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Relevant bibliographies by topics / Writing romance

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Academic literature on the topic 'Writing romance'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Writing romance"

1

Wollheim, Richard. "On Writing A Family Romance." New Literary History 21, no. 1 (1989): 59. http://dx.doi.org/10.2307/469285.

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Hart, Stephen M. "Women Writing the Romance Languages." Romance Quarterly 42, no. 3 (July 1995): 131–32. http://dx.doi.org/10.1080/08831157.1995.10545125.

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Kim Ji-won. "Hawthorne’s Romance-Writing Strategy in the ‘Prefaces’." New Korean Journal of English Lnaguage & Literature 52, no. 1 (February 2010): 21–39. http://dx.doi.org/10.25151/nkje.2010.52.1.002.

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Cherry, Roger D., and Stephen P. Witte. "Direct assessments of writing: Substance and romance." Assessing Writing 5, no. 1 (January 1998): 71–87. http://dx.doi.org/10.1016/s1075-2935(99)80006-3.

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Lahive, Colin. "Reading and Writing Romance inParadise LostandParadise Regained." Literature Compass 12, no. 10 (October 2015): 527–37. http://dx.doi.org/10.1111/lic3.12256.

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McCracken-Flesher, Caroline. "Sir Walter Scott: Life-Writing as Anti-romance." Wordsworth Circle 46, no. 2 (March 2015): 102–8. http://dx.doi.org/10.1086/twc24888062.

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Zurcher, Amelia. "Serious Extravagance: Romance Writing in Seventeenth-Century England." Literature Compass 8, no. 6 (June 2011): 376–89. http://dx.doi.org/10.1111/j.1741-4113.2011.00805.x.

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Timbs, Lawrence C. "Put More Romance in News Reporting, Writing Courses." Journalism Educator 42, no. 4 (December 1987): 23–25. http://dx.doi.org/10.1177/107769588704200408.

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Joannou, M. "Women's Fiction 1945-2005: Writing Romance. Deborah Phillips." Contemporary Women's Writing 2, no. 1 (June 1, 2008): 86–88. http://dx.doi.org/10.1093/cww/vpn005.

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Newman, Eric H. "A Queer Romance." English Language Notes 59, no. 1 (April 1, 2021): 58–72. http://dx.doi.org/10.1215/00138282-8814983.

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Abstract This essay argues that the queer romances at the margins of Claude McKay’s Romance in Marseille operate as sites of possibility for a happy, egalitarian social relation that is longed for but not otherwise accessible in the novel. The essay contends that this novel, read against Home to Harlem (1928) and Banjo (1929), offers one of the most sustained, nuanced representations of queer life in McKay’s archive and in early twentieth-century LGBT literature more generally, one in which same-sex-oriented characters are rendered as normal, integral figures in urban life rather than as outré characters whose primary function is to add spice to the narrative. As the novel demonstrates the continuing appeal of queerness as a site for imagining a more liberated, loving form of social organization—one that relishes the pleasure-in-difference that is a hallmark of McKay’s writing—it also anticipates formations within the queer liberationist politics of the decades that followed.

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Dissertations / Theses on the topic "Writing romance"

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Carroll, Denise Steppe. "A Writing for Synthesis in Les Soleils Des Independances." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1395846376.

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Rideout, Judith. "Women's writing networks in Spanish magazines around 1900." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/7859/.

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As an output of the HERA Travelling Texts project, created with the aim of uncovering the realities of women’s literary culture on the fringes of Europe during the long nineteenth century, this study was conceptualised to find out more about the networks of women writers in Spain around 1900, using the digitised corpuses of contemporaneous periodicals as the primary source material. Each chapter of the study centres on a particular periodical, which is used as the starting point for the community of writers and readers, both real and imagined. This thesis looks at the realities of the literary culture for creative women in the late nineteenth century-early twentieth century, exploring the strategies used by women (and men) to support each other in their literary endeavours, how they took inspiration and courage from each other, how they promoted their own names, and how they were received by wider society. The study will also focus on the transnational nature of this literary culture, looking at how women of different nations influenced each other’s work, with a view to understanding more about how cultural change takes place. Finally, this thesis hopes to persuade the reader that the periodical is a rich and under-utilised resource for discovering more about the lives of women writers and their network of relationships.

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Guldimann, Colette. "Bessie Head : re-writing the romance : journalism, fiction (and gender)." Master's thesis, University of Cape Town, 1997. http://hdl.handle.net/11427/18704.

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This thesis examines the relationship between Bessie Head's work as a journalist during the late 1950s and two of her novels: the first written just after she had left formal journalism and the second a decade later. I claim, in this thesis, that early journalistic writing by Head, which has been critically ignored, and even dismissed, not only merits critical attention but, furthermore, that knowledge this work will yield new insights into Head's fictional writing for which she is famous. Between 1959 and 1960, before she left South Africa, Bessie Head wrote two weekly columns for children and teenagers, some book reviews and had a role in the production of "True Romance" stories for Home Post, a tabloid supplement to the Sunday newspaper Golden City Post. Head was involved in the production of these romances for over a year and I provide an analysis of the "True Romance" stories published in Home Post. I maintain that these romances, like all texts in popular romance genre (which I discuss) constructs the feminine in very particular ways. I locate this analysis within wider, but related, discussion about the representation of women in both Golden City Post and Drum magazine as they were both considered to be the authoritative newspapers representing black South African life in the 1950s. Head's columns, I claim, especially the one for teenagers, present constructions of the feminine, as well as the masculine, which are significantly at odds with the dominant representations of the feminine, and masculine, in the media I have mentioned, during the late 1950s. A close reading of the representations of gender which Head set up in this column, together with the book reviews she wrote, will give us new insight into her fictional work, particularly The Cardinals which is an early work written and set during this period but only published posthumously in 1993. Reading this novel against the background of the journalistic work and world Head was engaged in just before she wrote it will enable us to read its complexities, specifically those regarding gender and romance. I claim that Head also gave us what is probably the earliest gender perspective, and critique, of 1950s black journalism - a period generally considered to be a vibrant one for black journalism and writing in South Africa. In The Cardinals, which fictionally recreates the black journalistic milieu of the late 1950s in South Africa, Head suggests that black women journalists (and writers) found themselves facing a very different situation from black male journalists. Finally I suggest that with romance structure and the role which gender plays in the novel. Although critics have persistently read this novel as an idealistic, and unrealistic, romance with a happy ending, I suggest, in this thesis, that one can read the novel, in the light of Head's earlier work, as being a radical subversion of the romance.

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Berger, Maureen Mahany. "Writing “Au-Dessous de la Littérature” : Annie Ernaux." Miami University / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=miami1091551883.

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Brown, Christopher E. "Writing Time: Dante, Petrarch, and Temporality." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:23845461.

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Trecento Italy, the century of Dante and Petrarch as well as the mechanical clock, represented a pivotal moment of innovation to formal measures of time. These creative expressions reflected transforming notions of ingenuity, and of man’s ability to shape the world and time in which he lived. While the mythic awakening of the self-conscious individual in Renaissance Italy has been largely demystified, criticism has tended to overlook the concurrent shifts to the Trecento temporal imagination, born of parallel practices that sought to recover cosmogonic secrets, and thus power over time. An intriguing conceptual connection lies in the multifaceted ingegno (and its Latin ancestor, ingenium), not merely a faculty or talent but a touch of the divine within, the dynamic enactment of which impels movement in, and beyond, time. Privileging the exceptional ingegno of Trecento to Quattrocento Italy, my dissertation engages in a three-part investigation of its manifestations, which evoke temporal tensions in the dialectic between particular and universal, finite ontology and pure existential being. Part one re-examines the mechanical clock, both a symbol and instrument, and its complex relation to bells in Trecento Florence. Informed by these symbols, part two, turning to poetic ingegno, conducts close readings of Dante’s Commedia and Petrarch’s Canzoniere — granting particular attention to the orologio of Paradiso 10, and the circularity of sestina 30, “Giovene donna sotto un verde lauro,” each emblematic of the manner in which the poets reconstitute time. Finally, part three considers the centrality of the human “maker” in the time matrix of Quattrocento Florence, juxtaposing the strategies of Lorenzo de’ Medici and Girolamo Savonarola to maximize, and transcend, finite time. This multidimensional approach not only excavates a more complete image of time in Renaissance Italy, but also reimagines the progression from Dante to Petrarch, and Petrarch to Italian poetry thereafter. The examination, I suggest, illuminates a paradoxical legacy: on one hand, in the glorification of man’s creativity; and on the other, in the existential anxiety of the time-conscious individual, endemic to modern chronophobia. The increasingly abstracted and self-referential time bespeaks a conspicuous absence of the sacred center, anticipating the transience that has plagued modernity.
Romance Languages and Literatures

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Jecmen, Timothy Gura Philip F. "Writing the revolution radicalism and the U.S. historical romance, 1835-1860 /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1465.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.
Title from electronic title page (viewed Apr. 25, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English." Discipline: English; Department/School: English.

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Finbow, T. D. "Writing Latin and Reading Romance? On logographic reading in medieval Iberia." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491570.

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Polezzi, Loredana. "Resiting genre : a study of contemporary Italian travel writing in English translation." Thesis, University of Warwick, 1998. http://wrap.warwick.ac.uk/3996/.

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This thesis aims to highlight the presence of a large and varied production of contemporary Italian travel writing and to analyse the reasons for its 'invisibility' in the Italian literary system and critical tradition. Through the use of a comparative approach to genre and of current theories developed in the area of Translation Studies, the thesis will outline the different status attributed to travel writing in the Anglo-American and the Italian literary systems. Such a comparative approach allows the study to escape the narrow confines of a perspective based on the idea of national literature and to adopt a wider view, which, in turn, highlights the presence of phenomena otherwise easily overlooked or discarded as insignificant. The peculiar characteristics of travel writing, a genre mostly based on the representation of the Other for a home audience, are also analysed in order to point out their affinity with translation practices and, ultimately, to underline the 'double translation' implied by translated travel writing. The case studies which make up the remaining part of the thesis are intended to illustrate different aspects of the genre of travel writing; to provide scope for an analysis of its boundaries and connections with other genres (ranging from ethnography to autobiography, from journalism to fiction, from the essay to the novel); and to illustrate the way in which generic expectations influence both the selection of texts for translation and the strategies adopted when translating and marketing them for a new audience. The writings of twentieth-century Italian explorers to Tibet, and their translations into English, constitute a significant case of adaptation of foreign texts to the needs and expectations of a British audience (and to the British interests in the geographical area concerned). The works of Oriana Fallaci and their different reception in Italy with respect to the UK and the USA illustrate the way in which personal biography and generic choices can intersect, determining both the popular image and the critical success of an author and of her work. Calvino's choice to sublimate the genre of travel writing in the stylized fiction of Le citta invisibili is treated as an example of the way in which a text which is meant to provide an escape from a low-status genre can become an icon of that same genre once it is translated and read in a different cultural context. Finally, the case of Claudio Magris's Danubio and of its English-language translation provides evidence of the complex network of literary references which marks the reception of a text in different cultures, and of the way in which generic affiliation can both promote the recognition of a 'marginal' text and constrain its more idiosyncratic (and original) characteristics.

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Dempster, Margaret M. "Writing, punishment and the self : a study of five twentieth-century French novels /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3268341.

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Thesis (Ph.D.)--Indiana University, Dept. of French and Italian, 2007.
Title from PDF t.p. (viewed Nov. 3, 2008). Source: Dissertation Abstracts International, Volume: 68-06, Section: A, page: . Adviser: Michael Berkvam.

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Lucas, Caroline. "Writing for women : a study of woman as a reader in Elizabethan romance." Thesis, University of Exeter, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328713.

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Books on the topic "Writing romance"

1

Martin, Gail Gaymer. Writing the Christian romance. Cincinnati, Ohio: Writer's Digest Books, 2008.

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Martin, Gail Gaymer. Writing the Christian romance. Cincinnati, Ohio: Writer's Digest Books, 2008.

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Michaels, Leigh. Writing the romance novel. Ottumwa, Iowa: PBL Ltd., 1996.

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Martin, Gail Gaymer. Writing the Christian romance. Cincinnati, Ohio: Writer's Digest Books, 2007.

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Michaels, Leigh. Writing the romance novel. Ottumwa, Iowa: PBL Ltd., 1999.

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The Art of Romance Writing. Sydney: Allen & Unwin Pty Ltd, 2010.

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Writing a romance novel for dummies. Hoboken, NJ: Wiley Pub., 2004.

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Clair, Daphne. Writing romantic fiction. London: A&C Black, 1999.

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The craft of writing romance: A practical guide. London: Allison & Busby, 1986.

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Summers, Rowena. The craft of writing romance: A practical guide. London: Allison & Busby, 1996.

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Book chapters on the topic "Writing romance"

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Rossen, Janice. "Romance." In Women Writing Modern Fiction, 83–111. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403938442_5.

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Saunders, Corinne. "Romance." In The History of British Women’s Writing, 700–1500, 85–94. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230360020_7.

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Hulan, Renée. "From Romance to Revision." In Canadian Historical Writing, 1–35. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137398895_1.

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Catty, Jocelyn. "Damsels in Distress: Romance and Prose Fiction." In Writing Rape, Writing Women in Early Modern England, 25–54. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230309074_3.

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Tierney-Hynes, Rebecca. "Hume: Reading Romance, Writing the Self." In Novel Minds, 116–40. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137033291_5.

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Musto, Ronald G. "The Impact of Romance 1." In Writing Southern Italy Before the Renaissance, 122–51. First edition. | New York : Routledge/Taylor & Francis Group, 2019. | Series: Routledge studies in renaissance and early modern worlds of knowledge ; v. 6: Routledge, 2018. http://dx.doi.org/10.4324/9781315196558-5.

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Carruthers, Jo. "Romance of a Shop, The." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–4. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-02721-6_62-1.

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Wolfreys, Julian. "Between Seeing and Knowing: Amy Levy, Arnold Bennett and Urban Counter-romance." In Writing London, 81–158. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230591943_4.

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Rivera-Cordero, Victoria. "Writing as Resistance." In The Inner Life of Women in Medieval Romance Literature, 179–201. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339330_9.

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Turner, Joanna. "A Romance of Two Worlds (Corelli, Marie)." In The Palgrave Encyclopedia of Victorian Women's Writing, 1–4. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-02721-6_365-1.

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Conference papers on the topic "Writing romance"

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Bacali, Mihaela Dumitru. "“Feminine Writing” in the Past and Present in Romania." In WLC 2016 World LUMEN Congress. Logos Universality Mentality Education. Cognitive-crcs, 2016. http://dx.doi.org/10.15405/epsbs.2016.09.11.

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Donina, Ludmila. "Correlation of semantic difference and grammatical variation in medieval text." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.07.

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In this article factual information by XVth century ancient writing «Hellenic and Roman Chronicle» is analysed and presented. The focus of the paper is on the Medieval theory of «words» and formationing of the paradigm of nouns.

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Kukharev, Alexander, and Alexander Rusu. "LEGAL SKETCH «THE SIGNIFICANCE OF THE LEGAL EXCUSES AND PROVERBS OF ANCIENT ROME AS A MEANS OF LEGAL PROPAGANDA ABOUT LEGAL KNOWLEDGE AND CULTURE»." In Current problems of jurisprudence. ru: Publishing Center RIOR, 2020. http://dx.doi.org/10.29039/02032-6/136-141.

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This article discusses adaptation of the norms and ideals of Roman law to modern legal culture, the basis of Roman legal relations, which is the basis of modern law-making. It is important to learn how the culture of the law of ancient Rome influenced the formation of modern law of the digital age. The purpose of writing the paper was to highlight the influence of the legal culture of ancient Rome on modern reality.

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