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Relevant bibliographies by topics / Xingjian

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Academic literature on the topic 'Xingjian'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Xingjian"

1

Wang, Mingxing. "Entretien avec Noel Dutrait, traducteur de La Montagne de l’âme de Gao Xingjian." ALTERNATIVE FRANCOPHONE 2, no. 1 (2017): 121–29. http://dx.doi.org/10.29173/af29333.

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Sasipanudej, Nipon. "Gao Xingjian’s Bus Stop: Dystopia in Contemporary China." MANUSYA 19, no. 2 (2016): 49–70. http://dx.doi.org/10.1163/26659077-01902003.

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This article aims to discuss how Gao Xingjian recontextualizes European dystopianism into China under Mao Zedong’s ideological manipulation of “utopia,” which the latter adopted from Karl Marx. The theme of absurd eternal waiting for a bus in Bus Stop is technically employed to criticize the Chinese dream of utopia and the idea of utopia itself as a whole. When the theme of waiting in Waiting for Godot is relocated into a Chinese context, it diverts from Western drama by means of Gao Xingjian's dramaturgical innovation as a blend of the East and the West. The absurdity in Bus Stop makes Chines

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Wang, Mingxing. "La traduction comme création: Entretien avec Gao Xingjian." ALTERNATIVE FRANCOPHONE 2, no. 1 (2017): 118–20. http://dx.doi.org/10.29173/af29334.

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Récipiendaire du prix Nobel de littérature, Gao Xingjian est notamment l’auteur de La Montagne de l’âme et de plusieurs pièces de théâtre. Cela dit, on ignore souvent qu’il a également signé plusieurs traductions. Cet entretien réalisé avec Gao Xingjian le 10 septembre 2015 à l’occasion du 5e Congrès des études asiatiques et pacifiques qui s’est tenu à L’Institut National des Langues et Civilisations Orientales (INALCO) à Paris, est l’occasion d’apporter un éclairage sur son travail de traducteur. L’entretien a été réalisé en chinois, puis traduit en anglais et en français.

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Wang, Mingxing. "Translation as Creation: Interview with Gao Xingjian." TranscUlturAl: A Journal of Translation and Cultural Studies 12, no. 2 (2020): 50–52. http://dx.doi.org/10.21992/tc29505.

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Zhang, Yinde. "Gao Xingjian : fiction et mémoire interdite." Perspectives chinoises 111, no. 2 (2010): 26–34. http://dx.doi.org/10.3406/perch.2010.3845.

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Weinstein, John B., and Gilbert C. F. Fong. "The Other Shore: Plays by Gao Xingjian." Chinese Literature: Essays, Articles, Reviews (CLEAR) 23 (December 2001): 176. http://dx.doi.org/10.2307/495512.

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Huang, Alexander C. Y. "Gao Xingjian and Transcultural Chinese Theater (review)." Asian Theatre Journal 23, no. 1 (2006): 213–14. http://dx.doi.org/10.1353/atj.2006.0008.

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Conceison, Claire. "Gao Xingjian and Transcultural Chinese Theatre (review)." Theatre Journal 57, no. 3 (2005): 534–35. http://dx.doi.org/10.1353/tj.2005.0094.

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Cheuk, Michael Ka-chi. "Literary celebrities as counterpublics: A comparative study of Gao Xingjian and Toni Morrison." Journal of Applied Journalism & Media Studies 10, no. 2 (2021): 153–67. http://dx.doi.org/10.1386/ajms_00054_1.

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Despite its universal importance, the Nobel Prize in literature, which is based in Sweden and administered by the Swedish Academy, is a central European literary prize. And the prestige which the Nobel Prize bestows upon its winners is fuelled by a central-European type of fetishization of intellectual achievement, in which Nobel laureates are more known than they are read. Rather than being publicly recognized for their literary achievements, Nobel Prize-winning authors become literary celebrities who represent various kinds of Nobel-related capitals, including political capital, cultural cap

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Lin, Sylvia Li-chun, and Kwok-kan Tam. "Soul of Chaos: Critical Perspectives on Gao Xingjian." World Literature Today 76, no. 2 (2002): 135. http://dx.doi.org/10.2307/40157309.

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Dissertations / Theses on the topic "Xingjian"

1

Zhuang, Jia-Yun. "Searching for the Consciousness of Thirdness Through Gao Xingjian's The Other Shore and Six Ways of Running." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1082753926.

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Sze-Lorrain, Fiona. "Sur le toit du monde : l’esthétique théâtrale de Gao Xingjian." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040176.

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Dramaturge, metteur en scène, romancier, essayiste et peintre, Gao Xingjian, « artiste total », s’est affranchi dès 1983 des conventions théâtrales qui prévalaient en Chine. Il s’est imposé comme l’un des pionniers du théâtre et de la littérature d’avant-garde. Condamné pendant la campagne de répression « contre la pollution spirituelle », il a été interdit de publication. Exilé en France en 1987, il a dès lors créé des pièces en français, impliquant peu de personnages, entre farce et tragédie, exprimant souvent une vision de la vie désenchantée, dans un langage aléatoire mais équilibré, avec

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3

Mazzilli, Mary. "Gao Xingjian vs. Martin Crimp in between modernism and postmodernism." Thesis, SOAS, University of London, 2009. http://eprints.soas.ac.uk/29543/.

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This thesis deals with the plays by Gao Xingjian - a Chinese contemporary playwright and Nobel Prize winner for literature in 2000 - and Martin Crimp a contemporary English playwright. The plays from both authors will be looked at from a comparative perspective within the theoretical framework linked to the debate between modernism and postmodernism, as inspired by Calinescu's theory. Calinescu's theory is based on the idea that Postmodernism is a 'face of modernism': he speaks about recurrent aspects ('similarities') of Modernism in Postmodernism, not only in terms of the repetition of patter

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4

Yeung, Wai-yee Jessica. "From China to nowhere : the writings of Gao Xingjian in the 1980s and early 90s /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17546084.

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Cai, Zheng. "Cold literature on Gao Xingjian's novels and stories /." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?MR29875.

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Polvani, Simona. "La performativité dans l’œuvre et la pratique artistique de Gao Xingjian." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H307.

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Dans sa conception de l’art total ainsi que dans la perception de la figure de l’artiste qu’il met en œuvre, Gao pratique plusieurs disciplines artistiques. Il est à la fois romancier, poète, dramaturge, essayiste, metteur en scène, peintre, cinéaste. Cette pluridisciplinarité constitue la marque prééminente de sa création. À l’époque où il vivait en Chine, sous le régime maoïste et qu’il subit la rééducation culturelle, toute pratique artistique lui fut interdite. En m’appuyant sur des études de la performance et de la performativité développées dans les «performances studies» de Richard Sche

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7

Xiao, Yingying. "Une subjectivité fluide : modernité et perception esthétique à travers les ouvrages de Gao Xingjian." Paris 7, 2014. http://www.theses.fr/2014PA070084.

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La thèse explore la notion de modernité et de perception esthétique dans le cadre de la pensée et de la littérature du XXe siècle au moment où la Chine rencontrait l'Occident Les analyses se déploient autour de la question de la subjectivité, en se fondant sur les oeuvres de Gao Xingjian. Notre travail se compose de deux parties. La première concernant la notion de la subjectivité-moi chez Gao se déroule dans le contexte de la modernisation chinoise du XXe siècle où la modernité chinoise apparaît pourtant formelle et idéologique et néglige la recherche de l'indépendance de la personnalité. La

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楊慧儀 and Wai-yee Jessica Yeung. "From China to nowhere: the writings of Gao Xingjian in the 1980s and early 90s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31214824.

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Quah, Sy Ren. "The theatre of Goa Xingjian : experimentation within the Chinese context and towards new modes of representation." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431295.

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Tsai, Ming-Hsuan. "De l'exil chinois au monde occidental : le théâtre contemporain et la pensée esthétique de Gao Xingjian." Paris 8, 2010. http://www.theses.fr/2010PA083266.

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Cette recherche porte sur les œuvres littéraires et théâtrales de Gao Xingjian, Chinois exilé en France depuis 1987, lauréat du prix Nobel de littérature en 2000. Son exil lui a permis de créer son propre style esthétique. Alors que son histoire aurait pu l’orienter vers un théâtre politique, il s’est servi de son passage de l’Orient à l’Occident pour au contraire créer une nouvelle esthétique contemporaine, centrée sur le théâtre « total », le théâtre « polyphonique », le triple jeu, le comédien « neutre », la « littérature froide » et le triple regard sur le « je », le « tu » et le « il ». C

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Books on the topic "Xingjian"

1

Gao Xingjian. iPRECIATION, 2010.

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Xingjian, Gao. Gao Xingjian. 2nd ed. Ming bao yue kan, Ming bao chu ban she, 2000.

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Xingjian, Gao, ed. Liao jie Gao Xingjian: Approche de Gao Xingjian. Kai yi chu ban she, 2000.

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4

Gao Xingjian lun. Lian jing chu ban shi ye gu fen you xian gong si, 2004.

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5

Li, Xingjian. Li Xingjian hua ji. Ge shan hua guan, 1989.

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Gao Xingjian yin lun. Da shan wen hua chu ban she you xian gong si, 2011.

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Yuling, Li, ed. Gao Xingjian shui mo zuo pin zhan: Ink paintings by Gao Xingjian. Taibei Shi li mei shu guan, 1995.

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8

Gao Xingjian xi ju ji. Qun zhong chu ban she, 1985.

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9

Gao Xingjian: Aesthetics and creation. Cambria Press, 2012.

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Gao Xingjian xi ju ji. s.n., 2003?, 2003.

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Book chapters on the topic "Xingjian"

1

Kubin, Wolfgang. "Gao Xingjian." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11500-1.

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FitzGerald, Carolyn. "Gao Xingjian and Soul Mountain." In Routledge Handbook of Modern Chinese Literature. Routledge, 2018. http://dx.doi.org/10.4324/9781315626994-48.

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Cheuk, Michael Ka Chi. "Gao Xingjian and the Hong Kong Handover." In The Palgrave Encyclopedia of Urban Literary Studies. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-62592-8_129-2.

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Kubin, Wolfgang. "Gao Xingjian: Yi ge ren de shengjing." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11501-1.

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5

Li, Kay. "Nobel Laureates Bernard Shaw and Gao Xingjian." In Bernard Shaw’s Bridges to Chinese Culture. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41003-6_8.

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Coulter, Todd J. "Introduction: International Recognition and National Confusion." In Transcultural Aesthetics in the Plays of Gao Xingjian. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137440747_1.

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Coulter, Todd J. "Reactive Theater: State Theater and New Voices in China and France." In Transcultural Aesthetics in the Plays of Gao Xingjian. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137440747_2.

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Coulter, Todd J. "Physical Division: Jingju in Performance and Theory." In Transcultural Aesthetics in the Plays of Gao Xingjian. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137440747_3.

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Coulter, Todd J. "The Actor in Thirds: Gao’s Theory of Performance." In Transcultural Aesthetics in the Plays of Gao Xingjian. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137440747_4.

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Coulter, Todd J. "An Individual in the Void: Au bord de la vie." In Transcultural Aesthetics in the Plays of Gao Xingjian. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137440747_5.

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Conference papers on the topic "Xingjian"

1

Jian, Peng, and Zhang Ting. "Application of the Xingjiang Snowmelt Tipping-Bucket Precipitation Sensor." In 2019 International Conference on Meteorology Observations (ICMO). IEEE, 2019. http://dx.doi.org/10.1109/icmo49322.2019.9025877.

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Gong, Lu, Gary Z. Wang, Xiaoling Pan, and Qingdong Shi. "Changes in landscape pattern at Akesu Oasis in Xingjiang, China." In Optical Science and Technology, the SPIE 49th Annual Meeting, edited by Wei Gao and David R. Shaw. SPIE, 2004. http://dx.doi.org/10.1117/12.563707.

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Di, Aojie, Yong Xue, Xihua Yang, et al. "Dust storm detection for Xingjiang region using Indian National Satellite (INSAT 3A) data." In IGARSS 2016 - 2016 IEEE International Geoscience and Remote Sensing Symposium. IEEE, 2016. http://dx.doi.org/10.1109/igarss.2016.7730057.

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Wang, Guobin, Hao Zhang, Jinlong Wu, Fangfang Wu, Lei Yang, and Xianran Zhao. "Innovative Unconventional Formation Evaluation Approach in a Tight Oil Reservoir, Xingjiang Oilfield, Northwest China." In SPE Annual Technical Conference and Exhibition. Society of Petroleum Engineers, 2014. http://dx.doi.org/10.2118/170637-ms.

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Wu Chaojun and Chen Chao. "Geological Interpretation from the integration of satellite gravity data and ground geophysical data in Xingjiang area." In The earth and space science information system (ESSIS). AIP, 1993. http://dx.doi.org/10.1063/1.44505.

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Mardiyanti, Ika, and Yasi Anggasari. "Effectiveness of JSJ (Jin Shin Jyutsu) Massage and Acupressure at Points of LR 3 (Taichong) and LR 2 (Xingjiang) in Reducing Blood Pressure of Pregnant Mothers with Preeclampsia." In The 2nd International Symposium of Public Health. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007510101220125.

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