Relevant bibliographies by topics / Xhosa fiction – 21st century

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Xhosa fiction – 21st century'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Xhosa fiction – 21st century"

1

Horn, Patrick E. "Reading 21st-Century Southern Fiction." Southern Cultures 22, no. 3 (2016): 14–19. http://dx.doi.org/10.1353/scu.2016.0028.

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CARAIVAN, LUIZA. "21st Century South African Science Fiction." Gender Studies 13, no. 1 (2014): 93–105. http://dx.doi.org/10.1515/genst-2015-0007.

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Abstract The paper analyses some aspects of South African science fiction, starting with its beginnings in the 1920s and focusing on some 21st century writings. Thus Lauren Beukes’ novels Moxyland (2008) and Zoo City (2010) are taken into consideration in order to present new trends in South African literature and the way science fiction has been marked by Apartheid. The second South African science fiction writer whose writings are examined is Henrietta Rose-Innes (with her novel Nineveh, published in 2011) as this consolidates women's presence in the SF world.
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Abadzi, Helen. "Training 21st-century workers: Facts, fiction and memory illusions." International Review of Education 62, no. 3 (2016): 253–78. http://dx.doi.org/10.1007/s11159-016-9565-6.

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Callueng, Erly S. Parungao, and Jennie V. Jocson. "Mind Style and Motherhood in 21st Century Philippine Fiction." International Journal of Emerging Issues in Early Childhood Education 3, no. 1 (2021): 59–69. http://dx.doi.org/10.31098/ijeiece.v3i1.539.

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This paper presents an analysis of Isolde Amante’s Eve, a 21st century Philippine fiction to reveal a contemporary worldview of motherhood. Despite the success of feminist movements in society, motherhood remains fraught with romantic ideals that stem from the essentialist notions of gender and sex. This results in ‘othering’--oppressing and alienating women in the 21st century. The paper argued that the entire notion of motherhood has entered a postmodern framing—one that challenges traditional notions of motherhood and mothering. To characterize this worldview, the paper used the theories of
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Khabibullina, Lilia F. "Postcolonial Trauma in the 21st-Century English Female Fiction." Imagologiya i komparativistika, no. 15 (2021): 89–104. http://dx.doi.org/10.17223/24099554/15/5.

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The postcolonial fiction of the 21st century has developed a new version of family chronicle depicting the life of several generations of migrants to demonstrate the complexity of their experience, different for each generation. This article aims at investigating this tradition from the perspective of three urgent problems: trauma, postcolonial experience, and the “female” theme. The author uses the most illustrative modern women’s postcolonial writings (Z. Smith, Ju. Chang) to show the types of trauma featured in postcolonial literature as well as the change in the character of traumatic expe
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Gonnermann, Annika. "The Concept of Post-Pessimism in 21st Century Dystopian Fiction." Comparatist 43, no. 1 (2019): 26–40. http://dx.doi.org/10.1353/com.2019.0002.

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김영민. "The Ethics of Ekphrasis in the 21st Century American Fiction." Journal of English Language and Literature 61, no. 4 (2015): 577–93. http://dx.doi.org/10.15794/jell.2015.61.4.003.

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Hans, V. Basil, and Shawna Jill Crasta. "DIGITALIZATION IN THE 21st CENTURY." Journal of Global Economy 15, no. 1 (2019): 12–23. http://dx.doi.org/10.1956/jge.v15i1.524.

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World is changing at dizzying speed. The Internet is not only fascinating buy is also rapidly affecting our work and life. How do we prepare students for jobs that have not yet been created, for technologies that have not yet been invented? It has been estimated that our current skill sets would last only “the next decade or two”. Knowledge is no longer limited to set theories or single idea or linear thinking. What is required is the capacity to think across disciplines, connect ideas and “construct information”. The distinguishing fact from fiction is essential in our digital age and
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Green-Simms. "The Emergent Queer: Homosexuality and Nigerian Fiction in the 21st Century." Research in African Literatures 47, no. 2 (2016): 139. http://dx.doi.org/10.2979/reseafrilite.47.2.09.

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Lindgren, Marcia. "Latin Language Teaching in the 21st Century: Exploring Fact and Fiction." Syllecta Classica 15, no. 1 (2004): 177–78. http://dx.doi.org/10.1353/syl.2004.0002.

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Dissertations / Theses on the topic "Xhosa fiction – 21st century"

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Majola, Fundile Lawrence. "Good-Gooder-Goodest." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015657.

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My stories are set in the townships, and move with the vigorous rhythms and jagged structures of township life. Some of them are written in English and others in isiXhosa. Some of the dialogue is township slang, a mixture of languages; and pure isiXhosa. The stories follow no particular pattern and are arranged according to any form of chronology, and different voices, at times as a man/boy and in others as a girl. The characters are not related each story perfectly stands for itself. Some of the stories hark back to the days of apartheid and are seen through the eyes of a child confused by th
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Allen, Claire. "Beyond postmodernism : London fiction at the millenium." Thesis, University of Northampton, 2010. http://nectar.northampton.ac.uk/8845/.

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Raulerson, Joshua Thomas. "Singularities: technoculture, transhumanism, and science fiction in the 21st Century." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/2968.

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A spectre is haunting contemporary technoculture: the spectre of Singularity. Ten years into a century thus far characterized chiefly by the catastrophic failure of global economic and political systems, deepening ecological anxieties, and slow-motion social crisis, the only sector of our collective cultural myth of Progress still vibrantly intact is the technological - a project which, in vivid contrast to the systemic failure that seemingly prevails at nearly every other level, continues to charge forward at breakneck sp
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West, Mark Peter. "Between times : 21st century American fiction and the long sixties." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5621/.

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This thesis examines conceptions of time and history in five American novels published between 1995 and 2012 which take as their subject matter events associated with the counterculture and New Left of the 1960s and 1970s. The thesis is organized around close readings of five novels. The first chapter focuses on Jennifer Egan’s The Invisible Circus (1995) and argues that it incorporates a number of problematic temporal experiences which have the effect of establishing a key tension of all the novels considered here: the concern with contextualizing and historicizing particular events and cultu
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Akhtar, Jaleel. "Dismemberment in the fiction of Toni Morrison." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/53849/.

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Dismemberment in the Fiction of Toni Morrison investigates the motif of dismemberment in Morrison's fiction from multiple perspectives—historical, psychological and cultural. My first chapter on A Mercy focusses on the aspect of historical dismemberment in the context of colonialism and slavery. I look at the forced separation of African Americans from their families and motherland in terms of originary experiences of racism and dismemberment. This entailed fragmentation for African Americans who struggled to develop strategies of survival in the New World. My second chapter on Jazz focuses on
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Crotty, Tammy J. "Left of mainstream : genre fiction and its ability to transcend formula." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313073.

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This collection of short stories studies the elements of genre fiction and applies them to literary fiction. Science fiction, fantasy, and horror have specific manners in which they speak to an audience. By using these elements, for example the desensitization of the current generation of readers to most horrors, an author can demonstrate the core of the human relationship to pain, faith, or hope. Though some genre fiction seems to fit certain formulas, there are also horror or science fiction stories which do not fit a conventional mold. This collection sets forth to break away from genre fic
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Mbatsha, Thembisa. "A critical analysis of the screen adaptation of Saule’s Unyana womntu." Thesis, University of Fort Hare, 2012. http://hdl.handle.net/10353/d1018674.

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This research will concentrate on various aspects of the screen adaptation of “Unyana womntu” (Saule, 1989). This study comprises of six chapters. In Chapter 1 of this study, the research aims and objectives are formulated. The research methods that are to be followed will involve a thorough reading of the written text, as well as a comprehensive repetitive viewing of all the episodes of the screen version. In the final part of Chapter 1, background information is provided on the personal life of the author as well as on his contributions to the African literary tradition. Background informati
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Halliday, Sophie. "Representations of gender and subjectivity in 21st century American science fiction television." Thesis, University of East Anglia, 2014. https://ueaeprints.uea.ac.uk/51483/.

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This thesis interrogates representations of gender and subjectivity within 21st century American science fiction television. It recognises a recent convergence of generic concerns, the shifting contexts of television, and the cultural context of 21st century America. Identifying a recent shift in how American science fiction television of this era has engaged with issues of gender and subjectivity, I offer an exploration of this trend via four key texts: Terminator: The Sarah Connor Chronicles (FOX, 2008-2009), Fringe (FOX, 2008-2013), Battlestar Galactica (SyFy, 2004-2009) and Caprica (SyFy,
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Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

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Bakker, Barbara. "Arabic dystopias in the 21st century : A study on 21st century Arabic dystopian fiction through the analysis of four works of Arabic dystopian narrative." Thesis, Högskolan Dalarna, Arabiska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27968.

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Dystopian fiction as intended in the Western literary tradition is a 20 th century phenomenon on the Arabic literary scene. This relatively new genre has been experiencing an uplift since the beginning of the 21st century and many works that have been defined dystopias have been published and translated into English in the last 10 – 15 years. In order to find out their main features, Claeys’s categorization of literary dystopias is applied and a thematic analysis is carried out on four Arabic dystopian works of narrative, written by authors from different parts of the Arabic world. The analysi
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Books on the topic "Xhosa fiction – 21st century"

1

21st Century Fox. Scholastic, 1989.

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Bradley, Eden. A 21st century courtesan. Delta Trade Paperback, 2009.

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A 21st century courtesan. Delta Trade Paperback, 2009.

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Maxey, Ruth, ed. 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7.

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Gordon, Gail K. Flying into the 21st century. Pearson/Scott Foresman, 2000.

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Goswami, Tamal Krishna. Yoga for the 21st century. 2nd ed. s.n], 1994.

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Sadler, Marilyn. Zenon: Girl of the 21st century. Simon & Schuster Books for Young Readers, 1996.

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Launching India into the 21st century. Minerva Press, 1999.

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Beautiful soup: A novel for the 21st century. Celadon Press, 1993.

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Schakel, Peter J. Approaching literature in the 21st century: Fiction, poetry, drama. 2nd ed. Bedford/St. Martin's, 2008.

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Book chapters on the topic "Xhosa fiction – 21st century"

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Roberts, Adam. "21st-Century Science Fiction." In The History of Science Fiction. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_16.

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Eaton, Mark. "Pathways to Terror: Teaching 9/11 Fiction." In Teaching 21st Century Genres. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55391-1_7.

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Maxey, Ruth. "US Historical Fiction Since 2000." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_1.

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Tearle, Oliver. "Other Mothers and Fathers: Teaching Contemporary Dystopian Fiction." In Teaching 21st Century Genres. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55391-1_6.

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Shostak, Debra. "Paternity, History, and Misrepresentation in Viet Thanh Nguyen’s The Sympathizer." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_10.

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Martin, Rebecca. "Queering the “Lost Year”: Transcription and the Lesbian Continuum in Susan Choi’s American Woman." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_11.

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West, Mark. "The Contemporary Sixties Novel: Post-postmodernism and Historiographic Metafiction." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_12.

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De Cristofaro, Diletta. "“What’s the Plot, Man?”: Alternate History and the Sense of an Ending in David Means’ Hystopia." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_13.

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Hawkes, DeLisa D. "“To Avenging My People”: Speculating Revenge for US Slavery in Dwayne Alexander Smith’s Forty Acres." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_14.

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Newman, Judie. "Folklore, Fakelore, and the History of the Dream: James McBride’s Song Yet Sung." In 21st Century US Historical Fiction. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41897-7_2.

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Conference papers on the topic "Xhosa fiction – 21st century"

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Cassou-Nogues, Pierre. "Knife in hand: Science and vivisection in Norbert Wiener's autobiography and short fiction." In 2014 IEEE Conference on Norbert Wiener in the 21st Century (21CW). IEEE, 2014. http://dx.doi.org/10.1109/norbert.2014.6893935.

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