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Journal articles on the topic 'Written literature'

Author: Grafiati

Published: 28 July 2024

Last updated: 30 July 2024

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1

THOMAS, ROSALIND. "Performance and written literature in Classical Greece: envisaging performance from written literature and comparative contexts." Bulletin of the School of Oriental and African Studies 66, no. 3 (October 2003): 348–57. http://dx.doi.org/10.1017/s0041977x03000247.

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This paper examines the nature of performance literature in Ancient Greece, comparing it with other modern and medieval examples. It concentrates on archaic Greek ‘song culture’, and especially choral praise poetry. It discusses the social and cultural significance of the original performances and, drawing on comparative examples, investigates the ‘gap’ between performance and text, possible cultural explanations and interpretations of ‘difficult’ performed literature—particularly competitive and religious—which stand out in comparison to performance literatures elsewhere.

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2

Niama, Haidyr Hashim. "IMPACT OF BRITISH LITERATURE ON GLOBAL LITERATURE." American Journal of Social Science and Education Innovations 6, no. 6 (June 1, 2024): 176–89. http://dx.doi.org/10.37547/tajssei/volume06issue06-24.

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The influence of British literature on global literature is enormous. In so many ways, British literature has influenced world literature. The Anglo-Saxon period established the British literature tradition, which continues to influence world literature today. In this blog post, we will look at various aspects of British literature's influence on global literature. The study of literary works from the United Kingdom and other countries around the world is known as British and world literature. It includes classic and contemporary works, often translated into English, that reflect regional and historical cultural and social norms. Individuals who study British and world literature gain insights into the historical, social, and cultural contexts in which the works were written. This allows for a better understanding of human experiences and the appreciation of different points of view. British literature composition is the process of creating written works in the English language that originate in or are related to the United Kingdom. This includes works written by British authors throughout history in the genres of fiction, poetry, drama, and nonfiction. Different literary movements, such as Medieval, Renaissance, Romanticism, and Postmodernism, have shaped the evolution of British literature composition. The composition of British literature has had a significant impact on the literary world and continues to inspire many contemporary writers.

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3

Mahmood, Dr Rasib, Asifa Qasim, Dr Akhter Habib Shah, and Dr Tribhuwan Kumar. "Learning Literature through Media: A Comparative Study of Learning Process through Written and Filmed Literature." International Journal of Early Childhood Special Education 14, no. 1 (March 17, 2022): 1064–70. http://dx.doi.org/10.9756/int-jecse/v14i1.221120.

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Literature documents and represents the experiences of human beings in the form of novels, poetry and dramas. These experiences can also be made visual in movies and other enactments. EFL practitioners employ literature to teach English. This study investigated the differences in the learning processes of EFL learners using texts and movies in the Pakistani context. Macbeth and A Passage to India were selected arbitrarily for this study. The data were collected through classroom observations and interviews from Lahore and NUML University Peshawar. The participants were divided into two groups of twenty. The control group used written texts of the literary works, whereas the experimental group was taught through movies of the novel and the play. The study’s findings revealed both positive and negative effects on the learners. The use of text resulted in better writing skills, correct spellings, and sentences but tended to show weak speaking skills with the local pronunciation of English words. On the other hand, watching movies improved the learners’ fluency and pronunciation, but they had spelling and sentence construction problems. Therefore, it is recommended that both written and visual forms of literary works be used concomitantly.

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4

곽형덕. "The “Volcano Island” as a Literature Written by the Exile Writer." Review of Korean Cultural Studies 57, no. 57 (March 2017): 37–62. http://dx.doi.org/10.17329/kcbook.2017.57.57.002.

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İSMAİL, Mehmet. "Pomegranate In Written And Spoken Literature." Journal of Turkish Studies Volume 3 Issue 5, no. 3 (2008): 217–26. http://dx.doi.org/10.7827/turkishstudies.421.

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6

Andrzejewski, B. W. "The rise of written Somali literature." Journal of African Cultural Studies 23, no. 1 (June 2011): 73–80. http://dx.doi.org/10.1080/13696815.2011.581459.

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7

Maksetbay Kyzy, Ayimbetova Zamira. "The Problem Of Mutual Synthesis Of Folklore And Written Literature In The Science Of Karakalpak Literature." American Journal of Social Science and Education Innovations 02, no. 11 (November 30, 2020): 421–27. http://dx.doi.org/10.37547/tajssei/volume02issue11-70.

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The study of folklore in the works of Karakalpak poets and writers is especially relevant in the modern stages of cultural development, due to the growing interest of society in the study of their national and historical roots. The study of the interrelationship of written literature and folklore is of particular importance in the preservation of the common cultural heritage of mankind and each nation. It is also a powerful weapon in identifying peoples, nations, communities, and age groups and bringing them closer together. Traditional folk culture is not only a dialogue between different nations, but also a dialogue between different peoples. Without it, under the influence of popular culture, young people become addicted to stereotypes that are alien to nationalism, a feeling that often puts nationalism second to none. The spirit of the society, which has lost touch with the roots of national culture, weakens, loses its direction in the definition of moral and artistic dignity.

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8

Kaur Brar, Nimrat. "Exploring the Interplay: Oral Traditions and the Written Word in Literature." International Journal of Science and Research (IJSR) 12, no. 9 (September 5, 2023): 422–27. http://dx.doi.org/10.21275/sr23903131007.

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9

Conroy, R. M., and R. Mulcahy. "Readability of literature written for cardiac patients." Clinical Cardiology 8, no. 2 (February 1985): 104–6. http://dx.doi.org/10.1002/clc.4960080207.

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10

Hasilova, Gulsumkhanim. "Reflection of ceremonial folklore in written literature." Studies on Oral Folk Literature of Azerbaijan, no. 02 (2023): 156. http://dx.doi.org/10.59849/2309-7922.2023.2.156.

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11

Pérez, Sidoní López. "A Concise Overview of Native American Written Literature: Early Beginnings to 1968." International Journal of Languages, Literature and Linguistics 5, no. 3 (September 2019): 176–85. http://dx.doi.org/10.18178/ijlll.2019.5.3.223.

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12

Speidel, Michael A. "Documentality. New Approaches to Written Literature in Imperial Life and Literature." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 141, no. 1 (June 1, 2024): 547–51. http://dx.doi.org/10.1515/zrgr-2024-0016.

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13

Hansen, Jennifer. "Written on the Body, Written by the Senses." Philosophy and Literature 29, no. 2 (2005): 365–78. http://dx.doi.org/10.1353/phl.2005.0025.

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14

Usher, Jonathan, and Guido Bonsaver. "Elio Vittorini. The Writer and the Written." Modern Language Review 97, no. 1 (January 2002): 203. http://dx.doi.org/10.2307/3735662.

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15

Naimanbayev, А., and T. Erbai. "SECRETS OF ABAY'S INNOVATIONS IN KAZAKH WRITTEN LITERATURE." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 270–73. http://dx.doi.org/10.51889/2020-4.1728-7804.56.

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The article tells about the history of the formation of Kazakh written literature and Abai's contribution to written literature. Under Soviet rule, Kazakh writing was formed only in the XIX century. He noted that the Kazakh written literature "tup torkin" was formed in early epochs, its specific features are contained in the text of historical poems-inscriptions dedicated to Kultegin, Tonyukok, bilge, Bumyn-kagans, which are ancient monuments. Such batyrs as Kok Bori, Shu Batyr, Atilla, etc., who were born in previous epochs, pay attention to the continuity of traditions with the artistic line of the Saga. And Abay-giant did not found the Kazakh written literature, he again analyzes that he drank deeply from the Golden Fund of the National written literature, which expanded its field to him, revealed new qualitative facets of Amateur art.

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16

Cohen, Walter. "The Rise of the Written Vernacular: Europe and Eurasia." PMLA/Publications of the Modern Language Association of America 126, no. 3 (May 2011): 719–29. http://dx.doi.org/10.1632/pmla.2011.126.3.719.

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When Students of Western European Medieval Literature speak of the rise of the vernacular, they often do not mean what you might think they mean—neither the continued use of Latin as a written vernacular for over five hundred years after the fall of the Roman Empire nor the first texts in Celtic, Germanic, and Semitic languages, from the fourth to the tenth century. They mean something later and geographically narrower—the writing that emerges from the breakup of Latin into distinct regional speech patterns, the Romance languages and literatures, primarily in the territories of modern France, Spain, Italy, and Portugal. Although understanding the rise of Romance-language literature as the rise of vernacular writing misrepresents medieval European literature, it has an important rationale. The twelfth-century literature of what is now France—Old French romance in the north, Occitan (formerly Provençal) lyric in the south—establishes continent-wide norms, thereby giving European literature a coherent set of forms and themes for the first time.

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17

Doshi, Neil. "Written in Sand." Samuel Beckett Today / Aujourd’hui 31, no. 2 (October 24, 2019): 234–49. http://dx.doi.org/10.1163/18757405-03102004.

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Abstract This article reinterprets the Algerian writer Mohammed Dib’s 1992 novel Le désert sans détour through the analysis of its reference to Samuel Beckett’s En attendant Godot. I argue that for Dib, Beckett offers an important model for a post-revolutionary politics that expresses extreme skepticism over clichéd notions of historical progress and universal humanism. Recuperating this ignored Beckettian strand in Dib’s novel, I revise the critical reception that has read the text as apolitical and focused on spirituality. I offer a better understanding of Dib’s aesthetic as one emerging out of a dialectical tension between discourses of Sufi illumination and a Beckettian politics radically enmeshed in the world.

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18

Badura, Bożena Anna. "Between Cultures Using Arthur Becker’s novel, "Das Herz von Chopin" Polish Literature Written in German: The Reception of Literature." Prace Naukowe Akademii im. Jana Długosza w Częstochowie. Studia Neofilologiczne 11 (2015): 161–73. http://dx.doi.org/10.16926/sn.2015.11.10.

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19

Carrabino, Victor, Eldred Durosimi Jones, Eustace Palmer, and Marjorie Jones. "Oral & Written Poetry in African Literature Today." World Literature Today 64, no. 3 (1990): 512. http://dx.doi.org/10.2307/40146800.

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20

Culley, Robert C., and Susan Niditch. "Oral World and Written Word: Ancient Israelite Literature." Journal of Biblical Literature 117, no. 4 (1998): 717. http://dx.doi.org/10.2307/3266638.

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21

van Seters, John, and Susan Niditch. "Oral World and Written Word: Ancient Israelite Literature." Journal of the American Oriental Society 118, no. 3 (July 1998): 436. http://dx.doi.org/10.2307/606090.

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22

Sousa, Celeste Ribeiro de. "Brazilian literature written in German, and its criticism." Pandaemonium Germanicum 19, no. 28 (August 16, 2016): 45. http://dx.doi.org/10.11606/1982-883719284573.

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O presente texto objetiva expor e divulgar ao mais amplo público leitor um panorama cronológico comentado dos estudos críticos publicados sobre a literatura produzida por imigrantes de língua alemã e seus descendentes no Brasil, mostrando que e por que se tratam de uma crítica parcial, o que evidencia a necessidade de atrair a atenção para este campo de pesquisa, partindo dos novos horizontes abertos pelos estudos culturais, pela imagologia, pelos estudos da memória, além da crítica poética. Parte-se das palavras encorajadoras de Boris Fausto em Fazer a América (1999) e de Wander de Melo Miranda em Nações literárias (2010), pois a literatura de língua alemã gerada no país pertence à cultura brasileira, é uma das nações literárias encastoadas no Brasil

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23

Inwood, Heather, Margaret Hillenbrand, and Haomin Gong. "Internet Literature in China, written by Michel Hockx." Asiascape: Digital Asia 4, no. 1-2 (February 23, 2017): 159–70. http://dx.doi.org/10.1163/22142312-12340074.

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24

Arthur, Valerie A. M. "Written patient information: a review of the literature*." Journal of Advanced Nursing 21, no. 6 (June 1995): 1081–86. http://dx.doi.org/10.1046/j.1365-2648.1995.21061081.x.

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25

Houlden, Kate. "Emigration and Caribbean Literature, written by Malachi McIntosh." New West Indian Guide 91, no. 3-4 (2017): 335–36. http://dx.doi.org/10.1163/22134360-09103031.

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26

Scourfield, J. H. D. "Written Death." Classical Review 51, no. 1 (March 2001): 136–37. http://dx.doi.org/10.1093/cr/51.1.136.

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27

Fuente, José. "Written manchuakjan‘thunder’." Acta Orientalia Academiae Scientiarum Hungaricae 66, no. 1 (March 2013): 59–68. http://dx.doi.org/10.1556/aorient.66.2013.1.4.

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28

SCHWEBKE, LINDA, and PETER MEDWAY. "The Reader Written." Written Communication 18, no. 3 (July 2001): 350–89. http://dx.doi.org/10.1177/0741088301018003005.

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29

Eshmuhamedova, Maryam. "THE WRITTEN HERITAGE OF SULAYMON BAQIRGANI." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 04, no. 01 (January 1, 2023): 46–49. http://dx.doi.org/10.37547/philological-crjps-04-01-10.

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The poets of the Yassavi school have a special place in the history of Uzbek literature, manuscript sources testify to this. Sulayman Baqirgani is the most powerful of the poets in this school. Alisher Navoi mentions Ahmed Yassavi in "Nasaimul-Muhabbat" and mentions him as "Shaykh ul-Mashayikh", "Qiblai prayer of the people of Turkestan". While giving information about his follower Sulayman Baqirgani, he cites an excerpt from his poetry, stressing that "Hakim was the language of wisdom" and that his wisdom was popular among Turks.

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30

Almeida, Sandra Regina Goulart. "Geographies of old olaces and bodies: revisioning Caribbean literature written by women." Aletria: Revista de Estudos de Literatura 19, no. 1 (January 31, 2009): 181–93. http://dx.doi.org/10.17851/2317-2096.19.1.181-193.

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Resumo: O presente ensaio discute uma possível revisão da literatura caribenha contemporânea por meio da “ficção especulativa” produzida por mulheres. Ao analisar como essas escritoras procuram unir aspectos tradicionais da literatura caribenha com um discurso distópico e questionador, este ensaio aborda essa ficção especulativa produzida na diáspora, a partir de uma perspectiva de gênero, focalizando o romance Midnight Robber, da escritora caribenha-canadense Nalo Hopkinson.Palavras-chave: literatura caribenha; ficção especulativa; gênero.Abstract: This essay discusses how speculative fiction produced by women writers has revisited contemporary Caribbean Literature. By analyzing how these writers combine traditional aspects of Caribbean literature with a dystopian and transgressive discourse, this text addresses the questionings proposed by women writers from a gender perspective, focusing on the novel Midnight Robber by the Caribbean-Canadian writer Nalo Hopkinson.Keywords: Caribbean literature; speculative fiction; gender.

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31

Johnson, Peter. "Written out." College Composition and Communication 39, no. 1 (February 1988): 22. http://dx.doi.org/10.2307/357813.

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32

Roberts, Mike. "Teaching Young Adult Literature: YA Literature Belongs in the Classroom Because …" English Journal 102, no. 5 (May 1, 2013): 89–90. http://dx.doi.org/10.58680/ej201323596.

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33

Yiu, Lu, and Wang Zhihuan. "Written during a Storm." Antioch Review 46, no. 2 (1988): 196. http://dx.doi.org/10.2307/4611867.

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34

Reed-Morrisson, Laura, and Jeanette Winterson. "Written on the Body." Chicago Review 40, no. 4 (1994): 101. http://dx.doi.org/10.2307/25305895.

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35

Kandjimbo, LuÃs, and Russell G. Hamilton. "Angolan Literature in the Presence of an Incipient Canon of Literatures Written in Portuguese." Research in African Literatures 38, no. 1 (2007): 9–34. http://dx.doi.org/10.1353/ral.2007.0010.

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36

Regassa, Megersa, and Terefe Mitiku. "Orality in African Literary Works: An Interaction of Oromo Oral Literature with Written Poetry." Research in African Literatures 54, no. 3 (September 2024): 111–30. http://dx.doi.org/10.2979/ral.00019.

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ABSTRACT: This article deals with the interaction of Oromo's oral literature with written poetry. The main objective is to indicate the way different types of oral literature elements are adapted to written poetry. Data were collected through qualitative methods such as document analysis, interviews, and group discussions and were analyzed qualitatively. Types of Oromo oral literature like a proverb, oral narrative, oral poetry, and riddles are adapted into written poetry by different authors. The interaction forms a bridge between the oral literary culture and written literature enabling both to complimentarily develop Oromo literature. As Richard M. Dorson states, "Oral literature can and frequently does enter into written literature. A new generation of African novelists … strews the proverbs of their native languages throughout their fiction" (2). The intermixing of African orality and written literary works makes literature closer to culture and societal life. These connections sustain the life of oral literature in written literature, on the one hand, and enable written literature to aesthetically communicate the culture, history, norms, and beliefs of a group of people who share it.

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37

Gordon *, Natasha Maria. "To write what cannot be written: female circumcision in African and Middle Eastern literature." Changing English 11, no. 1 (March 2004): 73–87. http://dx.doi.org/10.1080/1358684042000179453.

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38

Crowe, Chris. "Young Adult Literature: What Is Young Adult Literature?" English Journal 88, no. 1 (September 1, 1998): 120–22. http://dx.doi.org/10.58680/ej1998360.

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Outlines some of the many confusions about young adult literature. Sheds some light on what young adult literature is (defining it as all genres of literature published since 1967 that are written for and marketed to young adults). Discusses briefly how it can be used in schools. Offers a list of the author’s 20 favorite books for teenagers.

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39

Schlossberg, Eliezer. "Between Old and New in Yemenite Midrashic Literature." Review of Rabbinic Judaism 23, no. 1 (April 14, 2020): 75–88. http://dx.doi.org/10.1163/15700704-12341364.

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Abstract The Midrashim mentioned and described briefly in this article—R. Avraham ben Shlomo’s commentary on the early and later prophets, the Midrash Shoʿel U-Meshiv, and the anonymous Midrash on the Torah written at the beginning of the sixteenth century—represent the transitional stage between the classic and the later Yemenite Midrash. The former are written in a mixture of Hebrew and Arabic, based on rabbinic writings and on the teachings of great medieval scholars such as R. Saadia Gaon and Maimonides, while the latter are written almost solely in Hebrew and based mainly on esoteric, symbolic, allegorical, and kabbalistic elements. Those written in the intermediate period between the old and the new combine all these characteristics.

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40

Lovejoy, Ritchie. "Silence (written near Monterey Bay)." Steinbeck Review 4, no. 2 (2007): 96–97. http://dx.doi.org/10.2307/41582058.

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41

Lovejoy, Ritchie. "Silence (written near Monterey Bay)." Steinbeck Review 4, no. 2 (2007): 96–97. http://dx.doi.org/10.5325/steinbeckreview.4.2.0096.

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42

ADİLOĞLU, Adilhan. "Kâzim Möçü Who Founder Of Karaçay-Malkar’s Written Literature." Journal of Turkish Studies Volume 1 Issue 2, no. 1 (2006): 202–21. http://dx.doi.org/10.7827/turkishstudies.22.

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43

Yoo, Sun-mi, and In-geun Sung. "A Study on the Written Writers of Independent Literature." Korean Society of Calligraphy 41 (September 30, 2022): 139–58. http://dx.doi.org/10.19077/tsoc.2022.41.06.

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There are two theories about the lyricist of A framed picture written on the south and north sides of Independence Gate. It was written by Lee Wan-yong(1858-1926), who was patriotic but degenerated into a traitor, and by Dongnong Kim Ga-jin(1846-1922), who devoted himself to modernization of Joseon and campaigned for independence until he turned his back on the world. Independence Gate is a national monument modeled after the Arc de Triomphe in Paris in the form of a 14.2m high and 11.48m wide stone gate that greeted the envoys of Cheong since the Independence Association advocated the construction of Independence Gate in 1896. The south side of Independence Gate is engraved in Korean, and The north side is engraved with three letters of Independence Gate in Chinese characters. As both Lee Wan-yong and Kim Ga-jin were known as the best handwritings of the time, it is highly likely that they wrote the compilation of the Independence Gate. In addition, Lee Wan-yong was the chairman of the Independent Association and the foreign minister of the Joseon government at the time of the establishment of the Independent Gate, and Kim Ga-jin was also a member of the Independent Association and a high-ranking official of Joseon. Therefore, it is considered reasonable to interpret the answer to who wrote the compilation of the independent text in a calligraphy manner through the genuine enemies left by Lee Wan-yong and Kim Ga-jin. Therefore, this paper analyzes the calligraphy context of Lee Wan-yong and Kim Ga-jin and the font characteristics of similar handwriting left by them based on two different theories about independent writers.

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44

Guzana, Zingisa. "Exploring Women's Silence in Isixhosa Written and Oral Literature." Agenda, no. 46 (2000): 75. http://dx.doi.org/10.2307/4066283.

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45

박성규. "Korean Literature written in Chinese characters and the Sea." Journal of Korean Literature in Classical Chinese ll, no. 43 (June 2009): 9–20. http://dx.doi.org/10.30527/klcc..43.200906.001.

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46

Rossetti, Chip. "Conspiracy in Modern Egyptian Literature, written by Benjamin Koerber." Journal of Arabic Literature 50, no. 3-4 (November 11, 2019): 384–88. http://dx.doi.org/10.1163/1570064x-12341396.

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47

NAIMAN, ERIC. "What If Nabokov Had Written "Dvoinik"? Reading Literature Preposterously." Russian Review 64, no. 4 (October 2005): 575–89. http://dx.doi.org/10.1111/j.1467-9434.2005.00375.x.

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48

朱, 焱炜. "Literature Written by Women: The Story-Telling and Singing." World Literature Studies 06, no. 02 (2018): 82–87. http://dx.doi.org/10.12677/wls.2018.62012.

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49

Sorisio, Carolyn. "Introduction: Native Americans in American Literature: Writing and Written." ESQ: A Journal of the American Renaissance 52, no. 1-2 (2006): 1–15. http://dx.doi.org/10.1353/esq.2006.0006.

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50

Thomas, Rosalind. "Performance Literature and the Written Word: Lost in Transcription?" Oral Tradition 20, no. 1 (2005): 1–6. http://dx.doi.org/10.1353/ort.2005.0018.

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