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Relevant bibliographies by topics / Wyatt, Sir Thomas

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Academic literature on the topic 'Wyatt, Sir Thomas'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Wyatt, Sir Thomas"

1

CALDWELL, ELLEN C. "Recent Studies in Sir Thomas Wyatt (1970–1987)." English Literary Renaissance 19, no. 2 (March 1989): 226–46. http://dx.doi.org/10.1111/j.1475-6757.1989.tb00977.x.

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Brigden, Susan. "‘The shadow that you know’: Sir Thomas Wyatt and Sir Francis Bryan at Court and in embassy." Historical Journal 39, no. 1 (March 1996): 1–31. http://dx.doi.org/10.1017/s0018246x00020653.

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ABSTRACTFrom prison Sir Thomas Wyatt wrote a poem to Sir Francis Bryan, warning him to keep the secrets they shared. This article seeks to discover what the secrets were, and from whom they must be kept. The secrets concerned their lives as courtiers and ambassadors at times of great suspicion and insecurity at home and abroad, c. 1536–41. As diplomats, Wyatt and Bryan were charged to mediate between Henry VIII, Francis I, and Emperor Charles V, but they also had more sinister undercover missions. They were sent to spy upon, and even to assassinate the papal legate, Cardinal Pole. Poetry reveals much about these men which other sources cannot.

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Ross, Diane M. "Sir Thomas Wyatt: Proverbs and the Poetics of Scorn." Sixteenth Century Journal 18, no. 2 (1987): 201. http://dx.doi.org/10.2307/2541177.

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Bates, Catherine. ""A Mild Admonisher": Sir Thomas Wyatt and Sixteenth-Century Satire." Huntington Library Quarterly 56, no. 3 (July 1993): 243–58. http://dx.doi.org/10.2307/3817762.

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Watkins, John. "The Complete Works, vol. 1, Prose by Sir Thomas Wyatt." Common Knowledge 24, no. 2 (April 1, 2018): 321–22. http://dx.doi.org/10.1215/0961754x-4362655.

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Hackenbracht, Ryan. "Mourning the Living: Surrey’s “Wyatt Resteth Here,” Henrician Funerary Debates, and the Passing of National Virtue." Renaissance and Reformation 35, no. 2 (January 28, 2013): 61–82. http://dx.doi.org/10.33137/rr.v35i2.19371.

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Les critiques semblent ne pas avoir encore remarqué comment l’élégie « Wyatt Resteth Here » (1542) de Henry Howard, comte de Surrey, illustre une relation importante entre la poésie et le rituel religieux dans l’Angleterre des débuts de la modernité. L’auteur propose qu’en créant un modèle funéraire pour la commémoration de Thomas Wyatt, Surrey profite de l’intérêt populaire pour les questions théologiques portant sur les fins dernières (mort, jugement, paradis, enfer) et qui a connu un regain dans les années 1520 et 1530, suite aux publications de Sir Thomas More, William Tyndale et de leurs collègues. L’auteur montre comment Surrey donne à ses lecteurs la possibilité d’assister à un service funéraire imaginaire en l’honneur de Wyatt. Ces lecteurs se rassemblent, forment une communauté à travers l’Angleterre, et portent le deuil pour la personne dont le corps est présent dans le poème. De plus, Surrey utilise l’aspect communautaire de la mort de Wyatt pour faire voir à ses lecteurs l’importante crise de l’identité nationale par la perte de la vertu anglaise. La mort de Wyatt entre en relation d’analogie avec la disparition de cette vertu, qui a souffert sous le règne tyrannique d’Henri VIII. Surrey identifie la poésie comme source de restauration nationale, en raison de sa capacité à commémorer le passé, offrir une autre vision de la réalité, et à redonner aux lecteurs les outils pour repenser leur monde conformément à cette vision.

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Taylor, A. "CHRIS STAMATAKIS. Sir Thomas Wyatt and the Rhetoric of Rewriting: 'Turning the word'." Review of English Studies 64, no. 263 (December 13, 2012): 150–52. http://dx.doi.org/10.1093/res/hgs106.

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Warnicke, Retha M. "The Eternal Triangle and Court Politics: Henry VIII, Anne Boleyn, and Sir Thomas Wyatt." Albion 18, no. 4 (1986): 565–79. http://dx.doi.org/10.2307/4050130.

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The opinion of modern scholars is divided about the nature of Anne Boleyn's relationship to Sir Thomas Wyatt, the Tudor poet. On the basis of a few of his verses and three Catholic treatises, some writers have concluded that Anne and he were lovers. In these analyses not enough attention has been paid to the role of Henry VIII, the third member of this alleged lovers' triangle, who guarded his own honor and inquired into that of his wives, before, during, and after their marriages to him. A comment on the way in which the king viewed and defended his honor will be useful to this examination of the evidence customarily accepted as proof of Anne and Wyatt's love affair.A gentleman's honor, as Henry's contemporaries perceived it, was a complicated concept. First and foremost it was assumed that a man's birth and lineage would predispose him to chivalric acts on the battlefield where, in fact, only one cowardly lapse would stain his and his family's reputation forever. Secondly, the concept embodied the notion that it bestowed upon its holder certain social privileges and respect. During Henry's reign, moreover, the “realm and the community of honour” came to be viewed as “identical” with the sovereign power of the king at its head. One result of this “nationalization,” was that the behavior of crown dependants and servants affected the king's good name in both a personal and a public sense, and his ministers took care to do all that was appropriate to his reputation in settling disputes and in negotiating treaties.

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Ward, Adrian O. "Proverbs and Political Anxiety in the Poetry of Sir Thomas Wyatt and the Earl of Surrey." English Studies 81, no. 5 (October 1, 2000): 456–71. http://dx.doi.org/10.1076/0013-838x(200009)81:5;1-8:ft456.

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Hazrat, Florence. "Fashioning Faith to Forms (Im)mutable: The Rondeau and Trust in the Poetry of Sir Thomas Wyatt." Cambridge Quarterly 47, no. 3 (August 30, 2018): 222–42. http://dx.doi.org/10.1093/camqtly/bfy019.

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Dissertations / Theses on the topic "Wyatt, Sir Thomas"

1

Coleman, Paul Jeffrey. "Sir Thomas Wyatt, literature and biography." Thesis, University of York, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412631.

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Stamatakis, Chris. "'Turning the word' : Sir Thomas Wyatt and early Tudor literary practice." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496652.

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Powell, Jason E. "The letters and original prose of the poet Sir Thomas Wyatt : a study and critical edition." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273310.

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Hutchinson, Sarah Anne. "Some aspects of the verbal auxiliary in Sir Thomas Wyatt and Henry Howard, Earl of Surrey." Thesis, University of Newcastle Upon Tyne, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334246.

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Smith, Michael Bennet 1979. "Disparate measures: Poetry, form, and value in early modern England." Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11182.

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xi, 198 p. : ill. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.
In early modern England the word "measure" had a number of different but related meanings, with clear connections between physical measurements and the measurement of the self (ethics), of poetry (prosody), of literary form (genre), and of capital (economics). In this dissertation I analyze forms of measure in early modern literary texts and argue that measure-making and measure-breaking are always fraught with anxiety because they entail ideological consequences for emerging national, ethical, and economic realities. Chapter I is an analysis of the fourth circle of Dante's Inferno . In this hell Dante portrays a nightmare of mis-measurement in which failure to value wealth properly not only threatens to infect one's ethical well-being but also contaminates language, poetry, and eventually the universe itself. These anxieties, I argue, are associated with a massive shift in conceptions of measurement in Europe in the late medieval period. Chapter II is an analysis of the lyric poems of Thomas Wyatt, who regularly describes his psychological position as "out of measure," by which he means intemperate or subject to excessive feeling. I investigate this self-indictment in terms of the long-standing critical contention that Wyatt's prosody is "out of measure," and I argue that formal and psychological expressions of measure are ultimately inseparable. In Chapter III I argue that in Book II of the Faerie Queene Edmund Spenser figures ethical progress as a course between vicious extremes, and anxieties about measure are thus expressed formally as a struggle between generic forms, in which measured control of the self and measured poetic composition are finally the same challenge Finally, in my reading of Troilus and Cressida I argue that Shakespeare portrays persons as commodities who are constantly aware of their own values and anxious about their "price." Measurement in this play thus constitutes a system of valuation in which persons attempt to manipulate their own value through mechanisms of comparison and through praise or dispraise, and the failure to measure properly evinces the same anxieties endemic to Dante's fourth circle, where it threatens to infect the whole world.
Committee in charge: George Rowe, Chairperson, English; Benjamin Saunders, Member, English; Lisa Freinkel, Member, English; Leah Middlebrook, Outside Member, Comparative Literature

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Kelly, Erin Katherine. ""My dere chylde take hede how Trystram doo you tell": Hunting in English Literature, 1486-1603." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366055200.

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Radley, Noël Clare. "Embodied mind & sixteenth-century poetry : Wyatt, Vaughan Lock, & Shakespeare." 2013. http://hdl.handle.net/2152/20934.

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Abstract: Instead of assuming that sixteenth-century poetry is a form of transcendence, and instead of defining poetry as an expression of inner life or character, this dissertation argues that there are ways to interpret poetry as a tool that helped sixteenth-century subjects understand and process embodied experience. How do we know that sixteenth-century poetry was a function of the material world and the body? The evidence is in the word selections, themes, and tropes created by poets themselves. By closely examining their writings, we can trace the negotiations between sixteenth-century poetic traditions, senses, and the material world. I explore these negotiations through three sixteenth-century poets whose works may be considered paradigmatic of the larger cultural movements that shaped their world: Sir Thomas Wyatt, the diplomat and courtier-poet in the reign of Henry VIII; Anne Vaughan Lock, a Marian exile who translated Calvin and published devotional poetry at the beginning of the reign of Elizabeth I; and William Shakespeare, whose sonnet sequence published in 1609 responded to Elizabethan cultural arts at a time of energy and change. The three poets engaged in this project are distinct in class, gender, and history, and thus, each chapter is a case study that surveys embodiment in a unique context. But the reason the three poets are viewed together (and the tie that binds them) is that they all wrote serial poems, or verse sequences. When compared across the project, important connections emerge about the cognitive power of serial poems. I argue that verse sequences are dexterous as well as able to perform cognitive "heavy lifting." Whether it was Vaughan Lock and Wyatt who dilated scriptural exemplars and carved space for emerging evangelical ideas, or Shakespeare, who much more clearly wrote inventive verse, sixteenth-century writers used the sequence to test new possibilities and integrate prior knowledge. In this diachronic reading of poetic embodiments, we can begin to see verse sequences as a technology that merges compelling perceptual observation with high abstraction, and that allows for opposing ideas to take place across the text, resolving rigid binaries and synthesizing opposites. Although my project attempts to view the poets together, each chapter provides evidence of significant differences across sixteenth-century poets. Although Wyatt and Vaughan Lock both utilized serial poems to test evangelical beliefs regarding conscience and penitence, they signal opposing impulses when it comes to gendered power. Moreover, Shakespeare's sonnets are more ostensibly amatory than religious in their overall intent. Shakespeare's metaliterary discourses, moreover, mobilized the serial format as an even more reflexive form. The project may be a skeletal map of the space between the evangelical procedures of conscience (which were themselves very reflexive) and Shakespearean procedures of mind. By comparing these differences, we may cast light on the ways in which psalm paraphrase (as a mode and a sequential format) influenced English amatory verse sequences. The dissertation works to address unstudied connections between diverse poets from the period of Henry VIII through the early reign of James I. But the dissertation also forges new routes in Renaissance studies, by proposing directions and methods for studying literary embodiment. I believe that sixteenth-century embodiment is best viewed through the lens of religious history and print technology. Moreover, I argue that the study of sixteenth-century embodiment should also incorporate contemporary historical ideas about the mind. By engaging both New Historicism and the discourse of embodied cognition from neuroscience, finally, the project creates a comparative view of cognition, translating between empirical methods and historicist techniques in English studies.
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Books on the topic "Wyatt, Sir Thomas"

1

Sir Thomas Wyatt. Boston: Twayne Publishers, 1990.

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Thomas, Wyatt. Sir Thomas Wyatt, a literary portrait: Selected poems. Bristol: Bristol Classical Press, 1986.

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Ward, Adrian Owen. C ourting power in the poetry of Sir Thomas Wyatt. Manchester: University of Manchester, 1995.

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Sir Thomas Wyatt the Younger, c.1521-1554 and Wyatt's Rebellion. New York: Algora Publishing, 2013.

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Szalay, Krisztina. The obstinate muse of freedom: On the poetry of Sir Thomas Wyatt. Budapest: Akadémiai Kiadó, 2000.

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Tottel, Richard, Amanda Holton, and Tom MacFaul. Tottel's miscellany: Songs and sonnets of Henry Howard, Earl of Surrey, Sir Thomas Wyatt and others. London: Penguin, 2011.

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Thomas, Wyatt. Tudor poetry and the Renaissance: Sir Thomas Wyatt, Francesco Petrarca : sonnets & lyric poems in English and Italian. London: [s.n.], 1989.

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Wyatt, Surrey, and early Tudor poetry. London: Longman, 1998.

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Sir Thomas Wyatt. Bristol Classical Press, 1986.

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Thomas Wyatt. Faber & Faber, 2012.

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Book chapters on the topic "Wyatt, Sir Thomas"

1

Campbell, Gordon. "Sir Thomas Wyatt." In The Renaissance (1550–1660), 3–13. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20157-0_2.

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Baumann, Uwe. "Wyatt, Sir Thomas." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17447-1.

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Barclay, Katie, and François Soyer. "Thomas Wyatt (1503–1542), The Poetical Works of Sir Thomas Wyatt." In Emotions in Europe 1517–1914, 75–77. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003175384-10.

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Baumann, Uwe. "Wyatt, Sir Thomas: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17448-1.

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Colbert, Carolyn. "“Well, then … Hail Mary”: Mary I in The Famous History of Sir Thomas Wyatt (1607) and Lady Jane (1986)." In The Birth of a Queen, 215–32. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58728-2_12.

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Walker, Greg. "Sir Thomas Wyatt." In Writing Under Tyranny, 279–95. Oxford University Press, 2005. http://dx.doi.org/10.1093/acprof:oso/9780199283330.003.0013.

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"SIR THOMAS WYATT." In 100 Poets, 29–30. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1z9n1r9.15.

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British Drama 1533–1642: A Catalogue. "1369a: Sir Thomas Wyatt." In British Drama 1533–1642: A Catalogue, Vol. 4: 1598–1602, edited by Martin Wiggins and Catherine Richardson. Oxford University Press, 2014. http://dx.doi.org/10.1093/oseo/instance.wiggins1369a.

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Sessions, W. A. "A New Body of Honour: Sir Thomas Wyatt." In Henry Howard the Poet Earl of Surrey, 240–59. Oxford University Press, 2003. http://dx.doi.org/10.1093/acprof:oso/9780198186250.003.0010.

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Rossiter, William T. "In Spayne: Sir Thomas Wyatt and the Poetics of Embassy." In Authority and Diplomacy from Dante to Shakespeare, 101–20. Routledge, 2016. http://dx.doi.org/10.4324/9781315568430-7.

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