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1

Lopez, Beatriz. "Muriel Spark and the Art of Deception: Constructing Plausibility with the Methods of WWII Black Propaganda." Review of English Studies 71, no. 302 (2020): 969–86. http://dx.doi.org/10.1093/res/hgaa039.

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Abstract From May to October 1944, Muriel Spark was employed by the Political Warfare Executive (PWE), a secret service created by Britain during the Second World War with the mission of spreading propaganda to enemy and enemy-occupied countries. This was a formative experience which allowed her to develop an understanding of literal truth as elusive and historically contingent—even a constructed effect—as well as an interest in fictional fabrication and deception. Drawing on an account of the methods of WWII British black propaganda, Spark’s biographical accounts, and heretofore untapped arch
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Neijmann, Daisy L. "Soldiers and Other Monsters: the Allied Occupation in Icelandic Fiction." Scandinavian-Canadian Studies 23 (December 1, 2016): 96–120. http://dx.doi.org/10.29173/scancan121.

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ABSTRACT: Wars and arms long remained a foreign phenomenon in Iceland until the country was occupied by Allied forces during WWII. Although the occupation was a “friendly” one and the army brought unprecedented wealth to the country, the presence of a foreign military was objectionable and distressing to many. Literature, historiography, and scholarship on the occupation have long been obsessed with the so-called ástandskonan (woman fraternizing with soldiers), the perceived incarnation of an invaded and polluted nation. This article examines the response of Icelandic fiction writers to the oc
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Berndt, Katrin. "Trapped in class? Material manifestations of poverty and prosperity in Alice Munro’s “Royal Beatings” and “The Beggar Maid”." Neohelicon 47, no. 2 (2020): 521–35. http://dx.doi.org/10.1007/s11059-020-00550-1.

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AbstractThis article argues that material objects in Canadian writer Alice Munro’s short fiction both reflect socio-economic concerns of pre- and post-WWII Canadian society and complicate common conceptions of deprivation and material ambition. The analyses of “Royal Beatings” and “The Beggar Maid” demonstrate how Munro describes economic hardships, class anxieties, and social discrimination and distinction through items of material culture such as clothes, furniture, and paintings. These objects and their symbolic significance draw attention to the conflicts resulting from the interplay of he
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Kolysheva, Olga N. "War in the Young Russians Language Consciousness: An Associative Experiment." RUDN Journal of Language Studies, Semiotics and Semantics 12, no. 2 (2021): 339–58. http://dx.doi.org/10.22363/2313-2299-2021-12-2-339-358.

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The article is focused on the analysis of the stimulus The Great Patriotic War based on the data of both directed and free associative experiments, held among the young Russians aged 18-23, the students of the Philological faculty of RUDN University. The aim of this research is to study the ordinary language consciousness of common speakers of the Russian linguoculture through the prism of their attitude to the Great Patriotic War as a cultural phenomenon. The scientific novelty of the work lies in the fact that the experimental data allow us conclude about the mediated perception of the Great
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Chen, Junsong. "Jewish Settlement in Shanghai during WWII in Fiction and Other Media of Cultural Memory." Partial Answers: Journal of Literature and the History of Ideas 19, no. 1 (2021): 171–88. http://dx.doi.org/10.1353/pan.2021.0008.

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Szönyi, György E. "The Vicissitudes of Twentieth Century Hungarian Adepts, from the Austro- Hungarian Monarchy, through World Wars, Revolutions, Communism to Intellectual Liberation." Polish Journal of the Arts and Culture New Series, no. 17 (1/2023) (May 2023): 33–52. http://dx.doi.org/10.4467/24506249pj.23.003.18996.

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My paper maps the most important representatives of the occult and esoteric currents in twentieth century Hungary. Their works and tes- timonies encompass the genesis of modern esotericism in Hungary, but their careers also demonstrate the catastrophic watershed caused by fascism and the Second World War, only to be continued (however mostly secretly) during the communist era. The paper first provides an overview of the development of major esoteric trends in modern Hungary (from the late nineteenth century to the time of the regime change in 1989), then focuses on three outstanding seekers of
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Gulmira, Juraboyeva, and Saydullayeva Lutfulla qizi Dinara. "THE SECOND WORLD WAR IN ENGLISH LITERATURE." Eurasian Journal of Academic Research 1, no. 3 (2021): 296–300. https://doi.org/10.5281/zenodo.4968208.

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<em>generally, literature can function as the mirror that reflects the society. The world has been a subject to a large number of wars and battles. Specifically, the Second World War was a major destructive conflict that has left its effects on the international level. Since war existed, there have been many writers trying creatively to explore it in a way of turning the battlegrounds into influential narratives. In this regard, numerous British authors of post- WWII era have been attracted to respond to the Second World War in their post-war fiction in order to portray its barbarism and devas
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8

Bettens, Ludo, and Eric Geerkens. "De betrokkenheid van de communistische afgevaardigde Théo Dejace bij de partijcel Bensberg (1951-1961)." Studies over de sociaaleconomische geschiedenis van Limburg/Jaarboek van het Sociaal Historisch Centrum voor Limburg 63 (January 12, 2023): 246–79. http://dx.doi.org/10.58484/ssegl.v63i12396.

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The commitment of the MP Théo Dejace to the Communist Party cell Bensberg, 1951-1961&#x0D; This contribution uses a political fiction written by Théo Dejace, a Belgian communist MP, as a starting point. Through this story, Dejace outlines why he thinks it is essential to be involved in his neighbourhood and tells about the revival of a cell (the lowest structure in the Belgian Communist Party), called ‘cellule Bensberg’ (Liège). The first part reveals how fiction and biography are closely related, then gives some personal explanations of Dejace’s decision to take in charge the local cell. This
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9

Weaver, Roslyn. "“The Four Horsemen of the Greenhouse Apocalypse”: Apocalypse in the Science Fiction Novels of George Turner." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 05 (December 12, 2007): 1–12. http://dx.doi.org/10.2218/forum.05.591.

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This paper surveys some of the developments in apocalyptic writing in recent decades, and then examine the use of apocalypse in George Turner's science fiction novels. Global events such as World War Two, terrorism, the Cold War, and increasing environmental problems have contributed to a growth in apocalyptic fictions. While novels warning about the dangers of nuclear war were prolific in post-WWII speculative literature, other issues such as technological and ecological disaster have since become dominant threats. Apocalypse literally means revelation, but the popular imagination more freque
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10

Sullivan, Kelly. "Elizabeth Bowen and the Politics of Consent." Irish University Review 51, no. 1 (2021): 24–39. http://dx.doi.org/10.3366/iur.2021.0493.

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As a novelist preoccupied with the sexualized gothic conventions haunting Irish fiction since the eighteenth century, Bowen persistently turns to the fraught concept of British and Irish women's consent during periods of twentieth-century political violence. This article considers Bowen's use of gothic tropes of consent in The Last September (1929) as well as a more sustained engagement with the Irish gothic, citizen-subjecthood, and the political valence of consent in her WWII thriller, The Heat of the Day (1948). It argues that in formulating consent in relation to knowledge, and in articula
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11

Leigh, Veronica. "Holy Night." After Dinner Conversation 3, no. 11 (2022): 89–111. http://dx.doi.org/10.5840/adc2022311107.

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What is the value of a book? Is hope worth dying for? In this work of philosophical WWII era short fiction, three prisoners in a Nazi concentration camp find a bible. A book in Birkenau. They know that if it is found in their position they will be punished, if not killed, and yet, they decide to hide and keep this hidden treasure. They know, for their own safety, they should burn the evidence. Or, should they trade it for food? Or read it? While the risks are great, they decide they will die before giving up the book. They also consider sharing it with others, at least, until they day comes th
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Zekri Masson, Souhir. "Marina Warner’s Inventory of A Life Mislaid: An Unreliable Memoir. From Memoir to Filiation Narrative." European Journal of Life Writing 13 (March 25, 2024): 28–53. http://dx.doi.org/10.21827/ejlw.13.40272.

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Marina Warner’s Inventory of a Life Mislaid: An Unreliable Memoir (2021) is her second work belonging to the genre of life writing, more particularly the memoir. She had already written a biography, The Dragon Empress: The Life and Times of Tz’u-Hsi, Empress Dowager of China, 1835-1980, about a Chinese empress in 1972, but her memoir is more personal, rather focused on her parents’ marriage, life itineraries and travels through Italy, England and Egypt during and after WWII. Interestingly, many characteristics of her memoir fit with another life writing genre, identified by the French theorist
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Kis, Norbert. "The Concept of Juristocracy on Trial: Reality or Fiction?" Academic and Applied Research in Military and Public Management Science 20, no. 2 (2021): 5–14. http://dx.doi.org/10.32565/aarms.2021.2.1.

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This article aims to investigate the controversial concept of Juristocracy that has been widely analysed recently. This theory claims that lobbyists representing a liberal ideology have formed an oligarchy of lawyers in EU institutions. These juristocratic networks seek to limit the sovereignty of post-liberal, legitimate national governments. The concept extends to other supranational institutions as well as NGOs and academic networks. This study discusses the political ambition of lawyers of EU institutions and their existence as political protagonists i.e. Juristocracy. However, the theory
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Pelzer, Jurgen. ""The Facts Behind the Guilt"? Background and Implicit Intentions in 'Downfall'." German Politics and Society 25, no. 1 (2007): 90–101. http://dx.doi.org/10.3167/gps.2007.250105.

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The film Downfall, released in 2004 at the height of an unprecedented "Hitler wave," has to be seen in a long tradition of literary and cinematic attempts to deal with Germany's "unmasterable past." The filmmakers claimed that by focusing on Hitler's final days before the end of WWII they had discovered "new territory" and presented the "facts behind the guilt." This article points out, however, that the film is historiographically based on the account by Joachim Fest's book Downfall-in which the author, as in his earlier work, follows a methodological approach that personalizes history and fo
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15

Mazumder, Tanmoy. "Exploring the Eurocentric Heart: A Postcolonial Reading of Graham Greene’s The Heart of the Matter." International Journal of Linguistics, Literature and Translation 3, no. 8 (2021): 113–21. http://dx.doi.org/10.32996/ijllt.2021.4.8.17.

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A literary text can be a propagator of values- both explicitly and implicitly. As Edward Said claims in his book, Orientalism (1978), for centuries Eurocentrism pervades Western literary pieces; they somehow justify and/or uplift European values and perspectives as superior ones while portraying lands, people and cultures of the colonized nations elsewhere, especially in the East. Sometimes, it may become more oblique as the apparent issues dominating the text seem to be something very different, but the writing, however, in the undercurrent, portrays things in a Eurocentric way, often by “oth
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16

Remler, Philip. "osce Mediation in an Eroding International Order." Security and Human Rights 27, no. 3-4 (2016): 273–88. http://dx.doi.org/10.1163/18750230-02703007.

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The feeling is widespread in the West that the post wwii normative international order has been under severe challenge since Russia’s seizure of Crimea, now exacerbated by statements from the American president casting doubt on the institutions that underpin that order. Is there a future role for osce mediation as this order erodes? Study of the Ukraine crisis in light of other protracted conflicts on the territory of the former Soviet Union shows that the same challenges have existed for a generation. Because the conflicts were small, however, the international community chose to accept a fic
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Dominiak, Wojciech. "SUMMER OF DEAD DREAMS – 1945 PRUDNIK COUNTY IN THE AWARENESS OF ITS INHABITANTS. THE EDUCATIONAL ACTIVITY OF THE PRUDNIK COUNTY MUSEUM." Muzealnictwo 58, no. 1 (2017): 0. http://dx.doi.org/10.5604/01.3001.0010.1816.

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Some years have already passed since the book Summer of dead dreams by Harry Thürk (2015) was published. Some inhabitants of Prudnik County have treated the German perception as presented in its pages and interwoven in the historicists’ motifs, as a non-fiction and as a reliable source. This is why it has become essential to take some steps to present this multithreaded post-war event more honestly. One of the museums’ functions is their multi-dimensional educational activity, achieved through exhibitions and publications. Consequently, the Prudnik County Museum in Prudnik town has undertaken
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18

Ruta, Magdalena. "The Gulag of Poets: The Experience of Exile, Forced Labour Camps, and Wandering in the USSR in the Works of Polish-Yiddish Writers (1939–1949)." Scripta Judaica Cracoviensia 18 (2021): 141–62. http://dx.doi.org/10.4467/20843925sj.20.010.13878.

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The literary output of the Polish-Yiddish writers who survived WWII in the Soviet Union is mostly a literary mirror of the times of exile and wartime wandering. The two major themes that reverberate through these writings are: the refugees’ reflection on their stay in the USSR, and the Holocaust of Polish Jews. After the war, some of them described that period in their memoirs and autobiographical fiction, however, due to censorship, such accounts could only be published abroad, following the authors’ emigration from Poland. These writings significantly complement the texts produced during the
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19

Sudliankova, Volha. "Phototextuality as a Phenomenon of Present-Day British Prose." CLEaR 3, no. 2 (2016): 9–15. http://dx.doi.org/10.1515/clear-2016-0009.

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Abstract Like many other world literatures, the English literature of the last few decades has been marked by an intensive search for new narrative techniques, for innovative ways and means of arranging a plot and portraying characters. The search has resulted, among other things, into merging literature with visual arts like painting, film and photography. This phenomenon got the name of ekphrasis and has become a popular field of literary research lately. Suffice it to cast a glance at several of the novels published around the year 2000 to see that incorporation of photographic images into
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20

Kurti, Bledar. "THE OLD MAN AND THE SEA, THE BATTLE OF LIFE FOR ALL HUMAN KIND." ANGLISTICUM. Journal of the Association-Institute for English Language and American Studies 12, no. 6 (2023): 28. http://dx.doi.org/10.58885/ijllis.v12i6.28bk.

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&lt;p&gt;&lt;span&gt;The Old Man And The Sea, by Ernest Hemingway, went in printing in 1952, a year later was awarded the Pulitzer Prize for fiction. In 1954, Hemingway was given the Nobel Prize in Literature. After such a big success and a long and well accomplished career, a few years later, on a Sunday, the morning July 2nd 1961, Hemingway committed suicide. The paradox of the author’s ending with the ending of his most famous novel The Old Man And The Sea is that Ernest Hemingway, the man, gave up, whereas his character in the novel Santiago never gave up, was never defeated, emerging triu
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Tomassucci, Giovanna. "„Tymczasem palono Żydów”… Kilka uwag o stosunku Gustawa Herlinga-Grudzińskiego do żydowskości." Poznańskie Studia Polonistyczne. Seria Literacka, no. 38 (October 15, 2020): 41–75. http://dx.doi.org/10.14746/pspsl.2020.38.3.

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For Gustaw Herling-Grudziński, the question of his own roots was a very private matter; he treated them as if they were not present in his life and wrote explicitly about Jewishness or Shoah only in his non-fiction work. Nevertheless, the themes of the historical anti-Judaic persecution and conversion to Christianity are constantly present in his literary work, with allusions to the twentieth century’s massacres. Numerous characters of Jewish origin, belonging to a harassed and destroyed community, appear in many of his literary texts. Certain victims, especially males, are infected by evil, o
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Shatalov, Denys. "NON-NIPPED MEMORY. THE HOLOCAUST IN THE SOVIET WAR MEMOIRS." ПРОБЛЕМИ ІСТОРІЇ ГОЛОКОСТУ: Український вимір 10 (December 15, 2018): 127–88. http://dx.doi.org/10.33124/hsuf.2018.10.05.

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The article addresses the presentation of the mass murder of Jews during WWII in the Soviet printed production. An overall trend of ignoring the topic of the Holocaust in the Soviet media discourse is unquestioned. Yet, (non)presentation of the mass destruction of Jews in the Soviet literature, which is commonly emphasized by the researches, needs clarification. If we look at the Soviet literature on the Great Patriotic War (including fiction prose), we can trace a phenomenon described in this article through war memoirs. Alongside official ignoring of the Holocaust in the Soviet Union, the wh
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Burkhard, Denise. "Linda Newbery on Writing Historical Fiction and on her Neo-Victorian Novel Set in Stone." Neo-Victorian Studies 12, no. 1 (2019): 119–34. https://doi.org/10.5281/zenodo.3471300.

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Linda Newbery, an acclaimed writer of historical fiction for children and (young) adults, won the 2006 Costa Children&rsquo;s Book Award for her neo-Victorian novel <em>Set in Stone</em> (2006). In this interview, Linda Newbery answers questions regarding <em>Set in Stone</em>, as well as more general questions on writing historical fiction. She elaborates on topics such as intertextual relations and inspirations, research before writing a historical novel, narrative voice and her twenty-first century position as an author. She furthermore answers questions regarding <em>Polly&rsquo;s March</e
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Napier, Susan J. "World War II as Trauma, Memory and Fantasy in Japanese Animation." Asia-Pacific Journal 10, S1 (2012): 153–60. https://doi.org/10.1017/s1557466012024539.

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Japanese popular culture has engaged with experiences and memories of WWII since the 1950s, starting with manga (comic books) and moving on to some of the most widely known and memorable animated war films that have been produced since the 1960s, such as Barefoot Gen (1983) and Grave of the Fireflies (1988). A number of animation artists have expressed loss and hope in their works on this subject. As Napier argues, Japanese animation has explored history and memory beyond simple entertainment and has presented important issues still relevant to the audience today. This essay analyzes two futur
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Marton, Péter. "Reflections on the Analysis of Counterfactual Propositions and Alternative History Speculative Fiction about WWI." Corvinus Journal of International Affairs 4, no. 2-4 (2019): 120–34. http://dx.doi.org/10.14267/cojourn.2019v4n2a9.

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Peebles, Stacey. "David F. Eisler, Writing Wars: Authorship and American War Fiction, WWI to Present." American Literary History 35, no. 4 (2023): 1969–71. http://dx.doi.org/10.1093/alh/ajad162.

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Stojanova, Christina. "The Great War: Cinema, Propaganda, and The Emancipation of Film Language." Acta Universitatis Sapientiae, Film and Media Studies 14, no. 1 (2017): 131–56. http://dx.doi.org/10.1515/ausfm-2017-0006.

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AbstractThe relation between war and cinema, propaganda and cinema is a most intriguing area, located at the intersection of media studies, history and film aesthetics. A truly tragic moment in human history, the First World War was also the first to be fought before film cameras. And while in the field, airborne reconnaissance became cinematic (Virilio), domestic propaganda occupied the screen of the newly emergent national cinemas, only to see its lucid message challenged and even subverted by the fast-evolving language of cinema. Part one of this paper looks at three non-fiction films, rele
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Platon, Mircea. "Patterns of Prejudice from Henri Massis to Walter Bedell Smith." Russian History 43, no. 2 (2016): 142–80. http://dx.doi.org/10.1163/18763316-04302003.

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Astolphe de Custine’s collection of letters La Russie en 1839, first published in France in 1843, was rediscovered by Henri Massis in 1946. Massis re-introduced Custine’s by then long forgotten letters on Russia to the French public. Once American Cold Warriors such as George Kennan and General Walter Bedell-Smith discovered the book, they promptly promoted it to the status of the most prophetic book on the “Russian soul.” Denounced as “fictional,” by many nineteenth-century writers and by a host of twentieth-century scholars, Custine’s book was accepted as canonical by a large reading public
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Polak, Iva. "Native Apocalypse in Claire G. Coleman’s The Old Lie." Humanities 9, no. 3 (2020): 69. http://dx.doi.org/10.3390/h9030069.

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Claire G. Coleman’s science fiction novel The Old Lie (2019) evokes the blemished chapters of Australia’s history as the basis of a dystopian futuristic Earth. By using the metaphor of a secular apocalypse (Weaver) wrapped in the form of a space opera, she interrogates historical colonialism on a much larger scale to bring to the fore the distinctive Indigenous experience of Australia’s terra nullius and its horrific offshoots: the Stolen Generations, nuclear tests on Aboriginal land and the treatment of Indigenous war veteran, but this time experienced by the people of the futuristic Earth. F
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Barham, Jeremy. "Understanding Mahler's Central European Musical Identity: Literary Analogues in the Works of Joseph Roth and Gregor von Rezzori." Studia Musicologica 65, no. 1-2 (2024): 21–32. http://dx.doi.org/10.1556/6.2024.00001.

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AbstractThe difficult task of determining Mahler's socio-political and ethnic-national identity within a larger Central European context is made no easier by recourse to biographical information. For every indication there is a counter-indication, for every claim a counterclaim. Similarly, his music shifts between or juxtaposes a relatively non-specific folk tone and a frequently subverted though nevertheless readily discernible mode of core Western European symphonism. These deeply meaningful creative processes offer both hyper- and hypo-eloquent testimonies to the complex culture of nineteen
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Ogliari, Elena. "Conscious Irish Fiction and the Repetitiveness of War: Transcultural Memories to Negotiate Peace in “Redemption Falls” and “TransAtlantic”." Jednak Książki. Gdańskie Czasopismo Humanistyczne, no. 16 (November 20, 2023): 115–28. http://dx.doi.org/10.26881/jk.2023.16.08.

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Drawing on recent scholarship on transcultural memory and its role in peacebuilding, this paper explores the implications of entangling memories that belong to different pasts, places, and cultural groups in Joseph O’Connor’s Redemption Falls (2007) and Colum McCann’s TransAtlantic (2013). Both novels, written by authors interested in the notions of oppression and suppression of stories, are polyphonic texts that disrupt any single linear narrative by interweaving multiple storylines through constant movements across time and space. McCann’s focus shifts from the aftermath of WWI to the 1998 B
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Ciobanu, Estella, and Carmen Martinaş Florescu. "Food Porn in Titus Andronicus, Chocolat and I Served the King of England (Obsluhoval jsem anglického krále)." East-West Cultural Passage 19, no. 2 (2019): 96–120. http://dx.doi.org/10.2478/ewcp-2019-0014.

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Abstract This essay studies scenes that focus on food and eating in the films Chocolat (2000) and I Served the King of England (Obsluhoval jsem anglického krále, 2006). To assess whether or not they constitute food porn we compare and contrast such scenes with the description of an unwholesome recipe for cannibalistic eating in Titus Andronicus, which anticipates our contemporary food obsession. At its most basic (and controversial), food porn names the alluring visualisation of certain foodstuffs, which renders food the object of erotically tinged desire. Serving different purposes in the two
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Džiho-Šator, Aida, and Amela Džiho-Hidović. "Gender and Violence in Toni Morrison’s A Mercy, Elena Ferrante’s Tetralogy My Brilliant Friend and Chimamanda Ngozi Adichie’s Purple Hibiscus." Društvene i humanističke studije (Online) 8, no. 2(23) (2023): 295–314. http://dx.doi.org/10.51558/2490-3647.2023.8.2.295.

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This paper explores the portrayal of violence and gender in its relation to different historical periods, countries, cultures, and religions. The aim is to determine the role these different aspects have in forming of characters’ identities and more specifically how it is all related to gender. The research will focus on Toni Morrison’s A Mercy, Elena Ferrante’s Tetralogy My Brilliant Friend, and Chimamanda Ngozi Adichie’s Purple Hibiscus. All three novels, regardless of the different periods they fictionalize and discuss, and the literature they belong to, are connected by the captivating dar
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Artamonova, U. "‘Popcorn Diplomacy’: American Blockbusters and World Order." Analysis and Forecasting. IMEMO Journal, no. 3 (2022): 76–90. http://dx.doi.org/10.20542/afij-2022-3-76-90.

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Tensions in U.S-Russia relations have been on the rise over the last years. This article attempts to examine them through the prism of the clash between two different world order paradigms. While Russia has been promoting the concept of multipolarity as the next step from unipolarity, the U.S. abides by the concept of a ‘rule-based order built after the WWII with the American singular leadership’. The author argues that among public diplomacy instruments one of the most powerful in terms of promoting the American-centric paradigm of the world order are blockbusters – ‘popcorn diplomacy’. The p
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Ziobro, Melissa. "“The almighty dollar will buy you, you bet/ A superior class of coronet:" Biographical Sketches of NJ's Gilded Age "Dollar Princesses"." New Jersey Studies: An Interdisciplinary Journal 4, no. 2 (2018): 230. http://dx.doi.org/10.14713/njs.v4i2.131.

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Season one of the acclaimed historical drama Downton Abbey was set in 1912, but a key element of the show’s storyline, known to all dedicated viewers, occurred years earlier, off screen, when a wealthy, young American heiress named Cora Levinson of Cincinnati married the British Robert Crawley, Viscount Downton, the future Earl of Grantham. As part of their marriage contract, Cora’s fortune would be tied to the Grantham family’s failing estate to prevent it from going bankrupt. In return, Cora would eventually earn the title of Countess of Grantham. While Downton Abbey’s Granthams are fictiona
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Juhl, Carsten. "Et manifest på dansk må omhandle modersmålet og angribe fædrelandet: Litteraturhistoriske forstudier om kunst og sprog." K&K - Kultur og Klasse 37, no. 107 (2009): 138–62. http://dx.doi.org/10.7146/kok.v37i107.22015.

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A Manifesto in Danish has to deal with the Mother tongue and attack the Fatherland: Some preliminary studies about art and language presented from the point of view of the history of literature:The study follows five lines of reasoning: The first deals with the impossibility of formulating a manifesto in general; the impossibility of advocating the use of violence and on the other hand the impossibility of using dialogue. So the system of prescriptions and promises normally used in a manifesto no longer have sense.The next line of reasoning concerns the impossibility of presenting fictional pr
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Горбач, Наталія. "ПЕРСОНАЛІЇ І ПРОСТІР ПАМ’ЯТІ ПРО ГОЛОКОСТ У СУЧАСНІЙ УКРАЇНСЬКІЙ ЛІТЕРАТУРІ". Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 4, № 1 (2022): 59–67. http://dx.doi.org/10.15804/ppusn.2022.01.05.

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The Holocaust theme was concealed and falsified for a long time because of non-literary reasons. Therefore, only when our country got its independence, a lot of aspects became clarified – especially the increasing of geographical markers of the Shoah, the aspect of memory and traumas of its victims and witnesses, the aspects of a woman history of the Holocaust etc. One of actual problems of nowadays is the problem of personalization of the Holocaust history with including the names of victims, saved and saviors for extending the space of memory about the tragedy of European Jews in the times o
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Botescu-Sireteanu, Ileana. "Infernal Heavens: Narratives of Africa. From Joseph Conrad’s Heart of Darkness to Abdulrazak Gurnah’s Paradise." University of Bucharest Review Literary and Cultural Studies Series 14, no. 1 (2024): 68–77. http://dx.doi.org/10.31178/ubr.14.1.4.

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Situated at the intersection of literary studies and cultural studies, the present article looks at how fictional representations of Africa have evolved over the past century, from Conrad’s canonical Heart of Darkness, which has unjustly become the landmark of colonial biased narratives of Africa despite the author’s declared disengagement with his protagonists’ perspectives, to Abdulrazak Gurnah’s recent reverse rewriting of Marlow’s journey, this time from the heart of darkness outward. Dwelling on the spatial metaphors of Heaven and Hell, this study argues that the two works under scrutiny
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Abhranil, Kundu. ""Curiosity is Unbecoming in the Female Sex": Resisting the Notion in Manu Herbstein's Ama : A Story of the Atlantic Slave Trade." Trivium A multi disciplinary journal of humanities of Chandernagore College 3, no. 4 (2019): 20–36. https://doi.org/10.5281/zenodo.13827137.

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The notorious transatlantic slave trade has given birth to hundreds of slave narratives. Along with the historical and classic slave narratives, mostly first-person accounts of former slaves like Harriet Tubman (1822-1913) and Harriet Ann Jacobs (1813-1897), there are fictional neo-slave narratives like Margaret Walker&rsquo;s Jubilee (1966) and Toni Morrison&rsquo;s Beloved (1987) that emerged mainly after WWII. Penned by a white male author Moritz Isaac (&ldquo;Manu&rdquo;), Herbstein&rsquo;s faction Ama: A Story of the Atlantic Slave Trade (first published in 2000) is a much later engagemen
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Houlahan, J. Michael. "Fiction as Fact: False Memories of WWII in the Philippines." Asia-Pacific Social Science Review 10, no. 2 (2011). http://dx.doi.org/10.3860/apssr.v10i2.1904.

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Petsa, Vasiliki, Sofia Zisimopoulou, Anastasia Natsina, and Ioannis Dimitrakakis. "The Transformations of Greek Working-Class Fiction from the Interwar Period to the Present." Journal of Working-Class Studies, December 23, 2021, 5–20. http://dx.doi.org/10.13001/jwcs.v6i2.6825.

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Surveying a large corpus of Modern Greek fiction from the interwar years to the decade of the financial crisis (2010-2020) we set out to delineate the national inflection of ‘working-class fiction’ along the axes of theme and style as well as answerability, i.e. the engagement with working-class interests in distinct periods (interwar years, WWII and postwar, Metapolitefsi and beyond). Characterized by quantitative and aesthetic variability, the Greek version of the genre is shown to engage actively with topical contextual issues as well as with changing imperatives of authorial commitment and
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Kakimova, Ainur, and Massimo Salgaro. "What if Hitler had won WWII and met Kennedy in 1964? Perception and evaluation of counterfactual historical fiction." Frontiers in Human Neuroscience 18 (July 9, 2024). http://dx.doi.org/10.3389/fnhum.2024.1332703.

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IntroductionThis study investigates the cognitive processing and perception of counterfactual historical fiction and its effects on readers' receptivity to fascism, superstitious beliefs, and satisfaction with the present state of politics. Counterfactual historical fiction presents alternative realities where history diverges from the official historiography, such as in Robert Harris' novel Fatherland, which depicts a counterfactual world where Hitler won WWII. It was hypothesized that reading this genre incurs additional cognitive costs and is perceived with less realism and more aesthetic a
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Kiang, Shun Yin. "Diaspora, Modernism, and Black Masculinities in Sam Selvon’s The Lonely Londoners and Andrew Salkey’s Escape to an Autumn Pavement." Journal of Global Postcolonial Studies, May 7, 2024. http://dx.doi.org/10.5744/jgps.2023.1104.

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Following the transnational turn in modernist studies, and building on Stuart Hall’s and Nadia Ellis’s concepts of diaspora as key to understanding Caribbean modernism, this essay examines Sam Selvon’s The Lonely Londoners (1956) and Andrew Salkey’s Escape to an Autumn Pavement (1960) as the first wave of West Indian fiction that traces a black, male consciousness shaped by modernity and migration, one whose lived experiences and feelings of belonging in post-WWII London resist binarized understandings of colonizer and colonized. Selvon’s and Salkey’s fiction represents complex and conflicting
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Petrović, Olivera S. "AFRICA AND GREENE: THE COLONIZERS AND THE COLONIZED IN „THE HEART OF THE MATTER“ (1948)." Nova skola 18, no. 1 (2023). https://doi.org/10.7251/nsk2318007p.

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Graham Greene’s novel, The Heart of the Matter (1948), set in West Africa’s Sierra Leone, a then British colony during WWII, summons rethinking of its presentation of the White, the non-White people and the land of Africa. The novel deals with the themes of espionage, love, adultery, betrayal and deception. In addition, at its core this is a novel of moral dilemmas. However, this paper would like to take the focus away from the dominating themes in this piece of fiction to assess its underlying colonial issues which often go unnoticed. The process of “othering” and marginalization underlines t
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KALECİK, Samet. "Dispersal of time and trauma in postmodern novel: Slaughterhouse-Five." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, April 21, 2023. http://dx.doi.org/10.29000/rumelide.1285894.

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Wars cause trauma and disruption of temporal sequencing, leading to fragmentation of memory in survivors. This fragmentation leads to negative changes in the victims' posttraumatic relationships and character traits. Kurt Vonnegut’s Slaughterhouse-Five (1969) is a novel about war trauma in which WWII is satirized with the use of a nonlinear narrative and post-war traumatic self. The novel presents to the reader how an innocent man survives in a drastic war atmosphere by chance and how his life changes after the war in both a playful and critical manner. Although Slaughterhouse-Five broadly del
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Castro, Annabel. "Outside in: exile at home an algorithmic discrimination system." Artnodes, no. 26 (July 21, 2020). http://dx.doi.org/10.7238/a.v0i26.3359.

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Outside-in is an installation that utilises machine learning to reflect on systematic discrimination by focusing on the indefinite detention of Mexicans with Japanese heritage concentrated in Morelos during WWII. This algorithmic discrimination system tears apart four classic fiction films continuously within a projection room. The fragments are displaced and classified using machine learning algorithms. The system selects, separates and reassembles the fragments into new orders. It evokes the condition of being robbed of your right to be in the place to which you belong. The citizens detained
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Nesby, Linda Hamrin. "PÅ GJENGRODDE STIER (1949): PASIENTEN SOM FORTELLER." Nordlit, no. 38 (April 7, 2016). http://dx.doi.org/10.7557/13.3761.

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In this article, I discuss Knut Hamsun’s last book On Overgrown Paths [På gjengrodde Stier] (1949) from the perspective of a pathography, meaning an autobiography that focuses on a person’s illness and its consequences. Due to his actions during WWII, Hamsun was subjected to a psychiatric examination in 1947 and diagnosed as having permanently impaired mental faculties. Hamsun opposed this diagnosis, and the book both aims at demonstrating his mental ability and depicting his experience of being an unwilling patient. This article looks at how the autobiographical narrator reflects upon his exp
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Erkan, Enfal. "Transhumanist Elements in ‘Understand’." Current Perspectives in Social Sciences, May 6, 2024. http://dx.doi.org/10.53487/atasobed.1417196.

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Humans are progressing machines. Naturally, it is continuously changing and modifying not only itself but also everything around it, from a simple gadget to abstract concepts or questions asked from the very beginning of conscious ancestors’ times. Therefore, it is universally accepted that the human evolution process has never ceased and never will. In today’s world, Homo Sapiens are considered as human. However, if there is evolution, new, more intelligent, much healthier, and morally better individuals will emerge in time. The second half of the twentieth century paved the way for a thought
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Korbut Salman, Volha. "THE CONCEPT OF THE EXISTENTIAL FALL IN ALBERT CAMUS’ THE FALL AND WILLIAM GOLDING’S FREE FALL." Dicle Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, October 4, 2024. http://dx.doi.org/10.15182/diclesosbed.1450613.

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The atrocities of World War II and the following grim period of recovery in Europe resulted in the fact that human innocence was wiped away and replaced by the state of never-ending guilt for crimes committed in the pre- and post-WWII period. The overwhelming majority of people realized that their lives were wrought by the previously dormant qualities of selfishness and hypocrisy leading them to experience their “fall”, standing for the loss of innocence and disappearing trust in the meaning of rationalised existence, from then on was undermined by the absurdity of everyday life. The concept o
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Aitken, Leslie. "Why Do We Fight?: Conflict, War, and Peace by N. Walker." Deakin Review of Children's Literature 3, no. 4 (2014). http://dx.doi.org/10.20361/g2k02p.

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Walker, Niki. Why Do We Fight?: Conflict, War, and Peace. Toronto: Owlkids Books, 2013. Print.In this work, Niki Walker explores the general nature of conflict. She relates basic aspects of international politics - the existence of power elites, the formation of alliances, the rise of disputes - to the politics of school life. Along the way, she defines such terms as “negotiation,” “mediation,” “arbitration” and “sanctions.” She mentions examples of 20th century warfare: the post WWII Cold War, the Suez Crisis, and outlines the history of the current crisis in Afghanistan. The role of the Unit
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