Academic literature on the topic 'Writings and literary criticism of the XX century'

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Journal articles on the topic "Writings and literary criticism of the XX century"

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Wrzesińska, Katarzyna. "Megalomania narodowa w ujęciu twórców polskich początku XX wieku." Sprawy Narodowościowe, no. 42 (June 16, 2015): 85–100. http://dx.doi.org/10.11649/sn.2013.005.

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National megalomania in Polish reflection in the early 20th centuryIn the early 20th century, a number of Polish thinkers betrayed a mentality in which was deeply rooted the notion of the Polish nation’s unique character. These thinkers also expressed a conviction that Poles had a special mission both in Europe in general and towards other European nations. The signs of the intellectual elite’s national megalomania were reflected in Polish journalistic writings in the final period of World War I and the initial period of regained independence shortly after it.The article analyzes the views of
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Teixeira, Derick Davidson Santos. "Walter Benjamin e Roland Barthes às margens da escritura." Cadernos Benjaminianos 14, no. 1 (2019): 87. http://dx.doi.org/10.17851/2179-8478.14.1.87-102.

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Resumo: A noção de escritura, desenvolvida por teóricos como Roland Barthes,Jacques Derrida e Maurice Blanchot, no século XX, possui um lugar medular nateoria da literatura e na crítica literária. O presente trabalho propõe um cotejamento entre a teoria de Walter Benjamin e de Roland Barthes no que concerne à escritura. Tomando alguns traços principais da escritura, analisados por Barthes, em conjunto com o pensamento de Benjamin acerca da narração, do declínio da experiencia e de algumas obras da literatura moderna – como a obra de Proust– é possível elucidar de que forma a escritura, operand
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Lemishovska, O. "Intangible values in the accounting theoretical and applied sphere of the eastern Galicia of the second half of XIX - the beginning of XX century: historical discourse." Economics, Entrepreneurship, Management 7, no. 2 (2020): 78–90. http://dx.doi.org/10.23939/eem2020.02.078.

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The evolution of the economic category "intangible value of the enterprise" and the content of the objects that present it are summarized. The historical formalization of intangible components of the value of the enterprise is given and the development of accounting methodology and methods of reflection of objects related to the concept of "intangible asset" is analyzed. The article presents theoretical and applied aspects of the reflection of intangible assets by accounting in the global and regional sections. The first part of the study highlights the generalized and systematized by the auth
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GRAY, RICHARD. "Writing American Literary History Sacvan Bercovitch (ed.), The Cambridge History of American Literature (Cambridge: Cambridge University Press, 1994–2005, £495.00). Volume One: 1590–1820 (1994, £70.00). Pp. xiii+829. ISBN 0 521 30105 [squf ]. Volume Two: Prose Writing, 1820–1865 (1995, £75.00). Pp. xviii+887. ISBN 0 521 30106 8. Volume Three: Prose Writing, 1860–1920 (2005, £80.00). Pp. xi+813. ISBN 0 521 30107 6. Volume Four: Nineteenth-Century Poetry, 1800–1910 (2004, £75.00). Pp. x+562. ISBN 0 521 30108 4. Volume Five: Poetry and Criticism, 1900–1950 (2003, £75.00). Pp. xi+624. ISBN 0 521 30109 2. Volume Six: Prose Writing, 1910–1950 (2002, £70.00). Pp. xx+620. ISBN 0 521 49731 0. Volume Seven: Prose Writing, 1940–1990 (1999, £75.00). Pp. xxiii+795. ISBN 0 521 49732 9. Volume Eight: Poetry and Criticism, 1940–1995 (1996, £75.00). Pp. viii+545. ISBN 0 521 49733 7." Journal of American Studies 40, no. 2 (2006): 399–411. http://dx.doi.org/10.1017/s0021875806001447.

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Each generation needs to rewrite literary history. And it may be that this generation needs to do it more than most, if only because the proliferation of schools and theories has turned what was once common critical ground into a battlefield. American books, among others, have become a site of struggle, and American writers have been among those caught in the criss-crossing searchlights of ethnic and gender studies, interdisciplinary investigations and studies of popular culture, language and communication. Just how far things have gone can be measured by the fact that every term in the phrase
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Harrán, Don. "Elegance as a Concept in Sixteenth-Century Music Criticism*." Renaissance Quarterly 41, no. 3 (1988): 413–38. http://dx.doi.org/10.2307/2861755.

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”… et vere sciunt cantilenas ornare, in ipsis omnes omnium affectus exprimere, et quod in Musico summum est, et elegantissimum vident … “Adrian Coclico, Compendium musices (1552)The notion of music as a form of speech is a commonplace. Without arguing the difficult questions whether music is patterned after speech or itself constitutes its own language, it should be remembered that the main vocabulary for describing the structure and content of music has been drawn from the artes dicendi. The present report deals with a small, but significant part of this vocabulary: the term elegance along wi
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Zhang, Jie, and Wenxin Lin. "Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”." Neophilology, no. 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.

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Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mech
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Fraile Amador, Pilar. "Textos sobre escritura creativa. El origen de una disciplina." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 29 (February 1, 2018): 381–402. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2018292584.

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Desde mediados del siglo xix hasta nuestros días se ha desarrollado un modo de escribir acerca de la escritura literaria que no es ni el de la Crítica ni el de la Poética. Estos textos, que se producen paralelamente en todas las latitudes de la literatura occidental, desde Rusia hasta Estados Unidos, comparten el objetivo de exponer los métodos y procedimientos que se utilizan en la práctica efectiva de la construcción de ficciones. Es decir, responden a la pregunta por el proceso. Abordaremos en este estudio por qué y cómo surgen estos textos en la segunda parte del siglo xix, sus característ
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Kilcup, Karen L. ""I Like These Plants That You Call Weeds": Historicizing American Women's Nature Writing." Nineteenth-Century Literature 58, no. 1 (2003): 42–74. http://dx.doi.org/10.1525/ncl.2003.58.1.42.

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In spite of the flowering of anthologies and criticism concerning American women's nature writing, ecocritics have concentratedon a small group of writings and on twentieth-century authors. The reasons for such omissions are numerous. Many nineteenth-century women's writings remain relatively inaccessible, in spite of the exponential growth in recent years of collections and reprint series. Moreover, in earlier writing the author's attitude toward nature is frequently ambiguous or complicated, making the literature resistant to recuperation, especially by critics seeking a relatively unproblem
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Khuzeeva, Liliya Ravilevna. "Mythologizing of E. A. Boratynsky’s Personality in Russian Literary Criticism of the ХХth Century". Izvestiya of Saratov University. New Series. Series: Philology. Journalism 13, № 3 (2013): 54–60. http://dx.doi.org/10.18500/1817-7115-2013-13-3-54-60.

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Vasic, Aleksandar. "Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research." Muzikologija, no. 6 (2006): 317–42. http://dx.doi.org/10.2298/muz0606317v.

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The beginning of 2006 marked two decades since the death of Stana Djuric-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date musicology research into Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century, alongside the many works dedicated to this branch of national musical history, recently published. In this way the reader is given a detailed background of these studies ? mainly the authors' names, books, studies, articles, as well as the problems o
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Dissertations / Theses on the topic "Writings and literary criticism of the XX century"

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Lupino, Letizia. "Bernard Noël, langue et image, en deçà de la représentation." Thesis, Université Paris-Saclay (ComUE), 2018. http://www.theses.fr/2018SACLV085.

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Notre thèse envisage le rapport entre critique d’art et expression poétique dans l’œuvre de Bernard Noël. Elle comprend trois parties qui articulent sa prose d’idées artistiques avec son imaginaire et sa lyrique du regard et du corps.Dans un souci de représentativité, notre recherche suit certaines thématiques significatives traversant l’œuvre de Bernard Noël, de la critique d’art à la poésie. Les deux parties liminaires se fondent sur une sélection de critiques d’art. Dans la première, les écrits sur Ramón Alejandro et François Lunven donnent l’occasion de retracer la généalogie de la littéra
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Englard, Michael Anselm. "'Grounds for argument' : English literary travel 1911-1941." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610092.

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Muller, Adam Patrick Dooley. "The importance of being elsewhere : modernist expatriation and the American literary tradition." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35022.

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My dissertation concentrates on Americans writing at home and abroad in the inter-war period and contextualizes their expatriation with reference to debates between modernist critics over the nature and substance of the American literary tradition. I clarify the definitions of terms like "exile," "emigrant," and "expatriate" central to my analysis but muddied by years of misuse. I do so with reference to coercion, a concept which I develop in accordance with recent work in the philosophy of action. At the same time I make the case for a realist, causalist hermeneutics. Next I explore the aesth
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Moraes, Ricardo Gaiotto de 1981. "Críticas Cruzadas : Mário de Andrade e Sérgio Buarque de Holanda." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269908.

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Orientador: Antonio Arnoni Prado<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-24T20:31:07Z (GMT). No. of bitstreams: 1 Moraes_RicardoGaiottode_M.pdf: 2099601 bytes, checksum: 52657ab8b82d5fb17b6a55c9051d6cc3 (MD5) Previous issue date: 2014<br>Resumo: Esta tese propõe uma pesquisa de comparação detalhada das categorias críticas de Mário de Andrade e Sérgio Buarque de Holanda, observando-se a complexidade das formulações críticas dos dois autores e, a partir daí, analisando-se os temas semelhantes e, em
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Reeher, Jennifer M. "“The Despair of the Physician”: Centering Patient Narrative through the Writings of Charlotte Perkins Gilman." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1523435451243392.

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Diaz, Ruiz Fernando. "Malditismo y subversión en la poética de Fernando Vallejo: un estudio sobre su obra, recepción y estrategia literaria." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209393.

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Este trabajo analiza la gestación, funcionamiento y recepción de la estrategia literaria de Fernando Vallejo, en especial, el malditismo y la subversión que caracterizan su controvertida poética. Para hacerlo, adopta un enfoque metodológico que tiene en cuenta tanto los aportes de la Sociología de la literatura como los de disciplinas como la Estética de la recepción y el Análisis del discurso, sin olvidarse de estudiar los códigos narrativos, afectivos y culturales que favorecen los efectos subversivos de sus textos, entre los que destaca el pacto ambiguo firmado con sus lectores por el autor
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Ivanova, Anna. "Vnímání sovětské literatury ruskou emigrací: na materiálu periodika Volja Rossii." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-436555.

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This master thesis examines the heritage of the Prague journal Volja Rossii, one of the leading Russian emigration's periodical publications in 1920s, in terms of literary criticism. The research aims to describe the main tendencies in the perception of current socio-political processes of that era, as well as the Soviet literature and other cultural processes in SSSR of the interwar period, by the magazine's critics and columnists. Furthermore, this study includes biographical data, thematical and theoretical preferences in publications of the key personalities in the journal's editorial staf
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Gastaldi, Sciltian. "Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno Sociale." Thesis, 2012. http://hdl.handle.net/1807/44076.

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Abstract This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by
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Books on the topic "Writings and literary criticism of the XX century"

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Side, Jeffrey, ed. Century XX after Four Quartets. The Argotist Online, 2010.

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Petrović, Lena. Literature, culture, identity: Introducing XX century literary theory. Prosveta, 2004.

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Side, Jeffrey, ed. Century XX after Four Quartets. The Argotist Online, 2010.

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The age of the poets: And other writings on twentieth-century poetry and prose. Verso, 2014.

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A critical study of literary critic Q.D. Leavis's published and unpublished writings. E. Mellen Press, 2002.

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Laure. Laure: The collected writings. City Lights Books, 1995.

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English travel narratives in the eighteenth century: Exploring genres. Ashgate, 2002.

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Ferraro, Thomas J. Ethnic passages: Literary immigrants in twentieth-century America. University of Chicago Press, 1993.

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Writing double: Women's literary partnerships. Cornell University Press, 1999.

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Transatlantic literary exchanges, 1790-1870: Gender, race, and nation. Ashgate, 2011.

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Book chapters on the topic "Writings and literary criticism of the XX century"

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "‘The Writings of Hazlitt. No. II. Political and Literary Portraits’." In Literary and Cultural Criticism from the Nineteenth Century. Routledge, 2021. http://dx.doi.org/10.4324/9781003199922-10.

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "‘Death of Sir Walter Scott’ and ‘On the Political Tendency of Sir Walter Scott's Writings’." In Literary and Cultural Criticism from the Nineteenth Century. Routledge, 2021. http://dx.doi.org/10.4324/9781003199922-9.

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Walsh, Marcus. "Addison as Critic and Critical Theorist." In Joseph Addison. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198814030.003.0006.

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In the first half of the twentieth century Addison’s literary-critical and theoretical works were understood as early formulations of a literary aesthetics, as important theoretical statements on wit and imagination, as pioneering exercises in the analysis and sponsorship of vernacular literary texts, as influential popularizations of philosophical ideas. These writings have in recent decades, however, been less regularly a subject of attention. Indeed, in the 1980s and 1990s Addison’s essays in literary criticism and theory were often treated as though they were covert works of political ideology, as affirmations of ‘a hierarchic Chain of Seeing’. This essay takes Addison at his literary-critical word. It stresses the epistemological, rather than the sensational, elements in Addison’s critical theorizing. In particular, it argues that Addison the critic was fundamentally concerned with recognizably Aristotelian pleasures of mimesis. As readers we take a double mimetic pleasure, not only from our recognition of literature’s imitations of the natural world but also from our recognition of the contextual particulars—political, historical, literary, discursive—which inform writings of earlier times.
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Lawee, Eric. "“Ridiculousness and Risibility”." In Rashi's Commentary on the Torah. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190937836.003.0005.

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The religiocultural setting that looms largest in tracing critical receptions of the Commentary is the veritable Babel of Jewish intellectual and literary expression in the eastern Mediterranean. Something unprecedented occurs in the writings of scholars with certain or highly probable eastern Mediterranean (Byzantine) affiliations: the Commentary is subjected to intense and at times systematic criticism from a position of frank superiority. The critics focus on two things: misguided exegesis, especially as expressed in the Commentary’s surfeit of midrash, and thse scandalously unscientific understanding of the Torah that Rashi is charged with promoting. The main focus in this chapter falls on Revealer of Secrets (Ṣafenat pa‘neaḥ), a Torah commentary by the fourteenth-century Eleazar Ashkenazi, who stands as the earliest datable figure to adopt a stance of arrant scorn toward Rashi. Study of his work provides a window into a world of rhetorically intense resistance to Rashi elaborated more fully by other scholars.
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Reports on the topic "Writings and literary criticism of the XX century"

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary cri
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