Relevant bibliographies by topics / Xenophon. Anabasis

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Academic literature on the topic 'Xenophon. Anabasis'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Xenophon. Anabasis"

1

Rood, Tim. "Cato the Elder, Livy, and Xenophon’s Anabasis." Mnemosyne 71, no. 5 (September 13, 2018): 823–49. http://dx.doi.org/10.1163/1568525x-12342352.

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AbstractThis article argues firstly that Cato the Elder’s account of a daring plan involving the tribune Caedicius in the First Punic War is modelled on a scene in Xenophon’s Anabasis. It then argues that Livy’s account of a heroic escape in the First Samnite War orchestrated by P. Decius Mus is modelled not just on the First Punic War episode described by Cato, as scholars have suggested, but on the same passage of Xenophon; it also proposes that Livy’s use of Xenophon may be mediated through Cato. The article then sets out other evidence for the use of Xenophon in Roman historiography and explores the implications of the proposed intertextuality for Roman self-positioning and for ideas of leadership and military hierarchy. The article as a whole suggests that the influence of Xenophon on Latin historiography is greater than has often been conceived.
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Rood, Tim. "Political Thought in Xenophon: Straussian Readings of the Anabasis." POLIS, The Journal for Ancient Greek Political Thought 32, no. 1 (May 5, 2015): 143–65. http://dx.doi.org/10.1163/20512996-12340041.

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The main aim of this paper is to discuss some influential approaches to political thought in Xenophon’s Anabasis within the field of Political Science, especially within the United States, where the influence of Leo Strauss’ writings on Xenophon has been powerful. It starts by discussing a number of features shared by these discussions, notably a strong idealisation of Xenophon’s wisdom and accuracy; a lack of interest in the conditions under which Xenophon wrote; a pro-Hellenic perspective; and a tendency to innovative (and often allegorical) literary explication. It then discusses the two most important themes treated by Strauss and his followers, Xenophon’s piety and philosophy and politics. It argues that Straussian exegesis introduces anachronistic conceptions while neglecting the narrative dynamics of the text. The final section sets out briefly some ways of exploring Xenophon’s relationship to other currents in Greek political thought.
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Huitink, Luuk, and Tim Rood. "Xenophon de Halbattiker?" Lampas 53, no. 4 (January 1, 2020): 420–36. http://dx.doi.org/10.5117/lam2020.4.003.hutt.

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Summary This article analyses Xenophon’s lexical choices in Anabasis. It examines ancient and modern critical approaches to his language: Xenophon has often been criticized for lapses from ‘pure’ Attic, but this notion of a ‘pure’ Attic should be regarded as a conservative response to the increasing variety of spoken Attic in the fourth century BC. Xenophon’s lexical choices reflect the influence both of this ‘Great Attic’ (which developed into koine Greek) and of the non-parochial historiographical tradition inaugurated by Thucydides.
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Olivares Chávez, Carolina. "La presencia de Odiseo en la Anábasis de Jenofonte." Nova Tellus 39, no. 1 (January 27, 2021): 71–86. http://dx.doi.org/10.19130/iifl.nt.2021.39.1.27544.

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In this article we intend to trace Homeric references within Xenophon’s Anabasis, in order to prove the Historian constructs an Epic text in which he immortalizes his own exploits among Persians and compares himself with the hero Odysseus. I also consider other works of Xenophon as Banquet, Memorabilia and Apology, since there he describes the poems of Homer as an essential part of his own Greek culture in IV Century. Among the main sources I have consulted, ancient and modern, are Homer, Christos Tsagalis and Emerson Cerdas. And while Naoko Yamagata founds only one Homeric reference in Anabasis, I find two direct references and several indirect references which allude to the hero and to certain situations in Odisea Xenophon similarly faced.
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Kotov, Aleksander. "West-Russian anabasis of Xenophon Govorsky." Rossiiskaia istoriia, no. 4 (2021): 84. http://dx.doi.org/10.31857/s086956870016243-8.

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Głogowski, Piotr. "Źródła Diodora do dziejów wyprawy dziesięciu tysięcy." Roczniki Humanistyczne 67, no. 3 (July 8, 2019): 23. http://dx.doi.org/10.18290/rh.2019.67.3-2.

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The Anabasis of Xenophon was not the only account of the expedition of Cyrus. However, the other accounts were lost, and they are known today only thanks to the intermediate tradition. As it is thought, the narrative of Diodorus on the expedition of Cyrus (14, 19-31; 14, 37, 1-4) is based on the lost work of Ephorus of Cyme. It is necessary to state that this account differs to some extent from the narrative of Xenophon. Therefore, the question is what the sources exploited by Ephorus are. The aim of the current work is to present the selection of the most significant differences and similarities between the extent accounts. Furthermore, the most important views concerning this issue are discussed. The evidence which could suggest that the Anabasis is not a source of Ephorus is rather of secondary importance and in many cases could be interpreted otherwise. Despite the linguistic differences between the Anabasis and the Bibliothece, we can notice that in Diodorus there are expressions which resemble greatly these of Xenophon. By considering the similarities between these two narratives, we can assume that the main sources which could be identified in the story of Ephorus and Diodorus are the account of Xenophon supplemented by the information taken from the work of Ctesias.
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Rood, Tim. "Xenophon's parasangs." Journal of Hellenic Studies 130 (November 2010): 51–66. http://dx.doi.org/10.1017/s0075426910000042.

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AbstractThis paper analyses one aspect of Xenophon's representation of space, focusing on the famous stages-and-parasangs formula employed by Xenophon in the Anabasis. It starts by discussing the meaning of his terms, and then explores patterns of repetition and variation in his account of the march, split into three sections (the marches upcountry, to the sea and along the coast). Rather than explaining Xenophon's usage in terms of sources, it suggests that variations in the marching formula elaborate the successive stages of the Greeks' encounter with the spaces of the Achaemenid Empire.
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Daugherty, C. G. "Toxic Honey and the March Up-Country." Journal of Medical Biography 13, no. 2 (May 2005): 104–7. http://dx.doi.org/10.1177/096777200501300210.

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This article gives an account of the Greek warrior-historian Xenophon and his Anabasis ( The March Up-Country), one of the most famous events in military history. It includes a description of how the Greek soldiers, after reaching apparent safety near the south-eastern Black Sea, were felled by a strange honey that rendered them as if dead for a day. Modern understanding of the toxicology of this honey is given, then an epilogue summarizing the rest of Xenophon's life.
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Grethlein, Jonas. "Xenophon's Anabasis from Character to Narrator." Journal of Hellenic Studies 132 (September 6, 2012): 23–40. http://dx.doi.org/10.1017/s0075426912000031.

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AbstractXenophon participated in the March of the Ten Thousand, but in the Anabasis, instead of parading his autopsy, he keeps his narratorial persona separate from his character. This separation, however, is subtly blurred when, on the one hand, the narrator adopts the perspective of the character, who is by far the most prominent focalizing instance in the narrative, and, on the other hand, the character appropriates narratorial functions: Xenophon the character comes to the fore as embedded narrator and commentator of the events. Furthermore, his references to the past can be read as meta-historical, i.e. they shed light on the commemorative act of the Anabasis. While the choice of a hetero-diegetic narrator helps Xenophon to enhance the credibility of the account of his deeds, the intricate entanglement of narrator and character contributes to the characterization of himself as the privileged agent in the March of the Ten Thousand.
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Keaveney, Arthur. "The Trial of Orontas: Xenophon, Anabasis I, 6." L'antiquité classique 81, no. 1 (2012): 31–41. http://dx.doi.org/10.3406/antiq.2012.3809.

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Dissertations / Theses on the topic "Xenophon. Anabasis"

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Brennan, Shane Geoffrey. "Apologia in Xenophon's Anabasis." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3034.

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Xenophon of Athens probably did not write his Anabasis until thirty years or more after the events which it describes. This remarkable gap, taken together with the absence of a prologue, the presence of a number of prominent themes and authorial concerns, and the complex literary construction of the work, has made the task of explaining it problematic. Situating the text in the context of Xenophon's later life and wide-ranging literary output, in this dissertation I argue that apologia is the defining element in the work. Through his elaborate narrative structure and representation of his own character, Xenophon is defending himself, his social class, and his teacher, Socrates. In Books 5 and 7 (of 7) he is occupied with a rigorous defence of his conduct on the retreat, answering charges of deceiving the soldiers, hubris, corruption, and mercenary service, while in Books 3 through to 7, he is defending the memory of Socrates. For from the point of his introduction into the text at the opening of Book 3, following the decapitation of the Greek High Command at the Greater Zab River, Xenophon the character is acting as a pupil of Socrates would have done had he found himself in similarly dire circumstances. His actions, counsel, and moral bearing during the course of the retreat are a testimony to the value of his teacher's training, and powerfully undermine the charges of impiety and corrupting the youth levelled against Socrates in 399. At the same time, the outstanding leadership performance on the retreat of Xenophon's character reflects on himself as the historical figure behind the exemplar. By highlighting its different forms and bringing out its pervasiveness, the dissertation demonstrates that apologia is the major factor in the formation of the text.
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Humble, Noreen Mary. "Xenophon's view of Sparta : a study of the Anabasis, Hellenica and Respublica lacedaemoniorum /." *McMaster only, 1997.

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Luckenbill, Katie M. "Cavalry in Xenophon." Wright State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=wright1432044265.

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Finocchio, Erika. "Xénophon et Athènes." Thesis, Paris 10, 2009. http://www.theses.fr/2009PA100182.

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Cette étude a pour but d’analyser l’attitude de Xénophon vis-à-vis d’Athènes et de la démocratie. En retraçant les événements de l’histoire athénienne comme ils sont relatés dans les Helléniques et comme l’auteur les a vécus, le travail vise à démontrer : - que Xénophon ne condamne pas la démocratie comme une forme politique injuste, bien qu’il n’approuve pas ses choix politiques au cours du Ve siècle ; - que, grâce à la leçon tirée de l’expérience de l’échec subi au Ve siècle, Athènes est la seule cité capable, aux yeux de l’auteur, de résoudre le conflit entre Grecs et d’apporter la paix en Grèce au IVe siècle ; - que Xénophon essaie d’améliorer la démocratie sans apporter de réformes structurelles, mais à travers une réforme des mentalités politiques selon le modèle socratique
The following study aims to analyse Xenophon’s attitude to Athens and democracy. By recounting the events of Athenian history as they are related in Hellenica and as the author experienced them, the work aims to demonstrate: - that Xenophon does not condemn democracy as an unfair form of politics, even though he does not agree with the political decisions made by Athens during the 5th century B.C. - that, due to the lessons it learnt from its defeat in the 5th century B.C., Athens is the only city capable, in the eyes of the author, of resolving the conflict between Greeks and bringing peace to Greece in the 4th century B.C. - that Xenophon would like to improve democracy, not through structural reforms but through a reform of political thinking based on the Socratic model
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Sears, David C. "Xenophon's Anabasis lessons in leadership." Thesis, Monterey, Calif. : Naval Postgraduate School, 2007. http://bosun.nps.edu/uhtbin/hyperion-image.exe/07Jun%5FSears.pdf.

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Humble, Noreen M. "Xenophon's view of Sparta, a study of the Anabasis, Hellenica and Respublica Lacedaemoniorum." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ30093.pdf.

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Buijs, Michel. "Clause combining in ancient Greek narrative discourse : the distribution of subclauses and participial clauses in Xenophon's "Hellenica" and "Anabasis /." Leiden : Brill, 2005. http://catalogue.bnf.fr/ark:/12148/cb399290838.

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Clark, Margaret Kathleen. "Intertextual journeys : Xenophon’s Anabasis and Apollonius’ Argonautica on the Black Sea littoral." Thesis, 2014. http://hdl.handle.net/2152/25785.

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This paper addresses intertextual similarities of ethnographical and geographical details in Xenophon’s Anabasis and Apollonius of Rhodes’ Argonautica and argues that these intertextualities establish a narrative timeline of Greek civilization on the Black Sea littoral. In both these works, a band of Greek travellers proceeds along the southern coast of the Black Sea, but in different directions and at vastly different narrative times. I argue that Apollonius’ text, written later than Xenophon’s, takes full advantage of these intertextualities in such a way as to retroject evidence about the landscape of the Black Sea littoral. This geographical and ethnographical information prefigures the arrival of Xenophon’s Ten Thousand in the region. By manipulating the differences in narrative time and time of composition, Apollonius sets his Argonauts up as precursors to the Ten Thousand as travellers in the Black Sea and spreaders of Greek civilization there. In Xenophon’s text, the whole Black Sea littoral becomes a liminal space of transition between non-Greek and Greek. As the Ten Thousand travel westward and get closer and closer to home and Greek civilization, they encounter pockets of Greek culture throughout the Black Sea, nestled in between swaths of land inhabited by native tribes of varying and unpredictable levels of civilization. On the other hand, in the Argonautica, Apollonius sets the Argonautic voyage along the southern coast of the Black Sea coast as a direct, linear progression from Greek to non-Greek. As the Argonauts move eastward, the peoples and places they encounter become stranger and less recognizably civilized. This progression of strangeness and foreignness works to build suspense and anticipation of the Argonauts’ arrival at Aietes’ kingdom in Colchis. However, some places have already been visited before by another Greek traveller, Heracles, who appears in both the Argonautica and the Anabasis to mark the primordial progression of Greek civilization in the Black Sea region. The landscape and the peoples who inhabit it have changed in the intervening millennium of narrative time between first Heracles’, then the Argonauts’, and finally the Ten Thousand’s journey, and they show the impact of the visits of all three.
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Books on the topic "Xenophon. Anabasis"

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Xenophon's Anabasis, or, the Expedition of Cyrus. Oxford: Oxford University Press, 2012.

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Lendle, Otto. Kommentar zu Xenophons Anabasis (Bücher 1-7). Darmstadt: Wissenschaftliche Buchgesellschaft, 1995.

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Verbs of motion with directional prepositions and prefixes in Xenophon's Anabasis. Lund: Centre for Languages and Literature, Lund University, 2011.

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Lee, John W. I. A Greek army on the march: Soldiers and survival in Xenophon's Anabasis. Cambridge: Cambridge University Press, 2007.

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Lee, John W. I. A Greek army on the march: Soldiers and survival in Xenophon's Anabasis. Cambridge: Cambridge University Press, 2007.

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Lee, John W. I. A Greek army on the march: Soldiers and survival in Xenophon's Anabasis. Cambridge: Cambridge University Press, 2007.

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Lee, John W. I. A Greek army on the march: Soldiers and survival in Xenophon's Anabasis. Cambridge: Cambridge University Press, 2007.

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Stronk, Jan P. The Ten thousand in Thrace: An archaeological and historical commentary on Xenophon's Anabasis, Books VI.iii-vi-VII. Amsterdam: J.C. Gieben, 1995.

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Buijs, Michel. Clause combining in ancient Greek narrative discourse: The distribution of subclauses and participial clauses in Xenophon's Hellenica & Anabasis. [Leiden: M. Buijs, 2003.

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Edwards, G. M. Xenophon Anabasis Book III. University of Cambridge ESOL Examinations, 2014.

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Book chapters on the topic "Xenophon. Anabasis"

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Schmalzriedt, Egidius, and Rainer Nickel. "Xenophon von Athen: Kyru anabasis." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22515-1.

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Buzzetti, Eric. "Piety (Book Three of the Anabasis)." In Xenophon the Socratic Prince, 111–47. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137325921_4.

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Buzzetti, Eric. "Courage (Book Four of the Anabasis)." In Xenophon the Socratic Prince, 149–80. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137325921_5.

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Buzzetti, Eric. "Justice (Book Five of the Anabasis)." In Xenophon the Socratic Prince, 181–220. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137325921_6.

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Buzzetti, Eric. "Gratitude (Book Six of the Anabasis)." In Xenophon the Socratic Prince, 221–57. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137325921_7.

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Buzzetti, Eric. "“The Godlike King” (Book One of the Anabasis)." In Xenophon the Socratic Prince, 39–73. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137325921_2.

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Buzzetti, Eric. "“The Pious King” (Book Two of the Anabasis)." In Xenophon the Socratic Prince, 77–108. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137325921_3.

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Buzzetti, Eric. "The Love of the Soldier (Book Seven of the Anabasis)." In Xenophon the Socratic Prince, 259–94. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137325921_8.

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"XENOPHON’S ANABASIS." In Xenophon And The History Of His Times, 71–110. Routledge, 2002. http://dx.doi.org/10.4324/9780203421383-9.

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"Introduction." In Xenophon: Hellenika I-II.3.10, edited by Peter Krentz, 1–18. Liverpool University Press, 1989. http://dx.doi.org/10.3828/liverpool/9780856684647.003.0001.

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This chapter talks about the Athenian historian Xenophon, who was the son of Gryllos from Erchia. It describes Xenophon's youth, implying that he came from a wealthy family as accounts mentioned that he took his own horses with him to Asia Minor in 401. It also speculates, according to Xenohpnon's Hellenika, that he witnessed Thrasyllos' Ionian campaign in 410, the battle of Arginousai in 406, and arrival of the news from Aigospotamoi in 405. This chapter implies how Xenophon likely served in the cavalry under the oligarchy of the Thirty Tyrants between 404 and 403. It also enumerates other works of Xenophon apart from Hellenika, such as the Anabasis, Kyroupaideai, and Agesilaos.
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