Scopus database from 1900

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Farooq, Syeda A., Aeman Muneeb, Khadija Farooq, et al. "Female Authorship in Hepatopancreatobiliary Surgery." Journal of the American College of Surgeons 229, no. 4 (2019): S175. http://dx.doi.org/10.1016/j.jamcollsurg.2019.08.385.

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23

McLay, Catherine. "Writing Female." Canadian Review of American Studies 17, no. 4 (1986): 477–82. http://dx.doi.org/10.3138/cras-017-04-07.

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Dubcovsky, Alejandra, and George Aaron Broadwell. "Writing Timucua: Recovering and Interrogating Indigenous Authorship." Early American Studies: An Interdisciplinary Journal 15, no. 3 (2017): 409–41. http://dx.doi.org/10.1353/eam.2017.0016.

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Zutshi, Ambika, Gael McDonald, and Linda Kalejs. "Challenges in collaborative writing: addressing authorship attribution." European Business Review 24, no. 1 (2012): 28–46. http://dx.doi.org/10.1108/09555341211191535.

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Taha, Birra, Praneeth Sadda, Graham Winston, et al. "Increases in female academic productivity and female mentorship highlight sustained progress in previously identified neurosurgical gender disparities." Neurosurgical Focus 50, no. 3 (2021): E3. http://dx.doi.org/10.3171/2020.12.focus20939.

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OBJECTIVEA meta-analysis was performed to understand disparities in the representation of female authorship within the neurosurgical literature and implications for career advancement of women in neurosurgery.METHODSAuthor names for articles published in 16 of the top neurosurgical journals from 2002 to 2019 were obtained from MEDLINE. The gender of each author was determined using automated prediction methods. Publication trends were compared over time and across subdisciplines. Female authorship was also compared to the proportionate composition of women in the field over time.RESULTSThe met

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Labinaz, Alisha, Jeffrey A. Marbach, Richard G. Jung, et al. "Female Authorship in Preclinical Cardiovascular Research." JACC: Basic to Translational Science 4, no. 4 (2019): 471–77. http://dx.doi.org/10.1016/j.jacbts.2019.04.004.

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Smith, Robert, Gerard McElwee, Seonaidh McDonald, and Sarah Drakopoulou Dodd. "Qualitative entrepreneurship authorship: antecedents, processes and consequences." International Journal of Entrepreneurial Behavior & Research 19, no. 4 (2013): 364–86. http://dx.doi.org/10.1108/ijebr-11-2010-0179.

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PurposeThe purpose of this paper is to report on a review of the writing practices and experiences of scholars who have published qualitative papers in the field of entrepreneurship. It evaluates existing knowledge about how “well‐published” entrepreneurship scholars go about writing up qualitative research. It identifies the antecedents, processes, and consequences of qualitative research authorship as self‐described by authors.Design/methodology/approachScholars who had published qualitative papers in the five top‐ranked entrepreneurship journals over a 20‐year period were asked to complete

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Inge, M. Thomas. "Collaboration and Concepts of Authorship." Publications of the Modern Language Association of America 116, no. 3 (2001): 623–30. http://dx.doi.org/10.1632/s0030812900112714.

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Despite efforts among recent critical theorists to remove, banish, or even kill the author, the author remains at the center of general critical attention. It is commonplace now to understand that all texts produced by authors are not the products of individual creators. Rather, they are the result of any number of discourses that take place among the writer, the political and social environments in which the writing occurs, the aesthetic and economic pressures that encourage the process, the psychological and emotional state of the writer, and the reader who is expected to receive or consume

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Inge, M. Thomas. "Collaboration and Concepts of Authorship." PMLA/Publications of the Modern Language Association of America 116, no. 3 (2001): 623–30. http://dx.doi.org/10.1632/pmla.2001.116.3.623.

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Despite efforts among recent critical theorists to remove, banish, or even kill the author, the author remains at the center of general critical attention. It is commonplace now to understand that all texts produced by authors are not the products of individual creators. Rather, they are the result of any number of discourses that take place among the writer, the political and social environments in which the writing occurs, the aesthetic and economic pressures that encourage the process, the psychological and emotional state of the writer, and the reader who is expected to receive or consume

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31

Brekus, Catherine A. "Writing Religious Experience: Women’s Authorship in Early America." Journal of Religion 92, no. 4 (2012): 482–97. http://dx.doi.org/10.1086/666834.

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Pantenburg, Volker. "The Labor of Authorship: Harun Farocki's Early Writing." Grey Room 79 (April 2020): 78–89. http://dx.doi.org/10.1162/grey_a_00293.

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33

Shellenbarger, Teresa, and Meigan Robb. "Collaborative Writing: Strategies To Promote Successful Shared Authorship." Nurse Author & Editor 25, no. 2 (2015): 1–8. http://dx.doi.org/10.1111/j.1750-4910.2015.tb00202.x.

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Gerson, Mary-Joan. "Personal authorship: Pleasures and pitfalls of psychoanalytic writing." Psychoanalytic Psychology 16, no. 3 (1999): 469–72. http://dx.doi.org/10.1037/0736-9735.16.3.469.

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35

Edwards, Robert. "Walter Map: Authorship and the Space of Writing." New Literary History 38, no. 2 (2007): 273–92. http://dx.doi.org/10.1353/nlh.2007.0030.

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Musoba, Glenda Droogsma. "Writing across Power Lines: Authorship in Scholarly Collaborations." New Horizons in Adult Education and Human Resource Development 22, no. 3-4 (2008): 60–67. http://dx.doi.org/10.1002/nha3.10318.

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37

Lorek-Jezińska, Edyta, Nelly Strehlau, and Katarzyna Więckowska. "Perspectives on Authorship and Authority." Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre 6, no. 1 (2020): 1–6. http://dx.doi.org/10.18778/2353-6098.6.01.

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This article outlines selected shifts in thinking about authorship and authority that have occurred in literary and cultural studies in the aftermath of Roland Barthes’s proclamation of the death of the author, followed by the author’s many revivals. Reconsidering Barthes’s seminal essay and confronting it with Michel Foucault’s query about the author-function, the article comments on Seán Burke’s polemical stance concerning situated authorship. Against these general considerations, several areas in which authorship and authority have been reconceptualized are briefly discussed, referring to t

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Tamboli, Mubin Shoukat, and Rajesh Prasad. "A robust authorship attribution on big period." International Journal of Electrical and Computer Engineering (IJECE) 9, no. 4 (2019): 3167. http://dx.doi.org/10.11591/ijece.v9i4.pp3167-3174.

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Authorship attribution is a task to identify the writer of unknown text and categorize it to known writer. Writing style of each author is distinct and can be used for the discrimination. There are different parameters responsible for rectifying such changes. When the writing samples collected for an author when it belongs to small period, it can participate efficiently for identification of unknown sample. In this paper author identification problem considered where writing sample is not available on the same time period. Such evidences collected over long period of time. And character n-gram

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Craciun, Adriana. "Writing the Disaster: Franklin and Frankenstein." Nineteenth-Century Literature 65, no. 4 (2011): 433–80. http://dx.doi.org/10.1525/ncl.2011.65.4.433.

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Adriana Craciun, “Writing the Disaster: Franklin and Frankenstein” (pp. 433–480) The occasion for this essay is the surprise meeting of three texts from distinct traditions—Gothic romance, evangelical theology, and Enlightenment exploration—during the course of an Arctic disaster. The essay explores the relationship of the official disaster narrative (John Franklin's Narrative of a Journey to the Shores of the Polar Sea [1823]) to these heterogeneous textual companions, particularly Mary Shelley's Frankenstein (1818). Published by the Admiralty's official bookseller, John Murray, the official

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van Doren, Sophie, Margarita Brida, Michael A. Gatzoulis, et al. "Sex differences in publication volume and quality in congenital heart disease: are women disadvantaged?" Open Heart 6, no. 1 (2019): e000882. http://dx.doi.org/10.1136/openhrt-2018-000882.

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BackgroundWomen are underrepresented in leading medical positions and academia. The gender-gap in authorship of congenital heart disease (CHD) publications remains unknown. As determinants of gender equity in this field are poorly characterised, we aimed to quantify and characterise publications in CHD and to assess factors associated with female representation in research.Methods and resultsWe identified 35 118 CHD publications between 2006 and 2015 for which author gender could be ascertained. Overall, 25.0% of all authors were female. Women accounted for 30.2% and 20.8% of all first and sen

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Man, Eva Kit Wah. "What is an Author? A Comparative Study of Søren Kierkegaard and Liu Xie on the Meanings of Writing." Journal of Chinese Philosophy 40, no. 1 (2013): 123–42. http://dx.doi.org/10.1163/15406253-04001009.

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This study analyzes Kierkegaard’s theory of authorship from a comparative perspective, by using Liu Xie’s Chinese literary criticism in Wenxin Diaolong as a comparative model. It examines the meaning of an author of literature writing, the spiritual, the aesthetic dimensions and the creative force of compositional literary writing, and finally the goal of writing, as elaborated by these two authors. In Kierkegaard’s sense, the quality of writing is mainly tied up with the religious mind of a person, while to Liu, the quality of writing is related to the moral quality of a person. The following

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Athy, Angela, and William J. Scheick. "Authority and Female Authorship in Colonial America." Rocky Mountain Review of Language and Literature 53, no. 1 (1999): 109. http://dx.doi.org/10.2307/1347967.

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Hammond, Jeffrey A., and William J. Scheick. "Authority and Female Authorship in Colonial America." William and Mary Quarterly 56, no. 1 (1999): 192. http://dx.doi.org/10.2307/2674603.

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Hallock, Thomas, and William J. Scheick. "Authority and Female Authorship in Colonial America." South Atlantic Review 64, no. 1 (1999): 137. http://dx.doi.org/10.2307/3201761.

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Bergeron, Jennifer L., Reason Wilken, Mia E. Miller, Nina L. Shapiro, and Neil Bhattacharyya. "Measurable Progress in Female Authorship in Otolaryngology." Otolaryngology–Head and Neck Surgery 147, no. 1 (2012): 40–43. http://dx.doi.org/10.1177/0194599812438171.

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Andry, Danielle, Clayton Moliver, and Linda G. Phillips. "An Analysis of Female Plastic Surgery Authorship." Plastic and Reconstructive Surgery 143, no. 1 (2019): 327–31. http://dx.doi.org/10.1097/prs.0000000000005098.

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Vietto, Angela, and William J. Scheick. "Authority and Female Authorship in Colonial America." New England Quarterly 71, no. 4 (1998): 675. http://dx.doi.org/10.2307/366620.

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Lagnado, Max. "Increasing the trust in scientific authorship." British Journal of Psychiatry 183, no. 1 (2003): 3–4. http://dx.doi.org/10.1192/bjp.183.1.3.

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The system of scientific authorship is based on trust. Journal editors, reviewers and readers expect that a paper's content reflects the opinions of the authors and all the available data. Recently, there has been concern that this trust may be undermined by the involvement of industry-paid writers in the preparation of publications (Bodenheimer, 2000). These professional writers are either employed directly by pharmaceutical companies or work for medical communications agencies; their contribution to a paper varies, but may include writing the first draft of a manuscript for the authors to re

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Swarnkar, Pari, Vikram Sinha, Carole Spake, et al. "Women in Cosmetic Plastic Surgery: An Analysis of Female Authorship in Cosmetic Plastic Surgery Over the Last 10 Years." American Journal of Cosmetic Surgery 38, no. 3 (2021): 150–55. http://dx.doi.org/10.1177/0748806821991416.

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Abstract:

There is a significant gender gap in research conducted by women in plastic surgery. Previous work has not explored female authorship trends in cosmetic plastic surgery. We asked how authorship trends in cosmetic plastic surgery compare with those in plastic surgery overall, over the last 10 years. All the articles published in Journal of Plastic Reconstructive and Aesthetic Surgery (JPRAS), Facial Plastic Surgery and Aesthetic Medicine (JAMA facial plastics), and Aesthetic Surgery Journal. (ASJ) in 2009, 2014, and 2019 were retrieved. The gender of the first and last author was determined. In

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Asper (book editor), Markus, Anna-Maria R. Kanthak (book editor), and Jacqueline Feke (review author). "Writing Science: Medical and Mathematical Authorship in Ancient Greece." Aestimatio: Critical Reviews in the History of Science 10 (December 21, 2015): 352–54. http://dx.doi.org/10.33137/aestimatio.v10i0.26048.

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