Academic literature on the topic 'Xuan gou'
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Journal articles on the topic "Xuan gou"
Swinson, Daniel, Mohan Hingorani, Zuzana Stokes, Jo Dent, Kamalnayan Guptal, Anirban Chatterjee, Konstantinos Kamposioras, et al. "Best supportive care (BSC) with or without low-dose chemotherapy (chemo) in frail elderly patients with advanced gastroesophageal cancer (aGOAC): The uncertain randomization of the GO2 phase III trial." Journal of Clinical Oncology 37, no. 15_suppl (May 20, 2019): 4051. http://dx.doi.org/10.1200/jco.2019.37.15_suppl.4051.
Full textHall, Peter S., Daniel Swinson, Justin S. Waters, Jonathan Wadsley, Stephen Falk, Rajarshi Roy, Tania Tillett, et al. "Optimizing chemotherapy for frail and elderly patients (pts) with advanced gastroesophageal cancer (aGOAC): The GO2 phase III trial." Journal of Clinical Oncology 37, no. 15_suppl (May 20, 2019): 4006. http://dx.doi.org/10.1200/jco.2019.37.15_suppl.4006.
Full textThi Quynh, Do, Vu Van Nga, Le Thi Hoa, Le Thi Hong Diem, and Vu Thi Thom. "Applying Framingham Risk Score 2008 to Predict the 10-Year Risk of Cardiovascular Disease in a Group of Office Workers in Hanoi, Vietnam." VNU Journal of Science: Medical and Pharmaceutical Sciences 35, no. 1 (June 21, 2019). http://dx.doi.org/10.25073/2588-1132/vnumps.4164.
Full textDissertations / Theses on the topic "Xuan gou"
Zheng, Ruiqin. "Chong gao yu tui fei : Wang Guowei, Lu Xun, Guo Moruo yu Yu Dafu = Sublime and decadence : Wang Guowei, Lu Xun, Guo Moruo and Yu Dafu /." click here to view the abstract and table of contents click here to view the fulltext, 2005. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b18843451a.pdf.
Full textGregory, Scott W. "‘The Wuding Editions’: Printing, Power, and Vernacular Fiction in the Ming Dynasty." BRILL ACADEMIC PUBLISHERS, 2017. http://hdl.handle.net/10150/625956.
Full textHsiao, Chih-Zim. "Research into expository preaching using I Peter as a model for preparation of expository sermons based on the structural analysis of the biblical text = Jie jing shi jiang dao de tan qiu : zi Bide qian shu de jie gou xing jing wen fen xi zhong xun de jie jing shi jiang zhang da gang /." Theological Research Exchange Network (TREN) Access this title online, 2000. http://www.tren.com/search.cfm?p078-0010.
Full textHe, Jiahua. "Li yong shi xiang gong ju jin xing xie zuo qian gou si xun lian dui zuo wen cheng ji de ying xiang : kong zhi zu qian hou ce zhun shi yan she ji = The influence of prewriting training by using visual tools on achievement in Chinese composition : control group pre-test and post-test quasi experimental design /." click here to view the abstract and table of contents click here to view the fulltext, 2005. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b18517511a.pdf.
Full textLai, Wan-ping, and 賴婉萍. "The universe of meditation of Xuan-tian GodEmotions、Colors 、Xuan-tian God." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/49370708907656614216.
Full text國立屏東教育大學
視覺藝術教育學系
97
For breaking the shackles of religious art form, explore the new religious art show, the discussion of the text from the Taoist yin and yang of the five elements management solution, I Taoist deities large number of substances, it will be the main draw to leave a specific God Tien God, As its characteristics, in order to translate into personal creative content, the ultimate goal of the study to explore the yin and yang, five elements in the level of the art show. From Taoist yin and yang of the five elements of the inquiry will be transferred to the religious and cultural connotation of the visual arts on the integration of applications. Through the Taoist ceremony of the sources of development, the development of Taoism in Taiwan and now understand the signs, yin and yang, five elements of identification tests, I found that the traditional social customs, religious customs Lai, ethnic and cultural characteristics, and so on ..., from the color science and the arts Sociology degree angle, into the basic content creation, its color and space as the main structure and management of religious-chul, the integration of modern art and design performance in order to view concept art, installation art shows as a way to complex space device Artistic expression. Creative concept of integrated management of traditional and contemporary forms of artistic expression as a whole show. Look forward to watching in reference to this text theory works, "Emotions, Colors, Xuan-tian" The shows, from the arts degree angle to see these religious culture, which enjoy the behind-oldest faith and say, the degree angle from a new look at religious art, to accept their own culture''s beauty, which belong to us Local cultural characteristics, but also to be local artists in depth perception, more innovative in order to be able to continue to work to show the way.
Chen, Jinn-cheng, and 陳進成. "The astrology meaning of Xuan-tian God--Image Reflection and Transmission--." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/56511456061411931816.
Full text國立屏東教育大學
視覺藝術學系
97
This study mainly discusses the original meaning of Xuan-Tian God that has strong religious impact on the Chinese Society and tries to comprehend ,from modern people’s astronomical viewpoint, the cultural influence and application derived from our ancestors’ astrological observation and creation. Therefore, this study is mainly researched into those astrological symbols that are related to Xuan-Tian God. The researcher’s series of Polaris-based creations are done through understanding the ideology of Taorism’s theory of “man is an integral part of nature” from ancient China’s cosmological perspective and further discuss the intrinsic nature of Xuan-Tian God from a contemporary viewpoint. The influential role modal of Xuan-Tian God existed among ancient followers along with its crucial impact on modern religion and culture have been transformed into elements for personal art creation which has been interpreted through an artistic approach. Viewers are then guided for personal experiments which turn the religious and cultural cognition of Xuan-Tian God into abstract and conceptual ones. Thus, the intrinsic nature of Xuan-Tian God has been re-contemplated so as to present both the researcher’s creation concept and the new look of the religious art.
Liao, Wei-liang, and 廖偉良. "The Life and death philosophy of Xuan-tian God''s-- The eternal soul --." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/20022721814780369469.
Full text國立屏東教育大學
視覺藝術學系
97
《Abstract》 The Xuan-Tian God is the most important god in the Taoism, and holds the great position in Taoism.The faith of Xuan-Tian God tells the ultimate concern and care to human life; it’s the classical spirit of Taoism. This essay discusses the history of Xuan-Tian God and its position in Taoism. In addition, I will focus on the content of Xuan-Tian God’s faith regarding the connection of life to death, as the discourse and theory of my essay. The Xuan-Tian God concerns the original admiral of galaxy, animals, and the human god. The underlying meanings are so deep and present the reconciliation of God, land and human. The images of Xuan-Tian God, fulfilled with the God of procreate and hell, cover the life and death. Therefore, this research uses the artwork to discuss the relationship of Xuan-Tian God to the nature of life, and integrate the religious concept of the west and the east to present the immortal and to explain the eternal soul and the nature of life. I expect these applications of creative concept and presentation to highlight the diverse directions of art field.
Shih, Pei-yu, and 石佩玉. "A Study of the Belief of Xuan Tian God in Tainan(1661~2010)." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/74998914377987484648.
Full text國立臺南大學
台灣文化研究所碩士班
101
As a belief of orientation god, Xuan Tian God is Located in the North with supreme status and vivid images. The belief originates from the worship of nature, such as star god, animal god and water god. With the passage of time, it transforms into a personal god and transcends the four spiritual creatures. As a result of warfare, the Han people migrated along with the belief of Xuan Tian God from the North to the South, then to Taiwan and finally settled down in Tainan. The gist of this research is to explore the belief of Xuan Tian God in Tainan over a time span from the period of Koxinga to the days before the merger of Tainan city and county. It introduces the current locations and histories of the total 14 temples, which mainly worship Xian Tian God and spread over the Districts of the East, the South, the Middle-west and the North of Tainan, so as to understand the development of the belief of Xuan Tian God in individual District in Tainan. It also investigates the cultural characters of the belief of Xuan Tian God in Tainan, such as the legends and the functions, introduces the associated deities, and outlines the subordinates of Xuan Tian God. It hopes that the people in the future can realize the belief of Xuan Tian God and the background and implications of how the belief migrated to and settled down in Tainan. Therefore this research studies the belief of Xuan Tian God in Tainan. Following the preliminary understanding of the evolution from Xuan Wu to Xuan Tian God, it explores the developmental context of this belief from the time it first migrated to Tainan till the days before the merger of Tainan city and county.
YI-JEN, LU, and 呂宜珍. "Taoism’s Ceremony:From Visual Art’s prespective-- Take the religious ceremony of Xuan-tian God for example --." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/85298781874957582773.
Full text國立屏東師範學院
視覺藝術教育學系碩士班
94
Taoism’s Ceremony:From Visual Art’s prespective --Take the religious ceremony of Xuan-tian God for example-- Abstract In order to break through the constraint of the traditional religion art form, and to explore new looks of religion art, I learn from Taoism’s ceremony and activities that there are numerous Taoism's gods. I choose one particular god, the Xuan-tian God, as an example and analyze his features, and further incorporate such into my work. The purpose of this research is to discuss the artistic aspect of Taoism's ceremony. I use various angles of iconography, semiology, traditional art type of facial make ups, chromatology and social art as the fundamental spirit of my work. It uses the totem and shape in the shape of ancient Chinese word-sign and pattern as its main framework, which is in combination with religion art, and merging with contemporary art form. By means of conceptual art and installation art, I expect to show a general figure art. I represent my whole ideas in the form of mixture of traditional and contemporary art. I hope people may view these religious ceremonies from an artistic viewpoint, and appreciate the old beliefs and legend contained therein. From a new angle to see the religious art, people may see the beauty of our own culture. These local culture features will continuously be shown and cultivated in a more innovative way after more local artists deeply learn and recognize them.
Li, Pei-Hua, and 李佩樺. "Purification Ritual:Wang Ye Belief and Huo Deng Ye Xun of Jian De Gong in Guo Gou In Chiayi County." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/s4jacv.
Full text國立高雄應用科技大學
文化創意產業系
104
Guogou village is a tranquil village with genuine and warm-hearted residents, and a sincere and respectful culture which has a long history. A cleansing ceremony is held to explore the relationship between the religion and the residents who worship there. We will discuss the Jiande Temple, the main temple of Chiayi’s Guogou township, where the supreme deity is Prince Li. There is a folk tale of Jiande Temple known as the “Huo Deng Ye Xun”, which involves a ceremony of intangible assets. We first introduce the culture and lifestyle of the residents of Putai, Chiayi, as well as their environment and industry in order to further understand the history and social fabric of the Jiande Temple, and then thoroughly analyse the effects of the Fire Lamp Night Patrol ceremony on the values of the local society, and the significance of the event. Furthermore, we analyse how purely regional beliefs develop into intangible cultural assets and combine with the cultural policies of the temple, and stimulate community integration and development. Also, this article will through the discussion of the Firelight Nightwatch event and temple ceremony, also help to further increase the understanding and awareness of Chiayi’s Jiande Temple Fire Lamp Night Patrol festival.
Books on the topic "Xuan gou"
Hong, Fu, ed. Yao cai xuan gou xu zhi. Xianggang: Zhong hua shu ju (Xianggang) yu xian gong si, 1994.
Find full textqing, Yang liu. Gou gou men de xin shi. Tian jin: Tian jin jiao yu chu ban she, 2008.
Find full textFei cui jian shang yu xuan gou. Taibei Shi: Di teng chu ban tu shu you xian gong si, 2007.
Find full textauthor, Mo Weiji editor, ed. Fei cui xuan gou yu jian shang. Shanghai: Shanghai shi ji chu ban gu fen you xian gong si, 2016.
Find full textBook chapters on the topic "Xuan gou"
Norland, Patricia D. "Xuan." In The Saigon Sisters, 194–204. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749735.003.0017.
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