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Relevant bibliographies by topics / Writings of herself

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Academic literature on the topic 'Writings of herself'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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Journal articles on the topic "Writings of herself"

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Ariss, Iloe. "Friendship and Metaphor." Arendt Studies 4 (2020): 129–51. http://dx.doi.org/10.5840/arendtstudies20212429.

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In this paper, I identify and distinguish different modes of thinking at work in Hannah Arendt’s Denktagebuch and letters. In the Denktagebuch, her thinking is dialogical, as she engages with herself in a dialogue of thought, while her writing is a product of poetic thinking. In the letters, her dialogical thinking is not only with herself, but with friends and correspondents, and poetic thinking takes the form of the material letter itself. Arendt engages in a dialogue of thought both with herself, who is a friend, and her correspondents, who are also friends. Arendt’s personal writings, that

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Ryan, Cheyney. "The One Who Burns Herself for Peace." Hypatia 9, no. 2 (1994): 21–39. http://dx.doi.org/10.1111/j.1527-2001.1994.tb00431.x.

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Alice Hertz was a woman who, in J965, burned herself in protest against the Vietnam War. 1 first became aware of her through studying the writings of Dorothy Day, the founder of the Catholic Worker Movement and a central figure in the history of nonviolence. In this essay I reflect on how Alice Hertz's action and Dorothy Day's vision of nonviolent commitment can each illuminate the other.

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Scott, Jennifer. "A Name for Herself: Selected Writings, 1891–1917 by Benjamin Lefebvre." Victorian Periodicals Review 52, no. 3 (2019): 646–48. http://dx.doi.org/10.1353/vpr.2019.0045.

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Charney, Leo. ""Common People with Common Feelings:" Pauline Kael, James Agee, and the Public Sphere of Popular Film Criticism." Cinémas 6, no. 2-3 (2011): 113–26. http://dx.doi.org/10.7202/1000975ar.

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This essay focuses on the writings of Pauline Kael and James Agee as the leading examples of the rhetoric of American popular film criticism, which the author suggests is chatacterized by three elements: the critic's effort to distance him / herself from both other critics and the entertainment industry; to emphasize the personal and subjective nature of his / her responses; and to use his / her writing as the catalyst for a public sphere of film response.

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Trusky, Tom. "Sharlot Herself: Selected Writings of Sharlot Hall ed. by Nancy Kirkpatrick Wright." Western American Literature 28, no. 3 (1993): 237–39. http://dx.doi.org/10.1353/wal.1993.0100.

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Mihelakis, Eftihia. "Writing Herself into Being: Quebec's Autobiographical Writings from Marie de l'Incarnation to Nelly Arcan by Patricia Smart." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 46, no. 3 (2019): 529–32. http://dx.doi.org/10.1353/crc.2019.0037.

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Bode, Rita. "Benjamin Lefebvre, ed. L.M. Montgomery, A Name for Herself, Selected Writings, 1891–1917." University of Toronto Quarterly 89, no. 3 (2021): 541–42. http://dx.doi.org/10.3138/utq.89.3.hr.08.

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Hétu, Dominique. "Writing Herself into Being: Quebec Women’s Autobiographical Writings from Marie de l’Incarnation to Nelly Arcan by Patricia Smart." ariel: A Review of International English Literature 50, no. 1 (2019): 177–80. http://dx.doi.org/10.1353/ari.2019.0009.

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Wilk, Janusz. "Zagadnienie „ojczyzny w niebie” w Liście św. Pawła do Filipian i w pismach św. Elżbiety od Trójcy Świętej." Poznańskie Studia Teologiczne, no. 33 (December 11, 2019): 215–31. http://dx.doi.org/10.14746/pst.2018.33.11.

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The article is a study of the theme of ‘heavenly homeland’ in St. Paul’s Letter to the Philippians3:20 and in the writings of the French Carmelite St. Elisabeth of the Holy Trinity (1880–1906). The first part is an exegesis of Phil 3:20. It consists of a description of the community in Philippi at the time when the Letter to the Philippians was written; suggestion of a translation of Phil 3:17–21 into Polish; general presentation of the context Phil 3:20 and discussion of the meaning of the lexeme politeuma.The second part presents eight writings of Elizabeth of the Holy Trinity (Letters 237;

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Schütz, Connie. "Intimate Narratives: The Letters of Hildegard of Bingen." Scottish Journal of Theology 49, no. 4 (1996): 429–42. http://dx.doi.org/10.1017/s0036930600048493.

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This article will utilize some of the letters of Saint Hildegard of Bingen (1098–1179) and several of the autobiographical passages included in her Vita to demonstrate how she constructed herself in these writings as a prophetess, a woman imbued with the authority of spirit, which could, at times, override the authority of office of the male ecclesiastics around her.

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Dissertations / Theses on the topic "Writings of herself"

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MacDonald-Smythe, Antonia. "Making herself at home in the West/Indies : the gendered construction of identity in the writings of Michelle Cliff and Jamaica Kincaid /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1302100809.

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Paula, Débora Clasen de. ""Da mãe e amiga Amélia": cartas de uma baronesa para sua filha (Rio de Janeiro-Pelotas, na virada do século XX)." Universidade do Vale do Rio do Sinos, 2008. http://www.repositorio.jesuita.org.br/handle/UNISINOS/1860.

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Made available in DSpace on 2015-03-03T19:29:13Z (GMT). No. of bitstreams: 0 Previous issue date: 15<br>Universidade do Vale do Rio dos Sinos<br>Amélia Hartley de Brito Antunes Maciel – a Baronesa de Três Serros – escreveu um total de cento e cinqüenta e uma cartas, no período compreendido entre 1885 e 1918. A maioria delas foi remetida por Amélia após sua viuvez e transferência para o Rio de Janeiro e teve como destinatária a filha mais velha Amélia Aníbal Hartley Maciel, mais conhecida como Sinhá, que permaneceu em Pelotas (RS), morando no solar da família. A análise que empreendemos de

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Busetto, Penny. "The story of Anna P. : as told by herself." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/13409.

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Includes bibliographical references (leaves 152-153).<br>This is a book about the fragility of memory and identity, and the nature of time. It has three parts reflecting the past, present and future of a woman, Anna P, who lives on an island off the coast of Italy but can no longer remember how she got there. She comes from South Africa but has almost no memories of the place or people there, and no attachment to them. The only person she has any relationship with is a sex worker whom she pays by the hour. Her life is meaningless. She has abusive encounters with unknown men, clearly repetition

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Langston, Jessica. "Writing herself in : mother fiction and the female Künstlerroman." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79957.

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This project examines the 'mother-writer problem' within contemporary Canadian fiction by women. Using three novels that tell the story of a mother who is also a writer, Margaret Laurence's The Diviners, Audrey Thomas' Intertidal Life and Carol Shields' Unless, I will outline the manner in which the roles of mother and writer are negotiated by the authors and their central characters. Further, I will investigate how creating a narrative about a female artist who is also a mother challenges and changes the structure and content of the standard female kunstlerroman. Finally, this thesis w

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Choi, Jung Ja. "Writing Herself: Resistance, Rebellion, and Revolution in Korean Women's Lyric Poetry, 1925--2012." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13070020.

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Despite a recent global surge in the reception and translation of Korean women poets, there has been surprisingly little scholarship on this topic. This dissertation aims to expand the focus of Western scholarship beyond the Korean male canon by providing the first in-depth analysis of the works of Korean women poets in the 20th and 21st centuries. The poets I chose to examine for this study played a critical role in revolutionizing traditional verse patterns and in integrating global socio-political commentary into modern Korean poetry. In particular, by experimenting widely with forms from e

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Arsova, Jasmina. "Writing herself out of silence and solitude the poetic self-portraits of Gloria Fuertes /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666368691&sid=4&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Kotsovili, Eirini. "Giving an account of herself : life-writing in Maro Douka, Rea Galanaki and Margarita Karapanou." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.568075.

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This study examines three different types of life-writing (among them, a new sub genre labelled autopoliticography, a metafictional biography and a volume of published diaries), produced by three Greek women authors - Maro Douka, Rea Galanaki and Margarita Karapanou - after 1974. The thesis argues that all three represent samples of the evolution of women's writing and introduces gender-writing as a novelty expression. This new written expression centers on how notions of identity and gender are explored through the authorial use of the auto/biographical in Greek society as it was ushered into

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Books on the topic "Writings of herself"

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Hall, Sharlot Mabridth. Sharlot herself: Selected writings of Sharlot Hall. Sharlot Hall Museum Press, 2013.

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Hall, Sharlot Mabridth. Sharlot herself: Selected writings of Sharlot Hall. Sharlot Hall Museum Press, 1992.

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Stillman, Sarah. Soul searching: A girl's guide to finding herself. Scholastic, 2001.

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Stillman, Sarah. Soul searching: A girl's guide to finding herself. Simon Pulse, 2012.

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Young, Kelly. Breath: Writing herself into history. Palabras Press, 2006.

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L'Engle, Madeleine. Madeleine L'Engle herself: Reflections on a writing life. Shaw, 2001.

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Jolley, Elizabeth. Central mischief: Elizabeth Jolley on writing, her past and herself. Penguin Books, 1993.

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Jolley, Elizabeth. Central mischief: Elizabeth Jolley on writing, her past and herself. Viking Books, 1992.

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Cortazzi, Hugh, ed. Carmen Blacker. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9781898823568.

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Carmen Blacker was an outstanding scholar of Japanese culture, known internationally for her writings on religion, myth and folklore – her most notable work being The Catalpa Bow: A Study of Shamanistic Practices in Japan. Importantly, a third of the volume comprises significant extracts from the author’s diaries covering a period of more than forty years, together with a plate section drawn from her extensive photographic archive, thus providing a rare opportunity to gain a personal insight into the author’s life and work. The volume includes a wide selection of writings from distinguished sc

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Herself an author: Gender, agency, and writing in late Imperial China. University of Hawai'i Press, 2008.

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Book chapters on the topic "Writings of herself"

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Quaireau, Anne-Florence. "Reading and Rewriting Herself: Anna Jameson’s Literary Exploration of Canada." In Women's Life Writing and the Practice of Reading. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75247-1_4.

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Phillippy, Patricia. "‘Herselfe livinge, to be pictured’: ‘Monumental Circles’ and Women’s Self-Portraiture." In The History of British Women’s Writing, 1610–1690. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230305502_8.

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Alexoae-Zagni, Nicoleta. "Writing Herself as/in Reading the Others in Ruth Ozeki’s A Tale for the Time Being." In Women's Life Writing and the Practice of Reading. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75247-1_13.

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Bélanger, Bruno, Line Beauregard, Mario Bélanger, and Chantal Bergeron. "The Quebec Model of Recording Spiritual Care: Concepts and Guidelines." In Charting Spiritual Care. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47070-8_4.

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Abstract Over the past decade or so, the quality of the evaluation note written by a spiritual care provider has been a major issue in debates about accountability and the quality of interdisciplinary collaboration. This article advocates the adoption of our two models of notes: ‘the note following a meeting with a user’, generally used in acute care, and ‘the note following a meeting with a relative’, generally used in long-term care, in cases where a patient can no longer express himself or herself. These two charting models were developed on the basis of the RESS (‘Markers for Spiritual Care Assessment’) assessment tool recently developed at the Centre Spiritualitésanté de la Capitale-Nationale (CSsanté), and their usefulness and applicability were assessed in a research study. The note models presented in this article are inspired by the vision of spirituality that underlies our work accompanying patients and informed the development of the RESS. We found that the clinical benefits of streamlining an evaluation and note-writing model are a major step forward in a profession that has been rapidly evolving in Quebec in recent years.

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Bracks, Lean’tin L. "The History of Mary Prince, A West Indian Slave, Related by Herself." In Writings on Black Women of the Diaspora. Routledge, 2019. http://dx.doi.org/10.4324/9781315052052-2.

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Lin, Lana. "Object-Love in the Later Writings of Eve Kosofsky Sedgwick." In Freud's Jaw and Other Lost Objects. Fordham University Press, 2017. http://dx.doi.org/10.5422/fordham/9780823277711.003.0004.

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This chapter focuses on Eve Kosofsky Sedgwick’s little-known breast cancer advice column, “Off My Chest,” which she wrote from 1998 to 2003 for MAMM, a women’s cancer magazine, and A Dialogue on Love, a memoir of her therapy that records her struggle with her cancer diagnosis and metastasis. The chapter argues that Sedgwick’s journalistic and experimental writing circulates a public discourse of love that mediates her relationship to her own mortality. Sedgwick sets herself up as an object for collective identification. By disseminating pieces of herself in published works she strives to serve as an instrument for “good pedagogy” to counter the “bad pedagogy” of the cancer establishment. Influenced by Melanie Klein’s concept of reparation, which she regards as another word for love, she offers a Buddhist inflected teaching that recognizes life as an ongoing collaborative project sustained through the anonymous and impersonal love of readers she has never met, but who survive her death.

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Cappuccio, Richard. "Strange Monsters: The Struggle for Women’s Validity as Artists in the Writings of Elizabeth von Arnim and Katherine Mansfield." In Katherine Mansfield and Elizabeth von Arnim. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474454438.003.0007.

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Katherine Mansfield’s In a German Pension (1911) and Elizabeth von Arnim’s Elizabeth and Her German Garden (1898) and Christine (1917) are works that examine the conflicted position of the woman artist who navigates filial and marital obligations. Readers must consider the role of women artists in a culture in which expectations for conformity conflict with women’s ideas about their creative needs. This paper examines the position of women artists in two of von Arnim’s novels as well as three of Mansfield’s stories, two from In A German Pension, ‘A Modern Soul’ and ‘The Advanced Lady’, and one later story, ‘The Singing Lesson’ (1920). These are works that address the challenges and alienation that the modern woman faced if she identified herself as an artist; they also question whether art alone could change the status quo.

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Dobson, Eleanor. "‘Fairy tales’ and ‘bunkum’: Marie Corelli, Artefacts and Fabrications." In Writing the Sphinx. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474476249.003.0003.

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This chapter centres on the spectral stories and rumours which orbited ancient Egyptian artefacts in the possession of literary authors, along with the Egyptological connections such authors made. It focuses on Marie Corelli, her one-time friend Oscar Wilde, reading Wilde’s scarab ring that recalled the rare and expensive objects in his own writings as finding a literary counterpart in Corelli’s The Sorrows of Satan (1895). Corelli’s devil is Wilde’s double, Wilde’s scarab ring represented as a live beetle within which resides the soul of a mummified princess. Such a depiction, this chapter claims, reflects Corelli’s condemnation of Wilde, and decadence more broadly. Also considered is a necklace that Corelli was given by Sir John Aird, partially comprised of ancient Egyptian beads. This object’s renderings in a heretofore neglected archival source along with Corelli’s lifelong companion’s memoirs, illuminate her belief that ancient Egyptian jewellery allowed spiritual connections between the ancient and modern worlds. Ultimately, this chapter unearths how Corelli, proposing that she was a reincarnated Egyptian princess, fashioned herself as an alternative Egyptological authority at odds with masculine, scholarly Egyptology represented by figures such as E. A. Wallis Budge of the British Museum.

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Pollok, Anne. "The Role of Writing and Sociability for the Establishment of a Persona." In Women and Philosophy in Eighteenth-Century Germany. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198843894.003.0011.

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This chapter examines the various strategies of intellectual self-formation by female intellectuals. While Henriette Herz created the public persona of the nurturing muse in her salon and established the idea of mutual exchange between the sexes, Rahel Varnhagen took the idea of self-reflection in the eyes of others one step further and, together with her husband, created a monument of remembrance with her collection of letters, fashioning the modern persona as fundamentally constituted through her exchange with others. Bettina von Arnim, finally, had no qualms using the most prominent poet, Goethe, as a prop in her writings, exercising the subversive power of remembrance to establish herself. Even though all these strategies build on the (male) other, they showcase the potential to subvert traditional gender roles.

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Cohen, Boaż. "Rachel Auerbach, Yad Vashem, and Israeli Holocaust Memory." In Polin: Studies in Polish Jewry Volume 20. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781904113058.003.0008.

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RACHEL AUERBACH (1903–76), an author and publicist of articles and reviews published in a wide range of Yiddish and Polish newspapers, was a central figure in Jewish literary circles in inter-war Poland. After the German invasion of Poland, Auerbach directed one of several soup kitchens in the Warsaw ghetto under the auspices of the Aleynhilf (Self-Help), the large network of Jewish relief organizations, and became a member of the Oneg Shabes archive established and directed by the historian Emanuel Ringelblum. Her writings for Oneg Shabes included an essay about her soup kitchen and some of its regular patrons. At the end of 1942, Ringelblum asked Auerbach to transcribe the testimony of Abraham Krzepicki, who had escaped from Treblinka, which she edited into the most extensive description of the death camp to date. She fled the ghetto in March 1943, a few weeks before the uprising, and hid on the ‘Aryan’ side for the duration of the war. She dedicated herself to aiding Jews in hiding and to writing; her essays and her famous poem ‘Yizkor, 1943’ describe both Jewish life in the ghetto and its destruction....

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Conference papers on the topic "Writings of herself"

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Tanaka, Eiichirou, Shozo Saegusa, Yasuo Iwasaki, and Louis Yuge. "Development of an ADL Assistance Apparatus for Upper Limbs and Evaluation of Muscle and Cerebral Activity." In ASME 2014 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/detc2014-34914.

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We developed an assistance apparatus for upper limbs for patients who can control their finger but they cannot lift up their arms themselves, for example myopathy and hemiplegic patients. The mechanism of assistance is utilized the differential gears to lose the weight and volume of the mechanical arm. That enabled us to configure three motors to drive two DOFs (Degrees of freedom) for the shoulder and one DOF for the elbow around the root of the mechanical arm. This arm has two support trays, for wrist and upper arm. Furthermore, to realize other ADL (activities of daily living) motions (for

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