Dissertations / Theses: 'Xiao jing'

7

Chan, So Man. "Jin Yong wu xia xiao shuo lian zai ben (1962-1972) yu wen hua da ge ming /." View abstract or full-text, 2006. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202007%20CHAN.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Chou, Kam-ngan. "The learning of Chinese lexicon by providing primary one pupils with essential learning experiences Kuo kuo xiao yi xue sheng de xue xi jing li yi ti sheng zhong wen ci hui liang /." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B37642935.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Feng, Xiaoran. "Jin Yong wu xia xiao shuo zhong "wu" yu "xia" de cheng ji yu chuang xin = The inheritance and innovation of "wu" and "xia" in Jin Yong's novels /." click here to view the abstract and table of contents, 2000. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b15722648a.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Ma, Yihua. "Zhong yi yao zhi liao tong jing (yuan fa xing tong jing) de wen xian yan jiu /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b1998747xa.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Li, Ke. "Shi du cha ju yu xi tong you hua Zhongguo xian dai hua jin cheng zhong de qu yu jing ji /." Beijing : Zhongguo she hui ke xue chu ban she, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Chan, Wai-ying. "The "jing" and the "wu" a study of the sign of "jing" and the jingjie in modern Chinese poetry = "Jing" yu "wu" : Zhongguo xian dai shi jing de fu hao yu jing jie yan jiu/." Click to view the E-thesis via HKUTO, 2001. http://sunzi.lib.hku.hk/hkuto/record/B43896030.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Ma, Fengzhi. "Zhongguo cheng shi xia gang shi ye pin kun fu nü qiu zhu he shou zhu jing yan de xu shu fen xi." online access from Digital Dissertation Consortium access full-text, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3241049.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Liang, Ruhai. "Pi wei gong neng yu pi fu bing guan xi de gu jin wen xian yan jiu /." click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b20009628a.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Choi, Ma-lee Mary. "A study of taboo words in modern Chinese language = Xian dai Han Yu jin ji yu yan jiu /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25435826.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Qin, Liyan. "Trans-media strategies of appropriation, narrativization, and visualization adaptations of literature in a century of Chinese cinema /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3258676.

Full text

Abstract:

Thesis (Ph. D.)--University of California, San Diego, 2007. Title from first page of PDF file (viewed Jun 4, 2007). Available via ProQuest Digital Dissertations. Vita. Filmography : p. 264-270. Includes bibliographical references (p. 271-284).

APA, Harvard, Vancouver, ISO, and other styles

17

林皓賢 та Ho-yin Lam. "A study of Zhengguan yujing jiang and Military system of Western Xia dynasty = 《貞觀玉鏡將》與西夏軍制研究". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/193005.

Full text

Abstract:

Zhengguan yujing jiang 《貞觀玉鏡將》, a book compiled in Western Xia characters during the reign of Zhao Qianshun趙乾順 (嵬名乾順, r. 1086-1139) in the early 12thcentury on the art of military strategy and tactics, was discovered by a Russian in 1908. This provides scholars a valuable original source to carry out in-depth study on the military confrontation between Western Xia and the Northern Song Dynasty. Since the establishment of the Western Xia, there were long lasting internal disputes on their policies towards the Northern Song Dynasty. War or peace not only determined by their military power, their outcomes of political and economic reforms also played important roles. Different kinds of military strategy and tactics had been attempted but not much success had been secured. Zhengguan yujing jiang will be used as the primary resource in this thesis in order to find out the picture behind the screen. Special attentions will be focus on the modification and improvement of military system, military law and military strategy. published_or_final_version Chinese Historical Studies Master Master of Arts

APA, Harvard, Vancouver, ISO, and other styles

18

Ng, Wing-fai. "Liang Sicheng, 1901-1972 the master of modern Chinese architecture = Liang Sicheng (yi jiu ling yi zhi yi jiu qi er) : Zhongguo xian dai jian zhu de zhe jiang /." Click to view the E-thesis via HKUTO, 1991. http://sunzi.lib.hku.hk/hkuto/record/B31950024.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Lam, Sau-yau. "Case studies of the performance of local form six students in Chinese individual oral presentation Xianggang zhong liu xue sheng ge ren duan jiang biao xian de ge an yan jiu /." Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/hkuto/record/B31960261.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Chui, Wai-ngor. "An evaluation of the effectiveness of the new teaching methods and learning approaches for "history of Chinese culture and arts" Zhongguo wen hua yi shu shi ke xin jiao xue fa ji xue xi jin lu de cheng xiao ping gu /." Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B31961575.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

馮筱然. "金庸武俠小說中《武》與《俠》的承繼與創新 = The inheritance and innovation of "wu" and "xia" in Jin Yong's novels". HKBU Institutional Repository, 2000. http://repository.hkbu.edu.hk/etd_ra/205.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Siu, King-wai. "Dating the extant version of the Kongzi Jiayu a linguistic and textual exploration = Jin ben"Kongzi jia yu" cheng shu nian dai xin kao: cong yu yan ji wen xian jiao du kao cha /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628636.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Tsui, Sze-ki, and 徐詩琪. "A study of teaching of reading strategies to enhance the comprehension monitoring awareness of upper primary students in Hong Kong = Yue du ce lüe jiao xue dui cu jin xiao xue gao nian ji xue sheng de yue du li jie jian kong zhi jue de ying xiang." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/198877.

Full text

Abstract:

Ever since the curriculum reform was launched, 'Reading to Learn' has been one of the four key tasks initiated. The result shown in Progress in International Reading Literacy Study (PIRLS,2011) reflected that the reading ability of Hong Kong Primary students is among the best in the world, whereas their reading motivation ranking the last. Researchers also found in the Programme for International Student Assessment (PISA, 2009) conducted among secondary students that their metacognitive level is the lowest among all the secondary students in South-east Asian districts. It reflected that Hong Kong students lack self-regulation and comprehension monitoring awareness in reading. This dissertation is written in support of an action research and a case study. It aims to discuss the impact on the implementation of teaching of reading strategies on four different primary students, who are of diverse ability on comprehension. In the action research, the researcher tries to enhance students' comprehension monitoring awareness through introducing the K-W-L Chart and Directed Reading and Thinking Activity. In the case study, the researcher makes use of think aloud activities and student interviews to collect and analyze the qualitative data obtained. Together with the quantitative analysis, the researcher studies the reading strategies used among the four selected primary 4 students as well as their understanding toward reading strategies before and after they received the teaching in the process. The research result reflects that teaching reading strategies has a significant effect on enhancing student's reading comprehension monitoring awareness among students, especially the lower ability students. Furthermore, this research makes a few practical suggestions on how to enhance students' reading comprehension awareness in daily teaching. 自課程改革(以下簡稱「課改」)以來，「從閱讀中學習」一直為課改四大關鍵項目之一。「全球學生閱讀能力進展研究(PIRLS，2011)」的結果反映本港小學生的閱讀能力冠絕全球，閱讀動機卻在全球榜尾的奇怪現象；而以中學生為對象的「學生基礎素養能力計劃(PISA，2009)」亦發現本港學生的後設認知能力水平為全東南亞地區最差，反映本港學生在閱讀方面缺乏自我調整和閱讀監控的意識。本論文旨在以行動研究(action research)及個案研究(case study)方式，探討閱讀策略教學對促進四位小學四年級不同能力學生的閱讀理解監控知覺的影響。在行動研究方面，研究員通過教授自我檢測圖及引領思維閱讀策略，促進學生的理解監控知覺。在個案研究方面，通過放聲思考(think aloud)活動及學生訪談，搜集及分析質性數據，並結合量性分析，探討本港某小學四位四年級學生於接受教學前後，在閱讀過程中運用閱讀策略的情況，以及他們對閱讀策略的認識。研究結果反映，閱讀策略教學對促進學生的閱讀理解監控知覺對於閱讀能力較弱的學生，有明顯的影響。此外，本研究就如何在日常教學中教授閱讀策略，以提升學生的閱讀理解監控知覺方面提出一些建議。 published_or_final_version Education Master Master of Education

APA, Harvard, Vancouver, ISO, and other styles

24

Wang, Lianghe. "Shi guan de chong tu yu zhu liu de jing zhu : Xianggang ba, jiu shi nian dai shi tan de liu pai fen zheng--yi "Zhong Weimin xian xiang" ying zhao = The clash of poetic views and striving to be the centre : an exploration of the conflict between poetic schools in the 1980s and 90s in Hong Kong in the light of the "Chung Wai Man phenomenon" /." click here to view the abstract and table of contents, 2001. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17040474a.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

LEE, YI-YING, and 李宜縈. "The Modern Family Education Inspiration From Xiao Jing." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/eatgch.

Full text

Abstract:

碩士 嘉南藥理大學 儒學研究所 106 Though Xiao Jing contains the least words compared with the thirteen classics of Confucian, it has tremendous impact on thousand- year- long Chinese culture and evolution of politics. Xiao Jing, which is the epitome of filial piety, was highly promoted and respected by the authority and emperors from Western Han Dynasty. Even the first appearance of Xiao Jing was long time ago, and the perspectives of politics, culture and family differ from nowadays, the content and profound meanings inside this masterpiece won’t be faded as time flies. As a result, the thesis analyzes and induces the thinking of filial piety and the spirit of the classic, hoping to apply to the modern daily life to improve the problems of family education, and make the functions of family outstand, and contribute to the stable development of society. The thesis can be divided into five chapters. The first chapter is introduction, which introduces research motivation, research purpose and research method. The second chapter sorts the authors, background of the book appearance, versions, and points of view of Xiao Jing in contextual organization to realize the importance of this classic. The third chapter describes the depth and implementation of modern family education to clarify the definition, depth, importance, development, and the facing difficulties of family education. The forth chapter analyzes and elaborates the inspiration Xiao Jing has on modern family education. The results includes passive filial piety- self cultivation, active filial piety- service to ( grand) parents, and the authority should practice what he preaches to advocate policies relating to filial piety. Finally, the fifth chapter concludes and positively consider filial piety in Xiao Jing to be the core value of personal life and inspiration and correction of human and culture, which serves as the positive function of stabilizing the development of society.

APA, Harvard, Vancouver, ISO, and other styles

26

Chao, Chieh-yu, and 趙婕妤. "The study of Pi Xi‐rui 's “Xiao Jing Zheng Zhu Shu”." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/59573414048990498504.

Full text

Abstract:

碩士 國立中央大學 中國文學系 101 The “Xiao Jing Zheng Zhu Shu” is a comment book of the “Xiao Jing Zheng Zhu” written by Pi Xi‐rui,a scholar in the late Qing Dynasty. Pi Xi‐rui first made a simple sketch to the “Xiao Jing Zheng Zhu”and then clarified some problems in the introduction of the book such like who the author is, when the book was written and which point of view of the classics was used to accomplish the book. Although he explained them with lots of citations, we can still find the personal stance of Pi Xi‐rui through them. The book “Xiao Jing Zheng Zhu” was spread before the popularity of the comment book written by the emperor Xuan which we can see today. Its deeply explanations and the comments about the ritual study and the meaning of the classics are acclaimed by lots of scholars. However, there are still some pities such as parts of the book were lost and the author of the book was unknown. They have been accomplished with the book and still have no decisions and explanations. Pi Xi‐rui wrote the “Xiao Jing Zheng Zhu Shu” in order to restore the original image of the “Xiao Jing Zheng Zhu” and worked hard on the argument that the author of the “Xiao Jing Zheng Zhu” is Zheng Xuan definitely and he also used some citations to explain it. In the process of commenting, not only the textual researches, but the research of the text interpretation and the meaning of the classics can show the textual research skills of his own and the unique viewpoint of the modern literary classics researcher. We can even find Pi Xi-rui’s high praise to Zheng Xuan and his effort of carrying forward the research of Zheng’s. In respect of the significance of academic history, the “Xiao Jing Zheng Zhu Shu” of Pi Xi‐rui not only reviewed the value of “Xiao Jing Zheng Zhu” and elucidated articles and the meaning of the classics, but also praised the researches of Zheng’s and commented on the Zheng’s words. In addition to those, we can still learn the focus to the classics of the modern literary classics researcher in the late Qing dynasty and the way Pi Xi‐rui put it into practice from his stance while commenting.

APA, Harvard, Vancouver, ISO, and other styles

27

Peng, Pei-Chen, and 彭珮貞. "To Run Away from Jing-Pai——The Research on Xiao- Qian’s Novel Creating Courses." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/36732007873683187578.

Full text

Abstract:

碩士 淡江大學 中國文學系碩士班 95 This article attempts to, basing on the historical backgrounds of the times, Xiao Qian’s worldview, personality, and brilliance of writing, analyze the shifts in his literary thinking and creation. The author divides Xiao Qian’s creation courses into three stages. Through the reading of the novel Under the Eaves, a representative work of his first stage, the author finds that Xiao Qian was affected deeply by his miserable childhood experience, and Jing-Pai bookmen’s creating viewpoint, especially Shen Cong-wen. At this stage, the miserable childhood experiences made him face the ruthless of life, but, on the same time, Jing-Pai bookmen’s aesthetics made him keep an implied writing style and glorify the roughscuffs’ bucolic spirit as well. He described the cruel reality in an implied strain, and reached his novel’s highest achievements. Chestnuts is the representative work of Xiao Qian’s second stage. At this stage, with the influence of historical backgrounds and Ba Jin, he turned to write novels about politics and society. Through the reading of his antichristian novels and the patriotic novels, describing the student movements mainly, the author finds his hate to Christianity and resentment to the rich, which originated from his growing-up process. At this stage, Xiao Qian’s works was actually a mixture of personal feeling of gratitude or resentment and national sentiments and enmities. At the third stage, he backed to the sentimental writing style. After a series works of the patriotic and political novels, Xiao Qian’s several autobiographic novel drew lots of attractions. The subject matter in The Low Eaves and Setting of the Sun seems like similar to the one in Under the Eaves, but the emotions expressed in those works are not implied anymore. Instead, Xiao Qian kept his blistering and precipitous mood which were shown in Chestnuts in the works during the third stage, toke an avenging writing stile, and disclosed his conscious of dichotomy of good and evil. While The Valley of Dream is highly appreciated by the scholars for its rich poetry, it exposed Xiao Qian’s self-centered consciousness. It seemed to be very hard for Xiao Qian to avoid the tragedy to get himself into his own world, accordingly he decided to end up his novel-writing career and to devote himself to the write news reports regarding battlefield affair, which audaciously preach slogans and seemed to suit Xiao Qian’s innocent.

APA, Harvard, Vancouver, ISO, and other styles

28

Lai, Chiao-Shan, and 賴巧姍. "The research of Jiou-Yin-Jhen-Jing, the Di-zi &; Xiao work by Chen Chung-sheng." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/30174350571620357346.

Full text

Abstract:

碩士 國立臺南藝術大學 民族音樂學研究所 99 “Jiou-Yin-Jhen-Jing"is the solo creation made by Chen Chung-sheng, commissioned by National Orchestra, for the “Siao-Ao-Jiang-Hu” concert event on September 16, 2006. Teacher Chen at September 26, 2008 at the National Concert Hall "Siao-Sheng-Jhen-Wu-Lin" Xiao solo concert on the occasion, also personally perform this piece. The circumstances of two concerts perform with the martial arts theme, the warrior inside Jin Yong's novels, martial arts, weapons and so the story into a musical show. Xiao, an ancient musical instrument in China, is with long history, quiet and elegant, suitable for solo and ensemble. The playing skills and Di-zi are quite similar. However, early days instruments are not sensitive, it’s not easy to play the characteristics skills. Improved in recent years the production of Xiao, it began to break the previous play only for a long, quiet, lyrical melody, expressing quiet, elegant feeling. To perform, it starts the playing skills with the Di-zi class in line at the same time and by its special Changing tone to express profound mood music. "Jiou-Yin-Jhen-Jing" could be both G Xiao solo pieces and the major G Di-zi solo. Observing the music composed by Chen, not only retains the Di-zi and Xiao’s music playing features methods, but also joined the Western flute playing skills. Especially in the this piece, it shows more about the alternating with fast fingering, forming the very active music group sections. Through the quick link from the streamlined sound spit tunes, and its use of techniques. On the Di-zi, the combination of Xiao music of the air blowing features enrich the life of rhyme meaning; on the Xiao, the difficult way of playing break through the stereotype of the audience on the Xiao. In this article, we research the Di-zi and the Xiao work in the background of the evolution of Taiwan's development history about the musical techniques of both revealed in the aesthetic point of view and cultural identity. Hoping that through this piece, the composer's own point of view, and after the premiere in the experience of playing experience, to understand the playing techniques and to break beyond the self. Di-zi and Xiao music in the grasp of differences between the two, music and other creative works for the structure, deep review in the music establishment from the aesthetic point of view, and discuss the performers in the process of the "second creation", in what points of view should be used to interpret the music.

APA, Harvard, Vancouver, ISO, and other styles

29

Zheng, Fu-Yuan, and 鄭富元. "The Local Nobilities and Regime Of Xiao Liang In Jing Zhou and Yong Zhou and Yu Zhou." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/25840850039980620164.

Full text

Abstract:

碩士 東吳大學 歷史學系 100 Liang Wu Di reigned nearly 50 years (502-549). During his time, Southern Dynasty achieved the prosperity in the areas of culture, military, and politics. However, the Jiangnan economy got declined due to the HouJing Rebellion in the end of the dynasty. The nobility who have been occupied the political resources of the Southern Dynasty were attacked seriously. The troubled times not only reshaped the Liang territory, but also revealed the opportunity for the North and the South to be once reunited. After Yongjia Rebellion, family-based and geographic-based nobilities moved to the south to ward off the disaster. The local nobles who moved to the south earlier hold all the political resources and occupied the senior positions in the central government, and they suppressed other families to become inferior nobilities. It is the next best thing for the families, who moved to the south later, to put their efforts on consolidating the forces of residency. On one hand, they try to build up their strength by recruiting the displaced people who went to the south in hope of warding off disasters. On the other hand, they try to collaborate with local officials, such as the Royals who governed the state or the ambitious Generals with different surnames. These local notables served the Southern Dynasties through contributing the powerful armed forces in exchange for their family to be promoted into higher social status, and they thus became the backbone of the Southern regime. These local notables profoundly influenced the Southern Dynasties as in the events of the local rebellion or the royalty fighting for the kingship. In contrast, the Liang Dynasty did not have rebellions rose in by Generals with different surnames or local nobles. There was no rebellion led by royals under the policy of Princes in Garrisons. If Houjing Rebellion had not hastened the decline of the Liang Dynasty, Emperor Jianwen Xiao Gang could ascend the throne. Then the fate of the Liang Dynasty would still remain unknown. Hence, this article will focus on the relationship between Liang Wu Di and the local nobilities and his strategy of local personnel arrangements. Chapter 2 and 3 will discuss the issue from local nobilities’ point of view. Chapter 2 will introduce the development of nobility in Jing and nobility in Yu in Liang Dynasty, including the analysis of governor designated and infrastructure. Chapter 3 discusses the political identity of nobility Yu, who could choose to surrender to the Northern Wei or others. Also, this chapter will review the local nobilities in Yu Zhou, who kept low and cautious because under suspicion from others. In order to fight against the invasion and harassment from Northern Wei, Liang Wu Di needed the help from nobility Yu. At the end of the day, Jia Hou clans allied with HouJing and rebelled in Jiangnan. Chapter 4 will lead a discussion, considering Princes in Garrisons as the primary condition for local managements in Jing Zhou, Yong Zhou and YuZhou, whether the nominations for Ci Shi, Chang Shi were made appropriately while Liang Wu Di faced the revolt of local forces, the Northern governor and the Southern governor. By reviewing the development of the three nobilities and the interactions between these three with Liang Wu Di, this study will discuss whether the conflict and dubiousness between central and local had help stabilize the local serenity in Liang Dynasty; and whether this series of actions had an impact on later development in Liang Dynasty.

APA, Harvard, Vancouver, ISO, and other styles

30

SHU-CHEN, HSU, and 許淑貞. "A Study on the Promotion and Practice of Filial Piety in I-Kuan Tao’s Bai Xiao Jing." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/91987258928109938095.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Huang, Shiou-Jr, and 黃綉枝. "A study on the Xiangsu and Yili of “Twelve Xiao Xi Gua” by Meng Xi and Jing Fang." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/budd5a.

Full text

Abstract:

碩士 明道大學 中國文學學系(碩士班) 100 A study on the Xiangsu and Yili of “Twelve Xiao Xi Gua” by Meng Xi and Jing Fang Abstract Meng Xi (90-40 BC) and Jing Fang (77-37BC) were the two representative masters of the Book of Changes during the Han Dynasty, who applied “Gua Qi theory” (卦氣說, a theory describing the correspondence between the hexagrams and 24 Chinese seasonal division points) to explain the ideas in the Book of Changes, and employed this classic to explain the alternation of Yin/Yang and disaster/fortune. This period was categorized by subsequent scholars as the development of Xiangsu (象數in English; it means image and number, and is an approach to interpret the symbols of change (gua) that makes extensive use of the structural properties of the symbols). Twelve Xiao Xi Gua (十二消息卦represents 12 Months in a Year or 12 Double-Hours in a Day), one of the main concepts of “Gua Qi theory,” was adopted in the study as the basis upon which to investigate Xiangsu and Yili (義理in English; it means meanings and interpretations, an approach to the interpretation of the symbols of change, often contrasted with Xiangsu, which emphasizes the moral and ethical dimensions of the text), as the philosophical essence of the Book of Changes consists of these two elements. In the article, “Discussion on the studies of the Book of Changes,” Huang Shou-qi stated, “[…] in regard to the studies of Xiangsu and Yili, numerous schools of thought had been developed. Therefore, in the study of the Book of Changes, one should explore the “Book of Changes in the Han Dynasty” by examining the “Book of Changes in Han Dynasty,” which is also true to the “Book of Changes in Song Dynasty” (In other words, understanding directly through the body of the texts rather than through the commentary). As for studying the “Book of Changes in the Han Dynasty,” one who studies the schools of thought of Meng Xi and Jing Fang should try to understand their thoughts by exploring their explanations. Such a practice should also be followed by those who study the schools of thought of Zheng Yuan and Yu Fang. […] In regard to the other various schools of thoughts, according to the teaching of one’s teacher-master, he/she carefully collects all the works, corrects the fallacies, and develops the truth in order to restore the original meaning of that school of thought.” As a response to the ideas proposed by Huang, this study took the Pre-Qin Period and early Han Dynasty as the research background in order to further understand the academic succession of Meng Xi and Jing Fang and their later creation of Gua Qi. Nevertheless, the Book of Changes in the Han Dynasty is an ancient classic. Most of the explanations and instructions by Meng and Jing on the examples of the Book of Changes are lost and Meng’s Commentary on the Book of Changes and Jing’s Commentary on the Book of Changes, compiled by later generations, also cannot fully represent the writings of these two masters. Accordingly, coupled with Jiao Shi Yi Lin, Yi Zhuan, “Yi Zhuan • Yao Chapter” in the form of a silk book, the Yi Han Xue written by Hui Dong, and the studies of the Book of Changes by Jiao Xun, this study refers to Meng Xi Zhang Ju, Jing Fan Zhang Ju, Yi Wei, and Xin Tang Sh • Seng Yi Xing Gua Yi to investigate the origin of the school of thought, and further explore the Xiangsu and Yili of the “Twelve Xiao Xi Gua” in Gua Qi theory, in the hope that the academic and life application value of “Twelve Xiao Xi Gua” can be discovered. This study is divided into three parts; first, “era features” and “academic succession” the characteristics, content, examples and authors of the “Gua Qi theory” of the Xiangsu of the Book of Changes in the Han Dynasty are investigated; second, the examples of the “Twelve Xiao Xi Gua” of Gua Qi theory are adopted to investigate the concepts of Xiangsu and Yili, the essence of the Book of Changes, the influence on the social life of later generations and later studies of the Book of Changes, etc.; and third, the influence of Twelve Xiao Xi Gua on later studies of the Book of Changes and the practical value it generates to life are explicated in the conclusion, to delve into the commentaries on the Book of Changes as well as the contributions of the study to agricultural life, architecture and Fengshui theory, aesthetics, Chinese medicine, and health regimen, etc. Keywords: Meng Xi, Jing Fang, “Book of Changes” in Han Dynasty, Xiangsu, Yili, Twelve Xiao Xi Gua, Alternation of Yin/Yang and disaster/fortune

APA, Harvard, Vancouver, ISO, and other styles

32

Ting-Yu, Lin, and 林庭宇. "The Study of Jing-ming Zhong-xiao Quan-shu Syncretizing Confucian and Taoism Thoughts──Focus on Liu Yu and Huang Yuan-Ji." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/07050260060463341516.

Full text

Abstract:

博士 國立臺灣師範大學 國文學系 100 Jing-ming Zhong-xiao Quan-shu is the most significant classic of Yuan Dynasty Jing-ming sect. By doing a deep research on the thoughts of Liu Yu’s and Huang Yuan-Ji’s yulus, the writer is able to understand the philosophy and thoughts of the Taoist classic and to manifest the early doctrine of Yuan Dynasty Jing-ming sect, which is established with “Syncretizing Confucian and Taoism” as its core. The writer discusses four themes, including firstly, Tao and yu zhou sheng cheng, secondly, qi and tian ren gan ying, thirdly, xin and gong fu jing jie, and lastly, xian and jiao fa ge xin. The content contains various theories of Yuan Dynasty Jing-ming sect, and the writer hopes to have all-round comprehension of the thoughts that show in Jing-ming Zhong-xiao Quan-shu. The meaning of “Tao” in Yuan Dynasty Jing-ming sect comes from the Taoist traditional “Wu”, especially valuing the experience of “Tao” and the importance of combining with “Tao”. Liu Yu combines many different cosmologies and points out the specific doctrine belonging to Jing-ming sect. He uses “wu shang qing xu, zhong huang ba ji, and ren xin dan jiong” to establish a relation for tian and ren to contact and respond to each other. He further creates a new theology, converts the old tradition, and combines cosmology and Taoist theology to form a cosmology with vivid religious meanings. As for the meaning of “qi”, “da jun yuan qi” is the most primitive origin to form all living things. It combines special yin yang theories to become the zun yang bei yin model and uses gan zhao theories to combine the purpose of quan shan. In the model, the whole universe is a complete body where tian and ren respond to each other. Yuan Dynasty Jing-ming sect develops its theology through the model. With the concept of “tian xin yin ke”, it advises that people connect tian xin with their sincerest hearts. In the aspect of cultivation theory, Yuan Dynasty Jing-ming sect especially values the concept of “cheng”, emphasizing the combination with “Tao” by cultivating one’s mind and practicing morality to revert to the originally clear and bright “xin”. Integrating Confucian moralism, it connects morality cultivation with shen xian theory in which people can become shen xian if their morality cultivated. In the aspect of theory innovation, Yuan Dynasty Jing-ming sect changes the method of xiu lian and the definition of shen xian, simplifies the ceremony, and creates a new theology. When Integrating Confucian, it shows its priority. The innovation of these theories helps Jing-ming sect to present its vivid innovation among the sects. It also promotes the sect’s development in theories and makes the sect unique and significant. The thoughts that show in Jing-ming Zhong-xiao Quan-shu represent the early entire thoughts in Yuan Dynasty Jing-ming sect. Such thoughts especially play an important innovative role in Taoism over the whole development of the religion.

APA, Harvard, Vancouver, ISO, and other styles

33

"I ching in the music of John Cage, Chou Wen Chung (周文中) and Zhao Xiao Sheng (趙曉生)". 2013. http://library.cuhk.edu.hk/record=b5884427.

Full text

Abstract:

Au, Sau Woon Rebecca. Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. Includes bibliographical references. Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. Abstract also in Chinese; includes Chinese. Au, Sau Woon Rebecca.

APA, Harvard, Vancouver, ISO, and other styles

34

Jang, Ching-fa, and 張清發. "A study of the Ming qing jia jiang xiao shuo." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/54976790471099399761.

Full text

Abstract:

博士 國立高雄師範大學 國文學系 93 Take a comprehensive view of with Ming qing jia jiang xiao shuo for the related treatise of the object, all just the story or individual novel study separately, didn't see treat this kind of novel as" a whole" yet currently of specialized talk about. With the jia jiang xiao shuo the development of the novel to see, There are two particularly remarkable :One is while using the generation accumulation the book. Two is Ming qing period to spread widely, and turn and put into formula with the type of recount the mode a great deal of propagation continuously. Therefore, how through such existence phenomenon, then investigate to surmount the history (the generation accumulation and become) in this novel, and the value that surmount the text originally (the work Wen yi bing zhuo ),this is Ming qing jia jiang xiao shuo the more deserve research of place. So, this thesis aims at the jia jiang xiao shuo the special features that the novel develops, with the literature value theory of logic system for theories according to, construct the procedure of study: Be first set out by the direction of "Sheng xing li xiang"（盛行里巷）, investigate the point to lie in jia jiang's evolving story, and the jia jiang is continuous the novel in the jia jiang xiao shou period edition of propagation continuously. Secondly, sets out by the direction of "Wen yi bing zhuo "（文意並拙）, recounts jia jiang xiao shou mode together of phenomenon, inquire into its type turns, the mode turns of the sign and the meaning. Again, take the investigation result of "Sheng xing li xiang"（盛行里巷） and "Wen yi bing zhuo"（文意並拙） as the foundation, then investigate jia jiang xiao shou the cultural import of the novel. End, according to the result of whole research, make the development phenomenon of Ming qing jia jiang xiao shuo homologous evaluation.

APA, Harvard, Vancouver, ISO, and other styles

35

qui, Haung yu, and 黃郁綺. "The investigation of folk tales edited by Jiang Xiao Mei." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/49049415924078233768.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

LIAO, JIN-XIA, and 廖錦霞. "LIAO, JIN-XIA." Thesis, 1985. http://ndltd.ncl.edu.tw/handle/72098894380006642252.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

HSU, TING-WEI, and 許庭瑋. "Design Study of “Jin-Pin Xiao Long Bao” on Corporate Identity System." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/fxryw9.

Full text

Abstract:

碩士 國立虎尾科技大學 多媒體設計系數位內容創意產業碩士班 107 In this paper, it shows how the overall brand image, brand positioning and corporate identity system of the “Jin-Pin Xiao Long Bao” developed. According to the background and the purpose of the creation, it can be told that many catering slogans of the food and beverage industry are incompatible with their own products, and it ends up causing the failure of their own brands. Besides, as we discuss it from the literature, we know that visual communication can convey a complete message in society so that we can receive those messages in a short time. And corporate identity is also a part of visual communication, not only representing the complete feelings but also the services that the enterprises want to convey to the consumers. Therefore,corporate identification design is a must-have trend for enterprises. First of all, in this study, a case study analysis was used to analyze the corporate identity design of the three famous bun shops in Changhua County and the buns in convenience stores. After the analysis, the questionnaire survey method was used to investigate the consumer identification of the Chinese restaurant industry, like “How do you feel about the style” and “whether you like it or not? “ At last, it combined with case analysis and questionnaire survey to make the final brand positioning and corporate identity design creation of “Jin-Pin Xiao Long Bao”, and I hope that the final result of this study provides a reference for the future market.

APA, Harvard, Vancouver, ISO, and other styles

38

JIAN, Chong-Yuan, and 簡崇元. "Xiao-Hong hums a tune and I play the fife: Exploring the Singing of Jiang Kui's Songs." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/nxjhdy.

Full text

Abstract:

碩士 實踐大學 音樂學系碩士班 103 The seventeen odes from postscripts in The Song of Bai-Shi, written by Jiang Kui (1155-1221), were the only existent literature concerning Ci Music in the Song Dynasty. They were of great value in the music history of China. The essay took four odes, Pale Golden Willow, to the Tune of Yang Zhou Man, Hidden Fragrance, and the Tune of Ge Xi Mei Ling, for example. The essay focused on two parts: exposition of the lyrics in the odes and singing of odes to music. The aims were to explore the keys to singing techniques and the spirit of traditional Chinese music. Besides, the research was completed in the hope of enhancing the author’s vocal skills, understanding the forms of various types of Ci Music, and exploring characteristics of tones in Ci Music and the combination of lyrics and singing. The vocal recital was given in the Concert Hall of Shih Chien University on 27th , July, 2015. The recording of this performance can be watched on the submitted DVD.

APA, Harvard, Vancouver, ISO, and other styles

39

Yang, Su-Tso, and 楊仕哲. "On the Disease History of Xiao Ke (Diabetes) in the Pre-Qin to Jin Yuan Period." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/80477427622603001575.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

CHANG、JIA-WEI and 張家維. "A Descriptive Catalogue of the Zhi Ren Xiao Shuo from the Song、Jin and Yuan Dynasties." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/90548154154102453143.

Full text

Abstract:

碩士 國立臺北大學 古典文獻學研究所 96 This research attempts to discuss the Zhi-Ren notes novels written in classical Chinese in Sung、Jin and Yuan Dynasties. The first part generates the origin of Chinese traditional novels (Xiao-Shuo) and the definition of Zhi-Ren novels (Zhi-Ren- Xiao-Shuo). Furthermore、based on 「Za-Zu」、「classical novels」 and 「Zhi-Ren novels」 in Sung、Liao、Jin and Yuan dynasties、four modern catalogues of general history of classical Chinese novels are also introduced to compare with the revised conditions of Zhongguo wen yan xiao shuo zong mu ti yao、written by Ning、Jiayu、and Zhongguo gu dai xiao shuo zong mu ti yao、Volume 1. The documentary features and examples of catalogues collected in this research are concluded in the final part. In terms of the descriptive catalogue、documentary relative issues of each work are discussed、and the catalogues are categorized into five chapters by present situations: 「Existing Catalogue」、「Residual Catalogue」、「Collective Catalogue」、「Lost Catalogue」 and 「Questioned Catalogue」. The principles of the descriptive catalogue are separated into 3 parts: 「The Study of Author」、「The Study of Textualism「、and 「The Study of Content」. The former one tells authors』 birthplaces、backgrounds and works、whereas the second one lists the similarities and differences among different works、and figures out the advantages and disadvantages. The last one adopts authors』 prefaces or various criticisms from Si Ku Quan Shu Zong Mu to explain the main ideas、criticize the results、and judge the values of works. The adoptions or contents adopted by other works are listed、and they can be consulted apparently when both works are collected in this research. The comparative table of partly 「categories of catalogue works」 is attached as an Appendix.

APA, Harvard, Vancouver, ISO, and other styles

41

Chen, Yin-Jen. "Roaming nüxia: female knights-errant in Jin Yong’s fiction." Thesis, 2017. https://dspace.library.uvic.ca//handle/1828/8857.

Full text

Abstract:

This thesis will explore the images of nüxia or “female knight-errant” in Jin Yong’s novels: The Eagle-Shooting Heroes, the Giant Eagle and Its Companion, and the Heaven Sword and the Dragon Saber. The depiction of nüxia underwent a significant development from the classical to modern literature of knight-errantry-related genre. Jin Yong, the master of wuxia fiction, has created many remarkable nüxia that distinguishes his nüxia images from the literary conventions. To examine Jin Yong’s uniqueness in portraying nüxia, this thesis will look into the history of nüxia-related works of poetry and classical literature, and analyze Jin Yong’s nüxia in the context of the literary history. Graduate

APA, Harvard, Vancouver, ISO, and other styles

42

Chow-Chun, Huang, and 黃詔駿. "The Study of Xia Jing Shan Arts and Culture Foundation in the Area of Arts for Public Service." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/86646916499211910764.

Full text

Abstract:

碩士 中國文化大學 國際企業管理學系碩士在職專班 104 The study discussed on the characters of art benevolence conducted by XIA JING SHAN Arts and Culture Foundation. By literature review, logic deduction and practice observation, the study found that art plays a linking role with government, corporates and nonprofit organizations, and improves public welfare. As the benevolent activities of arts become increasingly booming, artists, resource sponsors and beneficiaries expect to perfect the system and establish models for art benevolence through academic researches. 　　Qualitative Research was adopted in the study. Data was widely collected through Literature Review, and refined data was collected from In-Depth Interview. After comparison between the findings of the two methods, the complete data base and the researching foundation were formed, aiming to make the analysis and conclusion more precise. 　　The findings of the study are listed as follows. I. The combination of art and benevolence makes the value of culture and arts to the maximum. II. The art appreciation is the starting point and the social commitments promotion is the goal. III. Challenges of art benevolence include (1) the development and expansion of the market reach; and (2) the establishment and identification of brand image.

APA, Harvard, Vancouver, ISO, and other styles

43

Pan, Luo-Yi, and 潘若儀. "A Study of XIA JING SHAN Art and Culture Foundation:Analyzing based on the aspect of arts for public service." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/rg5rcp.

Full text

Abstract:

碩士 中國文化大學 國際企業管理學系碩士在職專班 103 This study focus on analyzing XIA JING SHAN Art and Culture foundation from the aspect of arts for public service by leveraging a combination of literature references, logical of reasoning and practical experience. Through the research of XIA's life, paintings of Buddha and artistic concept of Chinese calligraphy to further elaborate on the connection between arts for social service and art foundation. For this study, I used qualitative research method and literature review as the fundamentals to collect extensive information that can ensure a holistic and sophisticated analysis conclusion. To ensure I can effectively collect ample information, in addition to the previously mentioned methods, I also used in-depth interviews, focus groups and cross-referencing. The conclusion shed light on the following issues: 1. Connections between the three elements of　a) establishments of art for social Service and art foundation,　b) art management and　c) public interest. 2. Future difficulties to be encountered by art and culture foundations: (1) Source of funding for operation (2) Talent cultivation, e.g., Arts Management specialists

APA, Harvard, Vancouver, ISO, and other styles

44

Chen, Guan-Yu, and 陳冠宇. "The Restoration and Conservation of Wood Carving Statue of Kai-Ji Wu-Xian-Da-Di from Ba-Ji-Jing Wu-Di Temple in Tainan." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/74784506890470688498.

Full text

Abstract:

碩士 國立雲林科技大學 文化資產維護系 104 In Taiwan, restoration and conservation of wood carving statues has been the topic of seldom concerning. Moreover, it has been asked to obey international restoration rules as restoring wood carving statues. The traditionally practical thought and technique used by master workers have been denied. However, modern international restoration rules are not global satisfied. Therefore, it should be modified in Taiwan. The master workers would help modify the international restoration rules due to their experience of Taiwan folk. This thesis investigated the restoration of wood carving statue of Kai-Ji Wu-Xian-Da-Di damaged by termites from Ba-Ji-Jing Wu-Di Temple in Tainan. The Ba-Ji-Jing Wu-Di Temple has been established during Kangxi period Tsing dynasty. The restoration using traditionally practical thought and technique is checked with international restoration rules. The difference of restoration methods between practical and academic was also studied. The new tendency and possibility of restoration and conservation of wood carving statues is suggested. From the example of master worker Shi-Wei Chen, the Jin-Tang-Ge boss of Buddha appliance store, the traditionally practical thought and technique, which is in accordance with the so called “Remedial Conservation” ( might change the appearances of cultural relics), is described. The procedure of restoration is described using this example based on two principles: to keep the original function without emphasizing reversible techniques and to maintain the usable strength after the restoration. The traditionally practical thought of master workers of Buddha appliance store could become the complement idea of restoration and conservation of wood carving statues. However, their approach would be affected by their sects. The restoration of tangible cultural heritage should be based on the values and meanings of history, culture and art, but not just based on the unique standard of restoration examination using scientific instruments. The restoration and conservation of the statues of gods in temple and other movable cultural relics should consider the factors of history, belief, and beauty, so the intangible values and meaning of the cultural relics can be handed down forever.

APA, Harvard, Vancouver, ISO, and other styles

45

"Conformity and divergence: perception of garden spaces by Gong Xian and Yuan Jiang from Nanjing in early Qing dynasty." 2008. http://library.cuhk.edu.hk/record=b5893423.

Full text

Abstract:

Chan, Yuen Lai. Thesis submitted in: December 2007. Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. Includes bibliographical references (leaves 125-133). Abstracts in English and Chinese ; some text in appendix also in Chinese. Abstract Acknowledgement Table of Contents Chapter 1 --- INTRODUCTION --- p.1 Chapter 1.1 --- PAINTER'S EXPERIENCE IN LANDSCAPE --- p.1 Chapter 1.1.1 --- Bodily experience and body metaphor of place from western philosophy --- p.2 Chapter 1.1.2 --- "Jing, Guo Xi 226}0ةs three distances, and body as mountain and water" --- p.5 Chapter 1.2 --- QUESTIONS AND HYPOTHESIS --- p.9 Chapter 1.3 --- RESEARCH MATERIALS --- p.10 Chapter 1.3.1 --- "Forms, words and images" --- p.10 Chapter 1.3.2 --- Research materials --- p.11 Chapter 1.4 --- RESEARCH METHODOLOGY --- p.11 Chapter 1.4.1 --- Study of gardens from paintings --- p.11 Chapter 1.4.2 --- Research methodology --- p.14 Chapter 1.5 --- OUTLINE OF THESIS --- p.14 Chapter 2 --- LANDSCAPED GARDEN FROM LANDSCAPE PAINTING --- p.17 Chapter 2.1 --- WAYS OF LANDSCAPE DEPICTION --- p.17 Chapter 2.1.1 --- Early landscape depictions --- p.17 Chapter 2.1.2 --- Cultivated garden in natural landscape from Six Dynasties --- p.18 Chapter 2.1.3 --- Monumental landscape in Northern Song --- p.19 Chapter 2.2 --- EARLY QING NANJING --- p.20 Chapter 2.2.1 --- "Geographical settings: Mountain, water and city" --- p.20 Chapter 2.2.2 --- Garden culture --- p.21 Chapter 2.2.3 --- Artistic milieu --- p.23 Chapter 2.3 --- CHAPTER SUMMARY --- p.26 Chapter 3 --- GONG XIAN: HALF-ACRE GARDEN ON THE MOUNTAIN OF PURE COOLNESS --- p.32 Chapter 3.1 --- GONG XIAN THE LITERATI PAINTER --- p.32 Chapter 3.1.1 --- Major Iiteratures on Gong Xian --- p.32 Chapter 3.1.2 --- Gong Xian as an 'individualist' painter --- p.34 Chapter 3.2 --- HALF-ACRE GARDEN ON MOUNTAIN OF PURE COOLNESS --- p.38 Chapter 3.2.1 --- Mountain of Pure Coolness as a historical site --- p.39 Chapter 3.2.2 --- Half-acre garden set within Mountain of Pare Coolness --- p.41 Chapter 3.2.3 --- A glimpse through half-acre garden --- p.43 Chapter 3.3 --- PERMEABLE GARDEN SPACE --- p.47 Chapter 3.3.1 --- Ambiguous boundary --- p.48 Chapter 3.3.2 --- Everyday social encounters --- p.49 Chapter 3.3.3 --- Narrated landscape of the past --- p.52 Chapter 3.3.4 --- Imaginary landscape of the mind --- p.53 Chapter 3.4 --- CHAPTER SUMMARY --- p.54 Chapter 4 --- YUAN JIANG: ZHAN YUAN [OUTLOOK GARDEN] --- p.60 Chapter 4.1 --- YUAN JIANG THE PROFESSIONAL PAINTER --- p.60 Chapter 4.1.1 --- Major literatures on Yuan Jiang --- p.61 Chapter 4.1.2 --- Yuan Jiang as a jiehua painter --- p.62 Chapter 4.2 --- ZHAN YUAN --- p.67 Chapter 4.2.1 --- The evolutionary fame and popularity of the garden and its designations --- p.68 Chapter 4.2.2 --- West Garden of Prince Zhongshan in early Ming --- p.68 Chapter 4.2.3 --- West Nursery of Weigong in Ming Wanli reign --- p.69 Chapter 4.2.4 --- Zhan Yuan during Qing --- p.70 Chapter 4.3 --- TRANSFIGURED GARDEN --- p.77 Chapter 4.3.1 --- "Survey on the garden 226}0ةs sceneries, and courtly and paradisiac symbols" --- p.77 Chapter 4.3.2 --- Garden portraiture as courtly and paradisiac landscape --- p.80 Chapter 4.4 --- CHAPTER SUMMARY --- p.82 Chapter 5 --- SUMMARY AND POSSIBILITIES: PAINTER'S PERCEPTION OF GARDEN SPACES --- p.90 Chapter 5.1 --- JING OF AN EXPERIENCED GARDEN --- p.90 Chapter 5.2 --- TWO GARDEN READINGS FROM TWO ART TRADITIONS --- p.90 Chapter 5.2.1 --- Garden boundary and conception --- p.90 Chapter 5.2.2 --- Archetypal garden readings --- p.91 Chapter 5.2.3 --- Themes of the memorable and the historical past --- p.92 Chapter 5.3 --- INSIGHTS AND POSSIBILITIES --- p.92 Append --- p.ix Bibliography

APA, Harvard, Vancouver, ISO, and other styles

46

Hsin-YuLin and 林欣愉. "Searching for the Exit of Love：Analysis and Discussion of Chen Ye's novels Ban lian nu er, Gu niang xiao ye ye, and Liu jin feng hua." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/4my6j3.

Full text

Abstract:

碩士 國立成功大學 中國文學系 105 Chen Ye (1959-2012), who was born in a distinguished family in Tainan, fused her intricate family background and life experience into her literary works, containing homeland history,local consciousness and gender issue, and thus made her works full of a unique feature, which specially have the empathy and the sympathy with the society. This thesis is divided into five chapters, which respectively examines Chen Ye’s works, including Ban lian nu er, Gu niang xiao ye ye and Liu jin feng hua, and further analyzes the following topics, such as: gender consciousness, sexual liberation, remodeling the story of life, the effect of literary narrative therapy presented in those works. In the first chapter, I explain my research motivation, main purpose, and how I define the scope of my research. From the following chapter to the fourth chapter, I respectively discuss the viewpoints in Ban lian nu er, Gu niang xiao ye ye and Liu jin feng hua, concerning how one can find the exit of “love” and build the self-worth through the way of accepting oneself, liberating one’s sexual and affective desire as well as dealing with the unfinished affairs of one’s life; meanwhile, I analyze the issues presenting in those works, which related to gender consciousness and rebuilding of social value, and also mention the effect and connotation of narrative therapy. In the final chapter, I conclude and integrate all the research results, and additionally indicate the value of Chen Ye’s works in the literary history.

APA, Harvard, Vancouver, ISO, and other styles

47

Sun, Ya-fang, and 孫雅芳. "The Singing of the Living —A Study of “Rhapsody on the Idle Life” (Xian ju fu) in the Wei and Jin Dynasties." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/69090397506428026651.

Full text

Abstract:

碩士 國立臺灣大學 中國文學研究所 93 In the Wei and Jin Dynasties, the disasters of wars came in a continuous succession. Many literati sought to capture the lifestyle living and some wrote their ideas down in Fu賦 at this time. From “Rhapsody on the Idle Life” (Xian ju fu閒居賦) of Cao Zhi曹植(192-232) in Han and Wei Periods漢魏時期, Xian ju fu閑居賦 of Pan Yue潘岳(247-300) in Western Jin西晉, and Xian ju fu閑居賦 of Yu Chan庾闡(294?-347?) in Eastern Jin東晉, there was a series of works of literature with the theme of living (Ju-zhi 居止). In this master’s thesis, the author analyzes three pieces of Xian ju fu in the following ways: First, the author describes the research method and brief outline. Second, as the basis of the research groundwork, the meanings of Ju-zhi in Ancient China are discussed. Third, the author interprets the selected texts of Xian ju fu one by one. This shows Cao Zhi’s difficult position between coming in and going out, Pan Yue’s central place, and Yu Chan’s mobile super-natural place. Last, the author provides a comprehensive discussion on the intextural relation in the texts, the spring scene, the living including the travelling, and the experience of place among above texts. In conclusion, the author distinguishes Xian ju from Jing ju靜居and Yin ju隱居. These three kinds of living styles in Xian ju fu are also described in the sixth chapter. Furthermore, the appearance of Xian ju written by literati in the Wei and Jin Dynasties will be re-valued.

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic 'Xiao jing'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles