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Journal articles on the topic 'Writings and literary criticism of the XX century'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Wrzesińska, Katarzyna. "Megalomania narodowa w ujęciu twórców polskich początku XX wieku." Sprawy Narodowościowe, no. 42 (June 16, 2015): 85–100. http://dx.doi.org/10.11649/sn.2013.005.

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National megalomania in Polish reflection in the early 20th centuryIn the early 20th century, a number of Polish thinkers betrayed a mentality in which was deeply rooted the notion of the Polish nation’s unique character. These thinkers also expressed a conviction that Poles had a special mission both in Europe in general and towards other European nations. The signs of the intellectual elite’s national megalomania were reflected in Polish journalistic writings in the final period of World War I and the initial period of regained independence shortly after it.The article analyzes the views of

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2

Teixeira, Derick Davidson Santos. "Walter Benjamin e Roland Barthes às margens da escritura." Cadernos Benjaminianos 14, no. 1 (2019): 87. http://dx.doi.org/10.17851/2179-8478.14.1.87-102.

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Resumo: A noção de escritura, desenvolvida por teóricos como Roland Barthes,Jacques Derrida e Maurice Blanchot, no século XX, possui um lugar medular nateoria da literatura e na crítica literária. O presente trabalho propõe um cotejamento entre a teoria de Walter Benjamin e de Roland Barthes no que concerne à escritura. Tomando alguns traços principais da escritura, analisados por Barthes, em conjunto com o pensamento de Benjamin acerca da narração, do declínio da experiencia e de algumas obras da literatura moderna – como a obra de Proust– é possível elucidar de que forma a escritura, operand

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Lemishovska, O. "Intangible values in the accounting theoretical and applied sphere of the eastern Galicia of the second half of XIX - the beginning of XX century: historical discourse." Economics, Entrepreneurship, Management 7, no. 2 (2020): 78–90. http://dx.doi.org/10.23939/eem2020.02.078.

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The evolution of the economic category "intangible value of the enterprise" and the content of the objects that present it are summarized. The historical formalization of intangible components of the value of the enterprise is given and the development of accounting methodology and methods of reflection of objects related to the concept of "intangible asset" is analyzed. The article presents theoretical and applied aspects of the reflection of intangible assets by accounting in the global and regional sections. The first part of the study highlights the generalized and systematized by the auth

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GRAY, RICHARD. "Writing American Literary History Sacvan Bercovitch (ed.), The Cambridge History of American Literature (Cambridge: Cambridge University Press, 1994–2005, £495.00). Volume One: 1590–1820 (1994, £70.00). Pp. xiii+829. ISBN 0 521 30105 [squf ]. Volume Two: Prose Writing, 1820–1865 (1995, £75.00). Pp. xviii+887. ISBN 0 521 30106 8. Volume Three: Prose Writing, 1860–1920 (2005, £80.00). Pp. xi+813. ISBN 0 521 30107 6. Volume Four: Nineteenth-Century Poetry, 1800–1910 (2004, £75.00). Pp. x+562. ISBN 0 521 30108 4. Volume Five: Poetry and Criticism, 1900–1950 (2003, £75.00). Pp. xi+624. ISBN 0 521 30109 2. Volume Six: Prose Writing, 1910–1950 (2002, £70.00). Pp. xx+620. ISBN 0 521 49731 0. Volume Seven: Prose Writing, 1940–1990 (1999, £75.00). Pp. xxiii+795. ISBN 0 521 49732 9. Volume Eight: Poetry and Criticism, 1940–1995 (1996, £75.00). Pp. viii+545. ISBN 0 521 49733 7." Journal of American Studies 40, no. 2 (2006): 399–411. http://dx.doi.org/10.1017/s0021875806001447.

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Each generation needs to rewrite literary history. And it may be that this generation needs to do it more than most, if only because the proliferation of schools and theories has turned what was once common critical ground into a battlefield. American books, among others, have become a site of struggle, and American writers have been among those caught in the criss-crossing searchlights of ethnic and gender studies, interdisciplinary investigations and studies of popular culture, language and communication. Just how far things have gone can be measured by the fact that every term in the phrase

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Harrán, Don. "Elegance as a Concept in Sixteenth-Century Music Criticism*." Renaissance Quarterly 41, no. 3 (1988): 413–38. http://dx.doi.org/10.2307/2861755.

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”… et vere sciunt cantilenas ornare, in ipsis omnes omnium affectus exprimere, et quod in Musico summum est, et elegantissimum vident … “Adrian Coclico, Compendium musices (1552)The notion of music as a form of speech is a commonplace. Without arguing the difficult questions whether music is patterned after speech or itself constitutes its own language, it should be remembered that the main vocabulary for describing the structure and content of music has been drawn from the artes dicendi. The present report deals with a small, but significant part of this vocabulary: the term elegance along wi

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6

Zhang, Jie, and Wenxin Lin. "Historical facts of literature and personality in research – about the compilation of the book “History of Russian and Soviet literary criticism of the XX century”." Neophilology, no. 24 (2020): 755–64. http://dx.doi.org/10.20310/2587-6953-2020-6-24-755-764.

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Russian literature is an important part of world literature and is studied all over the world. In comparison with the history of literature, the history of literary criticism is more an interaction between the objectivity of literary facts and the personality of the compiler of this history. This work presents a description of the personality in research using the example of the book “History of Russian and Soviet literary criticism of the XX century” written by Chinese scientist Zhang Jie, the main task of which is to provide a theoretical basis and methods of criticism for analyzing the mech

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Fraile Amador, Pilar. "Textos sobre escritura creativa. El origen de una disciplina." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 29 (February 1, 2018): 381–402. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2018292584.

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Desde mediados del siglo xix hasta nuestros días se ha desarrollado un modo de escribir acerca de la escritura literaria que no es ni el de la Crítica ni el de la Poética. Estos textos, que se producen paralelamente en todas las latitudes de la literatura occidental, desde Rusia hasta Estados Unidos, comparten el objetivo de exponer los métodos y procedimientos que se utilizan en la práctica efectiva de la construcción de ficciones. Es decir, responden a la pregunta por el proceso. Abordaremos en este estudio por qué y cómo surgen estos textos en la segunda parte del siglo xix, sus característ

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Kilcup, Karen L. ""I Like These Plants That You Call Weeds": Historicizing American Women's Nature Writing." Nineteenth-Century Literature 58, no. 1 (2003): 42–74. http://dx.doi.org/10.1525/ncl.2003.58.1.42.

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In spite of the flowering of anthologies and criticism concerning American women's nature writing, ecocritics have concentratedon a small group of writings and on twentieth-century authors. The reasons for such omissions are numerous. Many nineteenth-century women's writings remain relatively inaccessible, in spite of the exponential growth in recent years of collections and reprint series. Moreover, in earlier writing the author's attitude toward nature is frequently ambiguous or complicated, making the literature resistant to recuperation, especially by critics seeking a relatively unproblem

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9

Khuzeeva, Liliya Ravilevna. "Mythologizing of E. A. Boratynsky’s Personality in Russian Literary Criticism of the ХХth Century". Izvestiya of Saratov University. New Series. Series: Philology. Journalism 13, № 3 (2013): 54–60. http://dx.doi.org/10.18500/1817-7115-2013-13-3-54-60.

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Vasic, Aleksandar. "Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century as a subject of musicology research." Muzikologija, no. 6 (2006): 317–42. http://dx.doi.org/10.2298/muz0606317v.

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The beginning of 2006 marked two decades since the death of Stana Djuric-Klajn, the first historian of Serbian musical literature. This is the exterior motive for presenting a summary of the state and results of up-to-date musicology research into Serbian musical criticism and essay writings during the XIXth and the first half of the XXth century, alongside the many works dedicated to this branch of national musical history, recently published. In this way the reader is given a detailed background of these studies ? mainly the authors' names, books, studies, articles, as well as the problems o

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Radovic-Savic, Milena. "Intertextuality Santa Maria della Salute in the light of literary criticism the second half of XX century." Nasledje, Kragujevac 13, no. 34 (2016): 133–44. http://dx.doi.org/10.5937/naslkg1634133r.

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Skalon, Nikolay R. "A. P. Kazankin. Russian literary criticism of the XX century. Publishing House of Tomsk State University, 2004." Sibirskiy filologicheskiy zhurnal, no. 1 (March 1, 2006): 93–94. http://dx.doi.org/10.17223/18137083/14/11.

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Khallieva, Gulnoz, and Bahor Turaeva. "COMPARATIVE STUDIES OF E.BERTELS ON NAVOI WORKS." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 179–90. http://dx.doi.org/10.26739/2181-1490-2021-1-18.

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The article studies the scientific activity of E. E. Bertels (1881-1957), one of the orientalists who seriously studied Uzbek classical literature on the basis of high textological training. The aim of the article is to reveal the literary criticism of Uzbek classical literature in Russian orientalism of the XX century in comparatively study of the process of the Uzbek classical literature research in connection with cultural, literary and historical-social processes, unbias evaluation of Russian scholars literary-aesthetic viewpoints

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van Bommel, Bas. "Cobet Revisited." Mnemosyne 70, no. 6 (2017): 1008–39. http://dx.doi.org/10.1163/1568525x-12342300.

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AbstractThis article argues that Cobet’s philological and text-critical work deserves to be understood on its own terms, rather than being dismissed for its inconsistency with prevailing conceptions of classical scholarship. As shown by his Latin programmatic writings, Cobet was a typical nineteenth-century humanist, who aimed to integrate contemporary scholarly values into a traditional educational framework. Both Cobet’s method of textual criticism and his determination to remain aloof from what are nowadays considered progressive developments in nineteenth-century classical scholarship make

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Gudzina, Victoria. "THE FEATURES OF THE IDIOSTYLE OF ZULFIA." Scientific Reports of Bukhara State University 5, no. 2 (2021): 143–56. http://dx.doi.org/10.52297/2181-1466/2021/5/2/13.

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Introduction. This article examines the poetic heritage of the outstanding Uzbek poetess Zulfiya, who is the brightest figure in Uzbek poetry. The 30-90s of the XX century, when Zulfiya made her debut and became famous for her poems, was a time of intense search in the artistic life of Uzbekistan. Description of the specifics of the individual style of the Uzbek poetess of the XX century Zulfiya is an urgent task of modern literary criticism. It should also be recognized that Zulfiya's connections with the previous tradition are insufficiently studied in revealing the inner world of the lyric

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GARCIA, JAY. "Richard Wright and the Americanism of Lawd Today!" Journal of American Studies 49, no. 3 (2014): 505–22. http://dx.doi.org/10.1017/s0021875814001832.

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This essay examines Lawd Today!, Richard Wright's posthumously published novel, written in the 1930s but only made available to readers in 1963. Concentrating on the epigraphs that punctuate the novel, the essay demonstrates the significance of the social criticism of the 1910s and 1920s to Wright's formation as literary artist. In particular, Wright was drawn to the writings of the Young American critics, including Van Wyck Brooks and Waldo Frank, whose criticisms of national ideologies furthered a commitment to “Americanism” as a horizon of social and cultural renewal. Wright's intellectual

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Vasic, Aleksandar. "Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role." Muzikologija, no. 8 (2008): 185–202. http://dx.doi.org/10.2298/muz0808185v.

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Serbian music criticism became a subject of professional music critics at the beginning of the twentieth century, after being developed by music amateurs throughout the whole previous century. The Serbian Literary Magazine (1901- 1914, 1920-1941), the forum of the Serbian modernist writers in the early 1900s, had a crucial role in shaping the Serbian music criticism and essayistics of the modern era. The Serbian elite musicians wrote for the SLM and therefore it reflects the most important issues of the early twentieth century Serbian music. The SLM undertook the mission of educating its reade

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18

Ibragimov, Marsel I., and Elmera M. Galimzyanova. "Identity Discourse in Theoretical Works of Tatar Literary Critics at the Beginning of the XX Century." Polylinguality and Transcultural Practices 16, no. 2 (2019): 228–38. http://dx.doi.org/10.22363/2618-897x-2019-16-2-228-238.

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The subject of the research is the identity discourse in literary works of Tatar literary figures at the beginning of the 20th century (G. Ibraghimov, G. Sagdie, G. Battala, N. Dumavie, G. Rakhim). The coexistence of Eastern and European literary terms and concepts, which indicates the reception of works by Russian and European scientists and the transformation of traditional views on literature, caused by Eastern poetics influence, was established in the works under study. The research was carried out in the context of the problem of identity that is relevant to contemporary literary criticis

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Serdechnaia, Vera V. "Blake Studies in the 21st Century." Studia Litterarum 6, no. 2 (2021): 456–77. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-456-477.

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The author summarizes Blake studies of the 21st century. The beginning of the modern era of Blake studies can be considered with the paradigm of deconstruction. At the end of the 20th century, synthetic analysis took a special place in Blake studies, when Blake’s illuminated books were studied as an inseparable unity of verbal and visual. Blake’s legacy has undergone a significant evolution related to deconstruction and postmodern approaches, and linguistic research. The development of traditional areas of research, such as psychoanalysis, textual criticism of manuscripts, religious and mystic

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Serdechnaia, Vera V. "Blake Studies in the 21st Century." Studia Litterarum 6, no. 2 (2021): 456–77. http://dx.doi.org/10.22455/2500-4247-2021-6-2-456-477.

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The author summarizes Blake studies of the 21st century. The beginning of the modern era of Blake studies can be considered with the paradigm of deconstruction. At the end of the 20th century, synthetic analysis took a special place in Blake studies, when Blake’s illuminated books were studied as an inseparable unity of verbal and visual. Blake’s legacy has undergone a significant evolution related to deconstruction and postmodern approaches, and linguistic research. The development of traditional areas of research, such as psychoanalysis, textual criticism of manuscripts, religious and mystic

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21

Wilburn, Reginald A. "“Looking ‘Foreword’ to Milton in Toni Morrison’s Paradise”." Religions 11, no. 11 (2020): 562. http://dx.doi.org/10.3390/rel11110562.

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Prior to the 2014 republication of Toni Morrison’s, Paradise, the novelist had not published any commentary about the role of literary influence John Milton might have had on her fictional writings. In a foreword to the republication of her 1997 novel, Morrison offers her first published acknowledgement of Milton’s influence on any work in her canon. My essay contends this Miltonic revelation constitutes a groundbreaking event in literary criticism. I explore the critical significance of this revelation by explicating the foreword, Milton’s significance within it, and its implications for read

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Yakusheva, Lyudmila A. "ACTUALIZATION, MYTHOLOGIZATION AND TRANSFORMATION OF THE LITERARY HERO: THE STIRLITZ PHENOMENON." Verhnevolzhski Philological Bulletin 23, no. 4 (2020): 189–95. http://dx.doi.org/10.20323/2499-9679-2020-4-23-189-195.

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Conceptualization of artistic actions of the last XX century is a natural and logical process. In the cultural studies discourse of the Soviet cultural typology we can see a sustained interest in educational problems based on visualized acts of a semiotic and semantic range, which are defined through the cultural context of the epoch. The most recognizable sign-index of the 1970s (in terms of time, ideological system and Soviet mentality) is Maxim IsaevStierlitz. On the one hand, this is an image which artistic value was questioned even when it had appeared. On the other hand, mass popularity

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Khudoykulova, Marhabo Ahadovna. "THE DEVEL THE DEVELOPMENT OF THE CON T OF THE CONTROVERSIAL ARTICLE GENRE TICLE GENRE IN THE 20 YEARS OF XX CENTURY." Scientific Reports of Bukhara State University 4, no. 1 (2020): 231–37. http://dx.doi.org/10.52297/2181-1466/2020/4/1/10.

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The article analyses the development of the controversial article genre of the early twentieth century that has been little examined in literary criticism, literary process and attitude to the poet, prose writers. The problem is clarified in the example of works of Chulpan, Oybek, Fitrat. A problematic article can be in the form of a scientific-theoretical discussion or research that focuses on the poetics of a work and illuminates the intended scientific phenomenon in a monograph, based on the aesthetics of artistic creation.

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Khuako, F. N. "Memories as fact-based presentation by a soviet author at the beginning of the XX century." REPORTS ADYGE (CIRCASSIAN) INTERNATIONAL ACADEMY OF SCIENCES 21, no. 2 (2021): 49–61. http://dx.doi.org/10.47928/1726-9946-2021-21-2-49-61.

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Unusual for traditional literary criticism, the article examines the problem of genre attribution of memories that have existed for a long time (from the seventeenth – eighteenth centuries) as a form of presentation in Russian literature. This genre type turns out to be a conditional focus of the history of civilization, as well as a concentrate of thought and feeling of an individual member of society. But the tactics and possibilities of a comprehensive examination of memoirs have not yet been identified. As a result, the most highlighted thesis of consideration is the following: in the proc

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Rahmatian, Andreas. "The property theory of Lord Kames (Henry Home)." International Journal of Law in Context 2, no. 2 (2006): 177–205. http://dx.doi.org/10.1017/s1744552306002047.

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Lord Kames (Henry Home) (1696–1782) was a well-known jurist, philosopher and judge in the Scottish Enlightenment, whose writings on aesthetics and literary criticism, especially, were very significant in the eighteenth century and later, not only in Britain and the United States, but also in France and Germany. His works on law and legal history were important mainly during his lifetime, but at least one aspect of his legal writings deserves special attention today: his concept of property, which he never stated as one comprehensive theory. Nevertheless, it pervades most of his work. This arti

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Chang, Han-liang. "Notes towards a semiotics of parasitism." Sign Systems Studies 31, no. 2 (2003): 421–39. http://dx.doi.org/10.12697/sss.2003.31.2.06.

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The metaphor of parasites or parasitism has dominated literary critical discourse since the 1970s, prominent examples being Michel Serres in France and J. Hillis Miller in America. In their writings the relationship between text and paratext, literature and criticism, is often likened to that between host and parasite, and can be therefore deconstructed. Their writings, along with those by Derrida, Barthes, and Thom, seem to be suggesting the possibility of a semiotics of parasitism. Unfortunately, none of these writers has drawn enough on the biological foundation of parasitism. Curiously, ev

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Bobrova, Olga B. "Nikos Kazantzakis’ and Kostas Ouranis’ Travel Writings within the Context of Modern Greek Travelogues." Studia Litterarum 6, no. 3 (2021): 96–115. http://dx.doi.org/10.22455/2500-4247-2021-6-3-96-115.

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Nikos Kazantzakis is one of the most famous Greek authors of the 20th century known primarily for his novels. A significant part of Nikos Kazantzakis’s work is his travel writings. Whereas the novels of Kazantzakis are recognized as canonical Greek literature, it is difficult to pinpoint his travelogues, or Ταξιδεύοντας (Traveling) due to the ambiguity of their critical reception: assessments range from neutral or mildly negative to enthusiastic. Both critical and enthusiastic assessments usually lack in-depth analysis of poetic, thematic, compositional, and stylistic features of the Traveling

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Bogdanova, Olga A. "Bibliography of Literary Criticism and Essays by A. S. Dolinin from 1906 to 1920." Literary Fact, no. 19 (2021): 407–31. http://dx.doi.org/10.22455/2541-8297-2021-19-407-431.

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The bibliography of literary criticism and essays (articles, reviews, literary portraits and parallels, critical and biographical essays, etc.) by Arkady Semyonovich Dolinin (1880–1968), first published here, gives an idea of the field of interest of a great Soviet literary critics before the beginning of his scholarly activity, in the first decades of the XX century. The paper traces the path of Dolinin - literary critic, his appeal to the classical (F.M. Dostoevsky, L.N. Tolstoy, A.I. Herzen, etc.) and modern (A.P. Chekhov, B.K. Zaitsev, F. Sologub, D.S. Merezhkovsky, etc.) literature, his a

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Zubkov, N. N. "M. Voloshin’s Handwritten Notes in the Foreign Books from his Koktebel Library." Bibliotekovedenie [Russian Journal of Library Science], no. 2 (April 28, 2015): 46–51. http://dx.doi.org/10.25281/0869-608x-2015-0-2-46-51.

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M. Voloshin’s library, a literary monument of the Russian culture and spirituality, in spite of the tumultuous events of XX century, has survived virtually unchanged in the House-Museum of the poet in Koktebel. Currently, according to the inventory, there are 9254 items of printed publications, including 3981 items in the foreign languages. The article provides an overview of the most significant handwritten notes of M. Voloshin in the foreign books from his library on branches of knowledge (literature and criticism, history, philosophy, art), revealed in the process of work on the Catalog “Me

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Костригин, А. А. "HISTORICAL-PSYCHOLOGICAL IDEAS OF A.P. NECHAEV. PART 1: HISTORY OF LITERATURE, LITERARY CRITICISM, HISTORICAL PSYCHOLOGY." Институт психологии Российской академии наук. Социальная и экономическая психология, no. 1(21) (April 12, 2021): 252–70. http://dx.doi.org/10.38098/ipran.sep.2021.21.1.010.

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Статья посвящена Александру Петровичу Нечаеву (1870-1948), выдающемуся отечественному психологу и педагогу первой половины XX в. В данной работе А.П. Нечаев показан как историк психологии. Рассматриваются историко-психологические работы и взгляды ученого по трем направлениям: анализ историко-литературных работ, в которых освещаются идеи, связанные с исторической психологией; анализ работ, освещавших состояние психологии на рубеже XIX-XX вв. и об отдельных персоналиях современной Нечаеву психологии; анализ специальных историко-психологических и историко-философских работ. В первой части предста

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Hertler, Steven C. "Psychological Perceptiveness in Pushkin’s Poetry and Prose." Janus Head 16, no. 2 (2018): 54–79. http://dx.doi.org/10.5840/jh201816213.

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This is the first of five papers celebrating the psychological complexity of nineteenth century Russian novels authored by Alexander Sergeyevich Pushkin, Nikolai Vasilievich Gogol, Lev Nikolayevich Tolstoy, Fyodor Mikhailovich Dostoyevsky, and Ivan Sergeyevich Turgenev. Using biography, letters, narratives, and literary criticism, the life and writings of each author will be reviewed as they contribute to the understanding of the human mind and the apperception of the human condition. More subtly than the case study, more fully than the clinical anecdote, more profoundly than the apt example,

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THAGAZITOV, YU M. "THE DEVELOPMENT OF ADYGHE LITERARY CRITICISM IN THE CONTEXT OF RUSSIAN CULTURAL POLICY OF THE 70 – 80 - s OF THE XX CENTURY." News of the Kabardin-Balkar Scientific Center of RAS 5, no. 91 (2019): 90–94. http://dx.doi.org/10.35330/1991-6639-2019-5-91-90-94.

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Lamm, Mariya A. "The development of Belarusian literature in a multicultural context." Slavic Almanac, no. 1-2 (2020): 501–7. http://dx.doi.org/10.31168/2073-5731.2020.1-2.6.04.

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Sinkova L. D. Between text and discourse: Russian literature of the XX-XXI century: history, comparative studies and criticism (lit. - crit. articles, conversations). - Minsk: Parkus plus, 2013. - 296 P. The main characteristics of the Belarusian literature development in the contest of 20th-21th century are demonstrated throughout the review. The key patterns of the poetics progression in Belarusian literature are revealed, alongside with the most noticeable algorithms of the national aesthetics establishment and the specifics of mythopoetic perception. Meaningful characteristics of Belarusia

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Dyachenko, Yulia V. "LITERARY AND SCIENTIFIC CRITICISM OF THE BRONTE SISTERS' WORKS BY RUSSIAN AND ENGLISH STUDIES OF THE 20TH-CENTURY LITERATURE." Vestnik Tomskogo gosudarstvennogo universiteta, no. 390(1) (January 1, 2015): 11–16. http://dx.doi.org/10.17223/15617793/390/2.

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Piqué-Angordans, Jordi, and David Viera. "Women in the Crestià of Francesc Eiximenis Revisited." Medieval Encounters 12, no. 1 (2006): 97–117. http://dx.doi.org/10.1163/157006706777502514.

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AbstractNineteenth and early twentieth-century criticism oftentimes tended to lump literary works on the topic of women from the middle ages and early modern times as either essentially misogynist or feminist. Moral-didactic works that often fluctuated between antifeminist and profeminist opinion were often categorized as misogynist, akin to works such as Boccaccio's Corbaccio. This is the case of Francesc Eiximenis' Catalan literature, written for the most part in València. The authors of this study analyzed Eiximenis' views on women, for the most part taken from biblical, patristic, scholast

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Lisiecka, Alicja. "Recepcja poglądów Johna Ruskina na wychowanie w Polsce przełomu XIX i XX wieku." Biuletyn Historii Wychowania, no. 42 (March 15, 2020): 145–58. http://dx.doi.org/10.14746/bhw.2020.42.9.

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The purpose of this article is to show the reception of the educational views of John Ruskin (1819–1900) presented in Polish scientific literature at the turn of the XIX and XX century. John Ruskin was an great English writer, poet, painter and critic of art and social reality. Ruskin’s oeuvre, contained in numerous writings, is the result of admiration for the world, reflection on landscapes, art and timeless values: truth, goodness and beauty; he’s works are characterized by individualism, momentum, normativity, and literary style full digression. For Ruskin, there is no clear definition of

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Rajpurohit, Dalpat S. "Bhakti versus rīti? The Sants’ perspective." Bulletin of the School of Oriental and African Studies 84, no. 1 (2021): 95–113. http://dx.doi.org/10.1017/s0041977x21000264.

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AbstractScholars have rightly questioned the periodization of early modern Hindi literature (fourteenth to mid-nineteenth century) into two major thematic and temporal categories, often described as binaries: an early bhaktikāl (era of devotion), and the later rītikāl (era of mannerism). It is now common to understand bhakti and rīti as complementary modes of poetic expression rather than oppositional styles that poets had to identify with entirely. This paper uses the perspective of poet-saints (sants) to argue that, although the sants share many features with the rīti poets in terms of genre

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Dubrovskaya, S. A., V. P. Kirzhaeva, and S. M. Vladimirova. "Middle Eastern Everyday Life in S.S. Kondurushkin’s Magazine Essays at Beginning of Twentieth Century." Nauchnyi dialog, no. 8 (August 24, 2021): 170–84. http://dx.doi.org/10.24224/2227-1295-2021-8-170-184.

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The problem of the presentation of the Middle Eastern everyday life in the early prose of S.S. Kondurushkin (1874—1919), an active participant in the literary and social life of Russia at the turn of the XIX—XX centuries is examined in the article. On the basis of the essay cycle “From Wanderings in Syria” and other works of the early 1900s, an analysis of the methods of recreating the Middle Eastern everyday life is presented. The narrative strategies that underlie the Middle Eastern narrative of the Russian traveler are studied. This makes it possible to clarify the characteristics of the ge

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Ferrada Alarcón, Ricardo. "Crítica, proyectos teóricos y categorías fundantes en Latinoamérica." Literatura y Lingüística, no. 22 (May 27, 2015): 43. http://dx.doi.org/10.29344/0717621x.22.122.

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ResumenEl tema central de este artículo refiere al problema de la crítica, enmarcándolo en la tradición de los estudios de discurso e interpretación cultural. En ese contexto, sus ejes de desarrollo tienen como propósito abordar, en términos teóricos, el vínculo de ensayo y crítica con los aspectos conceptuales que conducen hacia su dimensión discursiva y textual. En un segundo momento, se propone referir a una panorámica de proyectos teóricos y críticos latinoamericanos de la segunda mitad del siglo XX, cuyo efecto devino en “categorías fundantes”.Palabras clave: proyecto teórico - narrativas

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Pruneda Sentíes, David. "Leer la superficie: la presencia de Gilles Deleuze en la era posteórica de la crítica literaria." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 29 (February 2, 2018): 466–72. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2018291578.

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El objetivo de este artículo es demostrar que existe una marcada presencia de las ideas de Gilles Deleuze en la era posteórica de la crítica literaria. Para tal propósito, en primer lugar se hace una revisión sucinta de la recepción de las ideas filosóficas francesas en la academia estadounidense de fines del siglo XX, creadora de la hoy llamada Teoría francesa en los estudios literarios. En segundo lugar, este artículo se centra en el análisis de la lectura de superficie, una propuesta de crítica literaria de Sharon Marcus y Stephen Best. Aunque el nombre de Deleuze no aparezca en los fundame

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Borges, Rosa. "Prácticas filológicas en la edición de textos del siglo XX: experiencias de un grupo de investigación." (an)ecdótica 5, no. 2 (2021): 41–70. http://dx.doi.org/10.19130/iifl.anec.2021.5.2.49242.

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In this article, we intend to show how critical editing of texts has changed over time and how philologist-editors have taken different critique, politic and social attitudes in the task of editing texts, taking into account their interests regarding the editorial project to be developed, the idiosyncrasies of the materials that make up the archive corpus, the commitment to the text and the reading that will circulate at another point in our history (literary and dramaturgical), among other aspects arising from the examined textual situations. We briefly discuss editorial theories and methodol

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NISSEN, AXEL. "A Tramp at Home." Nineteenth-Century Literature 60, no. 1 (2005): 57–86. http://dx.doi.org/10.1525/ncl.2005.60.1.57.

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Mark Twain's Adventures of Huckleberry Finn (1884) contains the materials for a wide-ranging analysis of the different and competing understandings of American manhood in the nineteenth century and the ways in which men might interact with each other and love each other. In order to understand better the sexual and emotional dynamics of the novel, we must understand the other kinds of writings about men alone and together that Twain was responding to. In this essay I place Twain's classic novel in two nineteenth-century discursive contexts that have been obscured in the existing criticism: the

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Vinogradov, Igor' A. "Artist and Authorities. Nikolay Gogol and the Censorship Policy of the 19th–20th Centuries." Two centuries of the Russian classics 3, no. 1 (2021): 40–111. http://dx.doi.org/10.22455/2686-7494-2021-3-1-40-111.

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The article is devoted to historical and theoretical problems of relations between an artist and the authorities. The work summarizes old methodological principles for studying Russian censorship in the 19th century and formulates the new ones. A comprehensive study of the censorship histories of N. V. Gogol's works introduces significant adjustments to the idea of the exclusively negative role of censorship in his literary fate, and proves the overall positive interaction with the censorship department. The author analyzes the limitations of the "class approach" inherited from the past era in

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Katona, Eszter. "La recepción de la obra de Federico García Lorca en Hungría." Acta Hispanica 13 (January 1, 2008): 49–55. http://dx.doi.org/10.14232/actahisp.2008.13.49-55.

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In her essay, the author provides a thorough overview of the history of the reception of Federico García Lorca's poetry in Hungary. The 110th anniversary of Lorca's birth, commemorated this year, makes such surveys very timely. The author's aim is to examine Lorca's Hungarian presence from various perspectives. In the first phase of her recent investigations, she concentrated on presenting all the Hungarian translations and editions of Lorca's oeuvre. In the following, the Hungarian reception of Lorca's oueuvre is examined, based on essays and other writings of literary criticism of the era. T

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Knight, Mark. "FIGURING OUT THE FASCINATION: RECENT TRENDS IN CRITICISM ON VICTORIAN SENSATION AND CRIME FICTION." Victorian Literature and Culture 37, no. 1 (2009): 323–33. http://dx.doi.org/10.1017/s1060150309090214.

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Over the last thirty years or so, sensation fiction has shaken off its scandalous roots to become a respectable area of academic study. The transformation began with the publication of Winifred Hughes's The Maniac in the Cellar (1980) and Patrick Brantlinger's “What Is ‘Sensational’ about the ‘Sensation Novel’?” (1982), and gathered pace in the 1980s and 90s through the contributions of Ann Cvetkovich, Pamela Gilbert, D. A. Miller, Lyn Pykett, and Jenny Bourne Taylor. One of the results of all this scholarly interest is that the genre has begun to attract more introductory works that concentra

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Кириллова, А. С. "The Peculiarities of A. L. Volynskyʼs Literature Reviews Created at the Turn of the 19th — 20th Centuries". Вестник Рязанского государственного университета имени С.А. Есенина, № 2(67) (23 липня 2020): 104–14. http://dx.doi.org/10.37724/rsu.2020.67.2.011.

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В статье рассматривается критическое наследие А. Л. Волынского в период его участия в редакции журнала «Северный вестник» в 1891–1898 годах, которое не раз становилось предметом изучения. Однако попытки выделить особенности жанра рецензии в творческом наследии критика не предпринимались. Цель данной работы заключается в определении характерных черт литературных рецензий 90-х годов XIX века, опубликованных Волынским под рубрикой «Литературные заметки». Привлеченный к исследованию материал позволяет судить о том, что в рецензиях критика существует ряд типологических особенностей, свойственных ка

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Dyakonova, Elena M. "The Саnon and the Commentary. Exegesis in Japanese Classical Poetry". Studia Litterarum 5, № 3 (2020): 104–27. http://dx.doi.org/10.22455/2500-4247-2020-5-3-104-127.

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The study of classical religious and literary texts was the main trend of the Far Eastern traditional culture. Exegesis prompted a specific vision of philosophy, literature, and science. Examining the ties between classical texts and their commentaries is important for the better understanding of the development of the Far Eastern civilizations, including Japanese. Japanese commentaries developed, first, around central religious texts of Buddhism, Shinto, and writings by Confucius, and, second, around literary texts. This article mostly examines comments on poetic monuments of medieval Japan.

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Dutbayeva, S. S. "Linguaculturological Features of the Images of the Celestial World in the Russian Poetry of the 1990’s." Bulletin of Kemerovo State University 21, no. 4 (2019): 1095–104. http://dx.doi.org/10.21603/2078-8975-2019-21-4-1095-1104.

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Modern philology studies language at the junction of different directions, e.g. hermeneutics and cultural studies, cognitive linguistics and literary criticism, linguaculturology and textology, etc. As a rule, combined methods provide the most interesting results. The article describes the images of the sky / heaven in the Russian poetry of the late XX century, the period of Russian history known as “the dashing nineties”. Contemporary poets seemed to have a very peculiar perception of that period. Their vision of traditional mythological and cultural symbols differed from commonly accepted in

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Cory, Stephen. "Sayyid Qutb." American Journal of Islam and Society 32, no. 2 (2015): 119–22. http://dx.doi.org/10.35632/ajis.v32i2.978.

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Sayyid Qutb’s influence upon radical Islamic movements during the secondhalf of the twentieth century is undeniable and has long been recognized. Recentinterest in the rise of radical Islam has led to a number of publications onhim, including a biography by James Calvert and several pieces that analyzecertain aspects of his ideology and writings. James Toth’s new text, whichpresents a general biography of Qutb, seeks to combine these functions byemphasizing the trajectory of his literary career along with offering a topicalanalysis of the major themes found within his writings. At the same tim

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Abbasova, Sadagat. "THE CHARACTERISTICS AND APPROACHES OF IMMANENCE CRITICISM IN DORIS LESSING’S NOVEL OF “THE GOLDEN NOTEBOOK”." SCIENTIFIC WORK 15, no. 2 (2021): 6–10. http://dx.doi.org/10.36719/2663-4619/63/6-10.

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Unlike the XIX century, literary culture of the XX century made a strong aesthetic leap in women’s identity. This process has caused to the emergence of a large number of new generation women writers in world literature and moreover, these writers had succeeded in revealing a real and contemporary literary phenomenon, such as “immanence- immanentism” which is focused on female landscapes in their stories and novels. In general, the works of “immanence” authors have a feminist background. As a doctrine, imamnence is used to explain the connection with the spiritual world, which is confirmed by

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