Log in

Relevant bibliographies by topics / Xingjian / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Xingjian.

Dissertations / Theses on the topic 'Xingjian'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 36 dissertations / theses for your research on the topic 'Xingjian.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Zhuang, Jia-Yun. "Searching for the Consciousness of Thirdness Through Gao Xingjian's The Other Shore and Six Ways of Running." Oxford, Ohio : Miami University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1082753926.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Sze-Lorrain, Fiona. "Sur le toit du monde : l’esthétique théâtrale de Gao Xingjian." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040176.

Full text

Abstract:

Dramaturge, metteur en scène, romancier, essayiste et peintre, Gao Xingjian, « artiste total », s’est affranchi dès 1983 des conventions théâtrales qui prévalaient en Chine. Il s’est imposé comme l’un des pionniers du théâtre et de la littérature d’avant-garde. Condamné pendant la campagne de répression « contre la pollution spirituelle », il a été interdit de publication. Exilé en France en 1987, il a dès lors créé des pièces en français, impliquant peu de personnages, entre farce et tragédie, exprimant souvent une vision de la vie désenchantée, dans un langage aléatoire mais équilibré, avec

APA, Harvard, Vancouver, ISO, and other styles

3

Mazzilli, Mary. "Gao Xingjian vs. Martin Crimp in between modernism and postmodernism." Thesis, SOAS, University of London, 2009. http://eprints.soas.ac.uk/29543/.

Full text

Abstract:

This thesis deals with the plays by Gao Xingjian - a Chinese contemporary playwright and Nobel Prize winner for literature in 2000 - and Martin Crimp a contemporary English playwright. The plays from both authors will be looked at from a comparative perspective within the theoretical framework linked to the debate between modernism and postmodernism, as inspired by Calinescu's theory. Calinescu's theory is based on the idea that Postmodernism is a 'face of modernism': he speaks about recurrent aspects ('similarities') of Modernism in Postmodernism, not only in terms of the repetition of patter

APA, Harvard, Vancouver, ISO, and other styles

4

Yeung, Wai-yee Jessica. "From China to nowhere : the writings of Gao Xingjian in the 1980s and early 90s /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17546084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Cai, Zheng. "Cold literature on Gao Xingjian's novels and stories /." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?MR29875.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Polvani, Simona. "La performativité dans l’œuvre et la pratique artistique de Gao Xingjian." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H307.

Full text

Abstract:

Dans sa conception de l’art total ainsi que dans la perception de la figure de l’artiste qu’il met en œuvre, Gao pratique plusieurs disciplines artistiques. Il est à la fois romancier, poète, dramaturge, essayiste, metteur en scène, peintre, cinéaste. Cette pluridisciplinarité constitue la marque prééminente de sa création. À l’époque où il vivait en Chine, sous le régime maoïste et qu’il subit la rééducation culturelle, toute pratique artistique lui fut interdite. En m’appuyant sur des études de la performance et de la performativité développées dans les «performances studies» de Richard Sche

APA, Harvard, Vancouver, ISO, and other styles

7

Xiao, Yingying. "Une subjectivité fluide : modernité et perception esthétique à travers les ouvrages de Gao Xingjian." Paris 7, 2014. http://www.theses.fr/2014PA070084.

Full text

Abstract:

La thèse explore la notion de modernité et de perception esthétique dans le cadre de la pensée et de la littérature du XXe siècle au moment où la Chine rencontrait l'Occident Les analyses se déploient autour de la question de la subjectivité, en se fondant sur les oeuvres de Gao Xingjian. Notre travail se compose de deux parties. La première concernant la notion de la subjectivité-moi chez Gao se déroule dans le contexte de la modernisation chinoise du XXe siècle où la modernité chinoise apparaît pourtant formelle et idéologique et néglige la recherche de l'indépendance de la personnalité. La

APA, Harvard, Vancouver, ISO, and other styles

8

楊慧儀 and Wai-yee Jessica Yeung. "From China to nowhere: the writings of Gao Xingjian in the 1980s and early 90s." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31214824.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Quah, Sy Ren. "The theatre of Goa Xingjian : experimentation within the Chinese context and towards new modes of representation." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431295.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Tsai, Ming-Hsuan. "De l'exil chinois au monde occidental : le théâtre contemporain et la pensée esthétique de Gao Xingjian." Paris 8, 2010. http://www.theses.fr/2010PA083266.

Full text

Abstract:

Cette recherche porte sur les œuvres littéraires et théâtrales de Gao Xingjian, Chinois exilé en France depuis 1987, lauréat du prix Nobel de littérature en 2000. Son exil lui a permis de créer son propre style esthétique. Alors que son histoire aurait pu l’orienter vers un théâtre politique, il s’est servi de son passage de l’Orient à l’Occident pour au contraire créer une nouvelle esthétique contemporaine, centrée sur le théâtre « total », le théâtre « polyphonique », le triple jeu, le comédien « neutre », la « littérature froide » et le triple regard sur le « je », le « tu » et le « il ». C

APA, Harvard, Vancouver, ISO, and other styles

11

Lee, Jenny V. "Representations of writers as public intellectuals : Jean-Paul Sartre, Nadine Gordimer, Gao Xingjian and Pablo Neruda." Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/11245.

Full text

Abstract:

This thesis takes as its subject the various public roles and representations of writers, using Said's 1993 Reith lectures on the subject of the intellectual as a starting point. The main questions raised are how writers, in various political and historical contexts, have functioned as public intellectuals, and how they have negotiated the tensions between their various private and public commitments and responsibilities, whether artistic, social, or political. To gain insight into these issues, this thesis turns to the essays, memoirs and lectures of Jean-Paul Sartre, Nadine Gordimer, Pablo N

APA, Harvard, Vancouver, ISO, and other styles

12

Coulter, Todd James. "Wo, je, I, ni, tu, you: The performance of identity in the theatre of Gao Xingjian* (China)." Diss., Connect to online resource, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3207685.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Shi, Xiaoxiao. "Romans de la quête multiple : "La montagne de l'âme" (Gao Xingjian) et "Sur la route" (Jack Kerouac)." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20010.

Full text

Abstract:

Cette thèse consiste en une étude comparée de La Montagne de l’âme de Gao Xingjian et Sur la route de Jack Kerouac ayant « la quête » comme problématique centrale. Bien qu’à première vue les deux œuvres apparaissent fort différentes, selon l’esprit de la littérature comparée, elles méritent une confrontation minutieuse et nous estimons qu’elles possèdent quantité de points communs : Premièrement, il s’agit de deux romans foisonnants qui englobent bon nombre de genres romanesques et semblant relever simultanément de plusieurs catégories : roman autobiographique, roman-géographe, roman de pèleri

APA, Harvard, Vancouver, ISO, and other styles

14

Guo-Foulon, Yingzhou. "La réception des oeuvres de quatre écrivains chinois exilés en France : François Cheng, Gao Xingjian, Dai Sijie et Shan Sa." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3067.

Full text

Abstract:

L’hypothèse d’une théorie littéraire du sujet transcendant le territoire et le soi vers un Ouvert postule que l’on peut éclairer certaines problématiques de l’existence humaine à la lumière de la réception des romans écrits par des écrivains français d’origine chinoise dans un monde en constant mouvement. A partir de quatre écrivains chinois exilés en France, nous opérons dans la première partie une relecture de leurs œuvres, en lien avec leur vie et leur déplacement. Notre projet invite une démarche de la compréhension de la création à partir d’un cheminement personnel. En retour, leur créati

APA, Harvard, Vancouver, ISO, and other styles

15

LAW, Ching. "高行健之戲劇 : 理論與實踐". Digital Commons @ Lingnan University, 2006. https://commons.ln.edu.hk/otd/17.

Full text

Abstract:

高行健的戲劇作品與理論，兼備中西文化主題（motifs），東西方劇場的手法，最適合作比較文學的範例。本文全面分析高行健的劇作與理論，從主題與形式兩方面，審度劇作中重複出現追尋自我的主題。其劇作包括《絕對信號》、《車站》、《野人》、《彼岸》、《冥城》、《逃亡》、《山海經傳奇》、《生死界》、《對話與反詰》、《夜遊神》、《周末四重奏》、《八月雪》、《叩問死亡》；五個現代折子戲包括《模仿者》、《躲雨》、《行路難》、《喀巴拉山口》、《獨白》；一個舞劇《聲聲慢變奏》共計十八部戲劇。又整理探究理論文集《對一種戲劇的追求》、《沒有主義》、以及《文學的理由》。作者的主體意識扣緊不同時期的逃亡經驗，經一番外求與內尋的過程，不斷抗衡與否定不同的「他者」。這種抗衡，固然呈現人類本質的狀態，卻缺乏主體的自主性，也展示主題的矛盾。因為無論「他者」怎樣不斷置換為集體、強權、中國、性、慾望等對象，也不能抹殺其先於主體的實存性，反倒確立了主體的依附性。所以他的主體都一貫逃避中心、集體、缺乏實質的內涵，卻又內外交困，無法安頓。這種不斷反詰的精神，又反映在劇作的「間離」的形式上。高行健以敘事、三重角色與儀式（rituals），間離觀眾與角色。雖然他追求戲劇本質，嘗試回復中國儺戲與戲曲的傳統，也緊隨現當代劇作家如布萊希特（Bertolt Brecht）、惹奈（Jean Genet），但是難以調動觀眾的直覺感知經驗，達至娛

APA, Harvard, Vancouver, ISO, and other styles

16

Lee, Hsiang-Ling. "De l'Académie nationale Fu-Shing des arts dramatiques à Taipei, à la recherche du théâtre contemporain : La Neige en Août de Gao Xing-Jian." Paris 8, 2003. http://www.theses.fr/2003PA082280.

Full text

Abstract:

L'auteur de la thèse, ancienne actrice de la troupe Kuo-Kuang et assistante à la mise en scène de La Neige en Août (2002) du dramaturge et romancier d'origine chinoise GAO Xing-Jian, lauréat du Prix Nobel de littérature 2000, étudie le processus de réalisation de cette œuvre. Qualifiée de "premier opéra chinois" au sens occidental du terme par son auteur, l'œuvre se caractérise par l'emploi d'artistes formés à la tradition du Jing-Ju, ou opéra de Pékin. Cette thèse est organisée en quatre parties. La première partie évoque l'histoire de la présence de l'opéra de Pékin à Tai͏̈wan jusqu'à ses ré

APA, Harvard, Vancouver, ISO, and other styles

17

Kaiser, Marjolijn 1984. "Don't Believe a Word I Say: Metafiction in Contemporary Chinese Literature." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11495.

Full text

Abstract:

ix, 106 p.<br>This thesis focuses on the metafictional elements in selected works of the contemporary Chinese authors Gao Xingjian, Huang Jinshu, and Wang Xiaobo. I define metafiction as both a formal feature inherent in the text and the result of an approach towards that text. I argue that metafiction confronts us with the (postmodern) issues of 1) the ontological status of the text, 2) the figure of the author and reader, and 3) the (ambiguous) relationship between fiction and reality. Simultaneously, it accepts and celebrates this self-conscious and ambiguous character, encouraging readers

APA, Harvard, Vancouver, ISO, and other styles

18

Hui, Ka-lok, and 許嘉樂. "The commentary and studies on Bai Xingjian's Lüfu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46848794.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Bisinger, Lena. "Rencontre interculturelle dans le roman franco-chinois. Invitation au voyage d'un genre émergent." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA092.

Full text

Abstract:

L’échange sino-occidental constitue un phénomène majeur de notre ère. Il s’étend des parties importantes de l’économie et de la politique à l’art, la philosophie et la littérature. Depuis l’ouverture de la Chine dans les années 1980, c’est d’abord la France qui est devenue pays d’accueil pour des intellectuels et des étudiants d’origine chinoise dits ‘dissidents‘, facilitant un nouvel échange d’idées plus direct. La thèse aborde le sujet de l’interculturalité d’intellectuels chinois de la sorte dans le contexte littéraire du roman franco-chinois, ainsi traitant une partie importante des relati

APA, Harvard, Vancouver, ISO, and other styles

20

Hsiung, Wang-yi, and 王義雄. "《August Snow》by Gao Xingjian - Text study and performance research." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/97886139622959651159.

Full text

Abstract:

碩士<br>國立臺灣藝術大學<br>應用媒體藝術研究所<br>90<br>《August Snow》by Gao Xingjian Text study and performance research Abstract Gao Xingjian, the 2000 Nobel Prize winning author in literature, is a painter, novelist, writer, playwright, and theatre director. Born in Ganzhou, Jiangxi Province in 1940, Gao currently resides in France. As a prolific artist, Gao has published the full-length novels Soul Mountain、One Man’s Bible, several mid-length novels, eighteen plays (so far), as well as a book of paintings Ink Paintings by Gao Xingjian, The Nobel Prize Winner. In the

APA, Harvard, Vancouver, ISO, and other styles

21

"Reference and representation in the works of Gao Xingjian and Samuel Beckett." 2008. http://library.cuhk.edu.hk/record=b5893666.

Full text

Abstract:

Coleman, Tara Jean.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2008.<br>Includes bibliographical references (leaves 144-149).<br>Abstracts in English and Chinese.<br>Introduction --- p.1<br>Chapter Chapter 1 --- p.26<br>Chapter Chapter 2 --- p.61<br>Chapter Chapter 3 --- p.102<br>Conclusion --- p.141<br>Bibliography --- p.144

APA, Harvard, Vancouver, ISO, and other styles

22

Chih-wei, Hong, and 洪志偉. "Theater of the Liminal: Gao Xingjian Read in the Light of Samuel Beckett." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/85861900668878769115.

Full text

Abstract:

碩士<br>國立高雄師範大學<br>英語學系<br>90<br>Abstract Gao Xingjian's theatrical experiments and innovative narrative style have granted him a position in the front rank of contemporary Chinese writers, and he, like Samuel Beckett before him, has been awarded the Nobel Prize for Literature. Gao's intertextual relation with Beckett begins at a very early stage of his literary career. Gao's The Bus Stop is acclaimed as the first Chinese play written in the absurdist vein and its affinities with Beckett's Waiting for Godot have been the focus of critical writings. However, Gao’s attitude tow

APA, Harvard, Vancouver, ISO, and other styles

23

Ou, Kuei-Chih, and 區桂芝. "An Analysis of the Discourse on the Paintings and Films by Gao Xingjian." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/t92cba.

Full text

Abstract:

碩士<br>臺北市立大學<br>視覺藝術學系碩士在職專班<br>105<br>Abstract Keywords: Gao Xingjian, Without-isms, the third eye, cold literature As the first Chinese author to win the Nobel Prize in Literature, Gao Xingjian has without doubt received much attention from the general public as well as the academic world. There are many competing interpretations of his oeuvre since he became a Nobel laureate in 2000. This thesis begins its critical trajectory with examining the large number of studies accumulated in the past seventeen years. This thesis consists of five chapters. The first chapter delineates the motivati

APA, Harvard, Vancouver, ISO, and other styles

24

"Mythological approach to Oe Kenzaburo and Gao Xingjian's novels: myth-making in The silent cry and Soul mountain." Thesis, 2011. http://library.cuhk.edu.hk/record=b6075094.

Full text

Abstract:

Although living with different social and cultural background, the two writers, Oe and Gao came to the same scheme; to re-write the history of their time and to reconstitute a projective identity by the myth-making in their novels.<br>My study aims to feature the concept of "archetype" or "archetypal structure", the basic cluster of myth in Oe and Gao's novels, in order to discern the final determination of the two writers in terms of their search on the expressive power of language and their strategy of their myth-making. By applying Frye's theory, I would like to explore the hidden ideologic

APA, Harvard, Vancouver, ISO, and other styles

25

Ke, Ruei-Ying, and 柯瑞英. "The lif journey of boundary crossing: take Gao Xingjian and his Soul Mountain for example." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/mbu2k6.

Full text

Abstract:

博士<br>國立臺灣師範大學<br>社會教育學系<br>104<br>Traveling has been a popular leisure activity at the present time. However, whether the traveler can advance the ability of self-illuminating and self-discovering depends on his inner journey of transcending. Traveling literature which presents the inner journey of traveler’s narratives and dialogue with oneself is worthy of exploration. This thesis is primarily concerned with exploring the process of self-transcending of a traveler and traveling literature. The methodology comprised textual analysisand converged two different modes of life transformation

APA, Harvard, Vancouver, ISO, and other styles

26

Huo, Shu-chin, and 侯淑菁. "An Text Analysis of "August Snow" by Gao Xingjian-- Lyrical Play of Zen Buddhism centered." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/56391662916917657038.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Blahota, Martin. "Rané prozaické dílo Gao Xingjiana." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-342004.

Full text

Abstract:

Nobel Prize in Literature laureate Gao Xingjian is well known especially as an author of drama and novels Soul Mountain and One Man's Bible. This thesis examines his early novellas and short stories that were created at the end of the 70s and in the 80s. An analysis of meaning contruction is focused primarily on motifs and narrative techniques. It explores the process of his literary creation in context of official ideological requirements on literature as well as in context of literature genres known as "scar literature", "literature of reflection" and "root seeking" literature. This thesis s

APA, Harvard, Vancouver, ISO, and other styles

28

Hsu, Ching-Min, and 徐靖旻. "State, Market and Farmer''s Participation in An Organic Production Cooperative：The Development and Challenges of the Xingjian Organic Production Cooperative." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/9tuv9b.

Full text

Abstract:

碩士<br>國立臺灣大學<br>政治學研究所<br>102<br>Using the case of “Xingjian Organic Production Cooperative” and its rice production during 2010-2012, this thesis strives to explain how this cooperative, consisting of local small farmer and serving for their interests, copes with the dilemma of collective action and confrontation with the market and political sphere, as well as the social network. Following this context, the story begins of accounting the sphere where Xingjian Cooperative grows. To elaborate, the policy concluding about organic farming, concrete planning, and the realizing ways stemmed eit

APA, Harvard, Vancouver, ISO, and other styles

29

Chi-jui, Lee, and 李啟睿. "Gao Xingjian’s Theory of Drama." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/71390005763458886521.

Full text

Abstract:

碩士<br>中國文化大學<br>戲劇研究所<br>90<br>The purpose of this thesis is to study Gao Xingjian’s theory of drama testing his theory against his plays. This thesis consists of eight chapters. The first chapter discusses Gao’ theory of theatre. The second chapter analyses his theory of writing： action, process, contrast, change, discovery and surprise. The third chapter deals with Gao’ "many-voice play” and “polyphonic play”. The fourth chapter focuses on Gao’ theory “triple-stage or-level of acting”. The fifth chapter is on Gao’ unique technique of writing：“transforming of personal pronouns”. The sixth cha

APA, Harvard, Vancouver, ISO, and other styles

30

Longauerová, Darina. "Gao Xingjianův román Hora duše." Master's thesis, 2009. http://www.nusl.cz/ntk/nusl-280847.

Full text

Abstract:

Gao Xingjianove teoretické názory opakovane prezentované v mnohých prednáškach a statiach vyzdvihujú najma potrebu slobody pre spisovatel'a k vyjadreniu svojich myšlienok, nápadov a úvah. Táto sloboda zahtňa slobodu nie len ako politickú nezávislost' potrebnú na slobodné publikovanie diel bez strachu z možných následkov, ale i slobodu vnútornú, ktorú Gao definoval hlavne v zbierke statí, esejov a úvah Bez izmov. Tieto myšlienky, ktorými sa Gao Xingjian zaoberal ešte pred odchodom do exilu do Francúzska v roku 1987, ho sprevádzali aj pri písaní románu Hora duše. Svojim románom Hora duše sa Gao

APA, Harvard, Vancouver, ISO, and other styles

31

Fang-YuHsu and 許芳瑜. "The Lust, Misogyny and Allegory in Gao Xingjian’s Works." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/72912084394625610417.

Full text

Abstract:

碩士<br>國立成功大學<br>中國文學系碩博士班<br>101<br>Ths dissertation focuses on eroticism, misogyny and allegory in the fictions and plays of Gao Xingjian, through a psycho dynamics point of view. The scope of this research combines psycho analysis, social and cultural studies. From two perspectives, this dissertation explains the misogynistic psychology in Gao’s works: first, a biographical analysis of Gao’s obsession with, and fear of, women and mother; second, exploring the image of woman in Gao’s works from the psychoanalytic theory proposed by Adam Jukes. This dissertation is divided into six chapters. C

APA, Harvard, Vancouver, ISO, and other styles

32

Hong, Feng-ying, and 洪鳳櫻. "The Creative Process of Gao Xingjian's Snow in August." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/4h7zbc.

Full text

Abstract:

碩士<br>東吳大學<br>英文學系<br>96<br>Abstract Snow in August originated from Huineng’s The Sixth Patriarch’s Sutra (六祖壇經Liuzu Tanjing), the first script of which was completed in 1997. He revised the script for the Taipei performance in 2002 and made a few adaptations for its Marseille performance in 2005. From original text to the script and performance, personal emotions, social, economic and political influences came to bear on the writer. Gao Xingjian’s dual-nationality and Nobel Prize for literature made Snow in August a special production. In describing the creative process, this thesis als

APA, Harvard, Vancouver, ISO, and other styles

33

Tang, Chang Hsien, and 張憲堂. "Reasearch on Dramaticity and Theatricality of Gao Xingjian's Plays in France." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/82923953006556309989.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Chang, Ya-Ting, and 張雅婷. "The Disaster Representation of Taiwan Documentary: Taking Luo Xingjie, Yang Lizhou and Huang Xinyao as Examples." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/k86dy3.

Full text

Abstract:

碩士<br>國立中興大學<br>台灣文學與跨國文化研究所<br>105<br>The paper attempts to explore the represenation of natural disasters in Taiwan post-disaster documentaries and aims at analyzing three main types of documentaries in Taiwan: the social movement type, the mainstream production type and the idiosyncratic creation type. Three documentary directors, Shin-Chieh Lo, Li-chou Yang and A-yao Huang, are respectively chosen to correspond with the three types mentioned above. This paper intends to go through the life background and the creation progression of the three directors, establish the relationship of their i

APA, Harvard, Vancouver, ISO, and other styles

35

Pan, Hui-Jen, and 潘煇仁. "The Carnival Images in Gao Xingjian’s Plays:A Study on Weekend Quartet, Snow in August, and The Man Who Questions Death." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/36098369036287364755.

Full text

Abstract:

碩士<br>國立臺灣大學<br>戲劇學研究所<br>97<br>Through his experiments in theatre, Gao Xingjian looks for a better approach to exhibit the human world. The theatre form, to Gao, is the expression to expose his personal thoughts. Thus, Gao’s theatrical esthetics cannot be separated from his philosophical thoughts. To study Gao’s plays means a research of both his theatre and philosophy. The Without-ism of Gao echoes Bakhtin’s carnival theory. Their different literal expressions embrace actually the same values: to dissolve the ideology of a unique centre, to emphasize the real life, and to try to indicate a w

APA, Harvard, Vancouver, ISO, and other styles

36

Cheng, Kuang-Ling, and 鄭光伶. "Safe Way to Elementary School - The Cases Study of Bo Ai Elementary School and Wu Xingjie Elementary School in Taipei." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/5exr67.

Full text

Abstract:

碩士<br>國立臺北科技大學<br>建築與都市設計研究所<br>96<br>There has been plenty of emphasis on existing facility and equipment in the city space. However, there is still room of improvement for students’ daily road safety around the school surrounding area. According to the statistics data, obviously the traffic accidents happen much more frequent right before or after school time. Among all campus accidents in elementary schools, the death toll of traffic accident is the highest, and most of them were happened either on the way to school or on the way home. Students’ road safety became most of parents’ biggest c

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!