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Relevant bibliographies by topics / Yangoru dialect

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Academic literature on the topic 'Yangoru dialect'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Yangoru dialect"

1

Mai, Yun. "Creaky Voice as a Distinctive Feature of Tone Systems." Bulletin of Chinese Linguistics 4, no. 1 (2010): 34–44. http://dx.doi.org/10.1163/2405478x-00401004.

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Creaky voice is found in the entering tones (rusheng) in Baduhua, a Chinese dialect in Guangxi. Both rusheng tones in Baduhua have falling contours, yinru being high falling and yangru low falling. Of theoretical interest is that they contrast with the two plain falling tones, yinqu and yangqu, respectively, in the same language. The only difference between the two pairs of tones is presence or absence of creaky voice. This is the first time that creaky voice has been found to serve as the only distinctive feature in differentiating tonal categories.

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2

Mai, Yun. "Creaky voice as a distinctive feature of tone systems: An analysis of the entering tones in Baduhua in Guangxi." Bulletin of Chinese Linguistics 4, no. 1 (2010): 23–33. http://dx.doi.org/10.1163/23526963-90000518.

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Abstract:

Creaky voice is found in the entering tones (rusheng) in Baduhua, a Chinese dialect in Guangxi. Both rusheng tones in Baduhua have falling contours, yinru being high falling and yangru low falling. Of theoretical interest is that they contrast with the two plain falling tones, yinqu and yangqu, respectively, in the same language. The only difference between the two pairs of tones is presence or absence of creaky voice. This is the first time that creaky voice has been found to serve as the only distinctive feature in differentiating tonal categories.

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3

Lam, Man Fong. "Length as the Exclusive Distinctive Feature:." Bulletin of Chinese Linguistics 4, no. 1 (2010): 97–109. http://dx.doi.org/10.1163/2405478x-00401007.

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Pitch is generally regarded as the exclusive distinctive tonal feature in tone descriptions of Chinese dialects. By means of acoustic experiments, this paper investigates the tones of the Fuqing dialect. The results show that the F0 of the shangsheng and yangqu tones are nearly identical. A perception experiment involving identification tests was conducted to explore the influence of tone length on tonal perception. The results show that length functions as the exclusive distinctive feature. This demonstrates the vital role length plays in a description of the tones of the Fuqing dialect.

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4

Lam, Man Fong. "Length as the Exclusive Distinctive Feature: A Perception Experiment of Fuqing Tones." Bulletin of Chinese Linguistics 4, no. 1 (2010): 89–101. http://dx.doi.org/10.1163/23526963-90000521.

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Abstract:

Pitch is generally regarded as the exclusive distinctive tonal feature in tone descriptions of Chinese dialects. By means of acoustic experiments, this paper investigates the tones of the Fuqing dialect. The results show that the F0 of the shangsheng and yangqu tones are nearly identical. A perception experiment involving identification tests was conducted to explore the influence of tone length on tonal perception. The results show that length functions as the exclusive distinctive feature. This demonstrates the vital role length plays in a description of the tones of the Fuqing dialect.

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5

Lin, Xiaocao. "An Acoustic Analysis on Mono-Syllabic Tones in the Ruian Wu Dialect." Communications in Humanities Research 63, no. 1 (2024): 56–65. http://dx.doi.org/10.54254/2753-7064/63/20242562.

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The Ruian dialect, part of the Oujiang branch of Wu Chinese, is situated at the intersection of the Yangtze River Delta and the Pearl River Delta regions. It is generally accepted that this dialect has eight distinct tones. Previous studies primarily employed traditional methods of auditory transcription, leading to discrepancies in tone values and contours, and lacking the necessary precision for an objective tonal system description.This study focuses on the Ruian dialect and conducts an acoustic study on speech samples from three generations of participantselderly, middle-aged, and youngdes

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6

Zhu, Xiaonong, and Ying Hong. "The Phonetic Nature of the Entering Tones in Chaozhou Dialect." Bulletin of Chinese Linguistics 4, no. 1 (2010): 122–34. http://dx.doi.org/10.1163/2405478x-00401009.

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One of the most important features of the entering tones (rusheng) of the Min dialect of Chaozhou is that yinru has a lower pitch than yangru. This project demonstrates the acoustic properties of 200 Chaozhou rusheng syllables by examining their spectrogram patterns, spectral tilt and HNR. Our findings show that the tonal flip-flop in Chaozhou dialect has resulted from changes in phonation type of the rusheng syllables. The yinru syllables drop their final glottal stop and have changed their phonation into creaky voice, which induced low pitch. Yangru syllables are more complicated. There are

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7

Zhu, Xiaonong, and Ying Hong. "The Phonetic Nature of the Entering Tones in Chaozhou Dialect." Bulletin of Chinese Linguistics 4, no. 1 (2010): 115–27. http://dx.doi.org/10.1163/23526963-90000523.

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Abstract:

One of the most important features of the entering tones (rusheng) of the Min dialect of Chaozhou is that yinru has a lower pitch than yangru. This project demonstrates the acoustic properties of 200 Chaozhou rusheng syllables by examining their spectrogram patterns, spectral tilt and HNR. Our findings show that the tonal flip-flop in Chaozhou dialect has resulted from changes in phonation type of the rusheng syllables. The yinru syllables drop their final glottal stop and have changed their phonation into creaky voice, which induced low pitch. Yangru syllables are more complicated. There are

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8

Yu, Zihan. "Acoustic Analysis of the Monosyllabic Tone of Ya Dialect in Qingping, Lianjiang." Communications in Humanities Research 26, no. 1 (2024): 168–74. http://dx.doi.org/10.54254/2753-7064/26/20232046.

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This study investigates the monosyllabic tone of the Ya dialect in Qingping, Lianjiang through the use of acoustic experimentation. The Praat software is employed to obtain objective tone values and tone duration data from a sample. The results indicate that the Ya dialect in Qingping, Lianjiang comprises six tone categories, namely Yinping, Yangping, Shangsheng, Qusheng, Yinru, and Yangru, with corresponding tone values of 55, 35, 41, 44, 31, and 5. The order of tone duration, ranked from longest to shortest, is as follows: YinpingShangshengQushengYangpingYinruYangru. Although the tone types

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9

Faucher, Carole. "Capturing Otherness: Self-Identity and Feelings of Non-Belonging Among Educated Burmese in Thailand." Copenhagen Journal of Asian Studies 28, no. 2 (2012): 54–81. http://dx.doi.org/10.22439/cjas.v28i2.3429.

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This paper explores the subjective experiences of migrants engaged in producing alternative modes of self-identification and in creating a new basis for their collective identity. Through the analysis of personal narratives, this article examines the dialectic movement between complex political and social constructions of Otherness and processes of self-identification among English-educated lowland Burmese living in Thailand. It investigates the meanings and perceptions attached to the different terms used as identity frameworks in popular discourse among Thai and among Burmese themselves and

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10

Campanioni, Chris, and Giancarlo Lombardi. "A Site of Unsettlement." M/C Journal 23, no. 5 (2020). http://dx.doi.org/10.5204/mcj.1692.

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Anomaly: something different, abnormal, peculiar, not easily classified or classifiable; a deviation; a detour. Something out of time and out of place. No longer can we read the anomaly without considering the larger global crisis of COVID-19. Where were we if not out of time during the temporal disjunction – time out of joint, after Shakespeare – of worldwide lockdowns, which coincided with the time of proposal and submission, the time of reading and editing this issue? Where were we, as scholars in North America, if not out of place when we set out to curate a collection of essays in a journ

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Books on the topic "Yangoru dialect"

1

Meng, Qinghai. Yangqu fang yan zhi =: Yangqu fangyanzhi (Shanxi sheng fang yan zhi cong shu). She hui ke xue wen xian chu ban she, 1991.

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