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Journal articles on the topic 'Writings of V.S. Naipaul'

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Published: 4 June 2021

Last updated: 9 February 2022

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1

Maksimenko, Ekaterina Dmitrievna. "The problems of reader’s experience and the search for style in V. S. Naipaul's essayistic writing." Litera, no. 5 (May 2021): 40–46. http://dx.doi.org/10.25136/2409-8698.2021.5.35357.

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This article conducts a chronological reconstruction of the key milestones of the reading path of V. S. Naipaul, as well as reviews the problems of his reader’s experience and the search for writing style. Emphasis is placed on the creative and personal relationship between V. S. Naipaul and his father S. Naipaul, who was his teacher and mentor, developed his literary taste, aptitude and style of the future Nobel laureate. Their collaboration draws the interest of researchers based on the fact that namely S. Naipaul introduced world literature to his son, affected his choice of books, and helped to understand a different sociocultural context. The author reveals the impact of the Russian writers (Gogol, Tolstoy) and the Spanish picaresque novel (“Lazarillo de Tormes”) upon writing style of V. S. Naipaul; as well as determines the reading preferences of V. S. Naipaul at a mature age. Among the authors who considerably influenced V. S. Naipaul in different periods of his creative path, the author names R. Kipling, D. Defoe, J. R. R. Tolkien, and J. Conrad. The analytical overview of the “writer's library” and his reading preferences allows carrying out a more systematic, consistent, and logical examination of V. S. Naipaul's works. The idea of the circle of authors and writings that considerably influenced the creative personality of V. S. Naipaul gives the key to the analysis of quotations, borrowings, allusions and reminiscences, i.e. the problems of intertextuality in his prose fiction. V. S. Naipaul's essayistic writing has not been published in the Russian language; this article introduces it into the Russian scientific discourse in literary studies.

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2

Dr. B. Mangalam. "V. S. Naipaul’s Exploration of India: A Reading of Land, People and the Self." Creative Launcher 6, no. 1 (April 30, 2021): 39–53. http://dx.doi.org/10.53032/tcl.2021.6.1.06.

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This paper examines the non-fiction of the novelist, V.S. Naipaul, in particular, his writings on India. The paper argues that Naipaul’s repeated exploration of India, over three decades (1964-1990) can be read as his attempts at exploration of the Self. In his An Area of Darkness, India: A Wounded Civilisation, India: A Million Mutinies Now and in his Collection of Journalistic Essays, Naipaul examines the land of his ancestors, its people, its culture, polity, literature. But the most fascinating part of this journey pertains to his exploration of his own inner self. The paper juxtaposes his critique of India to probe an interesting analysis of the entity of a country, through a geographical, cultural and inner exploration of the writer.

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3

O’Shea-Meddour, Wendy. "Gothic Horror and Muslim Madness in V. S. Naipaul’s Beyond Belief." American Journal of Islamic Social Sciences 21, no. 1 (January 1, 2004): 57–72. http://dx.doi.org/10.35632/ajiss.v21i1.499.

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This article is written in response to the favorable critical reception that V. S. Naipaul’s writings about the Muslim world have received in mainstream western culture. Since the publication of his travel narratives, Among the Believers and Beyond Belief, Naipaul has enjoyed a reputation as an authority on the Muslim world. The critical acclaim that he has received has been accompanied by official recognition, including a knighthood and the Nobel Prize for Literature. However, many critics beyond the periphery of mainstream western culture have voiced concerns about his hatred of Islam. In this article, I offer a revisionist reading of Naipaul’s most recent Islamic travel narrative, Beyond Belief, arguing that Islamophobia has been disturbingly misinterpreted as expertise. Focusing on three main literary themes – nineteenth-century literary conventions, the gothic genre, and neurosis – I expose this bigoted worldview and call for his status to be reconsidered.

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4

O’Shea-Meddour, Wendy. "Gothic Horror and Muslim Madness in V. S. Naipaul’s Beyond Belief." American Journal of Islam and Society 21, no. 1 (January 1, 2004): 57–72. http://dx.doi.org/10.35632/ajis.v21i1.499.

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This article is written in response to the favorable critical reception that V. S. Naipaul’s writings about the Muslim world have received in mainstream western culture. Since the publication of his travel narratives, Among the Believers and Beyond Belief, Naipaul has enjoyed a reputation as an authority on the Muslim world. The critical acclaim that he has received has been accompanied by official recognition, including a knighthood and the Nobel Prize for Literature. However, many critics beyond the periphery of mainstream western culture have voiced concerns about his hatred of Islam. In this article, I offer a revisionist reading of Naipaul’s most recent Islamic travel narrative, Beyond Belief, arguing that Islamophobia has been disturbingly misinterpreted as expertise. Focusing on three main literary themes – nineteenth-century literary conventions, the gothic genre, and neurosis – I expose this bigoted worldview and call for his status to be reconsidered.

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5

Pan, Chunlin, and Xiaolu Wang. "On V. S. Naipaul’ s Spatial Writing." Comparative Literature: East & West 8, no. 1 (March 2007): 139–42. http://dx.doi.org/10.1080/25723618.2007.12015627.

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6

Thieme, John. "Searching for a centre: The writing of V S Naipaul." Third World Quarterly 9, no. 4 (October 1987): 1352–65. http://dx.doi.org/10.1080/01436598708420029.

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7

Mann, Harveen Sachdeva. "Journey through Darkness: The Writing of V. S. Naipaul (review)." MFS Modern Fiction Studies 34, no. 2 (1988): 255–57. http://dx.doi.org/10.1353/mfs.0.0389.

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8

Rai, Ram Prasad. "Displacement as a Diasporic Experience in V.S. Naipaul's A House for Mr Biswas." Crossing the Border: International Journal of Interdisciplinary Studies 5, no. 2 (July 15, 2017): 25–30. http://dx.doi.org/10.3126/ctbijis.v5i2.18435.

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The term ‘displacement’ has a strong connection with diaspora literature that studies the experiences of pain and pleasure of the people in the diaspora. People in the diaspora do not have comfortable life. Since they are away from their homeland, it is not easy for them to get integrated into the new main stream society. Because of several variations such as language, culture, custom, religion, belief etc., they are to face difficulties in the host-land. They come across the feeling of displacement through alienation, homelessness, identity crisis etc. that are interconnected in the diaspora. Being a generation of indentured labor immigrant family, V. S. Naipaul himself has gone through such paining experiences that are indirectly expressed through the life experiences of the characters in his writing. While reading about Naipaul’s life story and of Mr. Biswas in the novel A House for Mr. Biswas, it can be understood that they sound similar strongly. In the novel, Naipaul shows how Mr. Biswas more importantly along with other people as the generation of indentured labour immigrant parents in Trinidad suffer from homelessness, displacement, alienation etc. This paper mainly focuses on the experiences of displacement along with homelessness, alienation etc. faced by Mr. Biswas and other characters as they are from Indian diasporic community.Crossing the Border: International Journal of Interdisciplinary Studies 5(2) 2017: 25-30

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9

Daglier, Üner. "Historical Consciousness Among the Converted Peoples in V. S. Naipaul's Islamic Writings." Interventions 17, no. 5 (December 6, 2014): 657–68. http://dx.doi.org/10.1080/1369801x.2014.984620.

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10

Jarvis, Robin. "What Am I Still Doing Here?" Journeys 19, no. 1 (June 1, 2018): 88–106. http://dx.doi.org/10.3167/jys.2018.190105.

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This article offers preliminary thoughts on travel writing from a gerontological perspective. Gender, race, and sexuality have provided important analytical frames for travel writing studies, but age has yet to function as a topic or point of reference. Through a consideration of five travel books by respected modern authors—Jan Morris, Dervla Murphy, V. S. Naipaul, Paul Theroux, and Colin Thubron—the article asks what motivates travel writers to stay “on the road” into their seventies and beyond, and what the distinctive features of travel narratives written at this life stage might be. The article aims to demonstrate the intrinsic fascination of travel books in which a strong abiding curiosity about the world coexists with an acute—and often melancholy—awareness of the passing of time and personal mortality.

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11

Dizayi, Saman Abdulqadir Hussein. "The Concepts of Home and Exile in The Mimic Men, a Novel by V.S. Naipaul." IRA-International Journal of Management & Social Sciences (ISSN 2455-2267) 9, no. 3 (January 10, 2018): 174. http://dx.doi.org/10.21013/jmss.v9.n3.p6.

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The aim of this research is to analyze the presence of the concepts of “Exile and Home” in raising the identity crisis in V. S. Naipaul’s novel The Mimic Men (1967). It examines Edward Said’s theoretic contention of exile’s influence in creating identity crisis and in the view of Naipaul’s writing as an attempt to resolve the dilemma of the protagonist Ralph Singh’s identity. The chapter shows Ralph’s responses in endeavoring to form an individual identity while struggling from the burdens of colonial heritage. It is an irony or quiet paradox to apply, as this dissertation does, postcolonial theory to the postcolonial novels, or those novels depicting ex-colonial subject resistance to colonial traditions while living in the very heart of the colonial center, i.e., London; nevertheless, such an application reveals the conflicting sides of the characters’ identity, which has grown in part from attempting to fit in: "The mimic is a contradictory figure who simultaneously reinforces colonial authority and disturbs it".

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12

Gorjup, Branko. "Michael Ondaatje's reinvention of social and cultural Myths: In the Skin of a Lion." Acta Neophilologica 22 (December 15, 1989): 89–95. http://dx.doi.org/10.4312/an.22.0.89-95.

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From the beginning of his writing career in the early sixties until the recent publication of In the Skin of a Lian (1987), the Canada of Michael Ondaatje had represented one thing: a geographical locale which he has selected as his home but which, fundamentally, had failed to engage his imagination. The fictional worlds he created in The Collected Works of Billy the Kid, Coming Through Slaughter and Running in the Family, has been located outside of Canada, each corresponding to an actual place complete with historical and geographical references. For this very reason it has been impossible - as Sam Solecki noted in his introduction to Spider Blues, »a collection of reviews and essays on Ondaatje - to place this anomalous literary presence in Canada within »specifically Canadian tradition of writing ...«, a tradition that would»include and see relationships among figures as different as Roberts, Pratt, F. R. Scott, Purdy and Atwood ...« Ondaatje's »characters, landscapes, stories and themes resist any taxonomies based on overtly Canadian thematics.« In fact, Solecki further suggested that Ondaatje, like »V. S. Naipaul, Derek Walcott and Salmon Rushdie ..., compels a rethinking of the notion of a national tradition«. Similarly, another critic from the same collection described Ondaatje's position in the context of Canadian writing as unique - a position according to which »language or audience or the identity and the role of the poet are indeterminate. «

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13

Gorjup, Branko. "Michael Ondaatje's reinvention of social and cultural Myths: In the Skin of a Lion." Acta Neophilologica 22 (December 15, 1989): 89–95. http://dx.doi.org/10.4312/an.22.1.89-95.

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From the beginning of his writing career in the early sixties until the recent publication of In the Skin of a Lian (1987), the Canada of Michael Ondaatje had represented one thing: a geographical locale which he has selected as his home but which, fundamentally, had failed to engage his imagination. The fictional worlds he created in The Collected Works of Billy the Kid, Coming Through Slaughter and Running in the Family, has been located outside of Canada, each corresponding to an actual place complete with historical and geographical references. For this very reason it has been impossible - as Sam Solecki noted in his introduction to Spider Blues, »a collection of reviews and essays on Ondaatje - to place this anomalous literary presence in Canada within »specifically Canadian tradition of writing ...«, a tradition that would»include and see relationships among figures as different as Roberts, Pratt, F. R. Scott, Purdy and Atwood ...« Ondaatje's »characters, landscapes, stories and themes resist any taxonomies based on overtly Canadian thematics.« In fact, Solecki further suggested that Ondaatje, like »V. S. Naipaul, Derek Walcott and Salmon Rushdie ..., compels a rethinking of the notion of a national tradition«. Similarly, another critic from the same collection described Ondaatje's position in the context of Canadian writing as unique - a position according to which »language or audience or the identity and the role of the poet are indeterminate. «

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14

Thieme, John, and Fawzia Mustafa. "V. S. Naipaul." Modern Language Review 93, no. 3 (July 1998): 821. http://dx.doi.org/10.2307/3736546.

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15

Henry, Paget. "V. S. Naipaul." CLR James Journal 24, no. 1 (2018): 13–16. http://dx.doi.org/10.5840/clrjames2018241/27.

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16

Dasenbrock, Reed Way, and Richard Kelly. "V. S. Naipaul." World Literature Today 64, no. 2 (1990): 351. http://dx.doi.org/10.2307/40146577.

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17

Smith, Angela, and Richard Kelly. "V. S. Naipaul." Modern Language Review 86, no. 3 (July 1991): 696. http://dx.doi.org/10.2307/3731045.

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18

Jussawalla, Feroza, and Bruce King. "V. S. Naipaul." World Literature Today 69, no. 1 (1995): 213. http://dx.doi.org/10.2307/40151084.

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19

Naipual, V. S., and Adrian Rowe-Evans. "V. S. Naipaul." Transition, no. 75/76 (1997): 192. http://dx.doi.org/10.2307/2935405.

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20

Hamner, Robert D. "Recommended: V. S. Naipaul." English Journal 74, no. 6 (October 1985): 73. http://dx.doi.org/10.2307/816905.

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21

Bawer, Bruce. "Civilization and V. S. Naipaul." Hudson Review 55, no. 3 (2002): 371. http://dx.doi.org/10.2307/3853335.

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22

Thorpe, Michael, and Feroza Jussawalla. "Conversations with V. S. Naipaul." World Literature Today 71, no. 3 (1997): 640. http://dx.doi.org/10.2307/40152986.

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23

KAYINTU, Ahmet. "V. S. NAİPAUL VE İSLAM." Adiyaman University Journal of Social Sciences, no. 18 (January 1, 2014): 853. http://dx.doi.org/10.14520/adyusbd.854.

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24

Nixon, Rob, and V. S. Naipaul. "V. S. Naipaul, Postcolonial Mandarin." Transition, no. 52 (1991): 100. http://dx.doi.org/10.2307/2935128.

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25

Gyulay, Nicole. "Writing for the West: V. S. Naipaul's Religion." South Asian Review 26, no. 1 (November 2005): 256–65. http://dx.doi.org/10.1080/02759527.2005.11932385.

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26

Waters, Harold A., and Selwyn R. Cudjoe. "V. S. Naipaul: A Materialistic Reading." World Literature Today 63, no. 2 (1989): 356. http://dx.doi.org/10.2307/40144999.

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27

Donnell, Alison. "V S Naipaul, a Queer Trinidadian." Wasafiri 28, no. 2 (June 2013): 58–65. http://dx.doi.org/10.1080/02690055.2013.758989.

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28

Krishnan, S. "V. S. Naipaul and Historical Derangement." Modern Language Quarterly 73, no. 3 (January 1, 2012): 433–51. http://dx.doi.org/10.1215/00267929-1631469.

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29

Hughes, Peter, Bruce King, Judith Levy, and Rob Nixon. "Tropics of Candor: V. S. Naipaul." Contemporary Literature 38, no. 1 (1997): 205. http://dx.doi.org/10.2307/1208859.

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30

Mann, Harveen Sachdeva. "V. S. Naipaul (review)." MFS Modern Fiction Studies 35, no. 4 (1989): 870–71. http://dx.doi.org/10.1353/mfs.0.1517.

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31

Jackson, Elizabeth. "Obituary: V. S. Naipaul, 1932–2018." Journal of Commonwealth Literature 53, no. 4 (December 2018): 729–34. http://dx.doi.org/10.1177/0021989418812509.

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32

Mishra, Vijay. "Reading the Tulsa V S Naipaul Archive." Media International Australia 180, no. 1 (July 24, 2021): 32–39. http://dx.doi.org/10.1177/1329878x211010778.

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In 1993, the University of Tulsa purchased the V S Naipaul papers and installed the V S Naipaul Archive, principally a paper archive, a year later. In this essay, which is also a homage to the late Professor Tom O’Regan, I examine the value of archives, a scholar’s use of them and the ‘Freudian impressions’ or latent texts embedded in in them. Although once established an archive can acquire mystical power, in reading it, one has to be conscious of processes of selection and redaction built into the archive. One ‘Freudian impression’ that requires attending to is the role of Naipaul’s first wife Patricia Naipaul in the growth of the writer’s craft. The archival evidence suggests that his best works were written while she was alive.

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33

Smyer, Richard, Richard Kelly, and Dolly Zulakha Hassan. "A New Look at V. S. Naipaul." Contemporary Literature 33, no. 3 (1992): 573. http://dx.doi.org/10.2307/1208485.

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34

Dasenbrock, Reed Way, and Rob Nixon. "London Calling: V. S. Naipaul, Postcolonial Mandarin." World Literature Today 66, no. 4 (1992): 764. http://dx.doi.org/10.2307/40148785.

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35

Langran, Phillip. "V . S . Naipaul : A Question of Detachment." Journal of Commonwealth Literature 25, no. 1 (March 1990): 132–41. http://dx.doi.org/10.1177/002198949002500110.

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36

Levy, Judith. "V. S. Naipaul: From Displacement to Hybridity?" South Asian Review 26, no. 1 (November 2005): 211–23. http://dx.doi.org/10.1080/02759527.2005.11932382.

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37

Matos, Jacinta Maria. "A educação (pós-)imperial de V. S. Naipaul." Revista Crítica de Ciências Sociais, no. 65 (May 1, 2003): 175–85. http://dx.doi.org/10.4000/rccs.1190.

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38

Gerry L'Étang. "Du passage de V. S. Naipaul en Martinique." L'Esprit Créateur 50, no. 2 (2010): 124–34. http://dx.doi.org/10.1353/esp.0.0223.

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39

Tsang, Philip. "Negative Cosmopolitanism: The Case of V. S. Naipaul." Twentieth-Century Literature 66, no. 2 (June 1, 2020): 163–84. http://dx.doi.org/10.1215/0041462x-8536143.

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This essay illustrates a “negative cosmopolitanism” in V. S. Naipaul’s work. Both defenders and critics of cosmopolitanism readily identify the concept with the European philosophical tradition. Arguing that European thinkers do not have a patent on cosmopolitanism, I contend that the anomalies, dissonances, and ruptures that define colonial modernity can open up a “negative cosmopolitanism,” which locates the potential for ethical engagement in what seems like the waste products of history. For Naipaul, cosmopolitanism designates not a volitional, character-strengthening endeavor but, rather, a painful process of self-negation. Traversing a world profoundly shaped by colonialism, the writer and his characters are at a loss to make sense of their historical lineage and their place in a rapidly changing landscape. Through a reading of The Loss of El Dorado (1969) and A Bend in the River (1979), I demonstrate that it is finally the failure of connection or solidarity that motivates Naipaul’s attentiveness to the other.

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40

Bhattacharya, Baidik. "V. S. Naipaul and Fictions of Subaltern Diaspora." South Asian Review 32, no. 3 (December 2011): 27–47. http://dx.doi.org/10.1080/02759527.2011.11932847.

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41

Mustafa, Fawzia. "London Calling: V. S. Naipaul, Postcolonial Mandarin. Rob Nixon." Modern Philology 92, no. 3 (February 1995): 397–99. http://dx.doi.org/10.1086/392262.

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42

Mann, Harveen Sachdeva. "V. S. Naipaul: A Materialist Reading (review)." MFS Modern Fiction Studies 35, no. 2 (1989): 389–91. http://dx.doi.org/10.1353/mfs.0.0500.

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43

Duyck, Rudy. "V. S. Naipaul and John Donne: The Morning After." Journal of Commonwealth Literature 24, no. 1 (March 1989): 155–62. http://dx.doi.org/10.1177/002198948902400112.

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44

Donadio, Rachel. "PROFILE The Irascible Prophet: V. S. Naipaul at Home." South Asian Review 26, no. 1 (November 2005): 12–18. http://dx.doi.org/10.1080/02759527.2005.11932369.

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45

Zapata, Jesús Varela. "Odd Man Out: V. S. Naipaul and Postcolonial Studies." South Asian Review 26, no. 1 (November 2005): 266–83. http://dx.doi.org/10.1080/02759527.2005.11932386.

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46

Mishra, Sanjay Kumar. "Location of Diaspora in V.S. Naipaul’s A Bend in the River." KMC Research Journal 1, no. 1 (June 29, 2017): 1–8. http://dx.doi.org/10.3126/kmcrj.v1i1.28238.

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The paper explores the traumatic experiences of diaspora in V. S. Naipaul’s A Bend in the River. It shows how immigrants turn vulnerable in a newly decolonized world. It argues that people suffer from identity crisis when they are culturally and geographically alienated. Identity is inextricably bound up with the notion of location. It analyses the traumatic experiences of diaspora problem of making identity, finding and making location are revealed through Naipaul’s writing. It brings to light the expression of identity in diaspora belonging and alienation diaspora, exile, dislocation and displacement.

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47

Maksimenko, Ekaterina D. "The non-fictional text Michael X and the Black Power Killings in Trinidad by V. S. Naipaul and the analysis of its influence on the creative work of the author." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 21, no. 2 (May 25, 2021): 219–25. http://dx.doi.org/10.18500/1817-7115-2021-21-2-219-225.

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The article defines the importance of the non-fictional text of V. S. Naipaul Michael X and the Black Power Killings in Trinidad in the creative work of the writer. The article provides the features of a journalistic investigation, the history of its creation and the analysis of its place in the bibliography of V. S. Naipaul. The text is also considered as the key to the evolution of the hero and theme in the author’s creative heritage.

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48

Krishnan, Sanjay. "Edward Said, Mahmood Mamdani, V. S. Naipaul: Rethinking Postcolonial Studies." MFS Modern Fiction Studies 58, no. 4 (2012): 818–36. http://dx.doi.org/10.1353/mfs.2012.0064.

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49

Mann, Harveen Sachdeva. "V. S. Naipaul and the West Indies (review)." MFS Modern Fiction Studies 36, no. 4 (1990): 590–91. http://dx.doi.org/10.1353/mfs.0.0241.

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50

Dalleo, Raphael. "Ways of Looking: The Global Vision of V. S. Naipaul." South Asian Review 26, no. 1 (November 2005): 358–74. http://dx.doi.org/10.1080/02759527.2005.11932392.

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