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Relevant bibliographies by topics / Xhosa drama – Male authors / Books

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Books on the topic 'Xhosa drama – Male authors'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Moses, Itamar. The four of us. Samuel French, 2009.

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2

Grimm, David. Sheridan, or, Schooled in scandal. Dramatists Play Service, 2001.

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3

Staging masculinity: Male identity in contemporary American drama. McFarland & Co., 1997.

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4

Straight White Male Performance Art Monologues. University Press of Mississippi, 1997.

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5

Jake's women. S. French, 1993.

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6

Jake's women. Random House, 1994.

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7

Cima, Gay Gibson. Performing women: Female characters, male playwrights, and the modern stage. Cornell University Press, 1993.

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8

Cima, Gay Gibson. Performing women: Female characters, male playwrights, and the modern stage, Gay Gibson Cima. Cornell University Press, 1993.

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9

Simon, Neil. Proposals. Stage & Screen, 1998.

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10

Soho Theatre + Writers' Centre., ed. Navy pier. Oberon, 2000.

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11

Straight acting: Popular gay drama from Wilde to Rattigan. Cassell, 1998.

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12

Oscar Wilde, the great drama of his life: How his tragedy reflected his personality. Sussex Academic Press, 2011.

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13

The drama of marriage: Gay playwrights--straight unions from Oscar Wilde to the present. Palgrave Macmillan, 2012.

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14

Smith, Kevin, and Scott Mosier. Chasing Amy. Distributed by Buena Vista Home Entertainment, 2009.

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15

undifferentiated, Roger Williams. One Man, One Voice: Plays. Parthian, 2001.

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16

McDonough, Carla J. Staging Masculinity: Male Identity in Contemporary Drama. McFarland & Company, 1996.

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17

Staging Masculinity: Male Identity in Contemporary American Drama. McFarland & Company, 2006.

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18

Simon, Neil. Jake's Women: A Play. Random House Value Publishing, 1997.

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19

Performing Women: Female Characters, Male Playwrights, and the Modern Stage. Cornell University Press, 1996.

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20

Gorham, Christopher. We love you, Sally Carmichael! 2017.

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21

Moses, Itamar. The Four of Us: A Play. Faber & Faber, 2008.

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22

M, Clum John, ed. Staging gay lives: An anthology of contemporary gay theater. Westview Press, 1995.

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23

Raffaella, Baccolini, Fortunati Vita, and Zacchi Romana, eds. Il teatro e le donne: Forme drammatiche e tradizione al femminile nel teatro inglese. QuattroVenti, 1991.

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24

1963-, Clark Keith, ed. Contemporary Black men's fiction and drama. University of Illinois Press, 2001.

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25

Straight Acting: Popular Gay Drama from Wilde to Rattigan (Lesbian & Gay Studies). Cassell, 1997.

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26

Mitchell, Koritha. The Pimp and Coward. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036491.003.0007.

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Abstract:

This chapter demonstrates that, as a genre, lynching drama challenges the assumption that men establish literary traditions and women revise them. Black male authors entered the genre in 1925, and they revised the conventions being developed by women. Women's plays present the home as the lynch victim, portraying its “castration” as the moment when the honorable black man is removed. However, male dramatists depict homes that seem “castrated” even when husbands, fathers, and uncles survive because they become immoral and cowardly to avoid the mob's wrath. The chapter argues that the pimp and coward emerge to mark the community conversation's acknowledgement that their perspectives matter as African Americans grapple with the contradictions of living with lynching.

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